Wheel Landscape Paintings

This artwork Titled "The Lumbejack House, Santa Cruz, California" c.1940 is an oil painting on canvas by noted California artist Carl M. Thorp, 1912-1989. It is signed at the lower left corner by the artist. The canvas size is 20 x 24 inches, framed size is 25.25 x 29.25 inches. Framed in a wooden gold frame. It is in excellent condition. About the artist: Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene...

Broadway, Cotswold [2022] Award Winning Painting from the 'Great paintoff' at the Broadway Festival, Painted plein air, All Prima Additional information: Original Oil on Board Imag...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, dream, men , portrait, earth tones, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, brown, car, automobile, tractor, old car wreck...

Depicting the iconic "Hollywood Land" sign in Southern California, Shaoul captures the essence of the time. With beautiful brushwork and whimsical details, this piece depicts the old...

Havana, Cuba - They say for every building they manage to save and renovate in Havana, ten others fall down. It is a daunting task trying to re-build and entire city after so many ye...

Vinales, Cuba - An escape from the city to Vinales, a small town on the eastern tip of the island, where the house are all painted vibrant colours and people spend a lot of time in r...

Havana, Cuba - Keeping those vintage cars on the road is a constant challenge. In Cuba they have a famous saying - “Inventamos” – and this is indeed what they do every day, taking ma...

Matanzas, Cuba – Mantanzas is a smaller city about an hour west of Havana on the north shore of the island. It is where three rivers meet and is sometimes referred to as the Venice o...

This scene depicts a scene from the 1930s. It is of a fictitious narrative with old cars, a motorbike, and bicycles. This scene depicts a mob chase through the roaring hills of Calif...

Work on canvas Golden wooden frame 57 x 69 x 5.5 cm

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti vintage car - 1/1 original Signed on reverse At a young age, he was introduced to pain...

My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses o...

Title: British Impressionist Watercolor of a Vibrant Café Scene in a Town Square By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimen...

This is acrylic on a shaped ragboard panel in an artist-made frame.

David Rathman, born in 1958 in Choteau, MT, is known for his delicately rendered paintings of stereotypically male motifs from American history and contemporary culture. He focuses o...

Evocative oil painting of pioneers traveling by wagon train across the vast western plains by California artist Harry Roerade (American 1908-1987), circa 1...

A retrospective study of early 20th century Tunstall. Inscribed to the lower margin 'Calling for the Mail, Market Place, Tunstall, 1909'. Unsigned. On canvas laid to board.

Work on cardboard Beige wooden frame 67.5 x 86 x 4 cm

"People on the Move 6" by RU8ICON1 is a monochromatic oil painting on canvas, from 2019. It depicts bicyclists in motion. The pallet is turquoise and white and is part of RU8ICON1'...

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti Lambo car - 1/1 original Signed on reverse At a young age, he was introduced to painti...

Louis Roberts Dougherty (American, 1876-1948) Installation of the Liberty Bell at Independence Hall in 1754, c. 1915 Oil on canvas, 34 1/2 x 24 3/4 inches; Framed: 43 1/2 x 33 3/4 i...

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti vintage car - 1/1 original Signed on reverse At a young age, he was introduced to pain...

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti vintage car - 1/1 original Signed on reverse At a young age, he was introduced to pain...

Louis Bosa (American, 1905–1981) Two Wagons, Bucks County, PA, 1934 Oil on canvas Signed and dated lower right 20 x 24 inches 30 x 34 inches, framed Born in Codroipo, a small villag...

"Havana Hot Rod" is a fine example of Bryan Mark Taylor's modern approach to Impressionism. This relatively large oil on panel packs a lot of the modern energy of a uniquely Havana ...

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

5141 Amsterdam city veiws with streets ful of bicycles Oversized canvas unframed

Title: Church in Qingdao Series III Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

Rodion Petroff (b. 1985) graduated from the Vilnius Academy of Fine Arts and has been exhibiting in Europe and abroad since 2005. He has had 15 solo exhibitions in Lithuania, Sweden...

5107 Word War II Biplanes

Delicate watercolor of a carriage in front of two buildings by an unknown artist (20th Century). A carriage sits in front of two buildings, with bare trees framing the scene. This pi...

"Englishtown New Almaden, 1890 by Milton K. Lanyon (American, 20th Century). Presented in a wooden frame. Signed "Lanyon" lower right. Titled "Englishtown New Almaden. 1890" and sign...

Captured in rich, painterly oils is this charming scene of a watermill, by British painter William Thornton Brocklebank. Signed to the lower right. Well presented in a painted gilt f...

An original charming 1940's modernist painting depicting an antique store in the countryside. This piece comes housed in its original period frame.

Coffee Peloton XXXVII By Eliza Southwood [2023] Original Coffee on paper Image size: H:42 cm x W:60 cm Complete Size of Unframed Work: H:42 cm x W:60 cm x D:0.1cm Sold Unframed Plea...

Valarie Wolf's painting "Night Travel" is an excellent example of her charming narrative horse paintings. The way she portrays the misty breath of the carriage horse on a charming c...

Painting is on an unstretched canvas MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw...

Robin Cole's 2023 piece, "Remember When," is a poignant example of the artist's engagement with the classical landscape genre, presented in oil on mounted linen. The dimensions of th...

A detailed realistic/surrealistic landscape acrylic painting on large scale canvas.

In this oil painting, I delve into the exhilarating freedom of a motorcycle ride under an expansive blue sky. I've captured the raw energy and motion of the bike, contrasted against ...

A charming farmyard scene depicting chickens roaming by a small pond. Signed to the lower left. On canvas.

"It's your road. Oters can ride it with you but no one can ride it for you."

Signed verso, 'Keith Longcor', dated 1989 and titled, 'Diamond Auto Electric'. A kinetic, post-industrial landscape showing a view of various automobiles parked on a garage forecour...

Two photographic motifs, which can by no means fit together in real life, result in a coherent and at the same time completely absurd image on a painting level. It may symbolize wishful thinking which can never be realized in reality. keywords; americana, surrealism, yellow banana, vintage, oil painting, men figurative painting...

This intriguing architectural painting depicts a view of a French mill house from across a quiet square in Sainte Eulalie. The artist has signed to the lowe...

Provenance Acquired by the gallery directly from the artist FRAMED: 9.875" x 15.875" x 1.375" UNFRAMED: 16" x 24" Artist's Statement: "While driving south on the 5 Freeway, I spotted this classic 1965 Falcon Futura convertible and had to follow it for a while. The design was beautiful -- sleek and moderne with personality and character. The light blue color blended into the perfect southern California sky...

Valerio D'Ospina's (US based) "Fiat 500" is an oil painting depicting a white Fiat on a city street. Valerio D’Ospina was born in Taranto in 1980. On July 14, 1999 he received an a...

FOURNIER Victor Alfred (1872-1924) "Paris, Porte Saint Denis" Oil on canvas signed lower right and dated 1924 Old frame gilded with leaf (fine gold) Canvas size: 40 X 30 cm Frame size: 58 X 48 cm FOURNIER Victor Alfred (1872-1924) French 20th century Born in Paris in 1872. Died in Paris in 1924 Painter of landscapes, seascapes, beach scenes, urban landscapes. Victor Fournier...

Artist: James Feriola, American (1925 - 1997) Title: Farmhouse in Winter Medium: Watercolor on Paper, Signed in Black Ink Size: 20 x 28.5 inches

Wonder Valley (Sidewinder) - 2005 Edition of 5, 156x125cm. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3094. Not mounted. "pr...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed dated 1938 Size: painting: 13...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Waiting for you - acrylic on canvas, impressionism painting, The thickly applied paint vibrates wtih color, and the motion of the brush strokes pulls you through the painting and ...

When I painted this sketch of life in the village of Long Crendon in Buckinghamshire, I included a funny story. It was a day with changeable weather, and I wrote the sketch quite imp...

Can't Stop, Can't Hold The work is devoted to the struggle of the Belarusian people against the dictatorship. Hundreds of thousands of citizens took to the streets to express their ...

R.P. Cochran Austin Artist Image Size: 16 x 20 Frame Size: 23 x27 Medium: Oil "Ranch House"

Artist: Reginald Marsh, American (1898 - 1954) Title: The "Cannonball" Year: 1936 Medium: Watercolor on Paper, signed, titled, and dated l.r. Size: 16.5 in. x 22.5 in. (41.91 cm x 57...

From our collection of original designs. To see more, scroll down to 'More from this seller'. George Horace Davis (1888-1963) Design for publication in The Illustrated London News...