1920s Portrait Paintings

This beautiful British Art Deco portrait oil painting is by noted artist Peter Leslie. Leslie was from an artistic family, his father being George Dunlop Leslie of Compton House and ...

NIELS HOLBAK (1884–1954) DENMARK Self Portrait signed lower right N Holbak numbered “61” in chalk on the reverse; with a handwritten label inscribed “Selvportræt” oil on panel unfr...

French Art Deco Portrait 1920s Oil Painting A captivating French Art Deco–era portrait, possibly portraying a dancer, silent film star, or flapper girl. Her striking dark eye makeup ...

This lovely British 1920's Art Deco vibrant portrait oil painting is by Charles A. Buchel. Painted in 1925 and signed and dated it is a seated portrait of a young woman, Mary Haggie,...

Edward Barnard Lintott (British, 1875-1951) Signed: E.B. Lintott, (upper, right) " Portrait of Lady Diana Cooper " circa 1925 (1892-1986) Oil on canvas 44 1/8" x 34" Housed in ...

Antique American oil painting portrait. Oil on board. Framed. Measuring: 22 by 28 inches overall, and 16 by 24 painting alone. Unsigned. Excellent condition, ready to hang and enjoy.

Celestine, 1920 Oil on canvas, 32 x 26 inches (81.3 x 66 cm) Framed dimensions: 41 x 35 inches Signed lower right: Robert Henri Inscribed on verso: 26 / L Robert Henri / Celestine P...

American artist Henry R Rittenberg painted this lovely 1920's Art Deco portrait oil painting. The painting is a standing half length portrait of a lady in a black coat with a white fur collar over a red dress and long beads. She has an elegant 1920's short bob hair style and a confident expression. The strong brushwork and range of tones within one colour are superb. A really striking Art Deco portrait oil painting. Signed upper left. Provenance. Dorset estate. Condition. Oil on canvas, 30 inches by 25 inches and in good condition. Frame. Housed in a fine James Bourlet panel silvered frame, 40 inches by 35 inches and in good condition. Henry R Rittenberg (1879-1969) was born in Libau, Latvia and later immigrated to the United States. He studied art at the Bavarian Academy in Germany, and by 1906, was in Philadelphia, where he attended the Pennsylvania Academy of Fine Art. Rittenberg painted landscapes and still lifes, yet his forte was portraiture. The artist was commissioned to paint a number of portraits of American dignitaries including Attorney General Homer Stille Cummings and a group portrait of President Harry S...

Vintage American modernist abstract landscape oil painting by Charles Courtney Curran (1861 - 1942) . Oil on canvas, lain to board. Framed. Measuring: 23 by 27 inches overall, and 18...

A fine 1920's oil on board portrait of a smartly dressed gentleman, close to the work of James Abbott McNeil Whistler. The work is indistinctly signed and dated 1924 lower right. P...

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

Original oil on canvas painting of a young woman in a pink hat by the well known American portrait artist, Lawton Silas Parker. Signed by the artist lower right. Circa 1920. Condit...

Antique American impressionist portrait oil painting. Oil on canvas. Signed. Framed. Measuring: 26 by 22 inches overall, and 20 by 16 painting alone. Excellent condition, ready to h...

Portrait of A Young Woman In A Hat From the artist estate, unsigned oil on canvas board, painting size 13x9in. Dewitt McClellan Lockman, N.A. (July 30, 1870-July 1, 1957). A native ...

This stunning much exhibited 1920's Scottish portrait oil painting is by noted Glasgow Girl artist Norah Nielson Gray. Painted circa 1923, the model for the painting was Rita McIlraith but the artist did not want to use her name in the title and it was called 'Exotic.' Norah Neilson Gray...

Dimension with frame :54 x 47 x 4 cm

Olga Nicolaevna Sacharoff (Tbilisi, Georgia, Russian Empire, May 28, 1881 - Barcelona, 1967) Portrait of Anna Akhmatova 1921 Oil on canvas 110 x 92 cm Provenance - Montserrat Is...

Gabrielle Rainer Istvanffy was a Hungarian painter of animal paintings. Her chosen subjects were mostly dogs and cats and mostly white and off-white breeds. This piece is a very pretty and cute painting...

Three Figures Impressionist Oil on Board From the artist estate, unsigned oil on board painting size 6x4in. Dewitt McClellan Lockman, ...

This lovely British Art Deco portrait oil painting is by noted portrait artist James Penniston Barraclough. It was painted in 1923 and is signed and dated lower right. The compositio...

This gorgeous large American Impressionist oil painting is attributed to Lillian M. Genth. She was a favourite pupil of Whistlers whilst at an art school in Paris. She is best known for depicting female forms or nymphs in landscapes such as this, up until about 1928 when she focused on other topics. She had an estate in Connecticutt and would often paint models in the woods there. Although not initially accepted by Victorian Society, In 1908 her painting, The Lark, won her the Shaw Memorial Prize at the 83rd Annual Exhibition of the National Academy of Design. The Lark depicts a full female nude strolling through the woods with her head turned looking toward the sky as if she just heard a lark, as the title suggests. This painting successfully demonstrates Whistler’s influence on Genth through the integration of the nude form and the landscape. Our lovely painting's composition is of a nymph seated in a tree playing pipes with a blue sky as background, while sheep graze beyond her in a landscape. The dappled sunlight on her skin and hair are beautiful. This is a superb example of work by a female American Impressionist in the 1920's and visually stunning. Unsigned. Provenance: Berkshire estate. Christies London Condition. Oil on canvas, image size is 50 inches by 37 inches and in good condition. Frame. House an ornate gilt frame. Framed size is 57 inches by 44 inches and in good condition. Lillian Mathilde Genth (1876 – March 28, 1953) was an American impressionist artist. She is best known for her depiction of female nudes in landscape settings. However, in the middle of her career she swore off painting female nudes and began painting more conservative paintings inspired by her travels. In about 30 years Genth appeared in 233 exhibitions, and while well renowned for her paintings while alive, her story and artwork have been lost in the retelling of American art history. Lillian Mathilde Genth was born in Philadelphia, Pennsylvania, the daughter of Matilda Caroline Rebscher and Samuel Adam. Genth began her art career by attending the Philadelphia School of Design for Women in Pennsylvania on scholarship. During her schooling years she worked to help support herself as a dress designer. At the Philadelphia School of Design for Women her primary teacher was Elliott Daingerfield. Daingerfield greatly influenced her style, which can be seen in the similar tonalist and coloristic qualities of her landscape scenes. Genth graduated from Philadelphia School of Design for Women in 1900. She received the William L. Elkins European fellowship for attainment in art from the Philadelphia School of Design, which sponsored her to paint in Europe for a year. During her time in Europe, Genth first settled in Paris, France in October 1900 where she enrolled in art classes at the Académie Carmen, an art school run by James McNeill Whistler. Whistler became a large influence on Genth’s work and she was known to be a favorite pupil of his. During one of Whistler’s visits to the school in 1900, he was so impressed by Genth’s work that he gave her a paint palette; an honor that she used and treasured for the rest of her career. This was an incredible compliment from Whistler, who rarely accepted women painters. Genth’s style is typically attributed to Whistler because of her paintings' tonalist qualities and because he taught her to see her paintings as a whole instead of in individual parts. After the Academie Carmen closed in 1901, Genth stayed in Europe for three more years. During this time she worked on painting landscapes, genre scenes, and waterfronts; her nudes would not begin for a few more years. In 1904 Genth returned to the United States and was living in New York City. It was at this point that her career began to flourish. In 1904 Genth showed at three exhibitions: the National Academy of Design, Art Club of Philadelphia, and Worcester Museum. In October of that same year she appeared in her first individual show at the Pennsylvania Academy of Fine Arts. Also in 1904 Genth received the Mary Shaw...

Torsten Schonberg (1882–1970) Sweden Portrait of Ingrid Schonberg signed oil on wood panel unframed 40 × 32 cm (15.7 × 12.6 in) framed 50 × 42 cm (19.7 × 16.5 in) Provenance: Priv...

Spanish Lady with Mantilla and Red Carnation Portrait Oil 1929 Artist: Daniel Sabater Salabert (Valencia, 1888 – Barcelona, 1951) Medium: Oil on panel Dimensions: 65 x 54 cm (25.6 x...

Elisabeth Dandelot (French, 1898-1995) Portrait of a Woman with a Pink Flower in her Hair Oil on board, framed in original period French frame Signed and dated 'E Dandelot 1928' lowe...

Signed upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...

A Striking 1920s Art Deco Modern Portrait of a Young Woman by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A well executed, early student work depicting a stylish youn...

Boris Deutsch (American Lithuanian Russian, 1892-1978) "The Flute Player," 1947 Oil paint on canvas, Hand signed and dated upper left, Provenance: gallery label (Pasadena Art Museu...

This superb Royal Academy Art Deco exhibited portrait oil painting is by artist Walter Westley Russell. It was painted in 1927 and exhibited the same year entitled Mrs Guy Houlder, p...

A signed and dated 1921 French antique military portrait by Paul Alexandre Alfred Leroy (1860–1942), this original oil on canvas combines a ...

A beautiful signed and dated 1927 oil on panel portrait of a young lady, by Belgian painter Victor Abeloos. Excellent quality Art Deco period portrait of the beautiful young lady wi...

There is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. Dean Cornwell in his day was as famous as Normal Rockwell...

Description Title: Portrait of a French Bulldog Materials: oil on canvas Signature: signed lower right Provenance: private collection Germany Dimensions canvas: 40 cm x 50 cm Framed...

This lovely portrait was painted circa 1920 by the noted British Impressionist portrait painter Walter Ernest Webster. This painting depicts a beautiful young woman in an Impressioni...

Maurice Milliere (1871-1946) An artist in his studio, signed lower right oil on canvas 46 x 27 cm framed : 52 x 33 cm It is particularly interesting to find Maurice Millière working in a genre very different from that for which he is best known: depictions of young Parisian women. This unique portrait shows Millière in a more original and intriguing light. It captures a painter in his studio, creating a scene with various details: canvases on the floor to the right, a stretcher frame on trestles and even shoes that must have been quite striking at the time. The painter appears to be taking a break to smoke and pose for Millière. There is a real sense of complicity between the two artists. At the same time, however, everything in this painting is carefully chosen and composed, such as the admirable red background against which the model stands out. Combining elements of both a portrait and a studio scene, the painter's intention was to create a unique piece that pays homage to the bond between the two artists. Maurice Georges Louis Millière was born in Le Havre in 187. He came from a working-class family in Le Havre; his father was a salesman for a merchant. Millière began by studying painting at the École des Beaux-Arts in Le Havre. He moved to Paris in 1889 and enrolled at the École des Arts Décoratifs, also attending certain workshops at the École des Beaux-Arts. His first notable graphic works were posters and sheet music for companies such as Le Boulch and Le Divan Japonais (1899). From 1917 onwards, he published large numbers of depictions of scantily clad women: first in Fantasio (1917), then in Bagatelles, La Vie parisienne, Le Frou-frou, Le Sourire, Le Gai-Paris, etc. At the end of 1920, he joined the République de Montmartre, a charitable association. Contemporary with those of Louis Icart, his “little women” were to enjoy great success outside France: during the 1920s, American periodicals reprinted his creations, as well as those of Suzanne Meunier and Georges Léonnec...

Hugo Scheiber (1873-1950) was a Hungarian painter of Jewish origins. He started as a self-taught artist. He was initially inspired by Impressionism before evolving towards Expression...

Laura Greenwood (1897-1951) Portrait of a Young Woman, ca. 1925 Oil on canvas, measuring 16 x 20 inches Signed lower right. Condition: the piece will require some minor conserva...

Old Master Fragment after Pietro Paolo Bonzi Italian Baroque Oil on Panel Portrait Artist: Anonymous, after Pietro Paolo Bonzi (1576–1636) Title: Old Master Fragment Study Period: c...

Painted circa 1920 by the noted British Impressionist portrait painter Walter Ernest Webster, this lovely oil painting depicts a beautiful young woman in an impressionist palette. Si...

A captivating tondo portrait by celebrated French pastellist Frédérique Vallet-Bisson, trained under Jules-Joseph Lefebvre at the Académie Julian and a regular exhibitor at the Paris Salon from 1890 to 1945. Described in 1909 as "one of the most celebrated pastellists of her time," Vallet-Bisson was renowned for her expressive and refined portrayals of women in the Belle Époque tradition. The composition depicts a young elegant woman in three-quarter view, wearing a dramatic wide-brimmed black hat with feathers and holding an abundant bouquet of white lilies against a luminous twilight landscape. Her academic training is evident in the precise draughtsmanship, while the atmospheric background reveals the Impressionist influences characteristic of her mature work. Presented in its original carved and gilded tondo frame...

Nice modernist portrait for sale here. Oil on board. Signed. Nicely framed. Image size, 9L x 10H.

This enigmatic portrait oil painting is by noted Slade School artist John Cecil Stephenson. In 1929, when Portrait of Elizabeth Allison was completed...

Signed lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A sub...

Original oil on canvas portrait of a French cavalier by the well known French/Belgian artist, Alex de Andreis. Signed lower right and dated 1924. Condition is very good. Original N...

4096 A 1920's oil painting on canvas of an elegant southern lady .Artist unknown. Unframed

Rural Catalan Peasant Portrait with Barretina Oil Painting Spanish Figurative Art Artist: Attributed to Lluís Graner i Arrufí (1863–1929) Title: Rural Catalan Peasant Portrait with ...

Man In Gray Expressionist Oil on Board Signed illegibly lower right corner, painting size 8.75x6in. about 1930's Dewitt McClellan Lockman, N.A. (July 30, 1870-July 1, 1957). A nativ...

Gene Pressler The Equestrian, circa 1925 Signed lower left Pastel on canvas 32 x 24 inches Gene Pressler was born in Jersey City, New Jersey, in 1893 or 1894, and lived in New Jers...

A fine, large-scale portrait of a Philadelphia lady, fabled soprano singer Florence Foster Jenkins, by Richard Langtry Partington (American, 19...

Lino Bianchi Barriviera (Montebelluna, 1906 – Rome, 1985), Self-Portrait Oil painting on pressed cardboard panel, measuring 42 x 35 cm. Source: Bruna Bianchi, the artist's sister. ...

Excellent figurative painting of a mother and child by H. Willard Ortlip (American, 20th Century), 1927. Signature and date lower left "H. Willard Ortlip 1927." Unframed Image 35"H x...

This superb British Impressionist portrait oil painting is by noted Suffolk female artist Rose Mead. Very Art Deco it was painted circa 1920. The sitter is Beatrice Gurney, a Norwi...

Really rare and well painted portrait by Christine Walters Martin (1895-1982). Oil on canvas. Framed in a nice modernist molding. Signed. Artist Bio: Christine Walters Martin (1895-1982) Born and raised in Brooklyn, Christine Martin majored in art at Columbia University/Teachers College. She spent summers painting at the Woodstock Art Colony under the tutelage of artists there and continued her art studies at the Art Student's League in New York City. Over the years, her teachers included John Sloan, Yasuo Kuniyoshi, Alexander Brook and John McFee. She also studied with Eugene Speicher, who recommended her for Portraits Inc, through which some of his own commissions came. Much later in life, in her 80s, Christine studied watercolor with Zoltan Szabo. Before marrying attorney George Martin in 1923, she taught art in the New York public schools for several years. During summers in the late 1920s, after having two daughters (Cynthia, 1924-2008, and Joan, 1927-2000), she went to Woodstock with her girls in tow, staying at the Hasbrook farm. In 1930, she and her husband purchased a stone house on Ohayo Mountain Road and lived there seasonally for 25 years. Among her closest artist friends in Woodstock were Emil Ganso, Florence Hardiman, Albert Heckman, Peggy Dodds, Joe Rollo, Henry Mattson, Mary Ellen Early, and Maud and Miska Petersham, along with Juliana Force (Whitney Museum). During many summers in Woodstock, Christine's daughters Cynthia and Joan kept up their serious piano studies under the tutelage of Vladimir Padwa and Inez Carroll. Known for portraits and landscapes, she was a member of the National Association of Women Artists and the National Arts Club, Gramercy Park, NY. Her work showed at the National Arts Club, Weyhe and Preston Galleries and the National Academy of Design in New York; the Pennsylvania Academy in Philadelphia; the Woodstock Art Association and Rudolf Galleries in Woodstock, Vermont's Dawson Grist Mill Gallery, and South Hampton College, among others. Her portraits, landscapes and still lives hang in hundreds of homes around the world. Information provided by Bunny McBride...

On offer is a captivating portrait of a young girl in profile identified as a "Dutch Girl" not only by the title but also its "old master” style reminiscent of older Dutch painting...

Work on wood

Artist Edward Cucuel and his wife Clara Lotte von Marcard spent their first two decades together in Germany, mostly in a villa on Lake Ammersee in Holzhausen near Munich. It is the works created in this period, mainly outdoor scenes of young women in fashionable attire of the day, that are most collected and appreciated among his works. It’s easy to see why- they capture an elegance and sense of calm and easy leisure- of long days in gardens or by the water.  This is one of those captured moments with a well-dressed woman watching the sailing yacht...

There is no one alive who can paint and draw like Dean Cornwell. How can that be? They do not train artists the way they did. He was Norman Rockwell's favorite illustrator. The prese...

B. Zickler Msrienbad (Marienbad?), c. 1920s Oil on wood panel 13 1/4 x 10 1/4 in. Framed: 17 x 14 x 1 in. This painting was likely executed by a German artist, who is only known to ...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Léa Lafugie (1890–1972) was a painter who traveled extensively across Asia. She was renowned for her portraits. She studied at the School of Decorative Arts, followed by the École de...

Louise H. "Louie" Burrell (née Luker 1873 – 1971) was an English-born artist who also lived in Canada and the United States. The daughter of William and Ada Luker, both artists, Bur...