Contemporary Mixed Media

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Artist: Damien Hirst Title: Beautiful, Carefully Acquired, Richly Deserved Vapor Painting (H12-2-430) Year: 2023 Medium: Giclee on poly-cotton artist canvas mounted on a birch plywoo...

Banksy, Peckham Rock, 2018 Wooden postcard Open edition 12 x 18 cm Banksy is a contemporary British street artist and activist who, despite his international fame, has maintained...

This drawing and layered paper collage titled "Mass Study XX" is an original diptych by Seth Clark. This piece is a mix of collage, charcoal, pastel, acrylic, and graphite on two woo...

Found object paper collage by Michael Pauker (American, b. 1957). Unsigned, but was acquired with a collection of his work. Numbered on verso. Presented "floating" in a new double ma...

This large textural abstract energetic artwork on canvas by Togolese artist Olympio is a unique mixed media painting with a raw and direct aesthetic, providing an unfiltered manifestation of the artist's soul. Its expressive brushstrokes and vibrant color palette and the incorporation of an additional piece of canvas to the surface add an extra dimension of texture and interest to this already captivating piece. Olympio's raw and direct approach to mixed media and collage on canvas creates a tactile experience that provides a captivating insight into the artist's creative vision. Bright, energetic marks encircle rough textures that are perfectly balanced by the peaceful compositions beneath, creating a sense of harmony and balance in this exceptional artwork. This large 48-inch high by 60-inch wide mixed media painting is signed by Olympio on the back of the canvas. The many layers in his work emphasize the texture and visceral nature of his canvases. The painting is wired and ready to hang. Free local Los Angeles delivery. Affordable U.S. and global shipping is available. A Certificate of Authenticity issued by Artplex Gallery is included. For the abstract artist Olympio, art is a dance of textures and colors, woven from an eclectic medley of canvas and textiles. Each stroke on his canvas is a nod to the classical ideals of modern abstraction, a harmonious blend of purpose and spontaneity. The linens and canvases he selects have borne witness to various conditions and interactions, embracing the imprints of their past experiences. Olympio meticulously stretches, glues, and layers these diverse fabrics together, infusing them with additional layers of acrylic paint, a fusion of careful craft and serendipitous revelation. In Olympio's art, deliberate strokes mingle with accidental splashes, forming a mesmerizing canvas that speaks to the ethos of modernism's evolution. It's a reminder that the legends of yesteryears now manifest as a distinct style, a testament to their enduring influence. His mastery over the medium amplifies, imbuing each piece with a romantic essence carefully counterbalanced by his practiced modesty. The strokes, swirling and turbulent, are immersed in a rich, opulent application of paint, akin to an expansive honeysuckle-pink landscape or a brooding soot-gray abyss. Yet within this whirlwind of impressions, Olympio maintains a sense of purpose, an elusive process that surrenders control to the animated paint and sculptural fabrics. Olympio possesses a rare duality, orchestrating the delicate balance between sensuality and subtlety within his creations. Navigating these opposing forces, he transcends distractions and attains the perfect pitch, crafting a visual symphony that resonates deeply. Olympio was born into a large family of eight children in Lomé, Togo, West Africa. He began his creating art by using building scraps to make sculptures. By the time he was in high school, he started to experiment with mixed-media and collage. He later transitioned to acrylic and oil on canvas. In 2001, Olympio left his home in Africa to live in Paris. Olympio moved to the United States in 2003 and has continued to paint. His work has been exhibited at Art Basel Miami, where in 2018 he was ranked one of the Top 10 Artists by Red Dot Miami. He was also recently interviewed for France 2, TV5Monde, and the BBC. His work has been exhibited and collected internationally. REPRESENTATION Artplex Gallery, Los Angeles, California EXHIBITIONS 2019 Artplex Gallery, Los Angeles, CA Art Palm Springs, Karyn Mannix Contemporary, Palm Springs, CA “Voltage,” Artplex Gallery, Los Angeles, CA LA Art Show, bG Gallery, Los Angeles, CA “Immigration Celebration, Part I,” Laurent Proneur Gallery Superfine! Fair, Magic Box LA, Los Angeles, CA 2018 Red Dot Miami, Miami, FL Art Basel, Miami, FL Los Angeles Art Show, Los Angeles, CA Latino Art Museum, Pomona, CA BG Gallery, Santa Monica, CA Wallspace at the Brewery Fall Art...

Amber Goldhammer’s “My Vacation Plans” is a stunning 40-inch tall by 60-inch wide graffiti-inspired abstract painting, blending a captivating landscape with her iconic overlay of han...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

Symbol of Memories 1 is an original painting by Oladimeji Alabi. Oladimeji created the Symbol of Memories with Mixed Media on a 30W by 50H inches primed canvas. The symbol of Memories is inspired by the story of my childhood. The objects and signs we grew up with as a child in our homes become symbols of our memories today. Art has the ability to evoke strong emotions and convey meaningful messages. One such artwork that does just that is "Symbol of Memories," a stunning piece that uses the mother as a symbol of life and hope. This artwork is made even more significant by the use of damask fabric, which was popular among Nigerian women in the late 70s to 90s and used for making gele, the head ties worn by women. The artwork speaks volumes about the importance of mothers in society. The mother is dressed in a vibrant damask fabric, which adds a sense of richness and texture to the painting. The use of damask fabric in the painting is significant as it represents a part of Nigerian culture and history. Damask was a popular fashion among Nigerian women in the late 70s to 90s and was used to make gele, the head ties worn by women on special occasions. The fabric is often associated with elegance, sophistication, and beauty, which adds a layer of meaning to the artwork. The mother in the painting is the focal point of the artwork, symbolizing the importance of mothers in society. Mothers are the backbone of families, providing love, support, and guidance to their children. They are often the ones who hold families together through difficult times, serving as a symbol of hope and resilience. The use of the damask fabric in the painting also represents the concept of memories. The fabric has a rich history in Nigerian culture, and for many people, it is a symbol of their childhood and the memories they hold dear. The painting serves as a reminder of the importance of preserving memories, both good and bad, and how they shape our lives. Overall, "Symbol of Memories" is a beautiful piece of art that celebrates the role of mothers in society. The use of damask fabric adds a layer of meaning to the painting, representing the importance of preserving memories and the rich culture of Nigeria. The mother as a focused subject symbolizes life and hope, the fabric applied in this art is called damask, which was a popular fashion among Nigerian women around the late 70s to 90s used for making gele(the head ties). Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe, while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Snow of May III is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 38 x 46 cm (15 ...

This piece titled "Celadon" is an original artwork made from pencil, watercolors, and charcoal on cotton rag paper by Christine Kim. This piece is shipped with the pictured wooden frame and measures 23.25"h x 16.25"w x 2.25"d. This piece was displayed in 2023 group exhibition "Lucky 13", which featured work having to do with themes of luck, tradition, and superstition. "Forests not only have connections with spirits and gods, but it is also linked to our subconscious world of emotions, intuition, memory and imagination. In this cut paper diorama, I wanted to carve out a figure and replace it with the mysterious depths of a forest that is growing wild...

From the series Observing Multiculturalism - Despite having already settled in his promised land, anxiety still rules all his thoughts, 2019 Contemporary Textile Artwork Minimalist, neutral colors Raw Mexican wool...

She sits in stillness, yet her presence speaks volumes. A past filled with stories, a present holding resilience, and a future waiting to be ignited. In her eyes, there is wisdom. In...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...

Created specifically for the exhibition Timeless Remnants in Knokke, "Farmer's Wife" is part of Laura Pasquino’s new totemic ceramic series. This standing sculpture, composed of stac...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

This piece titled "Egg Canoes: Duck #12-15" is an original piece by Kate VanVliet and is made from eggshell, mica, 3-D printed PETG, acrylic, and pine. This piece measures 4”h x 10”w...

This abstract mixed media artwork titled "Rhapsody" is an original artwork by Kelly Kozma made of hand embroidery & mixed media on recycled rag paper. This piece measures 12.5”h x 12...

Breeze II is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments, gold and silver leaf on Japanese paper mounted on wood, dimensions are...

Black and White Basket, Wounaan Tribe, Panama, Rainforest, Geometric, round The baskets are made by the Wounaan and Embera Indians from the Darien Rainfor...

Xiao Wen Xu's artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is part of her "Rainbowland Land" ser...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Top...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

'Rose glow' Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand the test of time, pre...

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

Plaster bas-relief colored in acrylic 33 x 48 cm Creator of dreamlike works always in search of innovation; my pictorial techniques are also constantly evolving, coming to bas-reli...

CB Hoyo, Set of 6 Hand painted ceramis plates Complete set of six 10" Hand made / Hand Painted ceramic plates (dishwasher safe). Each plate in the series is hand-painted making the...

"Tarot Cards" unframed collage on fine art paper by artist Melanie Boone. Melanie Boone collaged into lower right recto. Titled "Tarot Cards" verso. Coll...

Orange and green abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is...

"Mini Populus: Bunny Slope" is a framed original mixed media work on board by Craig Alan, depicting figures skiing down a blue mountain. Each figure has a unique pose and shadow, add...

Cindy Sherman The Nine Lives of Cindy, 2019 Printed Bone Porcelain 12 1/2 in diameter Limited Edition of 100 Plate signed verso and also accompanied by plate signed documentation card/official Certificate of Authenticity In original box Produced exclusively for the National Portrait Gallery in the United Kingdom on the occasion of the 2019 Cindy Sherman exhibition which also traveled to the Vancouver Art Gallery. Acquired directly from the National Portrait Gallery before it sold out. Cindy Sherman Biography: Born in 1954 in Glen Ridge, New Jersey, Cindy Sherman lives and works in New York NY. Her ground-breaking photographs have interrogated themes around representation and identity in contemporary media for over four decades. Coming to prominence in the late 1970s with the Pictures Generation group alongside artists such as Sherrie Levine, Richard Prince and Louise Lawler, Sherman studied art at Buffalo State College in 1972 where she turned her attention to photography. In 1977, shortly after moving to New York, Sherman began her critically acclaimed Untitled Film Stills. A suite of 69 black and white portraits, Untitled Film Stills sees Sherman impersonate a myriad of stereotypical female characters and caricatures inspired by Hollywood pictures, film noir, and B movies. Using a range of costumes, props and backdrops to manipulate her own appearance and to create photographs resembling promotional film images, the series explores the tension between artifice and identity in consumer culture which has preoccupied the artist’s practice ever since. Sherman continued to channel and reconstruct familiar personas known to the collective psyche, often in unsettling ways. In 1981, the artist created her Centerfolds, a series of photographic double spreads inspired by men’s erotic magazines...

This piece titled "I Give Myself Grace Now" is an original painting by Sarah Detweiler and is made from oil paint, recycled fiber packing material, crochet thread, acrylic mirror tiles on canvas with acrylic painted edges. This piece measures 48”h x 36”w and ships with a gallery-issued Certificate of Authenticity. In Unmasquerade, Detweiler positively redefines the ADHD term of masking as a purposeful and playful act, as her figures wear novelty sunglasses, fur suits...

"Pink Kobra" is an original piece by Ulla-Stina Wikander as a free standing sculpture. This piece is made from sourced cherry blossom tree vintage needlepoint embroidery and expertly...

"WTF" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual she...

"How does my hair look?" is an original piece by Sarah Detweiler made from scrunchies, synthetic hair, and yarn. This piece measures 32" diameter. Detweiler has found catharsis and joy in recalling her own experiences as a child of the 80s and a teen of the 90s, during what seemed like a simpler time. Likewise, the "Memory Palace" collection offers a reprieve from the strange and complex reality of life in the 21st Century, for adults and children alike, inviting viewers to fall “down the rabbit hole” into a warped reimagination of vignettes from Detweiler’s youth. The exhibition title refers to a mnemonic memorization technique known as the “Method of Loci” through which information is retained and retrieved by conscious mental association with a specific physical location. In the context of Detweiler’s work, each painting, object, and installation functions as a “room” in the artist’s “memory palace,” with specific memories encapsulated therein. The visual representations of Detweiler’s memories are skewed from reality, like the memories themselves, from super-sized silly putty to hand-stitched static from the late-night glow of a television set. About Sarah Detweiler Sarah Detweiler is a Philadelphia area-based visual artist translating her experiences into figurative and narrative mixed media paintings. She has a BFA in Visual Communications from University of Delaware and a master's degree in Art Therapy from Pratt. Sarah is an award-winning artist who has shown her work in solo and group exhibitions in galleries across the country and virtually. She exhibits regularly at Paradigm Gallery in Philadelphia where she has had 2 sold out solo exhibitions. Her work has also been seen on television and film...

This layered artwork titled "Navigator" is an original hand-crafted artwork by Alex Eckman-Lawn, as part of his recent solo exhibition, "BODY". This piece is digitally designed by E...

Kapil Anant - Incredible India Acrylic & Ink on Canson Paper (Mixed Media) 8.3 x 11.8 inches ( Set of 18 works ) Inclusive of shipment in rolled form. Kapil Anant was born in 1998. ...

Amber Goldhammer’s vibrant heart-filled contemporary paintings invite you to color your love and let the joy flow. Known for her dramatic abstract compositions in acrylic on canvas, ...

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the Cubist-inspired artworks by Tuscan artist, Federico Pinto Schmid. Partially restraining the seemingly boundless color are bold gestures Pinto Schmid creates with swift confidence. Each painting is meant to communicate a multitude of feelings and styles which can be reorganized infinitely within one's imagination. This large one-of-a-kind colorful mixed media painting on canvas measures 48 inches high by 76 inches wide. It is stretched, wired, and ready to hang. It is signed by Pinto on the front and back. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the gallery is included. Born in Tuscany and raised between Germany and Italy, Pinto Schmid is influenced by particularly German cubism...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Olu...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Steven H. Rehfeld (American, born 1954) "Blue Impressions" 1980 Oil Paint, Mixed Media, Paper, Tape, Graphite, Ink, Canvas, Stretcher Bars The artist signed the back of the painting....

"FUCK" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual sh...

"DNA, The Dissection (Version 6)" is a piece by Eustace Mamba made from sewn mixed media. This piece measures 17"h x 12 "w unframed. "Black Subjectivity and Afro-Pessimism continue...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Gregory Lomayesva (American, b. 1971) Untitled, c. 21st century Mixed media on canvas 18 x 12 x 1 1/2 in. Signed lower left Contemporary Hopi artist...

"SASSY" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual s...

"Elder Morris" is an original piece by Shawn Theodore made from hand-crafted paper collage and acrylic and archival ink on Epson Hot Press Natural paper on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection.This pieces measures 36”h x 48”w and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

The series Geometric Alphabet is part of my series Geometric Abstract, in which the abstract game is used in the form of asemic writing with geometric shapes. Here Peters recreates h...

The details are so painstakingly exact that the viewer is deceived into believing they are viewing a full scale replica of a lawyer's office from 1885. ...

This orginal piece by Luke O'Sullivan is made from wood and salvaged materials that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 56”h x 26”w x 10”d. Artist Statement // My work is about the intersection of built environments and subterranean systems. I create drawings and sculptures of fantastical urban environments. Often inspired by dystopian and science fiction films, I combine recognizable architectural forms and impossible buildings to make diorama-esque works. Early Nintendo games...

"FUCK IT" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual...