Plastic Mixed Media

Dreamland Dollhouse is a wall-mounted sculpture by Kumikaho Oshima from the series Dollar Dreams in Neon Barbie World, where the artist assembles dollar bills and fragmented Barbie h...

Neon Capital is a striking wall-mounted sculpture by Kumikaho Oshima from the series Dollar Dreams in Neon Barbie World, where the artist orchestrates a dense visual composition of l...

Tempest in Blue-Archival print on Plexiglass 48 X 36. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art and History in New York. His work has been collected by Museum Jacobo Borges...

"Javolin Thrower" is a brand new original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. 30x30x32 cm comes in a...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

A Monument for Ice takes the vastness of glaciers and presents a monument that asks the viewer to look into rather than look out to the subject. It becomes ahypothetical tribute to i...

This is a set of 8 works, each one is 12 x 25 inches. They are sold separately or as a set. Each piece is $1,100 per work. Specific color commissions are also available for sale. ...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 10.5 inches high and 10 inches wide and .5 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

Hand-cut vinyl applied to Perspex panel. The 5th in a new series of artworks focusing on British seaside towns. I have longed to capture my own take on this theme, where even the mos...

Hand-cut vinyl applied to Artboard. No.3 in the 80’s aesthetics series. This piece looked into Americana imagery of which was all over British TV during the 80’s, but with an added t...

Fish Light #34 48 x 22.5 x 3.5 D Mixed media on Plexiglas with LEDs When lit, the colors intensify and have a warm glow. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art...

Found objects pasted on wooden panel with a acrylic painted background. Artworks comes box framed in a white wooden frame with acrylic glass, ready to hang and display. Can be commis...

Troy Abbott is a multidisciplinary artist working in digital media. His work has been exhibited in the United States and Europe and is in many Private Collections around the world. T...

Pop Art inspired original artwork

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 7.5 inches high and 12 inches wide and .5 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

La Scrito Sur Moro Indigo by Kim Fonder is a mixed-media piece that evokes a sense of depth and mystery. Created on handmade paper mounted over a panel and encased in a sleek plexigl...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Tony Cragg (British, b. 1949) Palette (from For Joseph Beuys), 1986 Medium: Wooden palette covered with coloured plastic granules Dimensions: 75 × 58 × 1.5 cm (29 1/2 × 22 4/5 × 3/5 ...

Kim Fonder, SHIZEN SERIES V, Mixed Media on Handmade Paper with Plexi, 12.00 X 12.00 in, $600.00, Blue Abstract, contemporary, White, mixed media, fine art Kim Fonder loves texture ...

This laser cut acrylic series of Scribble Sculptures is inspired by the gestures and quick mark making found in abstract expressionist painting and drawing, and the whimsical, bold color and shape found in classic cartoon. Ryan Coleman...

Composition of recovered bicycle wheel tyres on board. No frame needed as the thickness of the board is covered by the composition. 1.832 painted screws ...

Beauty Spring Woman - Acrylic and 3D Painting on Canvas + Artificial Boxwood Hedge Baby Green Leaves Foliage Biophilic design 24 x 24" Figurat...

"Midnight Rider" Wall Sculpture 42" x 29" inch by Ibrahim Abd Elmalak Fiberglass Signed & Dated Sculptures that mostly depict his characteristic figures of feminine form and feel...

Basquiat Beat Bop 1983: Original Beat Bop Vinyl Record, 1983 with music produced & arranged by Jean Michel Basquiat (see record label in photo for Jean Michel credit). 12x12 inches (30.48 x 30.48 cm). 1983. Record: Minor wear. Good overall vintage condition. Further Background: Jean-Michel Basquiat’s history with rap music runs deep. That connection was most visible in the “Beat Bop” 12-inch, a ten-minute sparring match between MCs/graffiti artists K-Rob and Rammellzee, which the legendary Brooklyn artist produced in 1983. Related Categories Basquiat beat bop. Vintage Basquiat. Basquiat 1983...

The new works of Mylinh Nguyen designed from polymer resin, bring us into a nature whose refinement commands admiration. From the physiognomy of living or extinct plant species, the ...

Christo (American-Bulgarian, b. 1935) Corridor Store Front (from Monuments), 1968 Medium: Collage (two-part screenprint on Bristol board, with mounted transparent plastic sheet, with...

Crystal LaBeija 2022 Signed Binder and glitter on acrylic 28.5 x 26.5 inches (72.4 x 67.3 cm) Crystal LaBeija (1930s-1990s) was the founder of the legendary House of LaBeija. She...

Hamilton Aguiar Optical, 2026 Oil over Mirrored Plexi 36 x 80 x 2 in (91.44 x 203.2 x 5.08 cm)

Technique: Every piece of the artwork is handmade with polyurethane resin - mixed media mosaic  Edition: limited edition of 10 copies Certificate: of authenticity provided Size: 6...

"London Street" mixed media artwork by street artist Omar Hassan. Created from the artist's used spray paint cans in a plexi frame. Hand titled, s...

Anonymous Self Portrait XXXVI 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Thi...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

083r (short_squeeze_aside), 2016 is an acrylic and urethane on etched acrylic panel painting, 48 x 31.5," and signed 'Darren Goins 2016' verso....

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Bunny Ryan Cronin Oil Paint, Wood, and Fiberglass 52" (Height) x 25" (Width) x 12.5" (Depth) When people look at his work Cronin wants them to feel an immediate impact, even if they...

Acrylic and mixed media with polymer spray dots by Ceravolo. In this work Ceravolo has printed two images of one of his favorite models with a close up of Ben Franklin from the 100 ...

Technique: Every piece of the artwork is handmade with polyurethane resin - mixed media mosaic  Edition: limited edition of 10 copies Certificate: of authenticity provided Size: 6...

Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly ...

This painting on paper can be wearable art, or mounted in a frame. Inquire for our further suggestions on framing. Painting dimensions: 2.5 x 3.5 inches Dimensions in the plastic holder: 4 x 5.5 inches Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly intricate trompe l'oeil oil paintings ranging in size from 7 x 5 inches to 48 x 36 inches. In supplement to the exhibition, Mastromatteo painted 10 pictographs on "Hello My Name Is" nametags and put them in plastic sleeves one would clip on their person for any kind of large function. There is always a bit of tongue and cheek...

This painting on paper can be clipped onto any display, or mounted in a proper frame. Painting dimensions: 2.5 x 3.5 inches Dimensions in the plastic holder: 4 x 5.5 inches Antho...

Shuttleworth's work is noted for her use of traffic cones and other found materials. Lana describes her work as representing the "common ground aspirations for diverse societies by depicting idealized landscapes transforming cross-cultural bi-products into works of art. Across the global commons, once diverse landscapes and the societies they support are synchronizing with the ideology of progress in plastic consumption. Plastics are nature-transformed from ancient life remains buried deep beneath the foot of our cultural landscape. Born into service to progress, recovered water bottles, x-ray film and safety cones...

A unique, large scale/oversized, expressive artwork, from the Fragments of the Mind series. This series examines the delicate balance of the mind and the intricacies of our thoughts...

Cement, foam and plastic.

This is a one of a kind original mixed media (Sari silk, antique silk paper, dye, acrylic, plexiglass) abstract composition by California artist and educator, Kathleen Kane-Murrell, ...

This is a one of a kind original mixed media (Sari silk, antique silk paper, dye, acrylic, plexiglass) abstract layered acrylic sculpture (4 slabs of clear painted acrylic) by Califo...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass) abstract painting depicting beautiful monarch butterflies and gold leaves by California arti...

This is a one of a kind original mixed media (Acrylic paint and plexiglass) painting depicting beautiful gold leaves against green abstract background by California artist and educat...

This is a one of a kind original mixed media (Antique silk paper, dye, ink, paint, plexiglass) abstract painting by California artist and educator, Kathleen Kane-Murrell, titled, "Sa...

This is a one of a kind original mixed media (Acrylic, plaster, plexiglass) abstract composition by California artist and educator, Kathleen Kane-Murrell, titled, "Poppy". Its dimens...

This is a one of a kind original mixed media diptych (Antique silk paper, wool fiber, dye, paint plexiglass) painting and collage depicting beautiful monarch butterflies against abst...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) painting depicting beautiful gold leaves against vibrant red abstract background ...

This is a one of a kind original mixed media (Antique silk paper, wool fiber, dye, paint plexiglass) painting depicting beautiful gold leaves against abstract background by Californi...