Pencil Mixed Media

Patricia Zippin Moon View VIII 1980s Mixed Media 24"x 16", unframed Titled, signed, materials, and dimensions in pen on reverse Patricia Jayne Zippin (1930-2015) She was born to B...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Layered and complex abstracted landscape by Lauren Ohlgren (American, b. 1959). At the base layer, this piece is an abstracted landscape, with saturate purple and green trees. Sketches of trees...

Village is an original drawing in pencil, pen and tempera, illustration, realized by Lucien Boucher (1889-1971), hand-signed on the lower right. The state of preservation of the artw...

Patricia Dahlman was born in Cincinnati, Ohio and studied art at Wright State University in Dayton, Ohio and Yale University Summer School of Art and Music in Norfolk, Connecticut. Dahlman has lived and worked as an artist in Seattle, San Francisco and the New York City area. She has received a New Jersey Printmaking Fellowship to the Brodsky Center, two Geraldine R. Dodge Foundation Fellowships to attend Vermont Studio Center and Virginia Center for Creative Arts, a Puffin Foundation Grant Award for The War and Peace Print Project, a Yaddo Residency, a Gallery Aferro Studio Residency and recently was an artist in residence at SLAK Atelier in Arnhem, Netherlands. Dahlman has exhibited her work all over the United States and has been included in exhibitions at George Adams Gallery...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

CHEZ SAGOT EXPOSITION CH. MAURIN 39 BIS RUE DE CHATEAUDUN. Signed pencil drawing with the artist's owl head' stamp circa 1899. Paper size 9 7/8 x 12 3/4" (25 x 32.6 cm). This orig...

Artist's proof of hand copper application and aging techniques by Patricia Pearce (American, b. 1948). Unsigned, but was acquired with other Patricia Pearce pieces. Presented in a ne...

Patricia Zippin Tillamook Flight 8 of 12 1980s Mixed Media 30.5"x 22.5", unframed Signed in paint on bottom right and signed and titled on reverse in pen Patricia Jayne Zippin (1930...

Patricia Zippin Study For Anaganaga 3/6 1980s Mixed Media 30.25"x 23", unframed Signed in pencil bottom right and titled bottom left and signed and titled in pencil on reverse Patri...

Patricia Zippin Temescal 3 1980s Mixed Media 30.5"x 22.5", unframed Signed in paint on bottom right and signed and titled on reverse in pencil Patricia Jayne Zippin (1930-2015) She ...

BRYAN INGHAM (BRITISH 1936-1997) COLLE VAL D'ELSA, 1991-92 oil and pencil on wood relief signed, titled and dated 'Bryan Ingham Colle Val d'Elsa 1991-1992 (relief)' (on the reverse)...

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

"Hey Did We Scratch?" - Abstract Expressionist Composition Detailed and layered composition by Leroy W. Parker (American, 1941). This piece is divided into a checkerboard, with a variety of overlaid patterns and textures. There are several types of handmade paper applied to the canvas, likely made by Parker himself. Signed "Leroy Wheeler Parker" in the lower right corner. "#1" and an up arrow are written on verso. Tag on verso with artist info, title, media, and date. No frame, but the edges of the canvas are painted for a frame-less display. Leroy W. Parker (American, b. 1941) is an artist from Oklahoma who now resides in Lafayette, California. Parker earned his BFA in painting from the California College of Arts and Crafts in 1966, and then went on to earn his MFA in 1968 from the same institution. He is a Professor of Art at San Jose State University. He has taught classes in fine arts, life drawing, ceramics, paper making (which he instituted in 1984), and sculpture since 1969. Parker has also served on the State Art Commission for sculptural grants. One of his pieces is held in the San Jose Museum of Art. Selected Exhibitions: Drawings and Paintings - ACCI Gallery, Berkeley, CA - 1974 “Artistry in Clay” - Forge Patio Art Gallery, Lafayette, CA - 1980 “A Most Elegant Show” - Sunshine Art Gallery, Fair Oaks, CA - 1982 “Flora” - Harcourts Contemporary, San Francisco, CA - 1983 Idea Gallery, Sacramento, CA - 1985 “Multi-Media Man” - Sacramento Center for Textile Arts, Sacramento, CA - 1994 “The Art of the Family” - Works Gallery, San Jose, CA - 1999 Artist’s Statement: I was born in Eagletown, Oklahoma to Southern Baptist parents, and my father was a preacher. We were two boys and six girls in the family. The most mundane things were magical and special to me. I liked to draw, color, make things, and plant things. I loved the woods and the earth, and watching storms with thunder and lightning. We moved from Oklahoma when I was 11. In the late 1950s, I attended Oakland Technical High School where I met artist Sam Richardson...

"Untitled" Mixed media piece by the artist KENT KALMAN PACHUTA. Mediums used include color pencil, graphite, pastel and powdered pigment on thick paper. The piece measures approximat...

Layered and complex abstracted landscape by Lauren Ohlgren (American, b. 1959). At the base layer, this piece is an abstracted landscape, with saturate purple and green trees. Sketches of fruit, leaves, and cross hatching are layered on top, with a final layer of white color pencil highlights. Signed "Lauren S Olgren" in the lower right corner. Signed, titled, and dated on verso. No frame. Lauren Ohlgren (American, b. 1959) began her art career in the mid 1990’s making hand-painted silk and art-to-wear. She then began to work in encaustics, and later incorporated various mixed media into her artwork. Ohlgren was the curator of Journal 365, A Page A Day community project in 2015 and The She Project, 2005-2013. Ohlgren is also the author of 2005 award winning book, The She Project; How ‘She’ Inspired a Community. Exhibitions and Instruction: 1999 - “Rags 99 Wearable Art Show”, Tacoma, Washington 2005 - Red Horse Coffee, Albany, Oregon 2010 - Giustina Gallery, Corvallis, Oregon 2011 - The Teal Artists Co-Op, Corvallis, Oregon 2018 - The Art Center, Corvallis, Oregon 2019 - Philomath Open Studios Instructor, Sitka Center for Art and Ecology Instructor, Linn Benton Community College Instructor, Portland Urban Sketchers...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...

A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...

Graphite, ink and crayon mixed media artwork of a surgical team at work by the Russian/American, Nahum Tschacbasov. Titled top right. Signed and dated lower left, 1979. Condition: Very good. Provenance: Estate of the artist. Overall framed in one inch wide black matte frame with off white mat 17.5 by 21.5 Inches. Nahum Tschacbasov’s paintings are in the permanent collections of the Metropolitan Museum of Art, the Brooklyn Museum, the Jewish Museum, the Philadelphia Museum, the Pennsylvania Museum of Fine Art, as well as numerous college and private collections. His work was shown at ACA Gallery in New York, as well as Perl’s Gallery and John Heller...

Bill Shields "Micro Biomorphic Abstract Drawing " 1990's Pastel, pencil charcoal on illustration board Site measures 3"x3" silver wood frame 9.75"x10.75" Unsigned came from artist's ...

Bill Shields "Micro Biomorphic Abstract Drawing II" 1990's Pastel, pencil charcoal on illustration board Site measures 3.5"x2.5" silver wood frame 10.5"x10.5" Unsigned came from arti...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Previously exhibited: New Pastels by Marina Stern, Forum Gallery, New Yo...

Watercolor & Graphite on Canvas

Smooth abstract composition mounted on slate by an unknown artist. Unsigned. No frame.

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Sandra Cohen’s “where were you?” is an 8 x 8 x 1 inch acrylic painting on cradled wood. Flowers outlined in fine graphite seem to weep in front of a vibrant patterned background of p...

Columbus, Georgia-based artist Kellie Newsome specializes in dynamic and expressive animal portraits that radiate vitality and personality. Her unique style combines abstracted forms...

John Baker’s portrait “Smoker” is a pencil drawing on paper with collage 22 inches by 14 ½ inches. Concentration and disorientation are both well captured in the smoker’s face, which...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Date: 1972 Graphite and Aerosol on Paper, signed and dated in pencil Image Size: 18 x 25.5 inches Size: 21.5 x 29.75 in. (54.61 x 75.57 cm)

Thinking of Pompeii (Mixed Media Collage on Board in Tones of Red)), made by Hudson Valley based artist, Donise English, in 2025 mixed media collage on board, framed Image size: 16 x...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

The Girl and the Gorilla is an original Contemporary artwork realized in France in the middle of the 20th Century. Original Drawing on paper. Pencil on paper. Dimensions: cm 46 ...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

"Red Rabbit Wreath" By Johanna Mueller is a unique and detailed piece which depicts a jumping desert rabbit, surrounded by iconography of the plains desert, structured in a Native Am...

Johnny Banks (1912-1988) San Antonio Artist Size: 11 x 14 Frame: 17 x 20 Medium: mixed media Dated 1979 "The Lonely Wild" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk...

Piper is an original artwork realized by Louis Touchagues in the 1970s. Original colored drawing on paper glued on cardboard (25.6 x 18.8 cm). Hand-signed by the artist on the lowe...

Lovie Olivia “PL Bay” 2023 Signed Medical file folders, squid ink, graphite, glitter, acetate, vellum (Unique) 14 x 11 inches

À la guerre is an original artwork realized by Laura D'Andrea in 2018. Oil, acrylic and carbon on canvas. Hand signed by the artist on the lower right margin. Perfect conditions. The artwork, realized by the artist with oil, acrylic colors, and carbon on canvas, shows an abstract composition with circular shapes. The dominant color is violet, yet there are also some blue and green shades. The title of the artwork recalls a battle: indeed, we can visualize some horses among the abstract lines. The composition suggests a sensation of movement. Laura D’Andrea is an Italian artist and engraver. She was born in Sicily, where she currently lives and works. She studied printing techniques and especially xylography at the Academies of Fine Arts in Rome and Urbino, as well as Philosophy and Literature at the University of Grenoble. Her first exhibition was “La mia Sicilia” (My Sicily) in 1969 at the Galleria Flaccovio in Palermo, where, a few years later, she exhibited with “Hippies a Londra” (Hippies in London). In the 1980s, she moved to Il Cairo in Egypt, where she studied Arabic calligraphy and found the opportunity to realize a series of graphic works to be exhibited at the Egypt Academy of Rome. In those years, she dedicated herself to doing research on the historical Sicilian Baroque art and culture. Between 1986 and 1988, her solo show “L’Immaginario nel Barocco” (The Baroque Culture) took place at the Galleria Artivisive in Rome, at the Museum and Library of Ursino, at the Recupero in Sicily, and at the European Parliament in Strasbourgh. In 2002, she participated in the exhibition “Memoria Greca nel Mediterraneo” (Greek memory in the Mediterranean) in Sicily. In 2007, she exhibited in Rome and in Saudi Arabia. Between 2011 and 2015, she started exploring the world of jazz music, which would become an important subject for her future artworks; in those same years, she exhibited her works in England and in Belgium. Her artworks represent a leap in the Mediterranean Sea, between Sicilian and Arab cultures. Laura D’Andrea loves jazz music: on her canvases, we can perceive the sounds of places and people far in both place and time. Other important elements of her works are calligraphy and Archeoscrittura. Archeoscrittura is a fascinating practice consisting of artists exploring their own genetic memories for finding signs of archaic scriptures. Laura D'Andrea draws inspiration from the depths of her personal memory, and from the study of symbols found in the Archaic writing in the Mediterranean. Her works can be viewed at the Museum of Modern Art Pecci in Florence; at the Museum of woodcut Carpi in Modena; at the Museum of Modern Art Maga in Varese, Milan; at the Museum of Modern Art in Valencia, Spain; at the Museum of Art Mart in Trento and Rovereto with the donation of Mirella Bentivoglio.

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Artist: Eduardo Arranz-Bravo, Spanish (1941 - ) Title: Cosmos 4 Year: 2003 Medium: Acrylic and Mixed Media on Paper, signed and dated Paper Size: 15.5 x...

traces, minimalist painting on canvas medium size original art 80x60 cm the painting is sold stretched out on a wood frame ready to hang...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Anonymous Self Portrait Collage 4 2019 Signed and dated on label, verso Ink, graphite, acrylic, and Mylar on 300 lb. hot-pressed watercolor paper mo...

Monica DeSalvo’s “We didn’t take the plane—the plane took us!” is a lively 30 x 22 inch surreal collage on paper. Abstract areas of lime green, red, royal blue, and deep yellow embed...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Steven H. Rehfeld (American, born 1954) "Subliminal" 2002 Oil Paint, Mixed Media, Tape, Tissue Paper, Pencil, Canvas, Stretcher Bars This mixed media...