Modern More Art

The Propositions is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harva...

One of 250 copies on papier velin de rives. Including illustrations by Kees Van Dongen: 18 coloured illustrations out of text, and 5 in-text. Perfect conditions and partially uncut. ...

Pablo Picasso (1881-1973) - Four Ballet Dancers Lithograph from 1946. Dimensions of work: 48 x 32.8 cm Publisher: Pantheon. The work is in Excellent condition. Fast and secure ...

Standout wall hanging art ambitiously handcrafted in terra cotta having each piece separately cut, fired, decorated, glazed and assembled depicting a jungle scene with toucans, flowe...

Poule cayenne - Poule faisanne, 1st proof, 1906 Bronze with a black patina 28 x 22 13 cm Signed on the base : POMPON. Seal of the founder Cire Perdue A.A. Hebrard. Numbered (M) Certi...

Bordeaux is an original etching on paper by Andre Lhote. Signed on the plate. Good conditions except for worn margins. The artwork represents the port of Bordeaux, the artwork is ...

Le Diable Boiteux is an original modern rare book written by René Le Sage (Sarzeau, 1668 – Boulogne-sur-Mer, 1747) and illustrated by Tony Johannot (9 November 1803 – 4 August 1852) in 1840. Original First Edition. Published by Bourdin éditeur, Paris. Format: large 8°. The book includes 380 pages with several in text and full page illustrations. Mint conditions. Tony Johannot (9 November 1803 – 4 August 1852). Johannot was a French engraver, illustrator and painter. His historical paintings were exhibited at the Paris Salon for the first time in 1831. He became an illustrator much prized for his elegance, his diversity, and the lively character of his drawings, which were converted to engravings either by himself or by such artists as Jacques Adrien Lavieille, Émile Montigneul, and Alfred Revel. He was praised by Théophile Gautier.

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (15"x15" framed) These come in a white frame. Acrylic on Paper Artist Statement: Pa...

Cubist Style Mid Century Color Blue Watusi The Watusi /wɑːtuːsi/ is a solo dance that enjoyed brief popularity during the early 1960s. It was one of the most popular dance crazes of...

Jogen Chowdhury Untitled, Dry Pastel on Paper 17.5 x 23 inches (unframed size) ( Unframed & Delivered ) In this striking dry pastel work, he channels raw expression through bold, p...

Edition of 108 copies of which ten out of commerce. This copy includes 5 original lithographs by Roberto Crippa. This poem by Raffaele Carrieri, translated in English by Roberto Sane...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 11.5 x 11.5 Frame Size: 14 x 14 Medium: Batik "Hymn to the Red Moon" Margaret Putnam (1913-1989) Margaret Putnam left an ar...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Pablo Picasso (1881-1973) - Minoutaure et nue Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the p...

Venice Biennale - International art exhibition is a catalogue of venice Biennale, 1972.  Second Edition, 18 July, 1972. Venice printing house, 1972.  Good conditions. ury he conce...

Ex Libris - Hanns Heeren 1893-1963 is an Artwork realized in Early 20th Century, by Hans Michael Bungter from Germany.  Etching on ivory paper.  Hand Signed on the right corner. Sig...

Editions including two original lithographs by Pablo Picasso on frontespiece and cover on the catalogue. Copy on velin. Perfect conditions. 

Ex libris - Nagy József  Könyve is an Artwork realized in 1932,  by the Artist Istvàn Olàh , from Hungary.  Woodcut print on ivory paper.  Signed on plate and dated on back. The wor...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche V Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fra...

Beautiful hand woven tapestry by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. It measures about 32.5 X 27.5 inches It is signed with initials. This is similar to an Aubusson style flat weave hand woven wool tapestry. This is most probably from the George Goldstein Atelier in Jerusalem. (Originally known as Nazareth Tapestries) They produced genuine handmade Gobelin tapestries in Israel). This does not bear a label. In 1964 the first French style weaving studio was inaugurated in Israel, in the new city of Nazareth Ilit. With the encouragement of master Jean Lurcat, woven upon several contemporary masters’ original sketches, such as Jean Lurcat, Hans Hartung, Adolph Gottlieb, Karel Appel, Yaacov Agam, Mordecai Ardon, Reuven Rubin, Danny Caravan, and more. Some of these tapestries encountered their moments of glory during the international exhibitions, such as in the Museum of Modern Art (NY), “Expo Montreal” (Canada), Biennale of Lausanne (Switzerland), and others. In 1967, after the Six-Day War, Nazareth’s workshop closed its doors and returned to Jerusalem where he opened a new studio with a young team made up of eighteen artisans, dedicating their work more specifically towards Israeli artists. The tapestries are woven upon the original sketches of Yohanan Simon, Naftali Bezem. They can be seen hanging on the wall of the Israeli President’s residence, the Yeshiva University of New York, the University of Haifa, New York Bank Discount, as 60-square meter tapestries for the Shaare Zedek Medical Center, Jerusalem, and in ceremonial art. Tapestries for Parochet and Torah mantles are seen in Washington, Bet-El Springfield, Babson College, Boston, Bet-El Univ. Andover, Bet-El Highland Park and the Strasbourg Great Synagogue in France. Along with Itche Mambush in EIn Hod these were the fine, Gobelin style modern art tapestry...

La Loterie du Jardin Zoologique par Kurt Schwitters. Traduit de l'allemand par Robert Valançay et accompagné de FIAT MODES 8 dessins de Max Ernst, Collection "L'Age d'Or", Librairie ...

PABLO PICASSO (1881-1973) Trois poissons sur fond gris (A.R. 396) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / N 106 / Edition Picasso / 80/175' (underneath) t...

Jogen Chowdhury - Untitled Dry Pastel on Paper 8.2 x 5.8 inches, 2022 (Unframed & Delivered) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Always...

PABLO PICASSO (1881-1973) Hibou brillant (A.R. 285) stamped 'Madoura Plein Feu / Edition Picasso' (underneath) white earthenware ceramic plate, partiall...

The Beggar Bear s is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions bu...

The Student is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux", 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged. The artwork is depicted through strong strokes with perfect hatching. Jean Ignace Isidore Gérard...

Le Peseur d’Ames is an original rare book illustrated by Francis Picabia (1879 - 1953) and written by André Maurois (1885 – 1967) in 1931. Original Fi...

Original large format fabric sample for Wright's Schumacher fabric line. The line was designed in the 1950's by Wright and reissued in fresh colorways in the 1980s. Linen with edges...

Winged Male Figure - Apollo, c. 1930s, polychrome bas-relief of cast aggregate, 12 x 26 inches; the mold from which this cast was taken by the artist is illustrated in St. Gaudens, M...

To see our other Home Front British World War 2 posters scroll down to 'view all from this seller' and search for propaganda. Anonymous Ox...

Salvador Dali (1904-1989) - The Paradise, Canto 10 - The Angel of the Sun Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher...

Salvador Dali (1904-1989) - The Paradise, Canto 12 - L'Eclat des corps glorieux Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Pub...

Papiers II is an original contemporary artwork realized in the XX Century. Original collage on watermarked paper. Excellent conditions. Beautiful collage on paper depicting dif...

Melanie Sherman Bowl with Vintage Chair Earthenware, 24K German Gold Luster, Glaze, Underglaze, China Paints, Vintage Transfers, Multiple Cone 6 Firings, Hand-built 2024 Size: 1.75 ...

Marc Chagall (1887-1985) - The House in my Village Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condi...

War and Peace Movie - Manuscript is an Autograph Letter Signed by Gianna Manzini to Maria De Matteis. Rome, June 2nd 1955. One page, double-sided. In Italian. Excellent condition, except for minor aging signs. The Italian writer and journalist, Gianna Manzini, writes this letter to the Italian talented costume designer, Maria De Matteis, to ask information about the promising "War and Peace" movie, that will be awarded by Oscar nominations for Best Director (King Vidor), Best Cinematography, Color (Jack Cardiff) and Best Costume Design, Color (Maria De Matteis). Gianna Manzini would write an article about one of the greatest film of all the times, that was about to be produced shortly! Gianna Manzini (1896 – 1974) The Italian writer, Gianna Manzini, is still today best-known for “Ritratto in piedi” that won the Campiello Prize in 1971. The 1940s and 1950s were a time of intense and personal literary activity and of investigation of international literature. Her works appeared in such periodicals as Campo di Marte, Letteratura, Oggi, La Fiera Letteraria, Milano-Sera, and Gazzetta del Popolo. Recognition for her writing grew with literary prizes awarded for Lettera all'editore (Premio Costume 1945), Valtzer del diavolo (Premio Soroptimist 1953), La Sparviera (Viareggio Prize 1956), Un'altra cosa (Premio Marzotto 1951), Allegro con disperazione (Premio Napoli 1968), and finally her last novel, Ritratto in piedi, was awarded the Premio Campiello in 1971. War and Peace is a movie produced in 1956, based on the same-named epic historical drama by Toltsoy. Directed by King Vidor with a screenplay by Vidor, Bridget Boland, Mario Camerini, Ennio De Concini, Gian Gaspare Napolitano, Ivo Perilli, Mario Soldati, and Robert Westerby. The film, an Italian-American co-production released by Paramount Pictures, was produced by Dino De Laurentiis and Carlo Ponti...

Les Facheux is a ballet of Boris Kochno, inspired by Molière's comedy, with the choreography of Bronislava Nijinska, music by Georges Auric, costumes by Georges Braque. First perfor...

Salvador Dali (1904-1989) - The Paradise, Canto 31 - The Archangel Gabriel Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publishe...

Rakesh Sadhak - Metamorphosis Wood & Metal, H 32 x W 21 x D 16 inches Born : 1970 Qualification: B.V.A. in Sculpture from Govt. College of Art & Craft 2012 M.F.A. in Sculpture from ...

Le Misocampe is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but ag...

The English dance of death - The dance of life is an original pair of rare and fine books written by William Combe (25 March 1742 – 19 June 1823) and illustrated by Thomas Rowlandson (13 July 1757 – 21 April 1827) in 1816/1817. Original First Edition. Published by Ackermann, London. Format: in 8°. The dimensions of the book are indicative. The book includes 3 volumes with 295 + 299 + 285 pages. 2 frontispieces and 96 handcolored etchings. 252 pages and 26 handcolored aquatints. Good conditions. Thomas Rowlandson (13 July 1757 – 21 April 1827), he was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte. William Combe (25 March 1742 – 19 June 1823) was a British miscellaneous writer. His early life was that of an adventurer, his later was passed chiefly within the "rules" of the King's Bench Prison. He is chiefly remembered as the author of The Three Tours of Doctor Syntax...

This is a Confidential Autograph Letter Signed by the Italian editor, Valentino Bompiani (Ascoli Piceno, 1898 - Milan, 1992) to an unknown recipient. Undated. Around 1930s. In Itali...

Edition of 115 copies with additional proofs including a suite of 6 original printed in color lithographs by Marie Laurencin, numbered and signed by the artist. One of 90 copies on H...

Badrinarayan The Cockerel Water colour on Paper 22 x 14 inches 55.8 x 35.5 cm This work features in the Book on Badrinarayan Written by Ms. Prema Vishwanathan & Published by Ma...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Bonsoir donc, Ami Lecteur is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Cond...

Humming Birds & Co. is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1835. Published by Mc Lean, London. Original First Edition. Format: oblong 4°. The book includes Eleven hand colored Etchings. Mint conditions. Humming birds & Co. is an original modern rare book engraved by George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz (1836), The Mudfog Papers (1837–38) and Oliver Twist...

Melanie Sherman Bowl with Lounge Chair & Coffee Table Earthenware, 24K German Gold Luster, Glaze, Underglaze, China Paints, Vintage Transfers, Multiple Cone 6 Firings, Hand-built 20...

Edition of 920 numbered copies. Copy on velin de rives B.F.K.. including 43 tables with printed tissue guards, in black and white and in colour reproducing the works of Michaux from ...

Nude is an original collage artwork, realized by Sergio Barletta in 1975. Hand-signed on the lower center and dated. Image Dimensions: 21 x 7.5 cm In very good conditions. The art...

Samuel Latour - Éclat - Original Bronze Sculpture 28 x 24 x 27 cm Edition of 8 Signed Samuel LATOUR Formed at Boulle arts and craft school in Paris, h...

Margaret Putnam (1913-1989) San Antonio Artist Size: 15 x 16 Frame: 22 x 23 Medium: Batik "Girls Night Out" Margaret Putnam (1913-1989) Margaret Putnam left an artistic legacy rare e...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

Measures about 4.25 X 2.25 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not kn...

Paritosh Sen - Untitled 22 x 20.9 inches (unframed size), 1992 Mixed Media Paper Pasted on Board ( Unframed & Delivered ) A stunning work in colors on "red ,Blue Gold in Acrylic on ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions i...

Color lithograph, 1963. Signed by the artist in red crayon, lower right. Published by Éditions Cercle d'Art, Paris. From Les Dames de Mougins. Framed dimensions 15 x19" inches T...

Pablo Picasso (1881-1973) CHOUETTE (A.R. 543) stamped, marked and numbered 'Madoura Plein Feu / Edition Picasso / Edition Picasso / 37/500 / Madoura' (underneath) white earthenware c...

Signed lower left Titled and signed verso on label Tapisserie d’Aubusson, édit par Edgar Ponthieu This item is in our New York City warehouse and can be viewed by appointment.