Realist More Art

Kseniia Kokovashina - "Nude I&II" set of two. Beautiful limited edition art photography. Printable in colour or black/white. Editions: 20. Tec...

ROBERT KENNETH WHITE – “1948 WOODY” Oil on Canvas ⚜ Hand Signed Lower Right and Titled on Verso ⚜ Custom Wood Frame A VINTAGE AUTOMOTIVE PORTRAIT WITH CONTEMPORARY SPIRIT “1948 Wood...

Amber Young's creative focus centers on nature, with a particular emphasis on the intricate beauty of forests, flowers, and water reflections.Young's artistic journey is deeply roote...

ROBERT KENNETH WHITE – "GOLDEN HOUR CAMP" ⚜ Oil on canvas ⚜ Hand signed lower left ⚜ Frameless display TONAL LANDSCAPE WITH CAMPFIRE GLOW BY ROBERT KENNETH WHITE In Golden Hour Camp...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

"Flat Lands" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. Th...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

ROBERT KENNETH WHITE – "WIND AND LIGHT" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A SUNLIT PORTRAIT IN MOTION AND STILLNESS Robert Kenneth White’s "Wind and Light...

Acquired by the gallery directly from the artist UNRAMED: 16.5" x 11.5" FRAMED: 11.5" x 16.5" x 1" Exhibited Spring into Art 2024, presented by the San Marino League at The Huntin...

Mid Twentieth Century Still Life of Fruits and Wine Carafe Large Oil Painting featuring tumbling fruit and a wine glass and wine carafe. Nicely painted and highly detailed, I have t...

ROBERT KENNETH WHITE – "MODERN MYTHOLOGY" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display SURREALISM MEETS CONTEMPORARY PORTRAITURE In “Modern Mythology,” Robert Kenne...

The artwork "The Gates - New York Central Park" by the artist Christo is extraordinary and an eye-catcher for every room Color offset on heavy paper B...

ROBERT KENNETH WHITE – "RED DOOR" ⚜ Oil on canvas ⚜ Signed lower right ⚜ Frameless Display ARCHITECTURAL REALISM BY ROBERT KENNETH WHITE In "Red Door," Robert Kenneth White masterfully captures the interplay of sunlight, shadow, and classical architecture, transforming a simple doorway into an evocative study of structure and light. The crimson entry partially concealed in shadow invites viewers to imagine the hidden stories behind its historic façade. Known for his painterly precision and atmospheric realism, White elevates everyday scenes with exceptional technical skill and a keen eye for mood. The composition’s detailed architectural carvings and dramatic lighting showcase his ability to blend photorealism with timeless elegance. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, celebrated for architectural, figurative, and landscape works ✓ Captures rich texture, historic detail, and compelling light effects ✓ Ideal for collectors of realism, architectural studies, or European-inspired compositions ✓ Ready for framing or display ARTWORK DETAILS: ▸ Title: "Red Door" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2018 ▸ Signature: Hand signed lower right ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Artwork Size: 30.125 x 22 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is an acclaimed American realist known for his atmospheric landscapes, coastal vistas, and architectural studies that merge technical mastery with painterly warmth. Working primarily in oil, White draws inspiration from classical architecture, European cityscapes, and the quiet beauty of everyday structures. His compositions often explore the interaction of light and form, reminiscent of artists like Edward Hopper, John Register...

Pair of Early 19th Century "Conchology" Color Etchings c.1802 Fantastic pair of hand colored etchings titled "Conchology". Published in London on December 24th, 1802. Each plate s...

ROBERT KENNETH WHITE – "SOFT GAZE" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display TONAL FIGURE STUDY IN QUIET CONTEMPLATION In Soft Gaze, Robert Kenneth White present...

ROBERT KENNETH WHITE – "DUNES AT MIDDAY" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A CALIFORNIA DUNE SCENE IN NOONTIME STILLNESS A luminous study in natural rhyth...

Road to the home at summer evening. 1973, oil on cardboard, 49x69 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies...

Highly detailed and precise illustration of a 1966 Mercury Commuter Station Wagon by Joseph Yeager (American, 20th Century). Signed in the lower right portion of the illustration. This piece is on heavy cardstock. Presented in a new black mat. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

Victorian Landscape a Detailed Watercolour of Ludlow Castle, Dinham and Ludlow town. Looking towards Dinham and Ludlow Castle, Shropshire - a Landscape view Signed Watercolour on P...

ROBERT KENNETH WHITE – "PACIFIC HORIZON" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A TRANQUIL VIEW OF THE CALIFORNIA COASTLINE IN EARLY LIGHT In “Pacific Horizon,...

OIL PAINTING SMALL SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIGINAL 20th Century OLD MASTER STYLE OIL PAINTING GOLD GILT FRAME By Similar $3,000 Premier Collection NEW COLLECTION Of RARE PIECES OF OLD HISTORY Description ( 19th century Style ) Salvatore Colacicco is a world-renowned marine artist who was born in 1935 in Bellagio, near Lake Como and studied at Brera Academy, Milan. He has been living in England for over thirty years. Nearly all Salvatore Colacicco's paintings during that time have been exported to the United States and sold through Tonkins of Nantucket Island. These now adorn the walls of many a Board Room and Directors Office throughout the States. Colacicco's style of painting very much reminds one of marine artists throughout the 19th century with an obvious Italian feel. Among Colacicco's achievements were 26 panels illustrating the history and development of the paddle steamer (of which he had made a special study of those used on the Italian Lakes), painted for the Russell Cotes Museum in Bournemouth and most works by Salvatore Colacicco fetch good figures even at auction Nice back story to these pieces , We acquired them from a gentleman that went to school with the artist son in Bournemouth , His Father purchased these ones from the artist roundabout 1960 . Title: Racing...

"Mandarins" is a realistic oil painting on panel of a bouquet of mandarin branches and fruit, connected with twine, resting on a rustic blue wall. Details in the light blue table bac...

ROBERT KENNETH WHITE – "SANTA MONICA PIER AT NIGHT" Oil on Canvas ⚜ Signed Lower Right ⚜ Titled on Verso A LUMINOUS NIGHTSCAPE OF CALIFORNIA COASTAL ICONOGRAPHY Santa Monica Pier at...

Adolphe Jean Lavergne (1863-1928), Pecheur, c. 1900. Brown patinated bronze with rectangular cast plinth on a green marble base (3 cm high), total height with hinge 37 cm, width 9 cm, depth 8 cm, weight 2.9 kg, signed “Lavergne” on the plinth. - Base with old drilling and a few oxidized areas, patina occasionally rubbed, somewhat stained in the folds. - Full of anticipation - This bronze is the larger, highly detailed version of the fisherman that made Parisian artist Adolphe Jean Lavergne famous. In preparation for fishing, the boy prepares his rod before heading out to sea. The attachment of the iron ring and the rope behind him suggest a quay wall and a boat moored there. However, the depiction is entirely focused on the actual action of the young fisherman: With equal skill and concentration, he bends a hook to connect it to the fishing line. The contrast with his casual clothing, the loose-fitting trousers, the open shirt with its "wild" folds, and, last but not least, the sun hat boldly perched on his neck, reinforces the impression of the attentive care with which he goes about his work. His gaze makes him appear absorbed, as if he has forgotten the world around him and yet he is visibly filled with anticipation of fishing. GERMAN VERSION Adolphe Jean Lavergne (1863-1928), Pecheur, um 1890. Braun patinierte Bronze mit rechteckiger gegossener Plinthe auf grünem Marmorsockel (3 cm Höhe), Gesamthöhe mit Angel 37 cm, Breite 9 cm, Tiefe 8 cm, Gewicht 2,9 kg, auf der Plinthe mit „Lavergne“ signiert. - Sockel mit alter Bohrung und wenigen oxidierten Stellen, Patina mitunter berieben, in den Falten vereinzelt etwas fleckig. - Voller Vorfreude - Die Bronzefigur ist die größere äußerst detaillierte Ausführung des Fischers, mit dem der Pariser Künstler Adolphe Jean Lavergne bekannt geworden ist. In Vorbereitung auf das Fischen präpariert der Junge die Angel...

In Tobias Harrison's "Roses from René’s Cafe," the viewer is transported into a world of elegance and refinement. At the center of the composition stands a glass vase, gracefully cra...

William Franklin Jackson (1850-1936) Still Life with Vase and Grapes c.1900 Rare still life painting by listed California artist William Fran...

Chroessi Schnell - "Cows IV". Realism, fine drawing, nature themes. The cows show the ambivalence between a life in peace and calmness on the meadows of the lower rhine landscape a...

To see our other vintage architectural drawings, scroll down to "More from this Seller" and below it click on "See all from this seller"...

Untitled Landscape, an original oil on canvas by Gary Kremen, is a piece for the true collector. Kremen's fine attention to detail is evident here, depicting a desert landscape set beneath vast mountains, complete with cactus and wildlife in the middle ground. The sky with its range of light to deep blues fills the top of the painting. This example showcases Kremen's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with the frameless style of hanging. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, desert scenery, realism, and nature. Artist: GARY KREMEN (1949-2001) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED BY ARTIST LOWER RIGHT Year Created: CIRCA 1995 Country of Creation: UNITED STATES Image Area Dimensions: 36 x 60 INCHES Canvas Frameless Dimensions:* 42 x 66 x 2.25 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY GARY KREMEN IN GREAT CONDITION. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Gary Kremen, an American painter, became nationally renowned for his massive landscapes...

"Garland" is a realistic oil painting on panel, depicting a garland of oranges, orange blossoms, magnolia leaves and seed pods hung against a rustic blue wall. A red ribbon binds the...

"Plains Indian Camp" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

Ex Libris 1982, paper, ink, gouache, 17,5х13 cm Information about artist: Gunārs Vīndedzis (1918 - 1991) - cartoonist, illustrator. Born in a fami...

"Dance" is a contemprary oil painting on canvas. Orsolic is known for her melodic landscapes and precise attention to detail, however, in this painting, she branches away from realis...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "The Essence of Harmony" captures a moment of delicate tranquil...

Ballerinas and those that own dance schools would appreciate this beautiful poster with a photograph by Harvey Edwards of a ballerina at the barre. It has been tastefully framed wit...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Green Bartlett & Black Grapes" by Blair Atherholt is a captiva...

A fine luminous Maine harbor scene by contemporary American artist William R. Davis (1952-). Davis was born in Somerville, Massachusetts, and grew up in Hyannis Port where he took sa...

Aster flowers Paper, watercolor. 71x56.5cm 1977. "Aster Flowers" is a visually captivating and expressive watercolor painting, celebrating the beauty of nature and the artistry of the floral still life genre. Through the use of watercolors on paper, the artist has created a vibrant and enchanting composition, inviting viewers to immerse themselves in the timeless allure of colorful aster flowers in a delicate and graceful vase arrangement. Janis Brekte...

Mariusz Szalajdewicz (b. 1974) Studied at the Faculty of Architecture at Warsaw University of Technology, where he mastered the drawing skill. Architect and urbanist, illustrator.