Wood Paintings

Katheryn Holt (American, born 1951) "Rivers End" 2022 Oil Paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. In this captivating artwork, the artist ex...

Oil on plywood realized by Alberto Gallerati in 1970s. Hand signed. Titled on rear. Very good condition.

The artist is inspired by the relationships between the past and the present, creating works that function as archaeological finds. His pieces, which include floors and toys, reconst...

Shan Fannin's "1959 Cadillac Tailfin - Vegas Turquoise" is an original, handmade acrylic painting that depicts a close up view of the taillight of a teal...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Mitzy Renooy Wild Flowers 110 x 120 cm Frame included in price, size with frame: 115 x 125 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow ar...

Icono of Saint Nicolas in the style of Russian icons of the 18th century. Egg tempera and gesso on wood, covered by a metal oklad made by the artist himself. The oklad, in principle, were made to cover damaged parts of highly revered ancient icons...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Title: Look Up! Original Landscape Painting, Floral, Unique, Large Painting, Abundance, Freedom, Floral, Original, Modern, Rich cotton canvas. LOOK UP! is a large original acrylic ...

Cindy Kane (American, b. 1957) Untitled, 1985 Oil on plywood Sight: 31 1/2 x 28 1/2 in. Framed: 39 3/4 x 36 x 2 in. Signed lower right: KANE Signed, titled, dated verso: Cindy Kane, Untitled, 1985 Cindy Kane (American, 1957-) grew up in Washington DC during the Vietnam War era, absorbing the period's powerful political climate. She is a self-taught artist whose multi media work is born out of a deep sense of connection to the political and environmental issues of our times. Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. She draws on personal narrative and experience to create her paintings of maps, birds, toys, and artifacts from nature, often collaging bits of newspaper headlines, pieces of her children's homework, and pages of sheet music beneath layers of color and imagery. In a review of her work, author and critic John Loughery wrote; "Kane leads us into a peculiar netherworld, a hard to place area that's both reassuringly ancient, and anxiously modern. This is a painter who is interested in the unconscious and the archetypal, and utilizes her own private, (but not inaccessible) vocabulary and imagery." In a submission to AskART, Diana Wilson...

Attributed to Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895), signed lower right, this extraordinary antique oil painting captures the timeless beauty of 19th century Norwegian pastoral landscape. This exceptional collaborative masterpiece, painted circa 1870-1880 during the golden age of Norwegian landscape art, depicts an enchanting countryside scene where a young shepherd boy guides his cattle to a tranquil watering hole. The composition unfolds like a gentle poem of rural life, with lush vegetation embracing rolling hills while an ancient windmill stands majestically on the distant hillside, creating striking focal point and masterful perspective. Rich oil painting technique reveals the artists' shared vision of Norway's serene countryside, where peaceful pastoral tranquility below contrasts dramatically with gathering storm clouds above. This romantic Norwegian landscape tradition showcases nuanced brushwork and atmospheric effects that exemplify the peak of Scandinavian art movement. Both renowned Norwegian artists are prominently featured in National Museum Oslo permanent collection, confirming their significant contribution to Nordic artistic heritage. This rare antique oil painting represents sublime testament to 19th century collaborative artistry, where two masters united their talents to create lasting vision of Norway's natural beauty. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

"Cars, Buildings People" Contemporary Outsider Folk Art African American Urban Purvis Young (1943-2010) Cars, Buildings People 65 x 48 inches Oil o...

A unique, contemplative 1930s Modern table top still-life painting featuring a spoon, egg and an artichoke by famed Chicago artist, Francis Chapin. Image size: 11 1/4 x 15 1/4 inc...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

This magnificent intimate portrait, painted by an unknown yet undoubtedly gifted artist of the late 19th century, captures with incredible grace the captivating image of a young viol...

Christ Pantocrator after a Russian icon of the 15th Century. Tempera and gold leaf on gesso over a wooden board. Measurements in centimeters: 38 x 29.5 x 3 cm. / In inches: 14.96 x 11.8 x 1.18 " This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold. Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger (Vienna, 1968) began to take an interest in icons in 1990. He undertakes several trips to Bulgaria, Greece, and Cyprus to see in situ the original works treasured in these three countries. This experience will be crucial in his life since the studies carried out in Sofia, the Bulgarian capital, and his stay on Mount Athos...

"Avacado" is an original oil painting on wood by Wisconsin artist Robert Richter. It is signed on the back, and the frame was created and hand-carved by the artist, which makes it an...

Beautiful historically significant oil painting of the Congregational Church of Soquel by Mary DeNeale Morgan (American, 1868-1948). Signed "M. DeNeale Morgan" lower right corner. Exhibit label on verso. Canvas on Masonite. Displayed in giltwood frame. Image, 24"H x 20"W. Born in San Francisco in 1868, she was taken to Oakland in 1872, where the painter and teacher William Keith was her first teacher. She was precocious. In 1886 she enrolled in the California School of Design in San Francisco and studied with Emil Carlsen and Amédée Joullin until 1890. She paid her first visit to Carmel in 1903. In 1910 she returned to buy the studio and home of the late Sydney Yard...

nknown Artist (Signed “Kaufman”) Untitled (Pastoral Horizon), mid-20th century Oil on board Framed dimensions: 25 in. H × 21 in. W Original cream-toned carved wood frame This expres...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Primary Hughes' "Presque Isle (Day 25) August 16" is an original, handmade oil painting that depicts an ocean landscape of waves coalescing around a ro...

This exquisite painting on wood entitled "Rome" was made by internationally renowned Chinese contemporary artist Ren Hui. Using a style that he calls "uncomplicated and honest, he ce...

Pearlescent wave series, in aluminum with mixed media and pearlescent enamel on wood. Wall sculpture is sold with it's certificate of authenticity. Can be purchased individually or a...

The vibrant French Quarter is brilliantly depicted in "Bourbon Street in New Orleans" by California-based artist Pablo Cucaro in a rich palette of chestnut, Tiffany Blue and black. S...

Katheryn Holt (American, born 1951) "Evening Falls" 2022 Oil paint and mixed media on cradled wood panel. The artist signed the back of the painting. With Frame: 33" x 49" x 2" “Ev...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

This large, colorful still life painting by Paul Longenecker (1920-2008) depicts a varied assortment of flowers in an urn. There is a bird’s net to the lower right of the urn as well...

"Autumn Forest" (2024) By Susie Hyer is an original handmade oil painting on Masonite that depicts a shady forest full of birch trees with bright yellow and orange leaves. There is a...

'Venice, Santa Maria della Salute from the Cannaregio Canal' by Peter Götz Pallmann. Large Venetian Oil ----- Signed lower right, 'P. G. Pallmann'...

This seascape oil painting was created in Paris in 1857 by the renowned Swedish master Simeon Marcus Larson (1825-1864). It dates from the artist's most accomplished period and offer...

Important one of a kind painting by Noche Crist (1909 - 2004). A shaped painting titled " Flower Caryatid". Noche Crist imbued her cutouts with more...

"Blue Grapes" by Daire Lynch (Ireland based) is an original oil on birch panel depicting a lush cluster of grapes. Dáire Lynch is a Dublin born artist who currently resides in West...

Large Scale Mid 20th Century Acrylic Painting by Vanguard Studios Signed Van Gaard Classic 1950s to 1960s acrylic painting of a guitar against a colorful ab...

Gordon Powell (American, 1947-) Hand signed and dated verso. Trio 2006 Pine and gesso Dimensions: Framed 23 1/2” x 18” Gordon Powell received his M.F.A. from the University of Illinois in Chicago and his B.F.A. from the School of the Art Institute, where he now serves as a full adjunct professor. His many awards include the prestigious Prix de Rome and a grant from the National Endowment for the Arts. His work is in numerous collections, including the Art Institute of Chicago. Chicago abstract artist Gordon Powell describes his work as having to do with “building, about putting things together to make a physical form.” He manipulates common objects and positions them in new and unexpected contexts. In this piece, Powell uses pieces of wood to create a sculptural relief. He forms a puzzle-like surface with carved and whitewashed pieces, joins them together to provide linear definition, and adds surface cuts in some areas. Notice how Powell allows the grains, imperfections and natural formations of the wood to be an integral part of his work. "In my practice I work with “fragments” which I make from old pattern paper templates, mdf, and paint. Laid out on the table or floor, the materials are cut into different shapes and the surfaces painted or marked. They are then brought together and arranged or composed into a form and then glued together. The process and choices are the result of improvisation; comparing one fragment next to another to see how they work together." The images and shapes are abstract.His style is similar to the collage and assemblage works of French artist Georges Noel, Arman and Cesar and American artist Cecil Touchon. Select Exhibitions Gordon Powell has participated in include the Art Institute of Chicago, Chicago Cultural Center, Racine Art Museum, Sculpture Center, New York, Roy Boyd Gallery Chicago and Los Angeles, Virgina Zabriskie Gallery, New York, Perimeter Gallery Chicago and New York City, the American Academy in Rome, Hyde Park Art Center, Chicago, and Gallery 400 at the University of Illinois, Chicago. Select Collections include The Art Institute of Chicago, State of Illinois, City of Chicago, Rockford Art Museum, Racine Art Museum and the Elmhurst Art Museum. (see complete resume) Select Awards and Residencies include the Rome Prize (Prix de Rome), National Endowment for the Arts, Illinois Arts Council Fellowships, School of the Art Institute Of Chicago Faculty Enrichment Grants, Yaddo Residency, Dora Maar House, Manerbe, France, American Academy in Rome Residencies, and Krems, Austria Residency, Karl Hofer Gesellschaft Residency, Berlin. SELECTED GROUP EXHIBITIONS 2024 Anonymous Drawings Kunstraum Kreuzberg, Berlin, Germany 2013 Metropolitan Capital, Material Manipulation and Transformation: Barbara Cooper and Gordon Powell An Impromptu Art Show, Judith Racht Gallery, Harbert, Mi 2011 Anchor Graphics: Surveying the collection, Riverside Arts Center, artists included Tim Anderson, McArthur Binion, Nyame Brown, Amanda Burk, Paul Coffey...

Paul Delapoterie, born in 1930, is a painter from Geneva, Switzerland. His work spans various styles, including abstract landscapes, figurative portraits, and surrealist pieces. Know...

Katherine Bello Bits of Magenta Diptych Mixed Media on Board 2025 Size: 12 x 12 inches (30.48 x 30.48cm) (each) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) (each) Signed ...

Wonderful mid century portrait of Carmel artist Doris Estelle Rohr by listed California artist Abel George (Buck) Warshawsky (American, 1883-1962). Signed "A.G. Warshawsky Dec. 22 52...

Small portrait of a clown with colorful, expressionist brushstrokes by Marjorie Blake (American, 1920-1994). Signed "M. Blake" in the lower right corner...

Lovely abstract titled "Luzar III" By Tina Fuentes (American, b. 1949) 2005. Mixed media using oil paint and tissue paper on wood panel. Titled, signed and dated on bottom and on ve...

A vibrant, colorful 1930s winter scene painting of Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). Depicting a view of the historic Old Fish Hous...

MAURICE POZZETTO-French Primitive-Original Signed Oil-Corniche Harbor Marseille Maurice Pozzetto (1911-?) 20th Century French Primitive artist best known for paintings Original ...

Signed lower left, "M. Legendre' for Maurice Louis Legendre (French, born 1928) and painted circa 1960. A boldly painted, cabinet-sized oil showing the cafes of Montmartre's Place d...

Hand signed and dated by the artist lower right. Includes a beautiful contemporary wooden gilded frame. In excellent conditions. References: - Catalogo della mostra di Pio Semeghini...

This is a monochromatic rendering of branches of the native Californian madrone tree. There are two shades of the same green, the darker leaves being the thin slightly translucent fi...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Serene depiction of boats on the shore by Hildegarde Hamilton (American, 1989-1970). This beautiful mid-century coastal landscape shows a small, bright blue bay surrounded by palm trees, mountains, and colorful wildflowers. Signed in the lower right corner. Presented in a rustic frame. Board size: 19.75"H x 24"W Hildegarde Hume Hamilton (American, 1989-1970) was born in Syracuse, New York, in 1898. After her education there, and brief training at the age of six in art schools in Venice, Italy, while on a European sojourn with her father, she studied fine art at the Académie Julian, the École des Beaux-Arts and the Académie Grande Chaumière in Paris, France, during the 1920s and 1930s. After returning to the United States, Mrs. Hamilton studied at the Art Students League, New York, New York, and the Cincinnati Art Academy, Cincinnati, Ohio. Hamilton exhibited her topographical street-scenes and landscapes widely throughout the United States with shows at the Syracuse, New York, Museum of Fine Art; the University of Kentucky; the University of Georgia, and most importantly, New York City’s Society of Independent Artists from 1929 to 1933, 1938, 1939, 1943 and 1944. Hamilton’s paintings are included in the collections of Wesleyan College, Virginia Military Institute...

An Elegant 1940s Modernist Portrait of a Young Woman a Red Dress by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A beautifully executed studio portrait, the painting is oil...

Interior Landscapes - Abstract Acrylic on paper Painting.. framed Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’...

French Still Life With Flowers Bouquet Oil on masonite, signed, original vintage frame. Edith Faucon was born on May 24 in 1919 in Carentan France. She owes her artistic training f...

Edwin Kosarek (b.1929). Reclining Nude, 1952. Oil on wood panel, 17 x 48 inches. Signed and dated on verso. Edwin Kosarek Born: 1929 Studied: The Cit...

Shimmering Pond in the Woods - Surrealist Abstract 1960s Highly textured abstract composition by Rose Herzog (American, mid-20th Century). A multicolored pond is shown in the middle...

This 5" hand-painted sculptural cube by Sofie Swann is made with acrylic paint and gesso on wood. It features a deep teal palette with light texture over the surface of the cube. It ...

Abstract expressionist painting and collage by Bay Area artist Michael Pauker (American, b.1957). Titled and dated "Brescia 2014" on verso. Unsigned. From a collection of his work. F...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

"Towers Three" (2024) by Stephanie Hartshorn is an original handmade oil painting on wood panel that depicts an abstract cityscape.

Virgin of the Sign (Orans), with the Christ Child Emmanuel and Cherubim Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with 24-karat gold leaf application. Dimens...

Ana Hefco's (US based) "Ocean Waves #12" is an original, hand made mixed media painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aerial/satellite image of a coastal beach where the waves crash on shore. Artist Bio and Statement: Born and raised in Bucharest Romania, I am a self-taught dreamer and artist. To dream is my path and to paint is my dream. Lack of control is not my strong suit, but in the painting process things are different. The resin (also known as liquid glass) has a mind of its own and I learn to mindfully let go every time I paint. I allow those liquid color induced emotions I feel to drive me and take lead of my hands and at the end of the process, it’s just music and bliss. My inspiration is always nature's force, balance, perfection in purpose and beauty. It can be a place I travelled or sailed to or just a feeling floating on our boat docked in a Turkish marina or just on anchor nearby a Greek taverna on a remote tiny island in the Mediterranean or Aegean Sea. It can be this artist as a little girl reading...

Attributed to Pietro Antonio Rotari (1707 - 1762), Italian painter of the Rococo era. His portraits, mostly of women, are renowned for being beautiful and realistic. The details and ...

Verdant oil landscape with textural impasto of a calm stream winding through the trees of a lush, green forest, by San Jose, CA artist Jules Jacques (American, 20th Century). Signed "Jaques" on verso on frame. Displayed in a rustic green wood frame. Jules Jaques painted ocean and forest...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...