Abstract More Art

This poured wax painting by Joanne Ungar, is composed with the geometric forms of recycled packaging, layered and infused with pigmented wax. The red, yellow, green and blue in this ...

60"x84" (signed on reverse) Golden yellow, blue and violet forms are layered in this large scale abstract painting by New York/Hawaii artist, Debra Drexler. This painting is infused...

Etching with lead and lined collage on cotton paper

Digital print mounted on Diasec with lead

This large scale oil painting by Mark Masyga employs a linear abstract composition, on a warm neutral melon orange ground. Masyga's masterful knowledge and background in color field...

72"x48" acrylic and oil on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Violet and blue hues are contrasted with neon orange and deep red orange forms. A circular form of violet attracts a central focus in the fields light orange and nearly pastel blue undertones in this stunning vibrant painting by the artist Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

"Verdant Shield" is an apt titled for this green toned abstract painting by Debra Drexler. Blues and turquoise create vertical fields of color atop an atmospheric background of pinks and light blue to create an immersive dimensional depth. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

60"x 48" acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Turquoise and violet raspberry colored forms reminiscent of Matisse cut outs, curl in a textural ground of brushed and poured paint. Drexler's process of composed shapes and fields of color are created with brushwork, poured glazes and and textural depth. This immersive and expressive painting is created with vibrant colors, which react beautifully with each other to create a rhythm of forms that is meditative and contemplative. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic...

84"x60" oil and acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Pinks and oranges inte...

48"x72" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Bright, nearly neon orange and pink fields of color are contrasted by an electric blue large path brushstroke. The composition and color are reminiscent of the coral, magenta and rose sunset against a blue body of water. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

A fine abstract expressionist collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This abstract expressionist collage includes an antique handwritten...

A fine abstract expressionist collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended...

A fine abstract expressionist mixed media collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy,...

A fine abstract expressionist paper construction by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This construction consists of a cut-out of a horse, a celestial map, several small animal figures, with a yellow brick wall paper background, monogrammed lower right “VB,” signed, dated 2002, and titled on verso “The Great...

A fine abstract expressionist paper collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of a cut-out of a rose, shooting target, map, and horse with an antique marbled paper...

Sculptures 'Wandobjekt' by Carola Eggeling Abstract sculpture with beautiful curved lines. Set of 3 German aluminum and bronze sculptures Finishes: - Aluminum white lacquered - Al...

Glass art

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements. Miranda Maher’s a...

An artwork on paper by New York artist Miranda Maher. Made with Reproductions of maps of the moon printed on Unryu Inkjet washi, mounted to Magnani cotton paper, Overlayed with Sumi ...

A minimalistic monochrome lithograph by Chaim Koppleman. This artwork is a testament to the artist's skill in creating powerful images using simple forms. The lithograph is divided ...

Sarah du Feu Corn and Clouds Original Monorprint Image size 40 x 50 cm Mounted size 55 x 63 cm Unframed Printed on acid free Somerset Velvet 280gsm paper Please note that insitu imag...

Katie Hallam Cactus Limited Edition Digital Photograph Edition of 75 Image Size: H 50cm x W 62cm x D 1cm Sold Unframed Ready to Hang Please note that in situ images are purely an ind...

Christo Sharpe discovered this image with perfectly divided shapes when visiting friends in Warwickshire. This landscape painting is the result. This is...

Alison Johnson Drift Expanse Original Seascape Painting Oil Paint on Canvas Canvas Size: H 76cm x W 101cm Sold Unframed Please note that in situ images are purely an indication of ho...

Christo Sharpe Red Borders Original Landscape Painting Oil Paint on Canvas Canvas Size: H 45cm x W 60cm x D 2cm Framed Size: H 50cm x W 65cm x D 2cm Signed Sold Framed in a Grey Fram...

Beach Walk Trevor Waugh Oil on canvas Unframed

Champagne City, Aqua Blue Thames Clare Halifax very limited edition of 10 prints featuring hand gilded champagne gold leaf 22.5ct with aqua blue thames. This 2 colour screen print wi...

Tower Bridge Nocturne Alex Rennie Oil on Linen 90 x 120 cm

Sally Anne Wake Jones & Peter What Might Have Been… and What Has Come To Pass Acrylic on Canvas, 61 x 91 cm Landscape Painting, painted “en plein air” in Windsor Great Park Sally An...

Beach Walk Trevor Waugh Oil on canvas Unframed

John Bentham. Its a Wheely Good View- a great original oil on canvas painting of a colourful seaside scene in a naive style that shows a nostalgic view of the B...

Christo Sharpe has always loved gardens especially when they’re considered the best. ‘Garden with Oast Houses’ uses Great Dixter as the basis for a colour...

When I hear music, it translates into color. —Toots Zynsky Toots Zynsky’s distinctive heat-formed filet de verre (glass thread) vessels enjoy a widespread popularity and deserved acclaim for their often extraordinary and always unique explorations in color. Defying categorization, her pieces inhabit a region all their own, interweaving the traditions of painting, sculpture, and the decorative arts. Mary Ann Toots Zynsky was born in 1951 and raised in Massachusetts. Known professionally and to her friends as Toots Zynsky, she received her bachelor of fine arts in 1973 at the Rhode Island School of Design (RISD) in Providence. There, she was one of a group of pioneering artists studying with Dale Chihuly, who made studio glass a worldwide phenomenon. “Glassmaking was wide open,” Zynsky remembers. “Hot glass slipped through the air, pulled and stretched. There was music and the furnaces were roaring. . . and everyone was working in concert. . . It was this material that hadn’t been widely explored as an artist’s medium. Everything was possible, and there was so much to be discovered. There were no rules. You could do anything you wanted.” In Chihuly’s words, her class was a group with extraordinary energy, amounting to “the most creative, highly charged institutional experience I’d ever been a part of.” Among Zynsky’s classmates at RISD were other artists who went on to build successful careers, such as James Carpenter, Bruce Chao, Dan Dailey, and Therman Statom...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, clean, and shiny white. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny red. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny teal. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny pink. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny blue. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

An outdoor sculpture made out of powder coated stainless steel. This sculpture is a rich, vibrant, and shiny lime green. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

An outdoor sculpture made out of Aluminium. This sculpture is a rich, vibrant, and shiny silver. Rick Lazes is a three dimensional artist who works in a variety of media including wood, plaster, stainless steel, glass, plexiglass, and marble. Lazes’ first studio was heated by a coal potbelly stove...

An abstract sculpture hand molded with styrene. This piece is very consist of a solid black figure in the center, that is complimented by shades blue and purple. The borders on this ...

An outdoor sculpture molded with powder coated stainless steel. This sculpture is an rich, vibrant, and shiny brown. Rick Lazes is a three dimensional artist who works in a variety...

An abstract sculpture hand molded with styrene. This pie consist of various shades of orange, pink, blue, and green that begin dark around the edges and are very light in the center....

An abstract sculpture hand molded with styrene. This piece is very consist of many shades of orange and blue, contrasting against each other. Rick Lazes is a three dimensional arti...