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Gorgeous One of a kind Blown and fused Glass Sculpture in opaque black , opaque white,black, grey and silver white. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). T...

Gorgeous One of a kind Blown and fused Glass Sculpture in brown/black, bluish black, opaque white and White sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 c...

Gorgeous One of a kind Blown and fused Glass Sculpture in molted opaque black , brown/black and sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Total we...

Gorgeous One of a kind Blown and fused Glass in opaque black, blueish black, transparent white and sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Tota...

Gorgeous One of a kind Blown and fused Glass Sculpture in molted opaque black , black, brown, grey and sandbusted. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). To...

Swan Lake , 80x80cm, print on canvas

Gorgeous of a kind Blown and fused Glass Sculpture in transparent white crystal, black, brown, transparent and dark forest green. Includes its black metal base ( about 32 cm X 10 cm ...

70x70cm, print on canvas

Canadian artist Slavo Cech’s unique sculpture practice is most often inspired by nature. Exploring the language of form and fluidity in the medium of metal sculptures for over 35 yea...

Limited edition of 5 pieces

Aubrey Penny Abstract Watercolor - Untitled Signed, Dated, and Numbered 2204, 1962 Untitled Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worke...

sisterhood , 70x70cm, print on canvas

Water Lillies In The Pond With Pots Of Flowers By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-cent...

sisterhood , 70x70cm, print on canvas

BEARBRICK - JACKSON POLLOCK (V3) SPLASH 400% & 100% Date of creation: 2021 Medium: Vinyl figure Edition: Open Size: 28 x 10 x 10 cm Condition: In mint conditions, inside its original...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Presented by Titan Fine Art, this elegant and beautiful portrait depicts Abigail Hay, Lady Dupplin, Countess of Kinnoull; it is an excellent example of English portraiture from the f...

What mask are you wearing? 80x80cm, print on canvas

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Cartier 18K Gold Lighter c. 1990s Gold 2.75 x 1 x 0.5 inches

"Coalescence #1" 25" x 21.5" inch by Oleg Char Medium: Spray paint, Acrylic on restored Antique Mirror, Wood frame THE ARTIST: Unearth the essence of contemporary art with Oleg Cha...

dream, 80x80cm, print on canvas

dream, 80x80cm, print on canvas

Really gorgeous, One of a kind Blown and fused Glass. Black opaque, white opaque, black, grey and brown. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Total weigh...

Limited edition of 5 pieces

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Experience the captivating allure of Rachel Marie's latest masterpiece, "Untitled," on display at our gallery. With delicate strokes and vibrant hues, Marie effortlessly transports v...

Furniture designed by George Nelson/ Charles Eames/ Isamu Noguchi & Paul Laszlo [72] pp. Herman Miller Furniture Co. 1948 First Edition 8 3/4" x 11 1/4" The first edition catal...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Gorgeous One of a kind Blown and fused Glass in mottled opaque black, black, grey, transparent white silver and sandblasted transparent. Includes its black metal base (about32 cm X ...

Seascape , 70x70cm, print on canvas

Gorgeous,One of a kind Blown and fused Glass in opaque black with metal effects, black, grey and transparent sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 ...

Gorgeous One of a kind Blown and fused Glass Sculpture in moltted opaque black, transparent white crystal, grey, silver transparent sandblasted. Includes its black metal base ( abou...

Gorgeous One of a kind Blown and fused Glass sculpture in opaque white, black, grey, and white silver transparent . Includes its black metal base (about 32cm X 10 cm X 18cm ). Total ...

Gorgeous art piece, One of a kind Blown and fused Glass in opaque black, opaque white, grey, dark forest green and sandblasted transparent. Includes its black metal base ( about 32 ...

What mask are you wearing? 80x80cm, print on canvas

I have just taken this painting back into stock. It was painted back in the 1980,90s and the location is a meadow at Priors Halton so it is looking towards Clee Hill. (Near Ludlow i...

Still life , 70x70cm, print on canvas

Still life 100x80 cm

Typical of Herman's work that is figurative in essence though treated with a modernist, expressionist feel. This is a Limited Edition numbered 52 from the edition of 150 and is signe...

The illusion of intimacy, 2020, 70x100 cm