Plastic Mixed Media

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

signed lower right, and inscribed H.C Kinetic Colorful Relief Artwork on PVC in Acrylic Glass Box by Yaacov Agam A vibrant and visually engaging kinetic relief artwork by Yaacov A...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic and paper on canvas, paper detritus, ...

Future Summary Twenty-Five is a sophisticated contemporary abstract wall sculpture by Kal Mansur that explores the relationship between light, color, transparency, and spatial percep...

Contemporary Mixed Media Tapestry, Wall Sculpture, Metals, Found Objects, Beads John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

Keith Haring City Cycles NYC 1985: Vintage double-sides 1980s Keith Haring City Cycles bag designed and illustrated by Haring for the legendary former downtown bike store: City Cycle...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

Yves Klein, Small IKB Venus Brooch Bronze multiple, painted with International Klein Blue (IKB). From a model created in 1956. Edition of 500 copies + 100...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

**HOLIDAY SEASON SALE UNTIL JANUARY 5TH - UP TO 60% OFF - PLEASE ASK** ***TAKE ADVANTAGE OF IT*** "MIMI BUTTERFLY": One of a kind original 50X...

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

Damien Hirst Schizophrenogenesis 2017: Rare, signed limited edition version of Damien Hirst’s publication ‘Schizophrenogenesis’. This work is uniquely sealed by Hirst, like a pill, i...

**HOLIDAY SEASON SALE UNTIL JANUARY 5TH - UP TO 60% OFF - PLEASE ASK** ***TAKE ADVANTAGE OF IT*** THE WINNER BALLOON DOG is the 10th animal sc...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This is a one of a kind original mixed media (Acrylic, shibori dyed fabric, molded paper, plexiglass) abstract painting depicting beautiful monarch butterflies by California artist a...

Red Grooms (American, b. 1937), "Extra! Extra! Read All About It!", 3-D Lithograph in Colors Mounted in Plexiglas Box, 2003, signed and dated lower right, numbered edition "20/50" lo...

Jan Huling was born in Chicago and raised in St. Louis. After attending the Kansas City Art Institute she started her career in greeting card design at Hallmark. She now works in New...

Corey Pickett's (US based) "Ray Gun 56" is an original, handmade mixed media sculpture made out of wood, foam, and fabric. About the Artist: Corey Picke...

This 3D art piece is made of 9 hand-painted laser-cut Plexiglas pieces that were mounted to an archival foam board backing, framed with a white wooden 2" frame. Each buddha sculpture...

This is a one of a kind original mixed media (Acrylic paint and plexiglass) abstract painting depicting beautiful vibrant blue composition by California artist and educator, Kathleen...

This is a one of a kind original mixed media (Papers from multiple sources, dye, paint, plexiglass) abstract painting depicting beautiful monarch butterflies against geometric compos...

flax, silk, polyester

In ADORNED OBSOLESCENCE 03, Liz Miller creates a sculptural wall hanging piece out of a found headboard piece that she has painted and utilized as the found...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

This Mixed Media piece titled "Big Alocasia Suncatcher" is an original artwork by Roxana Azar made of a digital print on acrylic, plastic chain, metal, and glass. The piece measures ...

Elfi Schuselka (Austrian, b. 1940), "Friday Night February 13th", Acrylic on Tarlatan, with foamcore elements, unsigned, with descriptive paper label. 43.75" H x 47" W. Provenance: F...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 12" x 12" x 2" (HxWxD). It is paper, acrylic, painted plexiglass ov...

Saké I by artist Kim Fonder is a contemporary and abstract vintage saké bag on painted burlap with plexiglass that measures 49 x 25 and is priced at $2,100. Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each piece; these two attributes remain her focus. She seeks to honor Leonardo Da Vinci's words, “Simplicity is the ultimate sophistication. Born Corvallis, Oregon creative director, aberson exhibits master of science in applied behavioral studies, school psychometrics bachelor of science degree education group shows and juried exhibitions biting the apple, IAO gallery, oklahoma city, oklahoma 1999 mayfest invitational gallery tulsa, oklahoma may 1999 biting the apple,IAO gallery, may 2001 mayfest invitational gallery may 2002 j joseph gierek fine art/ group show tulsa, oklahoma 2003-2004 oklahoma visual artists coalition “visionmakers” January 2006 “oklahoma friendly” oklahoma artist guild, march 2008 -honorable mention- “personal space” gallery RFD swainsboro, georgia october 2008 tubac center for the arts tubac, arizona october 2008 artspace international juried exhibition raleigh, north carolina november 2008 gallery shows fashionhaus, manhattan, new york june 2008 jordan art gallery corsicana, texas october 2008 marziart international galerie, hamburg, germany october 2008 helen yi, chicago, illinois october 2008 exhibit by aberson tulsa, oklahoma april 2009 fashionhaus, manhattan, new york 2010 leslie powell...

medium: ink on hand-cut mylar Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...

This is a multi-paneled painting of Heather Hartman's investigation into the light and landscape of Tennessee. earth tones are combined with violets to give space for the light, crea...

2004 Acrylic and tubes of paint on superimposed Plexiglas plates. Edition of 99 copies + 40 EA + 30 copies I/XXX à XXX/XXX. Signed and numbered x/99 lower right. Referenced in the A.R.M.A.N. Foundation No. 5944 Referenced in the Denyse Durand-Ruel Archives under No. 10.508. Arman is a Franco-American artist best known for his unique style of found object sculpture known as accumulations. Inspired by the philosophy and aesthetics of Dadaism, he brings together forks, instruments and teapots in display cases. A member of Nouveau Réalisme alongside Yves Klein and Jean Tinguely, among others, he responds to the emergence of Pop art through his own critique of consumption, waste and mass production, particularly in his series "Poubelles" in the early 1960s. For his famous and monumental sculpture "Long-Term Parking" (1982), the artist piles up 60 cars...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This painting on paper can be casually clipped onto any display, or mounted in a proper frame. Inquire for our further suggestions on framing. Painting dimensions: 2.5 x 3.5 inches ...

Metropolis Mirage is a circular wall-mounted sculpture by Kumikaho Oshima from the series Dollar Dreams in Neon Barbie World, where the artist constructs a dense three-dimensional co...

Roses By The Sea by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x16x2filled with bright colors and dimension. It is on a wood frame and wi...

Pangea III is part of a series of paintings on plexiglass that depicts land masses. The maze like patterns are created using a router (woodworking tool...

Keith Haring was an American artist and representative of American Pop Art of the 1980s. He first came to public attention with his chalk drawings in the New York underground, which ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

ABOUT THE ARTWORK This extraordinary artwork is expertly crafted on canvas, delicately layered over an artist-made panel, creating a dynamic interplay of textures. The addition of ep...

Artist: Carla Goldberg Title: 4 Depths II Medium: Cast and Poured Resin, Enamel, Plexiglass Size: 30 x 30 inches (or 15 x 15" per square) Year: 2021 Price: $3200.00 as a set or $800....

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

"Network" is a one-of-a-kind piece created by Catalina Escallón Rosselli made from hand embroidery and beads on paper. This piece measures 16"h x 16.75"w x 1"d framed and ships with ...

"Fabric" is a one-of-a-kind piece created by Catalina Escallón Rosselli made from hand embroidery and beads on paper. This piece measures 16"h x 16.75"w x 1"d framed and ships with a...

"Interlace" is a one-of-a-kind piece created by Catalina Escallón Rosselli made from hand embroidery and beads on paper. This piece measures 16"h x 16.75"w x 1"d framed and ships wit...

"Magic Carpet" is a one-of-a-kind piece created by Catalina Escallón Rosselli made from hand embroidery and beads on paper. This piece measures 28.25"h x 26.25"w x 1.5"d framed and s...

"Grid" is a one-of-a-kind piece created by Catalina Escallón Rosselli made from hand embroidery and beads on paper. This piece measures 16"h x 16.75"w x 1"d framed and ships with a g...

"Net" is a one-of-a-kind piece created by Catalina Escallón Rosselli made from hand embroidery and beads on paper. This piece measures 16"h x 16.75"w x 1"d framed and ships with a ga...