Pencil Mixed Media

- The artwork is a untitled material image / collage / assemblage - Material: pencil, newspaper and magazine clippings and tobacco leaves, mounted on cardboard - Signed "Juan del Rio" and dated "96 " (1996) - Back protection with label of the former gallery Clasing in Münster. - Mounted behind glass in a walnut veneered frame. - Cardboard approx. 13.7 x 14.5 cm Juan Alberto del Rio was born in Buenos Aires in 1956, where he studied at the State Art Academy "Prilidiano Pueyrredon". Del Rio has exhibited in Buenos Aires, Frankfurt/M., Munich, Berlin and Hamburg. His artistic work moves between material works, collage and classical painting with acrylic and oil on cardboard. With his collages, Del Rio creates a strong sense of materiality. For example, he collected leftover moulded wood and other wood scraps for his small ship objects...

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. H...

Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...

Watercolor, pencil, and pen on wood

"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...

"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...

Completing by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 49 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ...

Unique Photographic Collage* Printed on Canson Platine Fiber Rag Framed in black wood with archival mat The artist reserves the right to remake the collage 5 times at this size, but ...

Frog/goddess of transformation is flanked by a single bean believed to carry the souls of ancestors to connect with the past and ensure lineage. In this five-piece mixed-media series on wood...

Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42” w Image Size: 20” x 37” includes a 2”...

'Death's head moths under a full-moon' work was created by Tom Rooth in the Cambrian Mountains of Wales. Production process: Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing. Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter). Kintsugi is a 15th-Century practice invented in Japan, and means 'to join with gold'. The practice is a reminder to embrace flaws, and celebrate the missteps of life, recognising that when seemingly catastrophic events happen, beauty and good can still result. Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's. Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...

This is a unique and unusual work, by artist Tom Rooth. The spider is drawn with underglaze pencils (pencils made out of ceramic), on a handmade ceramic panel. The handmade frame, wh...

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, enti...

A piece from Bartolome Sastre's mixed media on paper collection. 19.5 x 27.5 inches Pastel and pencil on paper

This conceptual text based painting by New York artist, David Kramer, incorporates gestural swatches of color over a controlled pastel striped ground. The bold text reads: "I AM COM...

The Guardian is an original Contemporary artwork realized in 1970 by the Italian artist Leo Guida. Original Drawing on paper. Dated and Hand-signed by the artist in pencil on the lo...

Nude Girl is an original Modern Artwork realized by Leo Guida. Original Drawing on paper. Dimensions: 49.5 x 35 cm. Mint conditions. Nude Girl is a very beautiful artwork depi...

Geometrical Bird is an original Contemporary artwork realized in the 1970s.. Original Mixed Media on paper. Watercolor and pencil. Passeparto...

The Owl and the Girl is an original Contemporary artwork realized in France in the 1970s. Original Drawing on paper. Pencil on paper. Dimensions: cm 46 x 33. Good conditions. ...

Profiles is a drawing in mixed media (pencil and watercolor) on cardboard realized in C.R. Hill. Hand-signed on the lower left on the rear. With a beautiful colored seascape drawin...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

"Untitled" Mixed media piece by the artist KENT KALMAN PACHUTA. Mediums used include color pencil, graphite, pastel and powdered pigment on thick paper. The piece measures approximat...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

À la guerre is an original artwork realized by Laura D'Andrea in 2018. Oil, acrylic and carbon on canvas. Hand signed by the artist on the lower right margin. Perfect conditions. The artwork, realized by the artist with oil, acrylic colors, and carbon on canvas, shows an abstract composition with circular shapes. The dominant color is violet, yet there are also some blue and green shades. The title of the artwork recalls a battle: indeed, we can visualize some horses among the abstract lines. The composition suggests a sensation of movement. Laura D’Andrea is an Italian artist and engraver. She was born in Sicily, where she currently lives and works. She studied printing techniques and especially xylography at the Academies of Fine Arts in Rome and Urbino, as well as Philosophy and Literature at the University of Grenoble. Her first exhibition was “La mia Sicilia” (My Sicily) in 1969 at the Galleria Flaccovio in Palermo, where, a few years later, she exhibited with “Hippies a Londra” (Hippies in London). In the 1980s, she moved to Il Cairo in Egypt, where she studied Arabic calligraphy and found the opportunity to realize a series of graphic works to be exhibited at the Egypt Academy of Rome. In those years, she dedicated herself to doing research on the historical Sicilian Baroque art and culture. Between 1986 and 1988, her solo show “L’Immaginario nel Barocco” (The Baroque Culture) took place at the Galleria Artivisive in Rome, at the Museum and Library of Ursino, at the Recupero in Sicily, and at the European Parliament in Strasbourgh. In 2002, she participated in the exhibition “Memoria Greca nel Mediterraneo” (Greek memory in the Mediterranean) in Sicily. In 2007, she exhibited in Rome and in Saudi Arabia. Between 2011 and 2015, she started exploring the world of jazz music, which would become an important subject for her future artworks; in those same years, she exhibited her works in England and in Belgium. Her artworks represent a leap in the Mediterranean Sea, between Sicilian and Arab cultures. Laura D’Andrea loves jazz music: on her canvases, we can perceive the sounds of places and people far in both place and time. Other important elements of her works are calligraphy and Archeoscrittura. Archeoscrittura is a fascinating practice consisting of artists exploring their own genetic memories for finding signs of archaic scriptures. Laura D'Andrea draws inspiration from the depths of her personal memory, and from the study of symbols found in the Archaic writing in the Mediterranean. Her works can be viewed at the Museum of Modern Art Pecci in Florence; at the Museum of woodcut Carpi in Modena; at the Museum of Modern Art Maga in Varese, Milan; at the Museum of Modern Art in Valencia, Spain; at the Museum of Art Mart in Trento and Rovereto with the donation of Mirella Bentivoglio.

"Field Study - Typology of Hand" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in the lower right and titled it lower left. 9 1/2" x 7" art 20 7/8" x 17" frame From her home base in Oregon Terri Warpinski travels the world to pursue her creative practice. She is a Professor of Art at the University of Oregon and was a Fulbright Scholar in Israel 2000-2001. Recent awards include an Individual Artist Fellowship (2014), two Career Opportunity Grants (2015, 2013) from both the Ford Family Foundation and the Oregon Art...

Lisa’s organic shapes and textures rotate and recombine deftly, jumping easily between prints. But the serendipitous quality of Lisa’s work belies the controlled, methodical nature o...

Pencil, ball point pen, acrylic paint, industrial varnish, and paper collage on canvas board. Hand signed, dated and numbered on verso by Donald Baechler. From a series of 100 unique...

Nauset by Joseph Conrad-Ferm, 2021 Acrylic paint, spray paint, marker, oil pastels, color pencil, and graphite on canvas. W 48" x H 60" x D 1.5" "Nauset beach is one of the most m...

"Field Study - Artifacts" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in the lower right and titled it lower left. 9 1/2" x 7" art 20 7/8" x 17" frame From her home base in Oregon Terri Warpinski travels the world to pursue her creative practice. She is a Professor of Art at the University of Oregon and was a Fulbright Scholar in Israel 2000-2001. Recent awards include an Individual Artist Fellowship (2014), two Career Opportunity Grants (2015, 2013) from both the Ford Family Foundation and the Oregon Art...

Moments by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 28 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human p...

Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Watercolor & Graphite on Canvas

Watercolor & Graphite on Canvas

Acrylic, pencil, and ink

Watercolor, ink, and graphite on canvas 10 x 13 in. (framed) Framed in a wood frame

Graphite and charcoal on paper

Graphite and charcoal on paper

Pencil and ink

Pencil and ink on wood 18 x 13 in. (framed)

60"x48" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. Masyga employs drawing tech...

Acrylic, spray paint, and pencil on cradled birch panel

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

A unique piece with organic shapes and bold brushstrokes. This creation features detailed pointillism that adds texture and depth to the composition. The combination of cool colors o...

A true testimony that captures the intimate essence of the artist's overcoming, an autobiographical manifesto. The use of vibrant colors and intricately detailed elements makes this ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spen...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Collaborate by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 36 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human psyche and interprets them abstractly through form, line and color so that they may also exist outside of ourselves. In recent years, Umerlik has shown in seven solo exhibitions and innumerable group shows domestically and internationally, published a book of work titled Intimacy of Forms, received notable reviews in such publications as Art New England, and been awarded the Clowes Award by the Vermont Studio Center. The most affecting experience of Umerlik’s career to date has been her two-month stay in the Takt Kunstprojektraum Artist Residency in Berlin, Germany. She was named a 2018 Vermont Artist...

"Nature Bear Wreath" By Johanna Mueller is a unique and detailed piece which depicts a bear, surrounded by different iconography of the forest, structured in a Native American style ...

This powerful work on paper is a singular piece from the "Sum of Destructions" series by Bryan Ryley. This entire series of twelve works, along with a monumental painting of the same...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...

This conceptual text based painting by New York artist, David Kramer, combines stylized painting of the FBI Building in Washington DC and the bold text: BRUTAL. An architecture joke, the subtitle reads: "Quasi-Political Architecture Joke (for James Comey.). The J Edgar Hoover building is a low-rise office building located at 935 Pennsylvania Avenue NW in Washington, D.C., in the United States. It is the headquarters of the Federal Bureau...

BYE BYE BIRDIE Original 1960 Broadway Musical Costume Drawing Tony Award Elvis. Miles White (1915 – 2000) BYE BYE BIRDIE 11 x 8 inches Mixed Media on...

This powerful work on paper is a singular piece from the "Sum of Destructions" series by Bryan Ryley. This entire series of twelve works, along with a monumental painting of the same...

Barnett, a surrealist artist incorporates discarded mechanical objects and gadgets into his artwork. His work is characterized by its unique and ecl...

“Fire Remembered” is an original 54 x 47 cm painting on cardboard by Finnish multidisciplinary artist Emmi Iida, known for her emotionally charged abstractions that merge movement, intuition, and raw texture. The work pulses with elemental energy — vivid reds, deep umbers, and molten oranges rise from the surface like embers caught in motion. Painted in acrylics on cardboard, its composition feels both spontaneous and ceremonial, as if capturing the memory of warmth after transformation. This piece speaks of renewal and the persistence of creative fire — a reminder of the beauty within change and the power of emotion made visible. Its compact scale and strong visual rhythm make it a striking addition to any contemporary collection. About the Artist: Emmi Iida is an internationally exhibiting artist, author, musician and interior architect, working at the intersection of visual art, sound, and design. Her practice is rooted in Nordic minimalism and emotional depth, infused with a global perspective from her years living and creating across Europe and the United States. Her works have been acquired by collectors from New York to Los Angeles, Sydney to Paris, and she is currently represented by MONAT Gallery (Paris, Madrid, Innsbruck) and Van Gogh Art Gallery (Munich, Miami). Upcoming exhibitions include international art fairs and group shows in Europe and the United States in 2025. Abstract Art on Paper...