Fauvist Paintings

Gorgeous fauvist portrait of man, in a vivd and expressive colorful palette, titled "Ogden" by Henri O’Connor (American, b. 1921), 1996. Signed and dated lower right corner and on verso. Condition: Professionally cleaned and restored three tears and inpainting. Presented in black painted wood frame. Image size: 16"H x 20"W. Framed size: 21.75"H x 17.75"W. Henri O’Connor, the son of an American father and a French mother was born in 1921 and grew up in Nantes, France. He attended the Ecole des Beaux Arts in Nantes and in the late 1930s, studied at the Beaux Arts, the Atelier de la Grande Chaumiere and the Academie de l’Arts et Publicite in Paris “He was basically one degree removed from all of the great masters of the turn of the century,” David Deitch, a freelance art curator in New York, says of O’Connor’s education. “His teachers were associates of Matisse, Derain — all of the big players at the time.” The curator says that the influences of O’Connor’s teachers, which reflect the Fauvist style in vogue at the time, is apparent in his paintings, particularly some of his later work. O’Connor and his parents and siblings left Europe at the beginning of World War II and moved to the United States, eventually settling in Sacramento, where O’Connor’s father had relatives. O’Connor was offered a job teaching art at the Sacramento Art...

Nude abstract by Louis Nadalini (American, 1927-1995). Signed "Louis Nadalini" and dated "1988" lower right. Signed and dated on verso. Unframed. Louis Nadalini (American, 1927 - 1...

Contemporary Large-Scale Cubist Figurative Abstract Lavender Interior Scene Bursting with bright colors and whimsical energy, this contemporary figurative abstract painting by San ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Therese James’ "Fun of the Fair" invites viewers into a vibran...

Substantial and period mid century modernist impasto still life of a basket of fruit upon a table by Monterey, California artist T. Brown (American, 20th Century). This bold still-li...

"Touching" is a remarkable oil painting on canvas measuring 18" tall by 14" wide. For all it's modest size, it throws several punches above its weight. The title Touching could be a ...

Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Republican art school by Taras Shevchenko,...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In her captivating piece When the Day is Over, Therese James m...

Welcome to Heritage, our carefully curated collection of French vintage and antique paintings. We scour the flea markets and fairs for these gems: poignant portraits of long-gone Me...

Genre: Impressionist Subject: People Medium: Oil Surface: Canvas Hand signed lower right Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Vienna, and Munich. During World War I, Serger joined the Austrian Army...

Bowl of Irises, 1935, by Emmanuel Mané-Katz (1894-1962) Oil on canvas 24 x 20 inches unframed(60.96 x 50.8 cm) 33 ½ x 29 ½ inches framed (85.09 x 74.93 cm) Signed on bottom right De...

A narrative landscape, suggesting a collision of art, history, and phantasm. Oil paint, collage, mixed media on panel. references Guggenheim, Roman colosseum

Lesley Anne Spowart (American, born 1957) "Flowers" 2016 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right and back of the painting. In "Flowers", Lesley Anne Spo...

Huile sur toile de Joelle Gainon, encadré 70cm x82 cm

The first work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were presen...

Betsy Podlach (Americam, 1964) 'The Couple and the Bunny' 2024 Oil paint, canvas, stretcher bars The artist signed the back of the painting. Betsy Podlach's 'The Couple and the Bunn...

Rue Parisienne en Automne Charles Levier, French (1920–2003) Circa 1960 Watercolor on Paper, signed l.r. Image Size: 18 x 23 inches Size: 22 x 30 in. (55.88 x 76.2 cm)

Yoshio Aoyama (Japanese, 1894-1996) "Nature Morte". Oil on canvas. 1981. Signed 'Aoyama' (upper left). Signed and titled 'Nature Morte' verso. 15" x 18" ...

Como pueden apreciar, la obra va firmada en la parte inferior y fechada del año 1960 Se presenta sin enmarcar la obra El estado de la obra es aceptable Medidas obra: 100 cm. de al...

Paul Greene (1925 - 2020) Berkshire Hills Landscape, Massachusetts Oil on canvas 50 x 97 inches Signed lower right Provenance: Private Collection, Great Barrington...

Artist: Charles Levier, French (1920 - 2003) Title: Paris Street Scene Year: circa 1960 Medium: Watercolor, signed l.l. Size: 22 x 30 in. (55.88 x 76.2 cm)

"Bottle Collection I" is a modern still-life that portrays a collection of bottles and china items that are arranged in a harmonious composition ag...

Still life with apples 1961. Canvas, oil, 50x70 cm Published at book Biruta baumane on 78 page "Still Life with Apples" is a stylized still life pain...

Albert Marquet was a French painter. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. Marquet subsequently painted in a more naturalistic style, ...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

Artist: Roger Etienne, French/American (1922 - ) Title: Portrait of a Girl Year: 1949 Medium: Gouache On Paper, signed and dated Size: 20 x 16 in. (50.8 x 40.64 cm) Frame Size: 29 x ...

Artist: Charles Cobelle, French (1902 - 1994) Title: View of Paris 19 Year: circa 1958 Medium: Acrylic on Canvas, signed Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 27.5 x ...

Betsy Podlach (American, born 1964) "Self Portrait with Red Lips" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Betsy Podlach ...

Jordi Curos - Young woman - Watercolor Watercolor measurements 40x32 cm. Frame measurements 54x46 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He tra...

By Gustav Likan The only known portrait of Gustav Likan's wife Barbara. 16" x 9.25" Oil on Canvas Framed Size: 22" x 15" 1982

Artist: Charles Cobelle Title: Plaza Year: circa 1959 Medium: Acrylic on paper, Signed lower right Image Size: 22 x 30 inches Frame Size: 28 x 36 inches

Genre: Modern Subject: Jewish Elder , Judaic Prayer Surface: Board Country: United States signed lower left Donald Roy Purdy is an American painter whose work evolved through a rang...

Artist/ School: European School, circa 1920's-1930's period, indistinctly signed lower left corner. Title: Portrait of a young Gentleman, with a beard. The work is largely Fauvist i...

Oil on canvas, excellent state

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 10 x 13 inches Fabulous 1970s abstract goauche painting. The colours used i...

'Abstract Figure' Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 9.75 x 12.5 inches Fabulous 1970s abstract goauche painting. The colours used in t...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 19.75 x 25.75 inches Fabulous 1970s abstract goauche painting. The colours...

In the market square. cardboard, oil, 41x81 cm Biruta Baumane (1922-2017) Born in Kalnamuizha in Tervetes school, in the teachers family. Since 1941, she studied at the Latvian State Academy of Arts, where she graduated painting department in 1948. In 1951 married with sculptor Karlis Baumanis. Daughter Laine Kainaze also is an artist. Since 1959, member of the Union of Artists, Biruta repeatedly was a manager of the union. In 1986 she became the honored worker of arts of the Latvian SSR. She has been involved in television and radio programs, movies, and has published articles in periodicals. In 1976 she received a diploma of the Union of Latvian SSR for the best creative work. One of the most important Latvian artists...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Sunset Sail Oil on canvas Hand signed lower right and verso 22 x 20 inches Provenance: The Estate of the artist Ralph Della Volpe TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. SOLO SHOWS: Hotchkiss Library, Sharon, Conn Millbrook Library, Millbrook,NY Gregory James Gallery...

Grand Palace. Paris. Oil on canvas, 50x60 cm Paris Landscape. View on bridge and Grand Palace. Bright landscape in blue colors

Genre: Modern Subject: Figures Medium: Oil Surface: Board Country: United States signed lower left Donald Roy Purdy is an American painter whose work evolved through a range of styl...

Betsy Podlach (American, born 1964) "Beach Day" 2010 Oil Paint, Linen, Stretcher Bars The artist signed the back of the painting. "Beach Day" by Betsy Podlach captures the serene introspection of a day spent by the shore. In this 45" x 38" oil on linen, the fauvist influences are clear, as Podlach forgoes strict realism to emphasize the emotional resonance of the moment. The subject, adorned in black swimwear...

Elsie Palmer Payne was an American Female artist who, in her youth, made several trips to Europe. This French market scene is characterized by a Fau...

Genre: Modern Subject: Figures Medium: Oil Surface: Board Country: United States Dimensions w/Frame: 31 x 37 Donald Roy Purdy is an American painter whose work evolved through a ran...

Sunset in Paris. 2006, oil on cardboard, 33x45,8 cm Paris evening cityscape. View on the bridge. Colorful painting with yellow-pink sun, dominant color blue-lilac

From The British mandate Pre State of Israel Palestine Period. Eliahu Sigad (Eliyahu Sigard), painter, born 1901, Lithuania. Founder of Israeli Painters' Association. Educated in Europe. Prizes in Israel, Exhibitions in Israel and various countries of the world. Died 1975. Education Riga, architecture and drawing Colarossi Academy, Paris, France 1930 Grande Chaumiere, Paris, France Awards And Prizes 1938 Dizengoff Prize 1945-46, Dizengoff Prize 1945 Ramat Gan...

Georges Charles Dufresne Millemont 1876 – 1936 La Seyne-sur-Mer French Painter 'Le Jugement de Pâris – The Judgment of Paris' Signature: signed lower right 'dufresne' Medium: oil o...

Vibrant Landscape With Mountains View Size: 24x30 framed 30x36 x1 Judith Sobel was born in Lwow Poland in 1924. After Word War II, she attended the Acade...

Paris. Oil on cardboard, 42,4x64 cm Paris landscape. View on the river from the top. Colorful painting with yellow-orange trees, dominant color blue

Betsy Podlach (American, born 1964) "Self-Portrait with Pink Hat" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Betsy Podlach ...

Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Republican art school by Taras Shevchenko,...

Betsy Podlach (American, born 1964) "Young Woman with Birds" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Betsy Podlach is a ...

Red Flowers By The Window Singed lower right canvas 30x24 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fi...

In Mashian’s "Awaken 2," a woman's face bursts forth with vibrant shades of yellow, green, orange, and blue, engaging the viewer with wide-open eyes that pierce through the canvas. H...

Gouache and acrylic on yupo. Artwork is 12 x 9 in., framed it is 15 x 12 in.

Acrylic on canvas

Acrylic on canvas.

Acrylic on canvas.

A dynamic but lyrical depiction of trees in colorful saturated hues, they dance fluidity in tones of orange, blue and red. My work is a serpentine flow, embodying poetic and rhythmi...