Plastic Mixed Media

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Fray is a vibrant 11.25 x 9.25 inch mixed media fabric collage by artist Linda Kamille Schmidt, presented in a 16.25 x 14.25 inch frame. Vertical bands of fabric in a full spectrum o...

Modular domino wall sculpture in pale aqua foam clay with painted vertical stripes and subtle relief detailing, a compact mixed media work conceived for panel installations. This mix...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Patrick Burns No Charges original newsprint, acrylic, polymer, resin on panel 32h x 48w in 81.28h x 121.92w cm PB0004 Patrick Burns b. 1987, Cleveland, OH Bio I like to explore themes that are unique to the American experience in my work. By merging the iconography of the US flag and the headlines from major events of our past, I can express a more personal understanding of what it means to be an American and the journey that has shaped our country.   West Virginia Raised. Maine Educated. Colby College  Exhibitions 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL American Experience, Ann Nathan Gallery, Chicago, June 2015 2014 (e)merge Art Fair, Capitol Skyline Hotel, Washington, DC. Amstel...

Composition #8 lets its materials argue with each other. Above, oil stick and acrylic move with total fluidity, translucent washes of coral and turquoise pooling against a single wir...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

A ferry crosses an expanse of sea towards distant mountains in this photo based artwork by Mark Bartkiw. The high viewpoint, as though flying over the water, adds to the dream-like ...

Technique: mixed media Size: 20 x 25 cm Weight: 1.5kg Edition: limited edition Certificate: of authenticity provided  Information: Born in Germany and creating in Dubai, Tina br...

This sculptural wall relief transforms layered blue and white ocean waves into a tactile seascape inhabited by a solitary miniature figure. Created by Italian artist Vera Vizzi in 2...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Technique: Every piece of the artwork is handmade with polyurethane resin - mixed media mosaic  Edition: limited edition of 10 copies Certificate: of authenticity provided Size: 6...

Jules Olitski Abare, 1987 Signed and dated on the reverse Oil-based acrylic and water-based acrylic on plexiglass 44 3/4 x 23 5/8 inches Provenance The artist Andre Emmerich Gallery...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

"Breathless Civilization" In this work, I explore the fragility of human systems—the moment when the line between protection and vulnerability begins to dissolve. Gas masks, once symbols of survival, become artifacts here. They no longer protect; instead, they carry the memory of fear and the instinct to endure. I intentionally build a tense, almost fractured surface—through aggressive drips, layered textures, and broken, gestural marks. For me, this is a visual language of urban decay and emotional residue, traces of what remains after overload, anxiety, and loss of control. The fragmented elements within the composition are not just formal—they reflect a world where survival has become automatic, stripped of human presence. I’m interested in that shift—from conscious existence to something mechanical. This work does not follow a direct narrative. I see it as an artifact—a trace of a civilization that adapted too late. Air, in this piece, is not only a physical necessity but also a metaphor for freedom—something increasingly restricted, filtered, and controlled. By merging painting with object, I intentionally blur the boundaries between mediums, reinforcing the central tension of the work: protection and vulnerability, presence and disappearance." Artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

Studio: Walt Disney Medium: Four Production Cel Set-up on Production Background from Sotheby's Auction, Lot 119 Film: Pocahontas Year: 1995 Character: John Smith Unframed Size: 19 1/...

This large contemporary African-inspired mask assemblage is an eye-catcher. The sharp contrast between the bright red and deep blue colors has a powerful visual statement and awakens your senses immediately. It will be a very personal and thrilling curiosity to have hanging. The sculptural artwork is an assemblage made of mixed media. Within it, you will find horns, fur, claws, an animal skull, hair, feathers, wooden objects, hair, etc. All of it is assembled and mounted on a wooden showcase and topped with a plexiglass box. The assemblage is made by the internationally celebrated Danish artist and sculptor Jørgen Waring...

This Mixed Media piece titled "Adansonii Suncatcher" is an original artwork by Roxana Azar made of a digital print on acrylic, plastic chain, metal, and glass. The piece measures app...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

signed lower right, and inscribed H.C Kinetic Colorful Relief Artwork on PVC in Acrylic Glass Box by Yaacov Agam A vibrant and visually engaging kinetic relief artwork by Yaacov A...

A unique, large scale/oversized, expressive artwork, from the Fragments of the Mind series. This series examines the delicate balance of the mind and the intricacies of our thoughts...

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

A unique artwork crafted from Plexiglas, featuring an engraved phrase that adds depth and meaning. Perched atop the artwork’s frame is a small figurine, creating a playful yet though...

"Pink Flower" is a dimensional abstract wall work by Los Angeles artist Delbar Azari, created from layers of plexiglass and polyester on wood. Sweeping forms in blush pink, warm ambe...

This Plexiglass collage was created by Canadian artist Max Epstein. Epstein's works often feature Canadian motifs and bright colors. This collage is signed and titled at the bottom, ...

Breathless Civilization "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by a...

Street art Stickers on a mirror with permanent marker and googly eyes. Unique Pop art from an emerging artist using a familiar style of collage and flower stickers and marker to cr...

Pink Sojourn One This contemporary abstract wall sculpture is crafted from layered acrylic and plexiglass, merging painting with sculptural form into a vibrant, light-reactive compo...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

This sculpture titled "Love for Ten Thousand Years" is an original artwork by Kelly Kozma made of handmade origami wishing stars strung on embroidery thread. Kozma's work is supporte...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

2004 Acrylic and tubes of paint on superimposed Plexiglas plates. Edition of 99 copies + 40 EA + 30 copies I/XXX à XXX/XXX. Signed and numbered x/99 lower right. Referenced in the A.R.M.A.N. Foundation No. 5944 Referenced in the Denyse Durand-Ruel Archives under No. 10.508. Arman is a Franco-American artist best known for his unique style of found object sculpture known as accumulations. Inspired by the philosophy and aesthetics of Dadaism, he brings together forks, instruments and teapots in display cases. A member of Nouveau Réalisme alongside Yves Klein and Jean Tinguely, among others, he responds to the emergence of Pop art through his own critique of consumption, waste and mass production, particularly in his series "Poubelles" in the early 1960s. For his famous and monumental sculpture "Long-Term Parking" (1982), the artist piles up 60 cars...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Corey Pickett's (US based) "Ray Gun 56" is an original, handmade mixed media sculpture made out of wood, foam, and fabric. About the Artist: Corey Picke...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

18 x 24 Framed Canvas Stencil and Spray paint on Canvas Rare portrait piece from the beginning of BD White's career as an artist Signed by BD White

Contemporary Fiber Art, Needle Felted "Painting" with Hand Stitched Wrapped Edge Hangs on wall via french cleat Groot Foundation Honorable Mention Recipient 2025 "My work, both in...

Mermaid Triptych -each board is 5'10x22x2.75 epoxy resin Rideable Surfboard Clear acrylic mounting brackets included. Bobbi Bennett is a California-based photographer known for cr...

Keith Haring City Cycles NYC 1985: Vintage double-sides 1980s Keith Haring City Cycles bag designed and illustrated by Haring for the legendary former downtown bike store: City Cycle...

This is a one of a kind original mixed media (Antique silk paper, dye, paint, plexiglass) painting depicting beautiful gold gingko leaves against abstract background by California ar...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

"Cosmos" is a dimensional wall-mounted work by Los Angeles artist Delbar Azari that explores the shifting relationship between light, color, material, and perception. Layered forms i...

Roses By The Sea by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x16x2filled with bright colors and dimension. It is on a wood frame and wi...

Is it the end, or the start of something new? Acrylic, Latex, Aerosol, Mixed Media. Jordan Barker is a New York City based mixed media artist. Initially inspired by found objects, h...

Artist: Dan Lam Title: Blob Size: 33 x 29.5 x 7.5 Medium: Mixed Media made from polyurethane foam, resin, acrylic & vinyl Edition: Original Year: 2018 Notes: Signed by the a...

In ADORNED OBSOLESCENCE 03, Liz Miller creates a sculptural wall hanging piece out of a found headboard piece that she has painted and utilized as the found...

This is a multi-paneled painting of Heather Hartman's investigation into the light and landscape of Tennessee. earth tones are combined with violets to give space for the light, crea...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

Jan Huling was born in Chicago and raised in St. Louis. After attending the Kansas City Art Institute she started her career in greeting card design at Hallmark. She now works in New...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...