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Jean-Michel Basquiat Skateboard Deck: Limited edition Basquiat skateboard deck licensed by the Estate of Jean-Michel Basquiat in conjunction with Artestar in 2018, featuring offset ...

In the artist's abstract print series, Cosmos, 2023 by a.muse represents an imaginary cosmos - the universe as a place of longing, dreams, wonder, and ethereal beauty. A 13.75" x 11"...

ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

David - my mom wants a photo again, 134x134cm, Oil, Canvas, sand

Budd Hopkins, American (1931-2011) 'City Sun II', 1969 Oil painting on canvas. Hand signed and dated lower left. Verso: Artist, title, and year in pencil on stretcher. Dimensions: 36" H x 52" w. Frame: 37.25" h x 53.25" w. Budd Hopkins was one of the leading proponents of the "hard-edge" abstract minimalist school of painting in the 1950s and 1960s, Budd Hopkins (born 1931) created works that show the strong influence of Jackson Pollock and other leading painters of the Abstract Expressionism movement. Hopkins' paintings are now in numerous major collections, including the San Francisco Museum of Art, the Guggenheim Museum in New York, and the Hirshhorn Collection in Washington, DC. Recently, he has also been recognized for his research into the matter of UFOs and one of his books, "The Intruders", printed by Random House, was on the New York Times best-seller list and was the basis for a television show on CBS. Born in 1931, he is a graduate of Linsly Military Institute (now Linsly School) in 1949 and Oberlin College in 1953. He first displayed artistic abilities when, as a child recovering from a long-term illness, he began to create sculptures of ships made out of modeling clay. But it wasn't until he arrive at Oberlin that he made a serious study of art. Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinels" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious. He settled in New York after obtaining his degree and has had a residence there ever since. He and his wife, April Kingsley, and their daughter, Grace, divide their time between their home at Cape Cod, Mass., and that in New York City. In his work, he travels widely. He has exhibited in England, Finland, Italy and Switzerland. In 1963, Hopkins was selected by the Columbia Broadcasting System as one of the 15 painters featured in the network's first television special on American art. In 1958, Art News picked him as one of 12 Americans for exhibition in Spoleto, Italy, in the "Festival of Two Worlds." His brilliance has won him a number of fellowships and awards. In 1972, the West Virginia Arts and Humanities Council awarded him its Commission Prize. In 1976, he received the John Simon Guggenheim Fellowship for Painting and in '79 he received a fellowship from the National Endowment of the Arts. He also won a special project grant from the New York State Council on the Arts in 1982. He was friends with Robert Ryman and many of the other 10th street avant garde artists. He was an original member of March Gallery which showed Alice Baber, Elaine de Kooning, Mark di Suvero, Lester Johnson, Matsumi Kanemitsu. His work was handled by Poindexter Gallery. (a major gallery founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Al Held, Willem de Kooning, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. His art has been featured in the Metropolitan Museum of Art, Museum of Modern Art, Bronx Museum of Art, Brooklyn Museum, Whitney Museum, Corcoran Gallery, Guggenheim Museum, Queens Museum in New York, and the Public Library of New York. He was included in Young America 1960: Thirty American Painters Under Thirty-Six buy Lloyd Goodrich at the Whitney Museum of American Art in NYC. Artists included: Sonia Gechtoff, Edward Giobbi, Ron Gorchov, James Harvey, Budd Hopkins, Wolf Kahn, Alex Katz, Robert Natkin, Rudy Pozzatti, Dean Richardson, Frank Roth, William Wiley, and Noriko Yamamoto...

Invader Rubikcubist book with amazing cover. Authored by Invader with text by Malika Bauwens and Ian Scheffler. Covers Invaders start with the Rubik sculptures and artworks from the ...

Limited edition Basquiat Gold Griot Skateboard Deck c. 2019: Rare limited edition Basquiat skateboard deck published by The Broad Museum Los Angeles in conjunction with the estate of...

Kseniia Kokovashina - "Nude I&II" set of two. Beautiful limited edition art photography. Printable in colour or black/white. Editions: 20. Tec...

A fine impressionist landscape of a Vermont farm by American artist Paul Starrett Sample (1896-1974). Sample was born in Louisville, Kentucky and went to school at Dartmouth College,...

Fernando Botero (Colombian, 1932–2023) Una Famiglia I – Original Exhibition Poster, 1991 This original exhibition poster, published in Italy in 1991 on the occasion of Fernando Bote...

Les Etoiles (suivi de l’Astronomie des Dames) is an original modern rare book written by Joseph Méry and Le Comte Foelix and illustrated by Jean Jeacques G...

Ed Ruscha ‘I DON'T WANT NO RETRO SPECTIVE’: Vintage original, historic 1982 exhibition program to Ed Ruscha’s first major museum retrospective(s): “THE WORKS OF EDWARD RUSCHA”: Sa...

Summer day. Oil on cardboard, 40x50 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Skil...

Produced under the auspices of the Frank Lloyd Wright Foundation. It is an exact replica of the Robie House No. 2 Window. Inscribed "1988 Frank Lloyd Wright Foundation #60" lower b...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Wind N Sea - Seascape Painting - Contemporary Art By Marc Zimmerman This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintings, wh...

Bound Heart is a unique oak wood and cotton cord sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 × 34 × 26 cm (7.5 × 13.4 × 10.2 in). The sculpture comes with...

Marc Chagall (1887-1985) - Cover for Menu (trial proof) Lithograph from 1964. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 53.2 x 43.2 cm Publ...

KAWS KAWS BFF Black (KAWS BFF Companion), 2017 Vinyl and cast resin sculpture
 Signature to feet Presented in original box, and accompanied by unique ho...

Vintage Hermes Flap Bag Shiny black Porosus Piano Black Leather 1963 Claf leather lining

M.F. Husain - Untitled Edition - 96/150 39.5 x 27.5 inches (unframed size) Serigraph on Paper, 1998 (Unframed & Delivered) MF Husain , world acclaimed artist has been famous for var...

Man 1, 2021, 120x55 cm

L'Asino, Art Magazine, Year 24, no. 29, 1915, is an original colorful illustrated Italian magazine with a satiric political scene. Published on Sunday 18 Luglio 1915, in 4 pages, do...

Stunning mirror with floral and animal motifs by ceramic artist Mithé Espelt

Victorian Marine Seascape Large Oil Painting of Pure Seas and Shimmering Light by the absolute Master of Pure Seas Paintings. This is a beautiful, ethereal work by Henry Moore (THE Henry Moore and not the famous Sculptor!). The seascape we have for sale is an exquisite example of Moore’s sea-painting (he began painting the sea in the late 1860s), this, produced at the height of his fame and talents, it was painted in 1891. In it he captures the rolling waves as they catch the light and conveys a cool beauty within this deceptively simple composition. There may be a hint of a vessel in the background but maybe it is a trick of the light!! The seagulls dance in the foreground. Moore manages to straddle two enormous art...

Yayoi Kusama (after) Kusama Pumpkin (Yellow & Black), ca. 2015 Painted cast resin Open edition 4 × 3 2/5 in 10.2 × 8.6 cm Published by Benesse Holdings, Inc., Naoshima, Japan

Secret Garden 3

Super cool postcard featuring Banksy mural artwork from Ukraine. This limited edition postcard was issued by the official Ukraine Post Ukrposhta and it has the now famous Banksy imag...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original 1980s large-sized Keith Haring Tokyo Pop Shop sticker sheet, that is well-suited for framing. Designed by Haring in conjunctio...

This piece titled "Enchanted Forest" is an original artwork by Dina Brodsky, as part of her acclaimed two-person exhibition "Little Italy", an exhibition celebrating travel in contem...

African Carved Wood Makonde Mask Heavy wood carved ceremonial mask symbolizing an ancestor 16.5 x 8 x 10 inches A carved ceremonial mask symbolizing an ancestor, this African facial...

Drawing inspiration from the vibrant California landscape, British artist Paul Westacott creates original abstract artworks that showcase a harmonious b...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

DRINKS WITH DEGAS - This dress painting features an interplay of paint, lace collage and ribbon creating an outcome both expressive and refined. Through the process of adding and sub...

Soft picture «Bird of happiness», 2025 Textile 85х100, embroidery

Tokion poster

Basquiat Galerie Hans Mayer Düsseldorf 1988: A rare, exceptional 1980s Basquiat exhibition announcement published on the occasion of 'Jean-Michel Basquiat at Galerie Hans Mayer Düss...

Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm). A classic example of a world ma...

Seventeenth Century Old Master Biblical themed Oil Painting on Panel of Joseph recounting his Dream. A Follower of Rembrandt Harmensz Van Rijn 1606 - 1669. This painting follows a ...

Jean-Michel Basquiat, Gagosian Gallery, Los Angeles, 1983: RARE historic Basquiat announcement card published on the occasion of: Jean- Michel Basquiat. Larry Gagosian Gallery, Los ...

The Skateroom x Estate of Jean-Michel Basquiat In Italian Skateboard Triptych, 2014 7 ply Grade A Canadian Maple wood (Set of 3) 31 1/2 × 7 9/10 in 80 × 20 cm Open edition Licensed...

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the cubist-inspired artworks by Tuscan artist Federico Pinto Schmid...

Composition Fond Bleu By Henri Matisse 1996 Medium: Offset Lithograph Paper Size: 39.25 x 27.5 inches ( 100 x 70 cm ) Image Size: 34.5 x 21.75 inches ( 88 x 55 cm ) Edition Si...

M.F. Husain - Untitled Edition - 11/125 40 x 22 inches (unframed size) Serigraph on Paper, 1998 (Unframed & Delivered) MF Husain , world acclaimed artist has been famous for various...

Victorian Marine 19th Century Oil Painting on Canvas on stretchers, with Shipping off the Coast in a stiff breeze and stormy seas. Another fabulous maritime painting from William Web...

Teal and white abstract contemporary concentric circle shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement...

JAY PHILLIPS – "BEL-AIR GATE" ⚜ Enamel on Aluminum Wall Sculpture ⚜ Hand Signed and Numbered Lower Right ⚜ Roy Boyd Gallery Provenance ⚜ Acrylic Shadow Box Frame BOLD GEOMETRIC ENAM...

This impressive 3D text collage features white acrylic on a brushed aluminum composite panel, created in 2016. The piece is hand-signed by the artist with a felt-tip pen, dated, and ...

This Celadon Vase by Shinobu Kawase exemplifies the serene elegance of celadon. The vessel features simple, graceful curves and a balanced melon-ribbed form that conveys quiet streng...

Extremely rare exhibition poster printed on medium thick paper. It was released by the Matsumoto City Museum of Art in Japan with text on the ve...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...