Wheel Landscape Paintings

From an exhibition created by the artist to celebrate the UK Miners strike from the 1980's These hard times for whole communities in the Welsh Valleys created a sense of togetherness...

This is an American landscape by the Indian artist S.S. Sarguru. It is a Gouache on paper board and signed and titled lower right. This painting is in excellent condition and comes w...

A charming farmyard scene depicting chickens roaming by a small pond. Signed to the lower left. On canvas.

Belgium. Brussels - A Market Lottery Seller by Leonard Machin Rowe (1880-1968) signed, dated and inscribed front lower left corner, inscribed and signed to the back watercolour paint...

George Kovach (b. 1942) Medium: Oil on Canvas Dimensions: 24" x 36" Markings: Signed lower right Frame size - 32.5 x 44.5"

This scene depicts a scene from the 1930s. It is of a fictitious narrative with old cars, a motorbike, and bicycles. This scene depicts a mob chase through the roaring hills of Calif...

Work on canvas Not signed

This is acrylic on panel in an artist-made frame. The overall dimensions, including the frame, are 8 1/2 x 12 3/8 x 1 3/4 inches.

Valarie Wolf's painting "Night Travel" is an excellent example of her charming narrative horse paintings. The way she portrays the misty breath of the carriage horse on a charming c...

Suburbs is an original modern artwork realized by Renso Vespignani in 1970s. Mixed colored tempera on canvas. Stamp behind the artwork. Provenance: Vivaldi Collection.

Forbes Mill, Los Gatos - Historic Landscape in Acrylic on Masonite Idyllic California watermill landscape by Stella Leis (American, b. 1922). This autumn-themed painting depicts For...

Robin Cole's 2023 piece, "Remember When," is a poignant example of the artist's engagement with the classical landscape genre, presented in oil on mounted linen. The dimensions of th...

An impressionistic pointillist landscape depicting a large riverside home with private boat house, surrounded by beautiful woodlands. The artist's choice of painting technique create...

Honoré BARMONT Paris, 1810 – Paris, 1851 Oil on canvas 36 x 25 cm (48 x 38 cm with the frame) Signed and dated lower right “Honoré Barmont / 1842” Beautiful 19th century frame in gil...

Title: British Impressionist Watercolor of a Vibrant Café Scene in a Town Square By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimen...

Havana, Cuba - They say for every building they manage to save and renovate in Havana, ten others fall down. It is a daunting task trying to re-build and entire city after so many ye...

Vinales, Cuba - An escape from the city to Vinales, a small town on the eastern tip of the island, where the house are all painted vibrant colours and people spend a lot of time in r...

Havana, Cuba - Keeping those vintage cars on the road is a constant challenge. In Cuba they have a famous saying - “Inventamos” – and this is indeed what they do every day, taking ma...

Matanzas, Cuba – Mantanzas is a smaller city about an hour west of Havana on the north shore of the island. It is where three rivers meet and is sometimes referred to as the Venice o...

A wonderful 1950s oil on Masonite painting of a truck in a Martha's Vineyard dockyard by notable artist Francis Chapin in a grey, painted wood frame. Estate stamped on reverse. Art...

Georgina Lara British, (fl. 1862-1871) A Busy Village Oil on canvas Image size: 11.75 inches x 19.25 inches Size including frame: 16.25 inches x 24.25 inches Provenance: Cooling Galleries, Bond Street, London A pleasing village scene featuring figures, horse and other animals in a village square. To the left, a team of horses with a hay cart can be seen resting whilst a group of people chat outside a village store. In the foreground a group of children play marbles by a dog as two women chat by a log. Meanwhile, a horse and cart is shown entering the village alongside a barn. Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters...

Delicate watercolor of a carriage in front of two buildings by an unknown artist (20th Century). A carriage sits in front of two buildings, with bare trees framing the scene. This pi...

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti vintage car - 1/1 original Signed on reverse At a young age, he was introduced to pain...

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti vintage car - 1/1 original Signed on reverse At a young age, he was introduced to pain...

Rodion Petroff (b. 1985) graduated from the Vilnius Academy of Fine Arts and has been exhibiting in Europe and abroad since 2005. He has had 15 solo exhibitions in Lithuania, Sweden...

Rustic Farmyard Scene signed by Édouard Righetti (1924-2001) mounted in a card frame oil painted on artist paper, beautifully painted. very good condition framed: 21.5 x 29 inches ar...

keywords; surrealism, car portrait, car accident, oil painting, representation painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, car, automobile, old car wreck...

Signed lower left, 'K. Loncor' and dated 1999; retains original artist card, verso. A view of a California auto shop with a Jeep International Harvester...

"Havana Hot Rod" is a fine example of Bryan Mark Taylor's modern approach to Impressionism. This relatively large oil on panel packs a lot of the modern energy of a uniquely Havana ...

Title: Church in Qingdao Series III Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

From our collection of original designs. To see more, scroll down to 'More from this seller'. George Horace Davis (1888-1963) Design for publication in The Illustrated London News...

Painting is on an unstretched canvas MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw...

Louis Roberts Dougherty (American, 1876-1948) Installation of the Liberty Bell at Independence Hall in 1754, c. 1915 Oil on canvas, 34 1/2 x 24 3/4 inches; Framed: 43 1/2 x 33 3/4 i...

"Englishtown New Almaden, 1890 by Milton K. Lanyon (American, 20th Century). Presented in a wooden frame. Signed "Lanyon" lower right. Titled "Englishtown New Almaden. 1890" and sign...

Barbara Mauldin Fredericksburg Artist Image Size: 15 x 30 Frame Size: 22 x 36 Medium: Oil on canvas "Willow City Still Life" Texas Hill Country Landscape Barbara and her husband Chu...

Artist: Reginald Marsh, American (1898 - 1954) Title: The "Cannonball" Year: 1936 Medium: Watercolor on Paper, signed, titled, and dated l.r. Size: 16.5 in. x 22.5 in. (41.91 cm x 57...

In this oil painting, I delve into the exhilarating freedom of a motorcycle ride under an expansive blue sky. I've captured the raw energy and motion of the bike, contrasted against ...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

A detailed realistic/surrealistic landscape acrylic painting on large scale canvas.

Oil on board, signed lower left Inscribed and dated 1905 on reverse Image size: 8 1/4 x 10 1/2 inches (21 x 27 cm) Contemporary style hand made frame This is a scene of the outskirts of the village of East Ruston, found near the coast in Norfolk. The setting is a sand and gravel pit with the houses of the village just identifiable through the trees in the background. This small sand pit...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, dream, men , portrait, earth tones, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, brown, car, automobile, tractor, old car wreck...

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

Signed verso, 'Keith Longcor', dated 1989 and titled, 'Diamond Auto Electric'. A kinetic, post-industrial landscape showing a view of various automobiles parked on a garage forecour...

Wonder Valley (Sidewinder) - 2005 Edition of 5, 156x125cm. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3094. Not mounted. "pr...

The old granary. Oil on cardboard, 24,5x45 cm

Coffee Espresso Series 2 is an original artwork by Eliza Southwood. It features one cyclist Eliza Southwood cycling prints available for sale with Wychwood art...

This intriguing architectural painting depicts a view of a French mill house from across a quiet square in Sainte Eulalie. The artist has signed to the lowe...

Provenance Acquired by the gallery directly from the artist FRAMED: 9.875" x 15.875" x 1.375" UNFRAMED: 16" x 24" Artist's Statement: "While driving south on the 5 Freeway, I spotted this classic 1965 Falcon Futura convertible and had to follow it for a while. The design was beautiful -- sleek and moderne with personality and character. The light blue color blended into the perfect southern California sky...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed dated 1938 Size: painting: 13...

keywords; surrealism, portrait, oil painting, representation painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, car, automobile, tractor, old car wreck...

Artist: James Feriola, American (1925 - 1997) Title: Farmhouse in Winter Medium: Watercolor on Paper, Signed in Black Ink Size: 20 x 28.5 inches

original Coffee on paper Image size: H:42 cm x W:60 cm Complete Size of Unframed Work: H:42 cm x W:60 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indicati...

A wonderful depiction of modern transportation and American industrialism in the early 20th Century. This painting is beautifully done in an impressionistic style by the accomplishe...

A very fine and detailed Victorian street scene. Crowds of figures mill about the streets, children playing with hoops along the cobbles and woman carrying baskets...

Waiting for you - acrylic on canvas, impressionism painting, The thickly applied paint vibrates wtih color, and the motion of the brush strokes pulls you through the painting and ...

"It's your road. Oters can ride it with you but no one can ride it for you."

When I painted this sketch of life in the village of Long Crendon in Buckinghamshire, I included a funny story. It was a day with changeable weather, and I wrote the sketch quite imp...

This is a one of a kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. Its dimensions are 12"x12". It is framed. A certificate of authenticity ...

"Horse & Caravan" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed lower right oil painting on board, unframed painting: 21.5 x 18 inches A fine "mid century" oil pa...