Modern More Art

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Marc Chagall (1887-1985) - The Clown with Flowers Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condit...

Qin Mian is a beautiful artistic calligraphy in China ink on Xuan paper realized by the Chinese artist Li Zhen in 1938. The year and place of creation "1938, Tea Field" in black ink...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "24 Carrot Gold" by Henk Jan Sanderman is a delightful ceramic ...

Abstract modern collage of geometric shapes in blues, greens, and yellows, by artist Spe, 2000's. Signed. Displayed in a white mat with a gold border and fits a standard-size frame. ...

Salvador Dali (1904-1989) - The Purgatory, Canto 19 - Dante's Dream Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les ...

Jogen Chowdhury - Untitled Brush & Ink on Paper 8.2 x 5.8 inches, 2023 (Unframed & Delivered) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Alway...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Feel like Flying" by Henk Jan Sanderman is a captivating wall ...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Nude In Lavender NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LXI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XL Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fr...

Pablo Picasso (1881-1973) - Élégie d'Ihpetonga, Masks of Ashes, Planche III Lithograph from 1949. A copy from a limited edition of 16/64 (photocopy of the colophon is included). O...

Thirty-third Venice International Art Biennial is the catalogue of the Art Biennal of 1966.  Book with photographs 252 pages plus plates. Good conditions, exept some yellowing due...

Salvador Dali (1904-1989) - The Paradise, Canto 13 - Thus Was the Earth Created Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Pub...

Louise Marler Keys To Success C-print on metallic white stock mounted on wood 2022 Size: 7x7x0.5in Edition: 25 Signed and numbered by hand Stamped Ready to hang COA provided Ref.: 924802-1413 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” typewriter queen, la marler, typewriter art, typewriter artist, Typewriter, Typewriters midcentury, modern art, typewriter life, typewriter community, typewriter collection...

Ken Ferguson Basket with handle Material: Stoneware, glaze Year: Circa 1980 Size: 18 x 13 inches Stamped Kenneth Richard Ferguson was an American c...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* PRIDE GLITTER CHAIR I Collection is a limited edition of only 5 c...

Pablo Picasso (1881-1973) - Urbi Phototype and pochoir from 1962. From the edition of 1,000 copies, this example is number 334, as noted in the colophon. Dimensions of sheet: 40 x...

Wilhelm Hunt Diederich, 'Cossack Dancers', cut paper silhouette, c. 1920. Signed 'WHD' in pencil, lower left image. Black, wove, cut paper, laid on ...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* HARD CANDY GLITTER CHAIR I Collection is a limited edition of onl...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Edition of 250 copies including 46 original lithographs by Antoni Clavé. One of the 205 copies numbered from 46 to 250, on vélin de Rives. Includes original jacket and slipcase on ca...

Salvador Dali (1904-1989) De Draeger, 1961 Bronze Medallion with book Numbered 1032 from the edition of 1500 Bronze Medallion: 3-1/8 inches (8 cm) diameter, numbered "1032" on verso ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Ganesh Haloi Untitled, Gouache on Handmade 20.1 x 14.2 inches 2022 ( Framed & Delivered ) Born : In 1936 Ganesh Haloi born in Jamalpur, Mymensingh, now in Bangladesh. Education : ...

Les Contes Drolatiques is an original modern rare book written by Honoré de Balzac (1799 – 1850) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1861. Publis...

Monotype Painting Title: Table and Chairs, 1980 Medium: monotype or monoprint painting Size: image 13 x 9.5,overall with frame 23 x 20 Hand signed and dated lower right Provenance...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche III Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Ganesh Haloi Untitled, Gouache on Handmade 23 x 15 inches 2022 ( Framed & Delivered ) Born : In 1936 Ganesh Haloi born in Jamalpur, Mymensingh, now in Bangladesh. Education : He m...

Prakash Karmakar – Untitled 36 x 30 inches (unframed size) Acrylic on Canvas 2008 ( Unframed & Delivered ) Karmakar is best known for his landscapes and nudes, which are g...

Salomé is an original modern rare book, a versione of Oscar Wilde's Salomé illustrated by Alastair (1887 – 1969) in 1922. Published by Crès Editeur, Paris. Original edition. Format: in 8°. 89 pages with 9 full page engravings in two colors. Mint conditions. Alastair (1887 – 1969). Hans Henning Otto Harry Baron von Voigt (1887 – 1969), best known by his nickname Alastair, was a German artist, composer, dancer, mime, poet, singer and translator. He is best known as an illustrator, under the nom de plume "Alastair". His career as an artist was launched in 1914, when John Lane...

Pablo Picasso (1881-1973) - Nature morte à la pipe Lithograph, pochoir from 1962. An unnumbered copy from a limited edition of 264. Dimensions of work: 36 x 48.5 cm Publisher: Le...

Single vase. One of two vases ever made in this design. It's handmade singulary, affected by the relationship Gio Ponti & Lucio Fontana. The medium is ceramic and hand brushed with ...

Ganesh Haloi Untitled, Watercolor on Paper 11 x 14 inches 2011 ( Framed & Delivered ) Haloi’s abstract composition in ink exudes a meditative rhythm, where organic forms emerge thro...

Sublime “Stéle” mirror in glazed ceramic, crystallized glass and crackled gold by French ceramist Mithè Espelt, measuring 28.5 x 17.8 cm

Lapin couché, circa 1919-1925 Fondry Susse, Ed. 10 pcs Bronze with a brown patina H. 6 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l'Oeuvre Sculpté...

Max Bill (1908-1994) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of this lit...

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (14"x14" framed) each These come in a white frame. Acrylic on Paper Artist Statement...

Montblanc Meisterstück Classique Fountain Pen c. mid 20th century Resin, metal; Nib: 14K solid gold

Pablo Picasso (1881-1973) - Minoutaure et nue Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the p...

Alexander Liberman, hand signed and inscribed by both Alexander Liberman and Barbara Rose, and accompanied by a separate hand signed note, 1981 Hardback monograph (hand signed and inscribed by Alexander Liberman as well as art historian Barbara Rose), plus accompanied by a separate handwritten card signed by Liberman in the original envelope Warmly signed and inscribed on the monograph and card by Alexander Liberman and hand signed by Barbara Rose on the first front end page 13 1/4 × 12 1/4 × 1 3/4 inches A unique and memorable gift for any collector or fan of the sculptor Alexander Liberman! This lavishly illustrated hardback monograph with dust jacket is warmly signed and inscribed on the first front end page by both Alexander Liberman and the author, art historian, Barbara Rose, and it is accompanied by a separate handwritten card, signed by Alexander Liberman and held in the original envelope. (see photos). The book and card was inscribed to Jack Haber, the Editor-in-Chief of the magazine Gentlemen's Quarterly (GQ) from 1969 to 1983. GQ was owned by Conde Nast, and Alexander Liberman, who worked for Conde Nast for 32 years, was the Editorial Director from 1962-1983. Sadly, Jack Haber would die in 1984 at the age of 45 - one of the first casualties of the AIDS crisis, which was devastating to the art and publishing industries. Inscription on the monograph reads: To Jack Haber with warm friendship Alexander Liberman Inscription on the card reads: Dear Jack [Merry Christmas and a Happy New Year] with warm friendship Alex Book information: Publisher: Abbeville Press, 1981. Hardcover. Bound in publisher's original white cloth with spine and front cover stamped in black. Full color illustrations throughout, including several color foldouts. 392 pages. About Alexander Liberman: Considered a revolutionary Minimalist artist, Alexander Liberman produced works that predated the movement by more than a decade. Liberman, not wanting to limit himself to any one form of expression, worked to produce radically minimalist paintings and sculpture in order to illuminate his beliefs about celestial motion, the movement of the eye, as well as human sexuality. The artist’s fascination with American industrialization and modernization ultimately resulted in his widely known red steel sculptures and geometric paintings, which seem to decompose the turbulence of the time period. Alexander Liberman was born in 1912 in Kiev, Russia. He studied first in London and then in Paris. He took courses in philosophy and mathematics at the Sorbonne and architecture at L’École des Beaux-Arts in Paris. Liberman has had numerous solo exhibitions at museums such as the Jewish Museum, New York (1966); Storm King Art Center, Mountainville, NY (1970); and the Corcoran Gallery of Art, Washington, DC (1970). His sculpture and paintings are included in the museum collections of the Art Institute, Chicago; the Museum of Fine Arts, Houston; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Hirshhorn Museum & Sculpture Garden, Washington, DC; the Tate Gallery, London and many others. Additionally his public sculpture can be seen in over 40 cities around the world including Honolulu, Los Angeles, Miami, New Haven, New York, Oklahoma City and Philadelphia. Alexander Liberman died in November of 1999 at the age of 87. - Courtesy of Mitchell-Innes & Nass About Barbara Rose: Barbara Ellen Rose (June 11, 1936 – December 25, 2020) was an American art historian, art critic, curator and college professor. Rose's criticism focused on 20th-century American art, particularly minimalism and abstract expressionism, as well as Spanish art. "ABC Art...

Pablo Picasso (1881-1973) - De mémoir d'homme, Planche V Lithograph from 1950. An unnumbered copy from a limited edition of 350. Dimensions of work: 32 x 25 cm Publisher: Édition...

Smoking is an original Collage artwork. realized in 1975 by Italian Artist Sergio Barletta. Hand-signed and dated on the lower center. Image Dimensions: 24.5 x 21 cm In very goo...

Lofty group of three mid century palm frond sculptures or wall decor handcrafted in perforated metal having a worn gilt gold tone finish and plenty of decorative appeal. From left ...

Milano e la sua Esposizione Internazionale del Sempione Magazine is a vintage Italian colored newspaper. published in 1906 With illustration, Editors" Fratelli T...

The Propositions is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harva...

Standout wall hanging art ambitiously handcrafted in terra cotta having each piece separately cut, fired, decorated, glazed and assembled depicting a jungle scene with toucans, flowe...

Mosaic on cement panel, realized by Massimo Campigli in the 1940s. Certificate of authenticity on photograph by the artist's son Nicola Campigli.

One of 250 copies on papier velin de rives. Including illustrations by Kees Van Dongen: 18 coloured illustrations out of text, and 5 in-text. Perfect conditions and partially uncut. ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche V Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fra...

Bordeaux is an original etching on paper by Andre Lhote. Signed on the plate. Good conditions except for worn margins. The artwork represents the port of Bordeaux, the artwork is ...

Suite of Ten etchings and dry-points: • L’Auberge des Trois-Corbeaux. Wentworth 29 (i/iii) • Quarrelling. Wentworth 18 • The Rubens’ Hat. Wentworth 8 • The Thames, Wentworth 20 • Bas...

Le Diable Boiteux is an original modern rare book written by René Le Sage (Sarzeau, 1668 – Boulogne-sur-Mer, 1747) and illustrated by Tony Johannot (9 November 1803 – 4 August 1852) in 1840. Original First Edition. Published by Bourdin éditeur, Paris. Format: large 8°. The book includes 380 pages with several in text and full page illustrations. Mint conditions. Tony Johannot (9 November 1803 – 4 August 1852). Johannot was a French engraver, illustrator and painter. His historical paintings were exhibited at the Paris Salon for the first time in 1831. He became an illustrator much prized for his elegance, his diversity, and the lively character of his drawings, which were converted to engravings either by himself or by such artists as Jacques Adrien Lavieille, Émile Montigneul, and Alfred Revel. He was praised by Théophile Gautier.

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (15"x15" framed) These come in a white frame. Acrylic on Paper Artist Statement: Pa...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Pablo Picasso (1881-1973) - Matadores Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'A...

Jogen Chowdhury Untitled, Dry Pastel on Paper 17.5 x 23 inches (unframed size) ( Unframed & Delivered ) In this striking dry pastel work, he channels raw expression through bold, p...