Wood Paintings

Dan Flavin (Abstract Painting) Acrylics, resin, phosphorescence, on wooden board - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact abstract p...

framed 14.5 x 17. image 9.5 x 12 Signed verso Bruce Samuelson was born in Philadelphia and was educated at PAFA. He has taught painting and drawing at PAFA since 1973. Professor B...

A beautiful and early portrait of woman by well known italian master of the 20th century. Good conditions, it includes a contemporary gilded wooden frame. Certificate of authenticit...

An artwork filled with vibrant colour and painted with a free and expressive use of acrylic paint on canvas. ‘The air is chilled’ is very atmospheric and has a wonderful depth. It...

Almazan Realistic Still Life Acrylic Painting. framed of the Spanish artist ALMAZAN MIQUEL.

'He Knows' features the beautiful face of a boy with down syndrome encircled with lace and shrouded in dignified mystery. The small painting is 7 x 5 1/2 inches, framed 8 3/4 x 7 1/4...

Watch, 2017

This artwork embodies a profound sense of freedom in both exploration and expression. While creating it, my focus was on its aesthetic qualities. The harmonious arrangement of vibran...

Forbes Mill, Los Gatos - Historic Landscape in Acrylic on Masonite Idyllic California watermill landscape by Stella Leis (American, b. 1922). This autumn-themed painting depicts For...

Mountain Lion, oil, holographic foil, big cat, figurative, animal

A strong modernist oil painting depicted Circa 1960 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

Roshann's expressive needs initially impel him to adopt an informal language in its spatial aspect and the valuation of matter. After, he applies the collage, which has become almost...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Jill Opelka Abstract IV Oil on Canvas Year: 2023 Size: 20x20in Framed: 21x21x1.5in Signed by hand COA provided Ref.: 924802-2051 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Pink *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

This 5" hand-painted sculptural cube by Sofie Swann is made with acrylic paint and gesso on wood. It features a cool palette with a turquoise-green background and painted teal circul...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Ana Hefco's (US based) "Surrender" is an original, hand made mixed media painting that depicts an abstracted color field of blue, teal and swirling white, that is reminiscent of an a...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing co...

Kierstin Young's (US based) "Sol" is an oil painting that depicts a green Luna moth and a blue patterned background with organic designs Artist Statement/Bio: (b. The Year of the ...

Katrina Revenaugh Get Happy Diptych Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2018 Size: 24×20in (each) Overall Size: 24x40in (if hung horizontally) Signed: ...

This contemporary artwork features a profile of a Black woman on a vibrant pink background, blending elements of pop art, graffiti, and classical portraiture. The French inscription,...

Kathline Carr’s “Climbing the Fracture Zone” is a 40 x 30 inch abstract oil painting on canvas, painted with multiple layers of icy blues, whites and grays, overlaid with glazing med...

Katrina Revenaugh Efflorescence No. 1 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges Year: 2022 Size: 36×36in Signed: On...

Katrina Revenaugh Morning Glory Diptych Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges. Year: 2022 Size: 24×24in (each) ...

Katrina Revenaugh Wishing On Rainbows Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges Year: 2022 Size: 36×36 Signed: On V...

Katrina Revenaugh Get Happy No. 2 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2018 Size: 24×20in Signed: On Verso COA provided Ref.: 924802-1950 *on Birch Pan...

Katrina Revenaugh Day Dream No. 4 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2020 Size: 12×12in Signed: On Verso COA provided Ref.: 924802-1936 *on Birch Pa...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Santiago Fuente Bo pieces are exceptionally high in detail, but as well are playful and thought provoking. He is influenced with the ever-changing idea of what home means. His consta...

Geometric and gestural abstract painting on canvas in earth tones of green, beige, tan, green, light brown, and blue. Plan for Spring #1, by Jeanette Fintz in 2018 24 x 24 x 2 inches...

Ben Wilson Concert, ca. 1989 Oil on masonite board (Hand Signed by the artist; also bears the Estate Stamp) Boldly signed front and back, titled and dated on the back by Ben Wilson and also stamped on the back by the estate of Ben Wilson 42 × 48 inches Unframed This stunning painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. This work "Concert" - depicting instruments, in a light, lyrically abstract painting. Exquisite colors and subtle imagery. In 2017, he was the subject of a retrospective at the George Segal Gallery at Montclair State University from September 6 to November 4 and it was accompanied by a catalogue. About Ben Wilson: Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...

Tropical Fantasy Floral - Still Life Flowers Painting by Marc Zimmerman Oil on board Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsic...

"Unleashing the Inner Child" (rotating) Painting D 43" inch by Tasneem El-Meshad Medium: acrylic on wood (rotating) Academy of Fine Arts Cairo graduate Tasneem El Meshad describes ...

Santiago Fuente Bo pieces are exceptionally high in detail, but as well are playful and thought provoking. He is influenced with the ever-changing idea of what home means. His consta...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

A large & delightful oil on Masonite, ca. 1950s, Martha's Vineyard street scene painting by artist Francis Chapin. Image size: 24" x 36". Framed size: 27" x 37". In a painted woo...

Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic forms, from exotic plants and sea life to microscopic organisms. Combining...

This 4" hand-painted sculptural cube by Sofie Swann is made with acrylic paint and gesso on wood. It features a coastal blue and white palette, with an imperfect blue circular form o...

Santiago Fuente Bo pieces are exceptionally high in detail, but as well are playful and thought provoking. He is influenced with the ever-changing idea of what home means. His consta...

This unique piece is part of Natasha Lelenco’s Exchange Currency Series, crafted in 2024. Featuring a vibrant orange profile portrait on a treated wooden tondo, the artwork is accomp...

Signed lower right, 'Z. Kavin' for Zena Kavin (American, 1912-2003) and dated 1966. Born in Berkeley, California, Zena Kavin studied at the California School of Fine Arts in San Francisco and, privately, with Kravchenko in Moscow. She lived in Berkeley and in Oakland her entire life, except for four years spent in New Mexico in the late 1930s. In 1949, she married artist Jon Cornin and settled with him in Oakland. Under the peudonym Corka, the Cornins produced cartoons for the Saturday Evening Post and the New Yorker. Kavin worked in various media, including wood engraving, lithography and sculpture. She was a member of the San Francisco Artists Association and exhibited with them as well as at the San Francisco Museum of Art Inaugural (1935), the California–Pacific International Exposition, San Diego (1935), the Golden Gate International Exposition (1939). Her work is held in the permanent collections of the Davis Art Center, the New Mexico Museum of Art and the Oakland Museum of California. Reference: Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, page 610; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, page 1801; Mallett’s Index of Artists, Supplement, Daniel Trowbridge Mallett, Peter Smith...

Emerge V by Henry Walsh is an original acrylic painting on a 4cm deep canvas that features a supposed busy atmosphere of many people at leisure, but at the same time is sparse. Henry...

Provenance Consigned to the gallery by private collectors Description Sam Hyde Harris was a tremendous storyteller, a talent he successfully translate...

Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...

Contemporary abstract painting with collage, featuring found object scraps of maps, old stamps, and papers with Asian characters on wood panel by Bay Area artist Michael Pauker (Amer...

"Her Lament, Our Shame-Twice" (2024) by Fikriye Oz is an original, handmade oil painting on wood that depicts a close up portrait of a woman with water running down her face. Fikriy...

"Last Nights Dream" (2024) by Fikriye Oz is an original, handmade oil painting on wood that depicts a close up portrait of a woman with short black hair, wearing an adidas jacket. ...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

'Last Paradise II' from visual artist Stephanie Peek, who makes her home in California, is beautifully rendered with a sense of depth, intellect, timelessness and mystery. A light and elegant floral wonder in blush, cream, and blue grey, reflecting flora in still life. Peek has floated tulips, roses and other flowers from 17th century still life paintings through the dark smoky atmosphere of her paintings of night...

Keith Young For Big Mistakes Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 16x16x3in Signed by hand COA provided Ready to hang Ref.: 924802-1135 ------------...

Since 2008, Tina Bluefield has been drawn to the world of large-scale abstraction, exploring the relationship between color, form, and the natural landscapes that inspire her. She g...

Elegant nude by Spanish artist Diaz Cruz (Spanish, 20th Century). This modernist figurative depicts a reclining nude woman from behind. The figure resides in an abstracted minimalist...

"Abstract Melange II" Abstract Collage 35" x 29.5" inch by Neama El Sanhoury Fabric Collage on Cotton Mesh on Wood ARTIST BIO Neama El Sanhoury's upbringing in what she describes a...

Golden Hour at the Cottage - Original Landscape Oil Painting, Canvas on Masonite A sunlit cottage sits amongst evergreens and golden-leaved trees in a clearing. Warm hues contrast natural tones of green and blue in this calming landscape painting of the woods. Presented in a frame of the period with linen fillet, included as-is, showing wear consistent with age. Frame 14.5”H x 22.5”W Art 8”H x 16”W Genevieve Wilhelm (American, 1908-2005) was born in Cuyahoga Falls, Ohio, daughter of the late Arthur A. and Helen Shephard Billman. She was a graduate of Fine Arts from Ohio State University and attended DePauw University and Kent State University. She also studied ceramics at the Cleveland Institute of Art and Alfred University and was a student of watercolor with Roy Wilhelm...

This is acrylic, paint can stir stick, consumer packaging, fabric, wood, graphite, charcoal, sandpaper and sand.