Gouache Paintings

1.20 (Ref 09) (Abstract Expressionism painting) Gouache on paper - Unframed Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 10 x 13 inches Fabulous 1970s abstract goauche painting. The colours used i...

'Abstract Figure' Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 9.75 x 12.5 inches Fabulous 1970s abstract goauche painting. The colours used in t...

From our collection of original designs. To see more, scroll down to 'More from this seller'. George Horace Davis (1888-1963) Design for publication in The Illustrated London News...

Covers 13 - orange (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses ta...

Paul Shimon (American, 1919-2011), "The Three Hebrew Lads Going into the Furnace", Gouache on Paper, 1948, depicting a scene from the Book of Daniel, signed and dated lower right, ti...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘76’, in upper left corner, German copyright label on verso. [Berlin 1930] Finished in green with contrasting light green roof and matching solid disc wheels, presented against a silhouette of a grand palace, this imposing 4-door cabriolet was one of the more luxurious variant designs around the underpinnings of the company’s straight-8 engine and drive train. It evolved from the Single Eight, so-called as it replaced the earlier V-12 known as the Double Six. Founded in 1899 by brothers James and William Packard, the eponymous company was not only one of the pioneers of North American motor...

Gouache, pencil and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements of found colored ...

Gouache, watercolor and crayon on paper. Signed in white gouache, lower right recto by Dobashi.

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

Al Parker was one of America's greatest and most inventive illustrators. He did work for magazines such as: Chatelaine, Collier's, Ladies' Home Journal and Woman's Home Companion. ...

Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses to color and form stim...

Sixteen Street 7.15 (Abstract Expressionism painting) Gouache on paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writ...

Chhotu Lal - Untitled, 10.25 x 14 inches Gouache and Gold on Acid Free Paper, 2020 ** Shipped in roll form. Born in 1957, Chhotu lal is an acclaimed artist based in Udaipur, Rajasth...

Untitled 4 (Abstract painting) Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art maki...

Born in Ontario, Canada, Rolph Scarlett left home at age eighteen for New York City, making that city his home for long periods during his lifetime. While beginning his career as an ...

This small yet detailed gouache painting by Bennett Vadnais captures a quiet street scene with a row of houses bathed in warm light. The careful rendering of architecture and lush gr...

This came from the collection of the Horace Richter Gallery These were done in the 1990's Hand signed and dated by the artist. Old Jaffa Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson...

Antique American modernist cityscape oil painting. Oil on canvas, circa 1970. Signed. Displayed in a giltwood frame. Image, 20"L x...

Covers 13-Red Yellow A (Abstract Painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She us...

Covers 13-Purple B (Abstract painting) Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses ta...

P4.15 (Abstract Painting) Gouache, pencil and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arr...

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

Grey Test Pattern 1 (Abstract Painting) Acrylic/gouache on wood - Unframed Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses t...

4.29 15 (Abstract Expressionism painting) Gouache on archival paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing...

Gouache on handmade Khadi paper. Unframed. Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper. She uses tape to mask out shapes and employ hard e...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper inscribed verso stamped on reverse Image: 25.5 x 19 inches Superbly decorative 1960's Fren...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper stamped on reverse Image: 25. 75 x 19.75 INCHES Superbly decorative 1960's French portrait...

Dolphin Dance 17 (Abstract painting) Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #...

Sixteen Street 7.15 (Abstract Expressionism painting) Gouache on paper - Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writ...

P1.13 (Abstract painting) Gouache and collage on Japanese paper - Unframed This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘78’, in upper left corner, German copyright label on...

Test Pattern 12 (Grey study) (Abstract painting) Ink, gouache and acrylic on Fabriano paper - Unframed. Test Pattern series sets up a generic template as ...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘77’, in upper left corner, German copyright label on...

Pigment, silica medium and gouache on paper - Unframed. Marcy Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined system...

Original gouache and watercolor on cardboard. Hand signed lower right by Rolph Scarlett. Artwork size 4.12 x 6.37 inches. Frame size 14.12 x 16.37 inches. Artwork is in excellen...

Work on paper glued to cardboard Dimensions of the "passe-partout" frame 29 x 22.5 x 0.7 cm Work signed lower right and monogram F.V.S. and dated on the up...

Work on paper Stamp of the artist's studio on the back lower right Dimensions of the master key 42 x 50 cm

"Abstract Composition" by Roger Herson (French 1922-2008) signed lower right hand-side, gouache painting on thin card, unframed painting: 20 x 14 inches Superb original abstract painting by the very well listed French abstract and surrealist artist, Roger Herson (1922-2008). The painting has excellent provenance, having come from the artists estate in northern France. Roger Herson (1922-2008) was a French abstract, cubist and surrealist painter from Rouen, France. Influenced by Picasso, Braque and Léger, he infuses the canvas with a frenzied and tonic movement, a rigorous construction and a personal graphic power. Painter of woman, desire and fantasies, Herson draws his inspiration from the verve and surrealist movement inspired by Georgio de Chirico...

Bhaskar Chitrakar - Playing Music - 15 x 11 inches (unframed size) Watercolor & Gouache on Paper, 2022 About the Artist & his works : Born : 1978. ...

"Abstract Figures" by Roger Herson (French 1922-2008) signed lower left hand-side, gouache painting on card, unframed painting: 16 x 23.5 inches Superb original abstract painting by the very well listed French abstract and surrealist artist, Roger Herson (1922-2008). The painting has excellent provenance, having come from the artists estate in northern France. Roger Herson (1922-2008) was a French abstract, cubist and surrealist painter from Rouen, France. Influenced by Picasso, Braque and Léger, he infuses the canvas with a frenzied and tonic movement, a rigorous construction and a personal graphic power. Painter of woman, desire and fantasies, Herson draws his inspiration from the verve and surrealist movement inspired by Georgio de Chirico...

Paris: A Collection of Three Paintings of Paris Scenes by Henri Miloch (1898-1979) the Eiffel Tower painting is signed front lower right and also inscribed to the back, the Versailles painting...

WEINSTOCK, Saul [Painter] mid 20th c. NYC. Exhibited: Whitney Museum of American Art, 1952. New York artist Saul Weinstock carried the twin banners of American Regionalism and the Ashcan School proudly across the twentieth century. This particular painting is very reminiscent of the Ash Can School of painting which continued to influence much of the art produced in the United States during the 1930's through the 1940's (many times referred to as New Deal, or WPA art...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Work on paper White wooden frame with glass pane 42,7 x 50 x 1,5 cm

Dancing Jesters or Clowns (colorful Chassidim dancing) Gouache on paper Sheet is 19.25 X 25.25 Image is 13.5 X 19.25 Moshé Raviv-Vorobeichic, known as Moi Ver, born Moses Vorobeichik (1904–1995) was an Israeli photographer and painter. Moi Ver (Moshe Raviv) was born in 1904 in Vilnius, Lithuania as Moshe Vorobeichic. Moshe Vorobeichic received his initial artistic training in the early 1920s in Vilnius, Lithuania, where he studied painting, architecture, and photography. Having become an important figure in the Yiddish avant-garde culture, he exhibited his first works. From October 1927, he studied at the Bauhaus school in Dessau (Germany), with photographer-visual artist Laszlo Moholy Nagy and painters Josef Albers, Paul Klee, Wassily Kandinsky, and Hinnerk Scheper. In his book Moi Ver: Paris, he produced avant-garde photomontages. Originally published in 1931 by Editions Jeanne Walter with an introduction by futurist Fernand Leger. In 1932 Raviv was sent by the weekly La Vie Parisienne to British Mandate Palestine as photo reporter. Raviv illustrated many books. Raviv was a founder of the Artists' Colony in Safed. At the height of 20th Century modernism and one of the followers of Laszlo Moholy Nagy and his concept of New Vision, Moin Ver was one of the rising stars in European photography. Born in Lebedeva, in Belarus, he wandered through Europe until he immigrated to Palestine in 1934. His well known yet partly forgotten three photographic projects in 1931, The Ghetto Lane in Wilna, Paris: 80 Photographies de Moi Ver and Ci-Contre – 110 Photos de Moi Ver (that was not published at the time), have remained milestones in the art of the 1930s as he created and imposed a new visionary style in photography. As a contemporary of artists such as Man Ray, Ilse Bing...

Neo Impressionist Dog in a Tent by Louis Bellon (French 1908-1998) signed lower left gouache painting on paper, unframed measurements: 11.75 x 16.5 inches provenance: private collection of the artists work, Provence, France Condition report: very good, colour strong, very shallow crease to lower right corner of sheet Interesting Neo-Impressionist 1950's French painting of a rather lively dog at the entrance to brightly coloured canvas tents...

Measures 17 x 12 inches sight 27 x 21.75 framed Original Hand painted family crests and coasts of arms, c, 1920. Matted and framed under glass. Macy Polk Tyler Coffin Hussey Barna...

"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern Antonio Petruccelli (1907 – 1994) Antenna Birds New Yorker cover proposal, c. 1950s 12 1/2 X 9 1/4 in...

Yugal Kishor Sharma - Kamdhenu - 15 x 15 inches (unframed size) Gouache and Gold Leaf on Paper. About thwe Artist & his works : Born : Rajasthan in 1959. Education : Post Gradua...

Ink, gouache on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Pari...

A one of a kind 20" x 14" Surreal Watercolor and Gouache executed on Arches Aquarelle Paper by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase ...

it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...

Gouache on rag tracing vellum - Unframed. This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1-22”. Those brush paintings are Pri...

Decorative Chinese school painting. Fine detail and painted with rich colors. In a wonderful carved frame painted in pastel blue.

Erte Original Gouache Painting Rare And Absolutely Stunning. Made in 1928. Condition is good this is ertes better gouaches. Must have for any ser...

In this painting, Nussbaum portrays Rabbi in lively conversation outside the synagogue in a sketch-like manner without focusing on any specific details. The vibrant colors used in th...

Gouache and pencil, 1963 Illustration project for the book Panorama Général Certificate of authenticity LCD6764

Subha Basu - Night - 10.5 x 9.5 inches (unframed size) Gouache on Acid Free Paper. Born - 1982 at Kolkata. B.V.A from The Indian College of Art & Draftsman...