Gouache Paintings

6023 Antique English seascape .Signed Image size 7.5x9.5" Set in a period frame

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 15.5 x 21 inches condition: very good and ready to be enjoye...

This is a two sided painting. Nude reclining woman and a ship lit at night. Harold Cohn (1908 - 1982) Harold Cohn was active/lived in New Jersey, Michigan. Harold Cohn is known fo...

Exuberant gouache portrait of a smiling auburn haired female by French erotic artist Carlo Charléno, circa 1930. Signed lower right. Original vintage ...

Orchid Scene [2021] Original Flowers Gouache, watercolour ink and gesso. Image size: H:63 cm x W:53.5 cm Complete Size of Unframed Work: H:65.5 cm x W:56 cm x D:0.01cm Sold Unframed ...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner Image : 12 x 9.5 inches Superbly decorative 1960's French portrait p...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner Image : 12 x 9.25 inches Superbly decorative 1960's French portrait p...

Green Eye Girl by Bernard Labbe (French mid 20th century) original gouache on paper, mounted on card size: 16 x 13 inches condition: very good and ready to be enjoyed provenance: th...

Bob Peak may be the heir to Norman Rockwell in portraying the American Scene. Yet Peak's graphic representations depart from Rockwell's tight academic style. In the present work from...

Work on paper White wooden frame with glass pane 43 x 53 x 1,5 cm

Brightly colored and bold painting of an American hunting scene featuring two hunters and Canadian Geese. The bold, bright blues and yellows o...

Paris: A Wartime Study of Figures Relaxing in Springtime by Henri Miloch (1898-1979) Unsigned watercolour, graphite and gouache painting on artist's paper, unframed Sheet: 12.25 x 9...

Most likely done for Cher. Gouache and watercolor on Arches paper. There is some minor undulation of the paper suface but only visible under raking light. Nicely framed and read...

American school abstract painting. Watercolor on paper, circa 1960. Signed. Image size, 18"L x 24"H.

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/ gouache painting on card, signed size: 7.75 x 10.75inches Beautifully colourful, original painting by the very popular and highly regard...

Girl in a cafe 70x50 cm

Judd Mercer's (US based) "Through the Trees" is an gouache painting that depicts the dense brush of a forest growing with large trees Bio/artist statement: Judd Mercer is a waterc...

Sicilian Landscape with Aetna on the Background is an original Gouache on paper, realized by Anonymous Artist of the early 20th Century. In very go...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 20 x 14 inches condition: very good and ready to be enjoyed....

Alexander Sharpe Ross - or Alex Ross. This work is a perfect artistic statement with every formal element in perfect harmony. It's a masterf...

Work on paper

Work on paper White wooden frame with glass pane 44,5 x 52,7 x 1,5 cm

Beautiful drawing of double Hibiscus and Butterflies dancing around a log by Ben Black (American, 1922-2003). Signed and dated "Ben Black '95" lower right. Unframed. Image 20"H x 28"L, Mat 30"L x 22"H. Ben Black was born in Boston, he graduated from the Massachusetts College of Art 1947. He served in World War 2. He was an art director at one of Boston's leading advertising firms, later opened his own studio where his works were included in The New Yorker Magazine, Saturday Evening Post, Reader's Digest, establishing himself as a leading American Illustrator. He had many solo and group exhibitions throughout New England and his work is collected throughout the world. Originally known for his clowns, he created a limited edition series of plates for Royal Daulton as well as clown figurines...

Still life

Work on paper Gilded wood frame with glass pane 79 x 60 x 3 cm

Artist Charles Perry Weimer employs thin black horizontal lines that intersect with thin black vertical lines. The result is a triumph of design w...

Work on paper Gilded wood frame with glass pane 79 x 60 x 2,5 cm

Gloria Dudfield Yellow Purple Figure 1960s Oil Pastel and Gouache on Paper 36"x28" unframed $800 *Custom framing available for additional charge. Please ...

Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Movers New Yorker published, September 20, 1935 18 X 11 1/2 inches...

Titled Torah Service, hand signed on Arches archival paper. In this painting, Nussbaum portrays a joyful holiday celebration of the Torah reading in the synagogue in a sketch-like m...

March 70x50 cm

This Modern Abstract Expressionist painting by Stanley Bate is made with gouache on paper. It features a dark palette, with dark charcoal black tones contrasted by yellow and red accents throughout, and large brush strokes. The painting itself is 16" x 54" and measures 17" x 56" x 2" framed. The paper is mounted on board, framed in a black frame under glass. It is not signed by the artist, but has been authenticated by his estate, and is stamped with the estate seal on the back of the painting, and on the back of the frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Kerry Smith The Doors - L.A. Woman Mixed Media on Crescent board Year: 2021 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1642 *Black frame with a mirror-gloss finis...

A Judaica painting with Hebrew Calligraphy by noted Chicago Modernist. Alexander Raymond Katz (his Hungarian first name, Sandor, was anglicized to Alexander) was born in Kassa, Hunga...

"Abstract" by Arlette Martin (French, b.1924) signed and dated lower right hand-side, gouache painting on card, unframed painting: 5 x 4 inches Stunning original painting by the po...

The punchline on many of these 1950s cartoons fades, but the visuals more than hold up - they shine. The sleek, graphic style of painting with flat, broad areas of color shows that ...

'V.B.: Her Rain Hat' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 11 1/2 x 8 1/2 inches and it is professionally framed, 20 3/4 x 17. 1/2 inches in a ...

J. Blot (France, 20th Century). This gouache painting features a still-life execution of exotic fishes in a very typical Mid-Century-Modern 1950s design style., Bursting with vintage...

Compelling figurative study in gouache and pencil by Joesph Capozio (American, 1928-2016). Estate stamp lower right corner with bio on verso. Presented in mahogany wood frame. Framed size: 19"H x 17"W. Capozio was born in Philadelphia, Pennsylvania in 1927. After serving in World War II, he attended art school in Philadelphia, Pennsylvania. He lived and worked in San Francisco, California; New Orleans, Louisiana; Siesta Key...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Blue and grey with peach abstracted figurative painting in neutral cool colors from Kim Frohsin's "Figures WIth Edges" series. Frohsin, third generation Bay Area Figurative artist—fr...

A captivating miniature painting by renowned artist Dina Brodsky, known for her masterful technique in gouache and watercolor. This exquisite work, painted on authentic animal parchm...

This evocative 1939 original painting, titled “Man In His Search for God,” is a rare and powerful work from Charles Bunnell’s acclaimed Black and Blue Series. Executed in ink wash or...

Walter Launt Palmer is best known as “the painter of the American Winter.” In Bars of Light, the cool areas of shade haphazardly crisscross and then blanket the warm sunlight on the ...

Gorgeously detailed mountain landscape by an unknown Japanese artist (19th Century). Two waterfalls cascade down a lush valley, with trees and shrubs on the hillsides. Small building...

Circle of Sunqua (active 1830-1870) Two Mandarin Ducks pith paper (rice paper) gouache c.1830-1870 China Also close to: Chincqua, Lam Qua, Youqua. Compare ...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

An important painting of two female nudes by the celebrated African American artist, Robert Colescott (1925-2009), titled "Conversation", 1959. A rare & ear...

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1965. Condition is goo...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Fiona Debell's "Perilous Rejection" is a compelling abstract m...

Work on paper Black plastic frame with glass window Dimension with frame 58 x 72.5 x 3 cm This bold work presents a reinvented still life, captivating the eye with its expert use of ...

Work on paper Black plastic frame with glass window 48.5 x 60 x 2 cm

Salvador Dalí 1904-1989 Spanish Four of Wands Signed "Dalí" (lower center) Gouache on photographic background From Salvador Dalí's celebrated tarot series, Four of Wands represen...

Flowers on the table 70x50 cm

Decorative Thangka is an original colored artwork realized in Nepal in the XX century. Gouache on line. This beautiful artwork represents a central mandala flanked by numerous bodh...

Donald Stacy "Pink Floor" c.1950s Gouache paint on paper 17.25" x 17.25" unframed Signed in pencil lower right Came from artist's estate *Custom framing av...

Still Life with a Blue Vase 70x50 cm

American school abstract painting. Watercolor on paper, circa 1960. Signed. Image size, 24"L x 18"H.

Original oil paint and gouache on heavy archival textured paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1...