Pencil Mixed Media

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Danica Phelps (American, b. 1971), Three "Income/Outcome" series, pencil and watercolor on paper mounted on board, comprising: No. 32 "Cookie Cutters for Orion", March 17th, 2013, ti...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Mixed Media on Paper, stamped "Studio / Elfi Schuselka" to verso, unframed. 26" H x 18" W. Provenance: From the Collection o...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

30"x40" oil and graphite on paper signed on reverse, framed with natural wood frame (framed dimensions: 38"x48"). This oil painting by Mark Masyga created with a stunning linear abs...

KENNETH NOLAND Untitled, for Trustees of the Honolulu Museum of Art, 1984 Mixed Media collage with silver and colored foil on board. Signed on verso (back) with personal inscription. "for Twig and Laila" (Trustees of the Honolulu Museum of Art), Deaccessioned from the Honolulu Museum of Art Collection Inscription done in black marker and reads: "A Little Exercise For Twig and Laila With Thanks For A Wonderful 3 Days At ' Cedar House' On The 'Big Island'... 1 Sept 1984 Honolulu Hawaii." Frame included Measurements Framed: 12.5" x 12.5" x .3" Artwork: 8.75" x 8.75" This reflective Chevron collage was de-accessioned by the Honolulu Museum of Art. In 2018, it was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri, and is reproduced in the exhibition catalogue. Unique signed and dedicated mixed media collage with silver and colored foil on board by the important Color Field painter Kenneth Noland. It's quite a dazzling work, combining color field, geometric abstraction with Op Art, as the work changes appearance and color with the reflected and refracted light. - sometimes appearing light; sometimes darker. See the photos -- there's a light one and a darker one - and they both depict the same work. What's so impressive is that this work literally changes color depending on how the light reflects against it. The artist wrote a personal and heartfelt inscription on the verso to "Twig and Laila". (Twig (sic), which the artist deliberately misspells, is Thurston Twigg Smith, former publisher of The Honolulu Advertiser, who was married to New York philanthropist Laila Twigg Smith. Laila had lived in Hawaii since 1970, where she and her husband had put together a substantial collection of contemporary art. Unfortunately, the two divorced in 1996 and soon after she returned to New York. Two years later, in 1998, Laila died of liver failure at the young age of only 53. Laila was a major philanthropist and art collector who moved from Manhattan to Hawaii. She was a board member of the New Museum of Contemporary Art in New York and a major donor the Honolulu Museum in Hawaii. Laila donated the present Ken Noland...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was...

Patricia Zippin Silver Wrinkles 1980s Mixed Media 30.5"x 22.75", unframed Signed in paint bottom center Patricia Jayne Zippin (1930-2015) She was born to Ben and Dorothy Schubert on...

I've been fascinated with botany and have photographed flowers for 40 years now. Flowers were around long before animals – about 140 million years. There are estimated to be 400,000...

USA (Girl Scouts, Age 50 Version) Stamp art w Colored Pencil Drawing by Andrea Moreau made in 2025 colored pencil and postage stamp on paper 30 x 22 inches 33 x 25 inches framed Thi...

A portrait of two cats is deftly assembled by trailblazing modernist Hilla Rebay. The work is signed and titled lower left. 'Muschi et Antonio v. Rebay - Rome'. Titled to verso ‘Musc...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

Original crayon and pencil drawing on cut-out paper mounted on board. Hand signed with artist's initials CA. Executed in 1966, this work is registered in the archives of the Calder...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

Dynamic and abstracted still-life artworks are the specialty of Georgia-based artist Kellie Newsome. Her work is characterized by a loose and expressive style emphasizing line struct...

Elfi Schuselka (Austrian, b. 1940), Surrealist Composition, Mixed Media on Paper, stamped "Studio / Elfi Schuselka" to verso. 39.75" H x 29.75" W. Provenance: From the Collection o...

Sonia Gechtoff Untitled portico, from the estate of gallerist Andre Zarre, 1977 Acrylic and graphite on masonite Signed and dated '77 in graphite on the front Unique Provenance: Acqu...

The painting measures 77 x 39 cm and is an old linen sack filled with polyurethane foam. The pigments include beeswax, oxide vinegar, yellow turmeric, and natural graphite. The work...

This piece titled "something better" is an original artwork made from pencil, marker, watercolor, acrylic gouache on paper by Miriam Singer. This piece measures 13"h x 10"w framed.

Roberta Allen German Lesson, 1981 Two separate mixed media works framed together: watercolor, gouache, ink, wash, laid paper collage (each signed by hand) Signed twice: each of the s...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Mona Lisa Mickey Mouse Manga Cartoon Pop Art by British Urban Graffiti Artist, Chris Pegg. This striking mixed media artwork by Chris Pegg exemplifies his vibrant, satirical style t...

Desmond Mclean (1929-2015). Untitled, ca. 1960. Mixed media on paper. Sheet measuring 12.5 x 19 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; America...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Artist: Peter Max Title: Sailboat Sunrise Medium: Mixed Media On Paper Edition: Original Size: 13.5"x11.75" inches Hand signed by the artist Frame size 22.25"x18.25" inches Condition...

Patricia Zippin Moon View VIII 1980s Mixed Media 24"x 16", unframed Titled, signed, materials, and dimensions in pen on reverse Patricia Jayne Zippin (1930-2015) She was born to B...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Collage, acrylic and graphite on paper. This abstract collage by the New York/ Hawaiian artist, Debra Drexler, incorporates cut paper, drawing and impasto brushwork with poured pain...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Milton Glaser creates a brilliant graphic symbolizing a pathway to success and more. Original art Cut Paper collage and colored pencil 19 1/2 x 13 5/8 Signed to lower edge ‘Milton ...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an authenticity unlike any other: layered, textural, controversial, open to imagination, colorful, personal, and inspiring. Coruzzi’s work encapsulates not only urban environments, but the inhabitants as well. Irony is laced between figures drawn with an energetic architectural hand. His work is colorful, funny, and biting through resolutely rendered vignettes of people and places. Fabio Coruzzi used acrylic paint, oil pastel, gel ink, and graphite to create this one-of-a-kind artwork on canvas. It is signed by the artist on the back. This colorful 24-inch high by 38-inch wide original painting is stretched, wired, and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Fabio Coruzzi was born in Foggia, Italy in 1975, and now resides in Southern California, USA. Remarking on his work in conjunction with his perspective on urban environments, Fabio states: "I wish that each painting I make should be like a poem of the place where I've been. I wish to become a poet of our time, like somebody would tell: "I've been there", but telling that my way, telling the audience that, no matter where we are, in a boulevard or in a restaurant, each single place is like an empty box...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

Desmond Mclean (1929-2015). Untitled, ca. 1960. Mixed media on paper. Sheet measuring 13 x 16.25 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Americ...

Joan Snyder's early 1970s period is known as the best of her career, now an iconic period of time for feminist abstract painting of the era. This fully finished work on paper reads l...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Signed "James Montgomery Flagg" Lower Right by Artist "Mr. Corroway was wearing a broad smile. He slapped Dave jovially on the shoulder and said: 'No hard feelings, I hope, about o...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Signed lower right, 'Layton' for Gray Layton (American, 20th century) and created circa 1965. An exuberant and brilliantly colored, Post Impressionist collaged still-life painting comprising a bouquet of lilac blossoms, shown informally arranged in a patterned vase and set beside a jade glass bottle of absinthe and a ripe, yellow Boscobel pear, all contrasted against a background of scumbled and stippled rectangular elements in muted tones of ochre, violet and amethyst. Gray Layton first studied with Elizabeth Hazeltine at the University of Chicago and George Dutch...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Dan...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Nam June Paik Untitled, Plate Six from Novecento, 1992 Mixed Media: Color offset lithograph with unique chalk pastel drawing 13 3/10 × 18 inches Hand signed, Edition 104/130 Pencil numbered 104/130, hand signed in pastel chalk on the front Edizioni Carte Segrete, Rome, Italy Excellent condition; held in matting which can be easily removed The matting measures 18" x 21" This was part of a series of works produced for the Nam June Paik retrospective at the Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche. This is one of the editions which bears unique hand coloring with pastel chalk. A comparable work sold at auction in 2015 for US $12,583. (see details below): Nam June Paik Title Novecento Description Nam June PAI K Novecento 1930-1940, 1992 Pastel sur offset en couleurs, épreuve signée et numérotée 104/130 Edizioni Carte Segrete, Rome 23,5 x 39,5 cm EH Oeuvre réalisée a l'occasion de la rétrospective Paik au Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche, cinema e Media Verso il XXI Secolo Medium pastel Year of Work 1992 Size Height 9.3 in.; Width 15.6 in. / Height 23.5 cm.; Width 39.5 cm. Misc. Signed Sale of Millon & Associés: Monday, June 22, 2015 [Lot 00090] Design Sold For 11,057 EUR Hammer (12,583 USD) Nam June Paik Biography Nam June Paik was born in 1932 in Seoul. He received a BA in aesthetics from the University of Tokyo in 1956 where he also studied music and art history. After graduating, he studied for a year with composer Thrasybulus Georgiades Georgiades at the University of Munich and for two years with composer Woflgang Fortner at the International Music College in Freiburg. He attended the International Summer Courses for New Music in Darmstadt in 1957, when he met Karlheinz Stockhausen, and in 1958, when he met John Cage. Cage, and through him Marcel Duchamp, had a significant influence on Paik as he became a major force in the avant-garde through performances. In Hommage à John Cage (1959), Paik employed audiotape and performance to attack traditional musical instrumentation and compositional practices, splicing together piano playing, screaming, bits of classical music, and sound effects. Realizing that taped sound was not enough, he decided to move into performance, first by introducing performative actions into his audio works. In 1961 Paik performed Simple, Zen for Head and Étude Platonique No. 3, in which he became a volatile figure, thrashing about in unexpected patterns and sudden movements to his signature soundtracks. In 1962 Paik participated in the Fluxus International Festival of the New Music in Weisbaden. Paik's first exhibition, entitled Exposition of Music - Electronic Television, in 1963 at Galerie Parnass at Wuppertal, launched his transition from composer and performance artist to the inventor of a new art form: an engagement with the material site of television as an instrument. In the exhibition, thirteen televisions lay on their backs and sides with their reception altered; for example, Zen for TV (1963) reduced the television picture to a horizontal line and Kuba TV (1963) shrank and expanded the image on the television set according to the changing volume. In 1964 Paik traveled to the US. He quickly settled in New York and became a leading innovator among an emerging generation of artists seeking new modes of artistic expression and distribution. That same year, Paik collaborated with Shuya Abe to create Robot K-456 (1964), a remote controlled robot that played audiotaped speeches by John F. Kennedy and defecated beans in Paik's Robot Opera (1964). In the interactive work Magnet TV (1965), Paik invited viewers to modify the television's output into swerving abstract lines through the movement of a magnet over the TV. In 1967 Paik and frequent collaborator Charlotte Moorman were arrested when Moorman performed Paik's Opera Sextronique (1967), a striptease as she played the cello at the Filmmakers' Cinematheque in New York. Paik's TV Bra for Living Sculpture (1969), which Moorman wore in performances, featured two television tubes...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Sonia Gechtoff Flag Icon, 1963 Pastel, graphite and collage Frame included: elegantly framed in hand made wood frame with UV plexiglass Evocative mixed media mid century modern work...

Monica DeSalvo’s “It’s nature leaving you alone” is a 28 x 22 inch surreal collage on archival watercolor paper. Aerial photos of expansive landscapes a...

Artist: Peter Max Title: Cosmic Flyer (Green) Medium: Mixed Media On Paper Edition: Original Size: 12"x13.5" inches Hand signed by the artist Frame size 22.25"x18.25" inches Conditio...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an authenticity unlike any other: layered, textural, controversial, open to imagination, colorful, personal, and inspiring. Coruzzi’s work encapsulates not only urban environments, but the inhabitants as well. Irony is laced between figures drawn with an energetic architectural hand. His work is colorful, funny, and biting through resolutely rendered vignettes of people and places. Coruzzi used acrylic paint and spray paint to create this one-of-a-kind original artwork on paper. This colorful 16-inch high by 20-inch wide artwork is framed in a white wood frame. Size and price include frame. This artwork is signed on the front. Convenient local Los Angeles shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Fabio Coruzzi was born in Foggia, Italy in 1975, and now resides in Southern California, USA. Remarking on his work in conjunction with his perspective on urban environments, Fabio states: "I wish that each painting I make should be like a poem of the place where I've been. I wish to become a poet of our time, like somebody would tell: "I've been there", but telling that my way, telling the audience that, no matter where we are, in a boulevard or in a restaurant, each single place is like an empty box that needs to be filled with the intense energy of our existence. Each place leaves a mark, like a scar, inside us. I wish that scar becomes poetry." Winner of the 2021 ENEGANART Prize, Coruzzi's work has been widely collected and exhibited internationally, with great acclaim for his faithfully candid approach to city life and human idiosyncrasy: "It’s a melting pot of different gestures, different perspectives. Mixed media mold together these different perspectives, creating the urban environment. Contemporary culture is made of controversy: modernity includes ugliness, imperfection, and contamination, anything that creates texture." REPRESENTATION Artspace Warehouse, Los Angeles, CA, USA EXHIBITIONS 2023 Solo show, Fabio Coruzzi: Statements, Artspace Warehouse, Los Angeles, CA 2022 “Breakthrough Artists of the Affordable Art Scene”, Artspace Warehouse, Los Angeles, CA 2021 Palazzo Strozzi, Firenze, Italy Artspace Warehouse, Los Angeles, CA 2020 LA Art Show – Los Angeles, CA 2019 Artspace Warehouse – Los Angeles 2017 AAF New York, NY 2016 Topography of Life – Artspace Warehouse – Los Angeles New York Affordable Art Fair – New York 2015 New York Affordable Art Fair – New York 2015 Pop Art Shakeup – Artspace Warehouse – Los Angeles 2014 Why War? – The Freud Museum – London Affordable Art Fair Hampstead – London Papergirl Belfast - PS2 House - Belfast Affordable Art Fair Battersea, London – Bicha Gallery London Art Fair – Bicha Gallery 2013 AAF Singapore – Bicha Gallery Sound Sight Exhibition – Shaw Gallery, Trinity School – London Affordable Art Fair Battersea – Bicha Gallery Cityscapes – Medici Gallery – London Affordable Art Fair Stockholm – represented by Bicha Gallery Not A Drop – 4749 Tanner Street Gallery – London Going Underground - Shoreditch Town Hall...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...