Fauvist Paintings

Acquiring a mid-20th-century Fauvist painting by Wilhelm Henning is an opportunity to own a piece of art that captures the vibrant spirit and expressive color palette of the Fauvist ...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

The third work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were prese...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Title: Promenade in Sant Feliu de Guíxols Artist: Josep Amat Pagès (Barcelona, 1901 – 1991) Technique: Oil on canvas Dimensions: 50 x 65 cm (approximately 19.7 x 25.6 in) Support...

In "Quiet Conversation", French artist Natalya Mougenot revisits the still life genre with a bold and expressive language. The composition presents a simple domestic scene: a table s...

This vibrant artwork exuberantly captures a flourishing garden of lilies, their petals painted in shades of yellow, pink, and red. The dynamic brushstrokes create a lively texture, g...

Vivid abstracted landscape in vibrant fauvist hues of birch trees in green field by Libby Beth Seligman (American, b. 1958), 1977. Signed and dated lower right corner. Presented in...

Artist: Charles Cobelle, French (1902 - 1994) Title: View of Paris 19 Year: circa 1958 Medium: Acrylic on Canvas, signed Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 27.5 x ...

French artist Natalya Mougenot continues her ongoing series dedicated to women, where she explores resilience, transformation, and the complexity of feminine strength. Each portrait ...

Portrait of a Lady French School, fauvist style indistinctly signed circa 1920's period oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection condition: very ...

Spanish Fauvist Figurative Painting of a Woman with Fan, Mediterranean Interior Artist: Jordi Curós Ventura (1930–2017) Year: 1979 Medium: Mixed media on canvas board Dimensions: 38...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

"Anthuriums and Poppies" is an illustration style painting of exotic flowers bouquet. Red flowers, expressionist gestures, and intricate textures come together in this artwork to cr...

Colorful Fauvist Woman with Guitar Mixed Media Painting, Spanish Figurative Portrait Artist: Jordi Curós Ventura (1930-2007) Title: Woman with Guitar Date: c.1985 Medium: Mixed medi...

Signed fauvist oil on canvas laid on board landscape by French post impressionist painter Robert Antoine Pinchon. This piece depicts a garden in bloom in summer. Signature: Signed l...

The French Market by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good and sound condition

A vibrant landscape by French artist Charles Cobelle. Signed lower right Rainy Parisian Day Charles Cobelle, French (1902–1994) Date: Circa 1960 Acrylic on Canvas, signed l.r. Size:...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

This woodcut black and white is part of my private collection. It is in very good condition. It is artists signed in the lower right and numbered o the left. Atelier Othon-Friesz

This modern expressionist woman’s portrait, with elements of Fauvism and abstract art, was created by French artist Natalya Mougenot as part of her ongoing series dedicated to women....

Frederic Cabanas (1954) - Pitussi - Oil on canvas Oil measurements 92x65 cm. Without frame. ​ Frederic Cabanas Multifaceted artist, painter, sculptor, musician, photographer, wr...

This French contemporary still life, “The Tea Time Sonata,” by artist Natalya Mougenot, is a vibrant colorful painting in large format that captures the poetry of everyday life throu...

This original oil painting on linen is by French contemporary artist Sophie Dumont, whose abstract landscapes and rhythmic compositions are widely collected and exhibited. Her work i...

Rue Parisienne en Automne Charles Levier, French (1920–2003) Circa 1960 Watercolor on Paper, signed l.r. Image Size: 18 x 23 inches Size: 22 x 30 in. (55.88 x 76.2 cm)

Still Life by M. Peiffer, French 1940's signed and dated 1946 oil on canvas, framed framed: 26 x 30 inches canvas: 24 x 28 inches Provenance: private collection, Paris Condition: ve...

"Blooms of Summer" is a contemporary abstract expressionist floral painting by French artist Natalya Mougenot. This vibrant acrylic painting on paper belongs to her ongoing expressiv...

Modern Contemporary Fauvist Autumnal Landscape by Michael William Eggleston Stunning contemporary fauvist autumnal oil painting landscape by San Francisco artist Michael William Egg...

La obra va firmada por el artista en la parte inferior y fechada del año 1971 El estado de conservación es bueno Se presenta sin enmarcar la obra Medidas de la obra: 73 cm. de alt...

Valeri Farràs (L’Estany, 1950) Mediterranean Landscape with Path and Houses Medium: Oil on canvas Dimensions: 38 × 46 cm (approx. 15.0 × 18.1 in) Framing: Unframed Signature: Hand-...

Artist/ School: French School, circa 1930's Title: The Chateau Gardens Medium: oil painting on board, unframed, board: 15 x 18 inches Provenance: private collection, France Con...

This contemporary abstract expressionist woman’s portrait was created by French artist Natalya Mougenot and forms part of her ongoing series dedicated to women. In this body of work,...

Mieczyslaw Lurczynski (1908-1992). Pont Neuf/ Landscape. Double-sided canvas measures 10.5 x 13.75 inches. Canvas is a gessoed panel, unstretched. Signed lower right.

French artist Natalya Mougenot continues her ongoing series dedicated to women, a body of work that celebrates resilience, transformation, and the enduring force of the feminine spir...

Abstract Mediterranean Scene Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 10.5 x 7 inches Suzanne Vattier (1901-1996) was a pupil of the famous p...

Impressive early American modernist street scene oil painting. Framed. Oil on canvas. Very finely painted with excellent color and composition. Ready to hang.

Georges Charles Dufresne Millemont 1876 – 1936 La Seyne-sur-Mer French Painter 'Le Jugement de Pâris – The Judgment of Paris' Signature: signed lower right 'dufresne' Medium: oil o...

Title: Paseo de Sitges Artist: Jordi Curós Ventura (1930–2017) Medium: Oil on canvas Dimensions: 23.6 x 28.7 in Signature: Signed in the lower righ...

Oil on card view of the Loire valley in France and one of its islands by Jacques Buecher. The painting is signed and titled to the back of the board. A very charming view of this ic...

Signed fauvist oil on panel seascape circa 1900 by French painter Louis Valtat. This stunning piece depicts a view of large waves crashing against large rocks at Agay on the Cote d'A...

"Bottle Collection I" is a modern still-life that portrays a collection of bottles and china items that are arranged in a harmonious composition ag...

Fauvist Portrait of Elegant Woman in White Dress Spanish Modernist Oil Artist: Ignasi Mundó Marcet (1918-2012) Medium: Oil on canvas Dimensions: 73 × 60 cm (28.7 × 23.6 in) Frame: 7...

Woman with Guitar in Vibrant Fauvist Interior, Spanish Figurative Mixed Media Artwork Artist: Jordi Curós Ventura (1930-2007) Title: Woman with Guitar Date: c.1985 Medium: Mixed med...

Artist: Charles Cobelle, French (1902 - 1994) Title: Notre Dame and Bridges Year: circa 1960 Medium: Acrylic on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame: 29.5 x ...

Barcelona Flower Market Las Ramblas Oil Painting Mediterranean Street Scene TECHNICAL DETAILS Artist: Jordi Curós Ventura (1930–2007, Spain) Title: Bulev...

Vintage Israeli American modernist oil painting. Oil on board. Signed. Framed. Measuring 17 by 23 inches overall and 12.25 by 18.75 painting alone.

Abstract Coastal Composition Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 7 x 10.5 inches Suzanne Vattier (1901-1996) was a pupil of the famous p...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Artist: Charles Cobelle, French (1902 - 1994) Title: Town Year: circa 1966 Medium: Acrylic on Canvas, signed l.r. Size: 20 x 24 in. (50.8 x 60.96 cm) Frame: 28 x 31 inches

Signed fauvist oil on canvas landscape by French painter Louis Valtat. The work depicts a field of poppies. Signature: Signed lower right Dimensions: Framed: 22"x26" Unframed: 14"x...

Paul Charlot ( French, 1906- 1985) was a French painter and printmaker influenced by the intense use of colors in Fauvism and the whimsical biomorphic abs...

Alai Ganuza’s “Crispy Eggs” is a captivating round oil and acrylic still life painting on a solid birch wooden panel, created in 2025. Measuring approximately 19.69 cm in diameter (7...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

MANE-KATZ RABBIS, c. 1935 Oil on canvas 18 H. x 14 W. 1/2 in. (45.5 x 35.8 cm.) Signed PROVENANCE Dominion Gallery, Montreal Christies, New York, November 04, 1982. Lot 177: $11,000 Private Collection, New Jersey, 1982-2021 Estate of the above, 2021. Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and became an early 20th-century artist, known especially for portraits and paintings with Jewish themes. From childhood, he had been influenced by stories of Jewish mysticism, which was reflected in his paintings. He had a peripatetic life between Russia, France, Israel, and America. He first studied art in Kiev at the Beaux Arts Academy, and in 1913, went to Paris where he associated with Chaim Soutine and Marc Chagall and continued his art studies there at the Beaux Arts Academy. During World War I, he tried to join the Foreign Legion but was rejected because he was too short. He went back in Russia again, this time joining the Soviet Revolution but rejected the cause because he was so horrified by Josef Stalin. He worked briefly for the Russian ballets, and in 1921, he returned to Paris where in 1927 he took French citizenship. For the next twelve years, he traveled widely, showing his art work and doing many paintings. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 35x27 cm. Frame 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spani...

View Of The Haifa Coast Canvas 30x36 inches, 22K gold leaf Motyka frame 39x45 inches, artist signed lower left corner.. One of Sobel best and also early landscape painting, painted...

Vintage Israeli American modernist oil painting. Oil on board. Signed. Framed. Measuring 26 by 30 inches overall and 16 by 21 painting alone.

Fun and colorful contemporary Fauvist interior scene of a black cat lounging on a red couch in a brightly hued room in primary colors, by Jonathan Taylor (American, b.1966). Signed "J. Taylor" in bottom right. Displayed in a giltwood frame. Illustration board size: 16" H X 20" W. Artist Jonathan Taylor was born in 1966 and was raised in Bar Harbor Maine...

Pointillist oil on canvas landscape circa 1906 by French Nabis painter Georges Lacombe. This beautiful piece depicts a forest with tree trunks covered in thick green moss and orange ...