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Louis MAJORELLE (Toul 1859 - Nancy 1926) Augustin DAUM (1853 - 1909) Antonin DAUM (1864 - 1930) "Sagittarius" Wall light Extremely rare "plant" wall lamp with two lights, in gilt b...

Shepard Fairey 11th Hour, 2007 Screenprint on paper24 x 18 in SKU: SF0003bg gallery

****This painting will be shipped ready to hang to USA and Canada only. Outside Continental North America it will be shipped rolled in a long sturdy box. If you do not live in North ...

hand-knotted cotton with silk Nicholas Krushenick (May 31, 1929 – February 5, 1999) was an American abstract painter, collagist and printmaker whose mature artistic style straddled ...

KAWS Holiday Taipei & KAWS Holiday Singapore: Two complete sets of 3, comprising 6 works in total: Six KAWS Holiday figures featuring KAWS Companion in two distinctive positions. E...

Limited edition Jean-Michel Basquiat and Keith Haring Foundation Spray Paint Cans: set of 2 works published circa 2017 featuring the Estate trademark's of Jean-Michel Basquiat & ...

Bring the beauty of spring into your home with this original oil painting of a flowering tree. The delicate pink flowers pop against the blue sky background, creating a serene and tr...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

Vinyl and cast resin sculpture
 Presented in the original box, and accompanied by a unique hologram authenticity number
 11 1/4 × 1 1/8 × 3 3/4 in
 28.6 × 2.9 × 9.5 cm Open unknown e...

Traditional Style Contemporary Impressionist Oil painting on canvas of beautiful Lady lounging on Sofa with Cocktail in her hand. Painted from Life with the Model sitting at the artist's studio. A beautiful and evocative painting that is both sexy and demure. Rene Jerome Legrand (Born 1953) "Little Black Dress" - Oil on Canvas, Signed and Framed Rene Legrand...

Jane Dickson New York 1985: A rare 1980s announcement card published on the occasion of: "Works on Paper 1983-1984" at Brooke Alexander, Inc. from December 11, 1984 - January 12, 19...

1880s Antique Frame Antique Painting Gold Frame Frame Size: Width: 33″ X Height: 49″ Thickness: 6″ Picture Size: Width: 21.60″ X Height: 37.60″ Bi...

KAWS What Party & Chum (2 works): Two individual KAWS Companions featuring the classic KAWS CHUM character. Published to commemorate the debut of KAWS’ larger scale sculptural versio...

Oil On Canvas On Panel, Mediterranean View With Sailboat And Cliffs ** SOLD WITHOUT FRAME ** Additional information about the work: Title: Mediterranean View Medium: oil on canvas...

KAWS Black BFF new, unopened in its original packaging. A well-received work and variation of KAWS' large scale BFF sculpture is in Los Angeles's Playa Vista neighborhood. Medium: ...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12" x 10" PRODUCTION: The Jungle Book, 1967 SKU: CCV1956 ABOUT THE MEDIUM: Original Production Cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate and has been photographed over a background painting to create a frame of the finished production. ABOUT THE FILM: The Jungle Book is a 1967 American animated musical comedy film produced by Walt Disney Productions. Based on Rudyard Kipling's 1894 book of the same name, it is the 19th Disney animated feature film. Directed by Wolfgang Reitherman, it was the last film to be produced by Walt Disney, who died during its production. The plot follows Mowgli, a feral child raised in the Indian jungle by wolves, as his friends Bagheera the panther and Baloo the bear try to convince him to leave the jungle before the evil tiger Shere Khan...

This is Not a Riot 2

This is Not a Riot 1

This is Not a Riot 3

Peanuts

Coffee

Cocktails

Priestess

Ana

Nordic Beauty I

Untitled Jelly I $190 unframed

But Is It Art

Coffee, 2021

The Fall

Kat 1

Maurice-Pillard Verneuil: "Kaleidoscope, Ornements Abrstaits", Unframed Artist: Maurice-Pillard Verneuil (1869 - 1942) and Adelaide Verneuil (1898 -...

2026 Giclée direct print on aluminium composite panel 198 x 132 cm Edition of 178 Mint condition stored in the original packaging Accompanied by a gallery Certificate of Authentici...

KPM, Madonna del Dito, oval, slightly curved porcelain picture plate by KPM Berlin in fine polychrome onglaze painting, 27 x 22 cm (plate size), 33 x 28.5 cm (frame), unsigned, press...

Artist Comments
Rendered in bold strokes and a vivid, expressive palette, this acrylic painting captures the focused intensity of a horse mid-match. The cropped composition dra...

Cindy Sherman Comme des Garcons postcard 1994: A rare advertisement/promotional card designed and (offset) illustrated by Cindy Sherman in conjunction with Comme des Garcons FW94. D...

K. Laxma Goud - Untitled, Intaglio - 12.5 x 9.5 inches (unframed size) Etching on Paper, 2022 ( Unframed & Delivered ) Style : Goud displays versatility over a range of mediums, fro...

Jane Reichle (b.  1998, Bryan, TX) is an hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. ...

Femme Arabe 1975 Tapestry Hand-woven by Ateliers Pinton, Aubusson, France Artist proof 80 x 54 inches ( (203.2 x 137.16 cm) Medium: Natural Wool Monogram on lower right Original la...

Kaws BFF, Best Friend Forever Figure from 2017. New condition still in the package. A great contemporary pop figure by the legendary KAWS. Open unknown ...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Spring 1991. Cardboard, oil, 94.5x70 cm

Contemporary Impressionist Oil Painting of a Spanish Flamenco Dancer in a Red Dress. Stunning study of a Spanish Flamenco Dancer striking a pose in...

Victorian landscape painting at its finest, gentle countryside and wonderfully drawn figures by a highly regarded British Artist. A beautiful pair of oils on canvas, mounted on stre...

1980 clear crystal "Vase Bacchantes" designed by René Lalique in 1927 to celebrate feminine beauty. Inspired by the mythology of antiquity, this vase features a circle of 10 nude fem...

Wrapped Statues/West Germany Christo (Bulgarian, 1935-2020) Mixed Media Hand-signed lower right Numbered PP 1/10 lower left 35 x 27 inches 39.25 x 31.2...

Mini Mori Girl By Yoshitomo Nara 2012 Resin, wood and plastic sculpture 11.5 x 8 x 8 cm Edition of 1000 Unboxed

KAWS Hon Kong 'Holiday' Companion 2019: This figurine was published by All Rights Reserved to commemorate the debut of a large scale KAWS floating figure in Hong Kong's Victoria Harb...

Artist Comments
The minimalist geometric painting features a grey curved shape appearing from the upper right of the composition. The blue and white horizontal divisions create...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

Andy Warhol Bearbrick: Be@rbrick x Andy Warhol Foundation Muhammad Ali Vinyl Figures: Set of two (400% & 100%): Andy Warhol (after) Muhammad Ali collectible trademarked & lic...

Oil paint on heavy tar paper. Hand signed and dated verso. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an environment that patronized the arts. At home her father, a professor, and mother, a state economist and homemaker, collected nineteenth and twentieth century drawings and prints, Middle eastern rugs, and ceramics, pewter, and old tools. Her grandfather, Max Westfield, was an academically trained portrait painter and her great uncle was a well-known gallery owner and art dealer in pre-World War II Germany. One of the influential experiences of Joan’s youth was visiting her grandfather in his studio in Tennessee where the family had first immigrated. Growing up near New York, and spending a year in Paris during high school, provided formative visits to museums and galleries. Joan was academically talented in grade and high school, but after her father’s death during her first years at university she found herself concentrating on studio and history of art. It was a subject above others absorbed and concentrated her focus. Influential in Joan’s development and later work are the historic movements of the Bauhaus and Modernist design and architecture, geometric art and design of diverse cultures, Color Field Painting. Many artists have had a impact on her work, such as Paul Klee, Piet Mondrian, Sonia Delaunay, Mark Rothko, Ad Reinhardt, Antoni Tapies, David Smith, John McLaughlin, Tony Smith, Louise Nevelson, Robert Mangold, Ellsworth Kelly, Agnes Martin, Valerie Jaudon, Jasper Johns, James Turrell, Robert Irwin, Vija Celmins, Caio Fonseca, Peter Halley, Ed Moses, Juan Usle, and Nancy Haynes...

Male , 40x30 cm, acrylic on paper, marker The work is sold without a frame and mat

Artist Comments
A woman lies under a vibrant night sky, the stars and planets illuminating her form. Bold colors and energetic directional brushwork add a hypnotizing energy to the composition. This piece is artist Diana Elena Chelaru's personal interpretation of the vast space.

About the Artist
Artist Diana Elena Chelaru creates vibrant expressionist works that explore human emotion and the cosmos. “Art is a means of communication, a way to express my thoughts, hopes, and joys,” says Diana. She uses form, lines, and color to bring her imaginative compositions to life, with inspiration drawn from Byzantine mosaics and Gustav Klimt’s decorative patterns. Diana received her BFA in Painting from George Enescu Art University and an MA in Art History from Queens College. Diana’s creative process is fluid and intuitive, guided by her emotions in the moment, with music as a constant companion. Her studio, located in the basement of her home, is kept clean and organized. When she’s not creating, Diana enjoys spending quality time with her family.

Words that describe this painting: Universe, stars, sky, night, meditation, celestial, space, flow, movement, planets, reclining, expressionism, nature, people, acrylic painting, blue

Star Gazing...

Blue Sky, Beetle Kill

Still Life in Transit, 2018

Storm of Emotion

Maroon, 2018

A Joyous Broken Thing

La Bella Attrice, 2018 Graphite and White Chalk on Toned Paper, 7.75 x 5.5 inches Exemplifying the essence of Renaissance poise, La Bella Attrice showcases Justas Varpucanskis’s e...

Artist Comments
The minimalist painting features a monumental archway opening toward a distant horizon of sea and light. Inspired by the timeless atmosphere of the Arctic summe...