Wheel Landscape Paintings

Victorian Rural Farmyard Horse and Cart Country Landscape Oil Painting English School, 19th century indistinctly signed and dated Oil on canvas, framed. Framed: 26 x 36 inches Canvas...

The Parisian Park by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 18 x 24 inches Provenance: all the paintings we have by this artist ha...

This late 19th-century oil painting by English artist John Horace Hooper (1852-1906) depicts a quiet tree-lined road near Purley in Berkshire. Beneath a dense canopy of mature trees...

Impressionist New York City autumn city-scene depicting a horse and carriage ride through central Park. Figures are painted in a most intimate, yet energetic way, having a tranquil d...

"Caviar II" is an original painting by Tom Haugomat, made as part of his traveling artist residency with The Jaunt. Traveling from France to Philadelphia, Haugomat was inspired by hi...

This artwork "The Harbor" c.1990, is an acrylic painting on canvas by noted American artist Robert (Bob) Logrippo, 1947-2021. It is signed at the lower left corner by the artist. The canvas size is 24 x 36 inches, framed size is 31 x 43 inches. Framed in a wooden gold frame, with fabric liner and gold color bevel. It is in excellent condition. About the artist: Bob LoGrippo's paintings have appeared on magazine, book and album covers, as well as calendars, greeting cards and puzzles. The New York Times Sunday Magazine, Readers Digest, Six Flags...

This charming 1880s American genre scene, “At the Gates of Pinehurst,” depicts a couple driven by a coachman in horse-drawn Phaeton carriage approaching the gates of an estate just g...

Evocative oil painting of pioneers traveling by wagon train across the vast western plains by California artist Harry Roerade (American 1908-1987), circa 1...

Bringing in the Harvest British School, late 19th century signed lower corner oil painting on canvas, framed framed: 29.5 x 55.5 inches canvas: 24 x 50.5 inches provenance: private c...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Signed oil on canvas figures in cityscape circa 1960 by sought after French impressionist painter Edouard Cortes. The work depicts a view of the Arc de Triomphe and Avenue de Friedla...

"Cowboy Serenade", A Large, Cheerful Southwestern, New Mexico Landscape Painting by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...

This expressive landscape, painted in oil on canvas in the second half of the 19th century by an unidentified European artist, is a classic example of academic Romanticism. The paint...

A beautiful copy by an unknown artist, of the original painting "Wall Street - The Noon Hour" originally created in 1925 by the great American artist Felicie Waldo Howell (1897-1968)...

Jaguar Motor Racing Sylvia Smith (British 20th century). signed and dated Jul. 65' oil on canvas, framed framed: 28.5 x 34.5 inches canvas: 24 x 30 inches provenance: private collec...

Beautiful original painting of Ellicott City, Maryland depot by American artist, Aurion M. Proctor (1909-1983). Ellicott City with Approaching Train, ca. 1940. Oil on illustratio...

A striking 1940s modernist gouache painting by Frederick Shane titled Artists Sketching (California), depicting three artists working outdoors against a sweeping mountainous landscap...

The artist painted the picture en plein air in the alla prima style during a single session in the village of Rodnya, Tver Region, in 2024. A rustic countryside scene unfolds with ra...

Wonderfully painted American impressionist street scene oil painting. Framed. Oil on board. Signed. Image size, 12H by 16L.

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Abstract Composition, Formula 1 Motor Racing Cars signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 32 inches condition: the work is in ...

Oil on canvas Canvas size: 24 x 36 inches Framed size: 32.5 x 44.5 inches  Signed lower right

Samir Farah Textures of the Past: Paris, 1901 Acrylic on Stretched Canvas Year: 2025 Size: 11.81 x 15.74 x 0.78 inches (30 x 40 x 2 cm) Signed lower right COA provided *Comes on str...

Covered Wagon Pulled by Cattle - Monochrome Western Scene Sepia-toned painting of a family traveling west on a covered wagon by an unknown artist, signed "B. F. Taylor." Four oxen a...

A late 19th-century pastoral landscape depicting a farmer travelling by horse and cart along a serene country road. Presented in an elaborate scrolling acanthus frame with pierced de...

This painting is in excellent condition and has only been shown in a gallery. Her works were recently featured in the March issue of American Art Collector magazine 2022. A hardbound-book is included with your purchase. Whether depicting lively night parties on the beach, Parisian streets, or bustling sidewalk cafes of her native Madrid, the paintings of Paloma Hinojosa...

Represented by George Billis Gallery, NYC & LA --“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism,...

"I've always loved painting cars, particularly trucks. I've been thinking a lot lately about how we used to have to travel by horse or by foot to get anywhere. Cars have changed life...

Artist: Lin Qingyi Title: Bustling Ancient Town Medium: Watercolor on Paper Year: 2024 Style: Impressionism Dimensions: 6" x 10.5" x 0.1" inch (15 x 27 x 0.1cm) Presentation: Unframe...

Alfred Banner, British (1878-19125) A Farm Yard Gate Medium: Oil on canvas Framed size: 18 x 24 Inches Canvas size: 12 x 18 Inches Signature: Signed lower right with Monogram Pro...

Title: Historic Miniature Watercolor of St Peters Hospital in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4 inches ...

A photorealist painting of a vintage Lotus Elan S2. This classic British sports car was released in 1964 and has a mid century style and shape that I love! Set in Savannah, Georgia t...

'Piazza di Spagna, Roma' oil on canvas, by Yves Brayer (1933). At the bottom of the Spanish Steps, is one of the most famous squares in Rome. It owes ...

Artist/ School: by Patrice Landauer (French b. 1965), signed lower right. Title: Vintage Street scene in Paris showing la Place de la Concorde. Med...

The Haycart by Wilfred Wilson (English, 1920 - 1978) signed oil on paper (laid on board), framed framed: 12 x 14 inches painting : 8 x 10 inches Provenance: private collection, Eng...

Artist/ School: Charles Thomas Burt (British, 1823-1902), signed lower corner Title: Haymaking in Surrey Medium: oil on canvas, framed in a fine antique gilt frame. Framed: 36 x ...

Farmer and Horse Landscape Signed by Fanch Lel Size: 13 x 16 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling ma...

John Austin Hanna Born 1942 Fredericksburg Artist Image Size: 24 x 48 Frame Size: 28 x 52 Medium: Oil on Canvas Mercedes Benz 300SL "Gullwing" Coupe Ralph Lauren's personal vehicle Biography John Austin Hanna Born 1942 John Austin Hanna - Fredericksburg, Texas John graduated from Texas Tech University with a degree in Advertising Art & Design. As a 20-year illustrator in New York and Dallas he has been published in several magazines such as Automotive Quarterly, Car and Driver, Saga, Town & Country, Flying, Popular Boating, and Popular Science. He has also done work for several large corporations such as Mercedes, Volkswagen, Bell Helicopter, Lockheed Martin, Borden’s, Pearl Beer...

This figurative painting titled "Time Machine" is an original artwork by Katherine Fraser made of oil paint on canvas. This piece measures 29.5"h x 36.5"w framed and is shipped in the pictured frame. Katherine Fraser has been exhibited in galleries and museums throughout the United States. She is a graduate of the Pennsylvania Academy of the Fine Arts and of the University of Pennsylvania. As a student she received the Thomas Eakins Painting prize, the Cecelia Beaux Portrait prize, and the William Emlen Cresson Memorial Travel Award, among others. Since graduating in 2002, she has received awards including the Lucy...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. dated 1940 Size: painting: 1...

Artist/ School: Jean-Pierre Rousseau (French, b. 1939), signed and dated 1963. Title: The Vintage Car Driver Medium: signed oil painting on canvas, framed and inscribed verso. f...

Lush landscape of an autumn forest by Evelyn Campbell (Australian, 20th Century). A path runs from the lower right of the composition through an open gap in a wood fence, with a wago...

Waiting for you - acrylic on canvas, impressionism painting, 14" x 17,5", (36cm x 44cm) The thickly applied paint vibrates wtih color, and the motion of the brush strokes pulls you...

Artist Comments
In the search for cozy-looking campers, artist Hadley Northrop discovered that some trucks have the same appeal. This particular food truck appeared at an outdo...

Artist Comments
Twelve miles from the nearest paved road, the Mojave phone booth was set up in 1948 for use by the miners in that area. It underwent several upgrades, the las...

Oil on canvas Canvas size: 13 x 18 inches Framed size: Signed lower right

Title: Brittany Watercolor of Thatched Cottage and a Well in the Countryside by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11....

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Warren Hunter (1904-1993) San Antonio Artist Image Size: 23 x 30 Frame Size: 32 x 39 Medium: Watercolor on Paper "Wagon Wheel" Texas Landscape Known as W...

A charming depiction of Restaurant Cafe, located in Amsterdam. A cozy impressionistic street scene with colors of vibrant turquoise, lush greens, and yellow ochres. This painting was...

Work on canvas Black wooden frame 51 x 73 x 5 cm

"No. 7" (2023) by Neil Douglas is an original handmade painting that depicts a cityscape. This painting measures 34 x 29 cm in it's frame and is ready to hang.

Framed, Origional Oil on Board Panting Board Size: 16 x 20 in. Frame Size: 22.5 x 30.5 in. Signed and dated, bottom right. This 1968 oil painting by Clark...

Vintage American modernist farm landscape oil painting. Oil on board. Framed. Signed verso. In excellent original condition. Handsomely framed in a wood molding. Excellent condi...

Work on canvas Golden wooden frame 57 x 69 x 5.5 cm

Impressive early American modernist car still life landscape oil painting. Framed. Oil on canvas. Signed.

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Tractor, Central Texas Ranchland (near Fayetteville), 16x20, oil on panel The artist is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. and to the Rocky Mountains The artist is in corporate and private collections around the world. Garrett Middaugh is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. His palette is muted, stark, embracing the neutral colors of everyday experience. Avoiding the romantic, his landscapes are often painted at high noon or in the dead of winter. He paints in a fluid hyper realist style and feels most influenced by other landscape artists such as Neil Welliver and Rackstraw Downes. He sees landscape painting as a form of meditation, projecting outward, while solving equations and mapping the scene, realizing accuracy of objects and relationships, of light, color, textures, distances. "Landscape painting is for me a means of projecting outward, of meditating, examining the here and now of place. The process often feels similar to the satisfaction of solving math equations, intuitively realizing accuracy of objects and relationships, of light, color, textures, distances. For the most part I paint Texas. For several years I devoted a significant amount of time to painting its forests -- the complexity of forest alleviated my sense and the nearness and density of growth was comforting. I have also ventured into west Texas and Big Bend, and occasionally have attempted to capture the mesmerizing serenity of central Texas farm and ranchland." Garrett Middaugh Also shown is a new Texas tractor painting...

A large, captivating 1950s Mid-Century Modern city street & construction scene by Pennsylvania Regionalist artist, George W. Mengelson (Born 1916). A wonderful example of Twentieth ...