More Art

This is an impressionist-style painting of a sunny, colorful flower garden bathed in light and filled with giant iris flowers and other beautiful garden flowers. In the distance is t...

KAWS Companion 2016-2021: A sharply curated set of 10 distinguished individual Brown KAWS Companions new & unopened in original packaging. Dimensions as follows: KAWS Clean Slate, 2...

Keith Haring, Vivienne Westwood, and Malcolm McLaren collaboration for the 1983 'Witches' collection: A rare, museum worthy art fashion collectible published on occasion of the AW1...

1971 Etching with aquatint, in black and red, on wove paper 53.6 x 63.5 cm Edition of 500 Numbered, signed and dated in pencil by Hockney Printed by Shirley Clement, Print Shop, Amst...

The Misunderstanding of Capogrossi is the name of a lot composed of two autograph letters dated and signed by Giuseppe Capogrossi to the Countess Anna Laetizia Pecci- Blunt. Rome, ...

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abrstaits", Unframed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 - 1998) Title: "Kaleidoscope, Orn...

"Guardian Angel" late 19th c. Original hand-painted KPM Porcelain In Jewel Encrusted Frame approx. 6 3/8 x 5 inches

This colorful painting captures a romantic and emotional moment between a man and a woman. The figurative artwork depicts the woman holding and affectionately kissing the man who lay...

This framed 19.875" x 16" oil painting on canvas by Oklahoma-based artist James Cobb depicts a strand of river birch trees in freshly fallen snow. at the he...

Marbella 100x100 cm The work is sold without a frame.

My work touches on the importance of home and a sense of security. I believe it is a basic human need to feel like someone is waiting for you. I depict not only my homeland, but also...

Mendel's Joy, 120x120 cm, canvas, oil, sand

Seascape , 70x70cm, print on canvas Edition 20 pcs.

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abrstaits", Unframed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 -...

Gallery service: Complimentary worldwide shipping is offered, with Signet Contemporary Art covering all tariffs, customs duties and import taxes, making international collecting simp...

This is a signed, Limited Edition Giclée print of the original painting by Harriet Hoult. The print is on a high grade, cold press rough textured, hand torn art paper. Harriet Hoult...

A wonderfully detailed New England landscape by Scottish American artist James Hope (1818-1892). Hope was born in Drygrange, Roxboroughshire, Scotland. After the death of his mother,...

This 25" x 17" x 11" bronze sculpture by the celebrated multidisciplinary artist Harold Castor is a realistic depiction of a woman with her two children....

This abstract floral painting uses vibrant colors and a dynamic composition to evoke the essence of flowers. The central area features splashes of pink, yellow, white, and touches of...

Just Another Tuesday - This dress painting features an interplay of paint and lace textile collage creating texture and dimension. A black velvet waistband adds a pop of contrast to ...

Instagram: chebotaru.a The painting “Morning Perastâ€

Important and rare Catalogue of the Exhibition held in Circle Volley from March 17th to April 17th, 1954. Printed by Mourlot, the Catalogue's cover is a photolithograph d'après a work by Dubuffet. It includes 193 descriptions of Dubuffet's artworks and 4 reproductions on photolithograph. Includes the invitation to the exhibition, which is a lithograph not signed d'après the work "Personnage" by Dubuffet. Ref. Cat. Bordas 25 and 25b / Weber 388 and 289. Near perfect conditions. Catalogue aussi rare qu'important de l'exposition qui s'est tenue au Circle Volley du 17 Mars au 17 Avril 1954. Imprimé par Mourlot, la couverture du catalogue est une photolithographie d'après une œuvre de Dubuffet. Il comprend 193 descriptions des œuvres de Dubuffet ainsi que 4 reproductions de type photolithographie. L'exemplaire comprend une invitation à l'exposition. Il s'agit d'une lithographie non signée d'après l'œuvre "Personnage" de Dubuffet. Ref. Cat. Bordas 25 et 25b / Weber 388 et 289. Dans des conditions presque parfaites. Edition: Paris, Cercle Volant René Drouin...

"Un Rendez-vouz au café Flore" is the main request of this Autograph Letter Signed by Ossip Zadkine to Nesto Jacometti. Les Argues par Cazals, France, July...

Sunny forest cardboard/oil, 90x70cm

Hares unicorns

ORIGINAL OIL PAINTING ON CANVAS IMPRESSIONIST WALL ART WORK Modern painting /Tulip painting / Impressionism artwork / Original oil painting / Still life painting / Daffodil art -...

The world if full of light and color if we look for it. A new day is a new opportunity. A new day is full of hope. The painting is on heavy weight paper and painted expressively with...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Batman the Animated Series SKU: IFA8145 ABOUT THE IMAGE: Batman: The Animated Series is an American superhero ...

Midday in Lombardy, 100x170 cm, acrylic on canvas

This oil painting White Water Lilies portrays the beauty of lily pads on the surface of a pond. The combination of vibrant colors, thick brushstrokes, and the play of light and shado...

Color lithograph on Rives BFK wove paper, 1957. Signed by the artist in pencil, lower right margin, and numbered 96/100 in pencil, lower left margin. Published by Hedwig Marbach, B...

Contemporary abstract painting by Houston artist Emmanuel Araujo. The work features swirling bursts of color in blue, yellow, and black. Signed, titled, and dated on the reverse. Cur...

3 volumes. Engraved title vignettes, 78 engraved plates and maps by Giuseppe Pazzi (including engraved frontispiece, 20 folding maps, 19 maps, 35 plates, 3 folding views). Half-title...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

linen, metal foil

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

Second painting in a series of three, showing three different postures of female figures resting and unwinding. The colours used are predominating blue with some pink and white sugge...

Not Available

Spanish Market is an Original Painting by Eleanor Woolley. This painting is inspired by recent trips to Spanish markets in Malaga, the dozens of people in bright clothes and a washed...

On the Heath and Moor Plein air Event in Kirchdorf I participated. This event takes place every two years and I'm always happy to be there. Although it rained very heavily at times,...

This oil painting captures the quiet reverence of a French priest standing within the hallowed walls of a church, bathed in the warm glow of golden light filtering through stained-gl...

Marc Chagall (1887-1985) - Cover for Menu (trial proof) Lithograph from 1964. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 53.2 x 43.2 cm Publ...

Alma Prism stands at the intersection of art and ethics, creating geometric abstraction designs that are as responsible as they are beautiful. Through our collaboration with skilled ...

Portrait of a Lady, in a Black Dress with Red Satin Sleeves and Pearls English School c.1660–1680 Circle of Sir Peter Lely (1618-1680) This striking portrait is a compelling exampl...

This contemporary minimal abstract painting puts emphasis on simplifying the composition. Tone on tone greys builds up a subtle texture with a single, thick white brush stroke commanding attention. Layers of neutrals move the eye around, making for an understated yet engaging outcome. // Andrea Stajan...

Kenny Scharf - scarce limited edition Italian Plate - Vongole Al Forno, ca. 1998 Limited edition dishwasher safe ceramic plate 10 in diameter 25.4 cm diameter Edition: PDA XXIV/XXX ...

Oil on Canvas 24 x 24 x 1.5 inches * Rainy day situation * people walking after work * Lexington Avenue, New York * Shades of Green at Night Rain * Cozy mood in Rainy Day * ...

Modern Impressionist Beach Scene Oil of Three young children playing sandcastles on the beach. "Day at the Beach" Oil on Canvas, laid on board, Signed and Framed by Rene Jerome Legr...

Yayoi Kusama Digital Print poster, 2017 Published by David Zwirner Unframed, with original folds as issued (see photo) Yayoi Kusama ephemera published by David Zwirner Gallery for a...

February, The Happy Year Harry Bunce Published 2017 as an edition of 365 worldwide (one for each day of the year) + 31 unique hand-embellished pieces. 31.5 x 28 cm Artist signed/ti...

Etching, 1899. The full sheet, with margins. Catalogue raisonné reference: Boyle -Turner 5A (as Gauguin); Guerin 88 (as Sequin); Field 89 (as Gauguin and Seguin) Based on the in...

A fine impressionist oil painting with boats at sunset by Australian American artist Hayley Lever (1876-1958). Lever was born in Adelaide, Austr...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky "Quiet Harbor" 90.0 X 70.0 CM / 35.4 X 27.5 IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2...

A rendering of a lily pond with a soft glow of light to give you that tranquility that we all need. A sweet piece for any small space. :: Painting :: Impressionist :: This piece come...

A premonition of spring , 75x100 cm, oil on canvas

This beautiful vase was in the mid century ceramic collection of George and Ann Dannatt.

The original work is framed without glass available in a hard cardboard box. :: Drawing :: Fine Art :: This piece comes with an official certificate of authenticity signed by the art...

Condition: Book is in pristine condition and only opened to photograph the signature. Signature: Hand-signed by artist, Hand Signed By The Artist in Black Sharpie, KAWS 2021...

Beautiful contemporary shabby chic handcrafted vase finished in salt glaze and hand painted finish abstract in design.

Beautiful contemporary shabby chic handcrafted vase finished in salt glaze and hand painted finish abstract in design.