Pencil Mixed Media

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

A composition of mixed media constructs of watercolor, pencil and basswood over wood panel covered linen. Signed

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

The "White Inferno" series features crafted mixed media artworks, blending diverse mediums to create intense visual compositions. Incorporating collage p...

Signed Lower Left by Artist The Saturday Evening Post cover, December 1, 1945

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). He is a part-time resident of Castine, Maine and has enduring connections with Truro, Cape Cod. Young's most recent work is an outgrowth of sixteen years of research on (and “with”) the little known painter and educator, William Holst...

A composition of mixed media constructs of watercolor, pencil and basswood over wood panel covered linen. Signed

Black textured impasto painting by contemporary artist Paul Wiener. The work features a thick layer of intensely pigmented paint in which the viewer can ea...

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). ...

"Adagio in Blue" 2023, 72" H x 96" W. Large Scale horizontal abstract painting consisting of acrylic, home paint, pencils and oil pastels on canvas by Argentine-born artist Karina G...

A triptych mixed media construct of watercolor, pencil and basswood over wood panel covered linen. Signed Each Construct size: 17" x 17" Can be sold individually ($2,400 ea.)

Black textured impasto painting by contemporary artist Paul Wiener. The work features a thick layer of intensely pigmented paint in which the viewer can ea...

Robert Petersen After A Rain #2, 1987 Collage on Paper: Pencil, Oil, Acrylic and Cloth Hand signed, dated and titled on lower front with Castelli Graphics label on the back Frame Inc...

Textured mixed media and collage abstract modern painting inspired by nature and flowers, questioning reality, often playing with inserts to introduce the doubt of something more. In the research of contemporary artist Federica Aiello Pini...

Barnett, a surrealist artist incorporates discarded mechanical objects and gadgets into his artwork. His work is characterized by its unique and eclectic mix of materials, which rang...

An original, contemporary, abstract expressionist painting, "Is Anyone Listening?" features dramatic gestural brushstrokes dancing across a layered creamy-white canvas. Soft pastel p...

Katarina Riesing Eden 20.75” x 26.5” outside dimensions of frame lithograph with hand drawn elements 2019

2006 trip to Rome and Florence had a tremendous impact on my work.

This artwork has been on exhibit at Volta Basel Art Fair 2022 with AC Latin Art. Textured mixed media and collage abstract modern painting inspired by nature and flowers, questioning reality, often playing with inserts to introduce the doubt of something more. In the research of contemporary artist Federica Aiello Pini...

Johnny Banks (1912-1988) San Antonio Artist Size: 11 x 15 Frame: 16.75 x 20.75 Medium: Mixed Media "On Pay Day" Biography Johnny Banks (1912-1988) In my opinion one of the greatest T...

"Divine Spontaneity I and II" 2023, 48" H x 36" W each. Price is for pair. Pair of vertical abstract paintings (diptych) consisting of acry...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

A fine art, contemporary painting in the abstract expressionist style, "You Make Me Feel Like Dancing" features vibrant blue, soft cream, rich tan and pale pink acrylic paint atop l...

"Divine Spontaneity I" 2023, 48" H x 36" W. One of a pair of vertical abstract paintings (diptych) consisting of acrylics, house paint, and...

An original, fine art, abstract expressionist painting, "Lizard Brain" combines vibrant teal, turquoise, and red paint with neutral cream, beige, white and black. Up-cycled paper, dr...

A fine art, contemporary abstract painting, "intimate Invasion" features vibrant red and gold acrylic combined with neutral brown, beige, cream and black, all sitting atop layers of up-cycled paper. It is an original, contemporary painting created in 2022 by abstract expressionist artist Kara Greenwell. Measuring 40 inches by 30 inches, this abstract painting is the perfect modern statement art to hang on any wall. The artist continued the painting extending around the edges of this gallery wrapped canvas, ensuring visual interest from all angles. This contemporary abstract expressionist work is hand signed by the artist on both front and back and is sealed with Archival, UV-resistant varnish. The painting can be hung a nail or picture hook...

"Field Study - Winter Patterns" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in ...

Right Turn on the Railroad Track - Abstract Expressionist Mixed Media on Paper Abstract in bold blue and red on a soft black background , by California-based artist Ricardo de Silva...

"Field Study - Notes on the Goddess" is an original mixed media piece by Terri Warpinski. The artist used photographs layered with fragments of her notebook and sketchbook to make th...

A contemporary painting in an abstract expressionist style, "The Waltz of Id and Ego" features gestural acrylic brushstrokes and mixed media markings in soothing shades of green, pink, terra-cotta, cream and white. It is an original, fine art painting created in 2022 by abstract artist Kara Greenwell. Sophisticated creamy white blends with pumpkin, teal and salmon acrylic hues with energetic rust, black and teal drips and charcoal and graphite marks. The artist continued the painting extending around the edges of this gallery wrapped canvas, ensuring visual interest from all angles. Measuring 24 inches by 48 inches, this landscape-oriented abstract painting is the perfect modern statement piece for above a couch, table or console. The painting can be hung a nail or picture hook...

Santi Moix Seeing Don Quixote and Sancho ("the famous pair"), ca. 2008 Drypoint, etching and abrasion with hand coloring with watercolor, along with graphite annotations Hand signed and numbered 1 of 5 (1/5) by the artist on the front Frame Included: elegantly floated and framed in a museum quality hand made wood frame, finished with authentic gold leaf The present work is one of a suite of hand colored prints that were included in the exhibition "Santi Moix: Don Quixote" at PACE prints from September 11 to October 4, 2008. Excerpt from the PACE Gallery Press materials: It is clear that Moix, a true Catalonian, has a rightful claim to the lineage that spawned the extraordinary draughtmanship of his Spanish predecessors- Goya and Picasso. “Part of the pleasure of this project on Quixote by Santi Moix is that it boldly closes the gap between writing and art, between the markmaking of the pen, the stylo, the etching tool, between the fiction of two absolutely distinct means of expression, and proposes instead a true imaginative domain in which unity is everything” – Adrian Dannati, 2008 Measurements: Frame: 22 x 27 x 1.5 inches Print: 19.5 x 25 inches Exhibition History: "Santi Moix: Don Quixote" at PACE prints from September 11 to October 4, 2008. Published by Pace Prints, in collaboration with the Institut Ramon LLull Provenance: PACE Editions, New York, NY This work is elegantly floated and framed in a hand made museum quality wood frame, finished with genuine gold leaf, under UV plexiglass. About Santi Moix: Santi Moix was born in Barcelona in 1960. Recent solo exhibitions include “Brooklyn Studio,” M77 Gallery, Milon, Italy; “Santi Moix on Huckleberry Finn: Watercolors and Wall Dryawings,” Paul Kasmin...

"Bodacious" 2023, 72" x 72" square. An overscaled and dramatic abstract painting consisting of acrylic, house paint, pencils, and oil pastels on flat board canvas by Argentine-born a...

A piece from Bartolome Sastre's mixed media on paper collection. 11.25" x 8.5" Pastel and pencil on paper

Johnny Banks (1912-1988) San Antonio Artist Image Size: 11.5 x 14.5 Frame Size: 17.75 x 20.5 Medium: Mixed Media "The Head of John The Baptist" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Barnett, a surrealist artist incorporates discarded mechanical objects and gadgets into his artwork. His work is characterized by its unique and eclectic mix of materials, which rang...

Barnett, a surrealist artist incorporates discarded mechanical objects and gadgets into his artwork. His work is characterized by its unique and eclectic mix of materials, which rang...

'Stay with me' highlights the importance of company and friendships in our lives for days when we are not strong alone. While considering the positive role companionship takes in loneliness, mental health, and wellness. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist: Born in Lagos (Nigeria) in 1994 and based in Abeokuta, Nigeria. Eniafe Gbenga...

Oil and graphite on canvas

A piece from Bartolome Sastre's mixed media on paper collection. 19.5 x 27.5 inches Pastel and pencil on paper

Johnny Banks (1912-1988) San Antonio Artist Image Size: 11 x 8 Frame Size: 17.5 x 14.5 Medium: Multimedia "Puppy Love" Biography Johnny Banks (1912-1988) In my opinion one of the gre...

James Rosati Untitled Geometric Abstraction, 1982 Two-sided Acrylic and Colored Pencil on Paper drawing Hand signed and dated on lower right front 14 1/2 × 13 1/2 inches This is a un...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Johnny Banks (1912-1988) San Antonio Artist Size: 11 x 14 Frame: 17 x 20 Medium: mixed media Dated 1979 "The Lonely Wild" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk...

"Interlude" 2023, 72" H x 60" W. Vertical abstract painting consisting of acrylic, home paint, pencils and oil pastels on canvas by Argentine-born artist Karina Gentinetta (featured...

This is an original mixed media collage by Southern California artist, Kathleen Kane Murrell. It is unframed. The artist protects the canvas with a layer of plexiglass. Its dimension...

Part of Bartolome Sastre's collection of drawings with pastel. 8.5" x 11.25"

Oil paint, oil pastel on paper.

Richard Pettibone The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 Silkscreen in colors on masonite board (unique variant on sculpted board) Hand-signed by artist, Signed and dated on the front (see close up image) Bespoke frame Included This is a rare example of Pettibone's iconic Appropriation Print, as it's silkscreened and sculpted on masonite board rather than paper, giving it a different background hue, and enabling it work to be framed so uniquely. The Appropriation print is one of the most coveted prints Pettibone ever created ; the regular edition is on a full sheet with white background; the present example was silkscreened on board, allowing it to be framed in 3-D. While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.) This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic. Measurements: Framed 14.5 inches vertical by 18 inches horizontal by 2 inches Work 13 inches vertical by 16.5 inches horizontal Richard Pettibone biography: Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York. "I wished I had stuck with the idea of just painting the same painting like the soup can and never painting another painting. When someone wanted one, you would just do another one. Does anybody do that now?" Andy Warhol, 1981 Since the mid-1960s, Richard Pettibone has been making hand-painted, small-scale copies of works by other artists — a practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at Castelli Gallery, Pettibone has been showing more of the “same” paintings that had already been part of his 2005–6 museum retrospective,1 and also including “new” subject matter drawn from his usual roster of European modernists and American postwar artists. Art critic Kim Levin laid out some phases of the intricate spectrum from copies to repetitions in her review of the Warhol-de Chirico showdown, a joint exhibition at the heyday of appropriation art in the mid-1980s when Warhol’s appropriations of de Chirico’s work effectively revaluated “the grand old auto-appropriator”. Upon having counted well over a dozen Disquieting Muses by de Chirico, Levin speculated: “Maybe he kept doing them because no one got the point. Maybe he needed the money. Maybe he meant it when he said his technique had improved, and traditional skills were what mattered.” On the other side, Warhol, in her eyes, was the “latter-day exemplar of museless creativity”. To Pettibone, traditional skills certainly still matter, as he practices his contemporary version of museless creativity. He paints the same painting again and again, no matter whether anybody shows an interest in it or not. His work, of course, takes place well outside the historical framework of what Levin aptly referred to as the “modern/postmodern wrestling match”, but neither was this exactly his match to begin with. Pettibone is one of appropriation art’s trailblazers, but his diverse selection of sources removes from his work the critique of the modernist myth of originality most commonly associated with appropriation art in a narrow sense, as we see, for example, in Sherrie Levine’s practice of re-photographing the work of Walker Evans and Edward Weston. In particular, during his photorealist phase of the 1970s, Pettibone’s sources ranged widely across several art-historical periods. His appropriations of the 1980s and 1990s spanned from Picasso etchings and Brancusi sculptures to Shaker furniture and even included Ezra Pound’s poetry. Pettibone has professed outright admiration for his source artists, whose work he shrinks and tweaks to comic effect but, nevertheless, always treats with reverence and care. His response to these artists is primarily on an aesthetic level, owing much to the fact that his process relies on photographs. By the same token, the aesthetic that attracts him is a graphic one that lends itself to reproduction. Painstakingly copying other artists’ work by hand has been a way of making it his own, yet each source is acknowledged in his titles and, occasionally, in captions on white margins that he leaves around the image as an indication that the actual source is a photographic image. The enjoyment he receives in copying is part of the motivation behind doing it, as is the pleasure he receives from actually being with the finished painting — a considerable private dimension of his work. His copies are “handmade readymades” that he meticulously paints in great quantities in his studio upstate in New York; the commitment to manual labor and the time spent at material production has become an increasingly important dimension of his recent work. Pettibone operates at some remove from the contemporary art scene, not only by staying put geographically, but also by refusing to recoup the simulated lack of originality through the creation of a public persona. In so doing, Pettibone takes a real risk. He places himself in opposition to conceptualism, and he is apprehensive of an understanding of art as the mere illustration of an idea. His reading of Marcel Duchamp’s works as beautiful is revealing about Pettibone’s priorities in this respect. When Pettibone, for aesthetic pleasure, paints Duchamp’s Poster...

MORNING BREAKFAST is an original mixed media collage on board by Brooklyn artist Karl A. McIntosh. MORNING BREAKFAST is a colorful abstract dinner table scene portraying three black people seated together having breakfast. McIntosh's inventive use of cut bits of colored paper in shades of red, brown, blue, pink, black, and magazine print clippings for facial details, dishes, lettering layered with wildly expressive yellow, blue, green and white painted accents create an energetic and rambunctious morning gathering to start the day! The cacophony of colors fills the dining scene with lively engagement. The viewer can't help but continue gazing at the frenzied movement and visual chatter going on in MORNING BREAKFAST, a captivating and irresistible painted collage by Karl A. McIntosh. Framed size - 27.25 in. x 33.5 in. Image size - 221.25 in. x 27.5 in. Excellent condition, archival framing, cherry tone bevel wood frame accented with green wood/gold edge liner, hand signed by the artist "K.A.McIntosh" on upper left edge. About the artist: Karl A. McIntosh is a self taught artist who works is pastel, watercolor, acrylic, stone, wood and metal and is a known for his imaginative transformation of found objects into works of art. Born in Kingston, Jamaica, McIntosh moved to the United States at an early age and later took up art. Among his mentors are artist Otto Neals with whom he worked at the Bob Blackburn Printmaking Working Workshop and artist Marian Griffin. McIntosh is also a poet, drummer and dancer who draws his creative inspiration and expression from his study of African art and culture. McIntosh’s bold, bright colors dance off the page and tantalize the senses. His work is profound in its statement and deliciously whimsical. His work is an honest portrayal of everyday life and the people who live it but on occasion, takes on public figures and world events most often employing satire as thick as the layers of paint or paper he uses to depict them. McIntosh’s work has been exhibited at numerous venues across the country including Dorsey’s Art Gallery, The Skylight Gallery, MOCADA (The Museum of Contemporary Diasporan Art), 843 Studio Gallery, The National Black Fine Art...

A piece from Bartolome Sastre's mixed media on paper collection. 8.5 x 11.25 inches Pastel and pencil on paper

The pieces attract by the power of the pictorial gesture materialized in the line, the shape, and the color. For Daniel, each painting contains and transmits the energy that was embo...

This is a new painting and part of my 'grasses' series. I have been interested in the complexity of line this year having shifted from painting and drawing flowers in 2022. My goal...

"On Distant Docks", 2023, 48" x 72" acrylics, pencils, and oil pastels on canvas by Argentine born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional H...

Ghosts of Love If love took form, if we could see it, and if so watch, as it faded, or got lost, or just gave up, slowly softly, disappeared, disillusioned, dejected, I think I saw it, as a tree in the woods, as a pale moth, a boat upturned on a shore, moonlight on ocean, a feather, drifting down, discarded, I looked and, love was everywhere, sighing, trembling, shimmering, fluttering, tender, as it departed, and as I watched...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...