Post-Impressionist Paintings

Title: Original Oil Abstract Still Life with Cheese Slices and Knife Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 9.5 (height) x 13.25 (width), (Includin...

Olof Arborelius (1842-1915) Sweden Landscape, likely from the Uddevalla area oil on canvas signed O.Arb.s  unframed: 25 x 35 cm (9 7/8 x 13 3/4 in) framed: 43.5 x 53 cm (17 1/8 x 2...

Gaston Sebire (1920-2001) Vue de Rouen Oil on canvas Size : 65 x 81 cm Signed lower right Provenance : Private Collection, France Very good condition. Original canvas. Frame included...

Title: Mid-20th Century Post-Impressionist Pastel Landscape with Cows Grazing by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 6.25 inches (heig...

Provence Lavender Fields French School, second half 20th century indistinctly signed oil on board, unframed board: 21.5 x 29 inches provenance: priv...

A woman sits in silence, observing. In the distance before her, a crystal castle shines. This gaze into silence opens a space where illusions melt, and from them clarity is born. In ...

Ramon Pichot i Soler (Figueres, 1924 – Barcelona, 1996) Title: Young Woman with Flowers Technique: Oil on canvas Dimensions: 100 × 81 cm — 39.4 × 31.9 in Signature: Signed lower lef...

Sunlit Path Through a Verdant Park by Regine David (female French artist, 1910-2018) pastel painting on artist paper painting: 10 x 13 inches condition: This painting is in excellent...

Signed and dated nude oil on panel by French post impressionist painter Paul Elie Gernez. The work depicts a brunette nude relaxing on a fur rug, her ...

Title: Landscape with Figures Artist: Sebastià Congost i Pla (1919-2009) Technique: Oil on panel Dimensions: 13 x 16 in (without frame) / 17.7 x 20.9 in (with frame) Signature: Signe...

A beautiful post-impressionist rendering of Le Madeleine, in the background and a bustling Paris in the foreground. Signed lower left, C. 1960 Original French Impressionist frame, me...

Original acrylic on wood panel

ARTIST: Tom Coates NEAC RBA RI RWS (1941-2023) British TITLE: "Paris Flower Market" MEDIUM: oil on board SIZE: 52cm x 42cm incl frame CONDITION: very good NOTES: Artist in oil, wa...

Castle on the Hill by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 21 x 26 inches Provenance: all the paintings we have by this artist have come from the artist...

View of Bou°_Sada. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. J...

"Portese" is a 40x30 cm oil painting sketch. With rich brushstrokes and a light, almost shining palette of colors, the artist conveys the peaceful atmosphere of a small Italian town...

Rafael Duran Benet (1931-2015) - Lovers - Oil on canvas on board Oil measurements 38x46 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, ne...

This captivating painting features a reclining nude woman set against a beautifully intricate, floral-patterned backdrop. The composition skillfully merges the softness of the human ...

“Seine Under the Morning Snow (Seine Sous la Neige du Matin)” Raymond Thibesart (1874-1968) Oil on canvas 70 x 31 ½ (36 ½ x 74 ½ frame size) inches Signed lower left The morning mis...

The painting was painted in acrylic on canvas in 2009 when artist Anna Shesterikova traveled to beautiful Prague. The spring streets of the Old Town inspired her to create a whole se...

Landscape Oil Painting, French Art, Mid-Century Art, Wall Art, Vintage Décor, Vintage art, Pastoral Landscape, Countryside painting, Vintage Painting, Original oil painting, French d...

Banks of the Seine, Vernon (near Giverny, Normandy) French School, signed and dated 1991 oil on canvas, framed framed: 24.5 x 27.5 inches canvas : 18 x 21 inches Provenance: private ...

Robert Antoine PINCHON (1886–1943) Bord de Seine, automnale Oil on canvas. Dimensions without frame: 27 × 35 cm Dimensions with frame: 45 x 53 cm Unsigned Provenance: Private collect...

La Place des Vosges, Paris Avery thicklynpainted impasto oil of this famous landmark square in Paris by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canv...

Parisian Street Scene signed by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 20 x 12.5 inches inscribed verso condition: This pa...

Rustic Village Landscape by Max Toutain (1935-2006) oil painting on board, unframed board : 29 x 37 inches Provenance: all the paintings we have by this artist have come from the art...

Abstract by Édouard Righetti (1924-2001) Signed lower front oil painting on canvas, beautifully painted with thick impasto oil and bold colors. very good condition size: 21 inches x 25.5 inches provenance: all the paintings we have for sale by this artist have come from the artists estate in France. Biography Edouard Righetti : Born July 14, 1924 in Menton (Alpes-Maritimes). Died in Paris in December 2001. 20th century. French. Engraver, painter and draftsman of compositions with characters, figures, landscapes, urban landscapes, seascapes, interiors, still lifes, animals, flowers. Édouard Righetti began by taking courses at the École des Beaux-Arts in Montpellier. He then continued his training at the School of Decorative Arts in Nice. In 1949, he met the engraver Edouard Goerg and was admitted to the Ecole des Beaux-Arts in Paris in his studio until 1954. There he learned to work with copper, aquatint, etching. at the waist, the drypoint. In 1953 he made a trip to Rome, Florence and Pisa. In 1956 he obtained a two-year scholarship to Casa Velasquez (Madrid). He participates in group exhibitions, among which: 1953, 40,000 years of Modern Art, Paris; 1958,1959, 1961, 1962, 1963, 1964, 1965, Salon Le Trait; 1959, Galerie Greuze, Paris; 1964, Musée des Beaux-Arts, Tours, as well as at the Salon Pointe et Burin and at the Biennale de Paris. He shows his works in personal exhibitions, including: 1951, Menton; 1953, Galerie Eliane Norbert, Paris; 1961, Galerie Bonaparte, Paris; 1963, 1964, Le Nouvel Essor gallery, Paris; 1965, Galerie Bernier, Paris; 1965, Galerie La Gravure, Pully-Lausanne; 1979, retrospective, Palais de l'Europe, Menton; 1985, Bernheim-Guiot gallery, Paris. He moved to his studio on rue Léon-Dierx in 1964. Righetti's first engravings were still lifes and biblical scenes. He also engraved the sadness of the suburbs, melancholy portraits, and several medals for the Monnaie de Paris. The Department of Prints and Photography of the National Library of France keeps more than 200 of his works. He had been married to the artist Andrée Saunier...

Spring Flower is a vibrant depiction of a pink roses bouquet surrounded by colorful tree branches. Comes unframed and ready to hang.

A woman stands on a high sea cliff, watching a distant ship with red sails. She is surrounded by space and the silence of waves. And I feel that the light was once with me, but then ...

"The painting was created after a hike in the mountains to the famous Swiss Fälensee." said Anna Shesterikova about this artwork. "The beautiful clear water reflects all the beauty o...

The Old Village English School, circa 1931 signed oil on board, framed dated 1931 framed: 15 x 12.5 inches board: 12.5 x 10 inches Provenance: private collection, England Condition: ...

Charming Garden Path Mid 20th Century signed by Regine David (French mid 20th century, female) oil on canvas, framed framed: 21 x 25 inches canvas: 19.5 x 24.5 inches Provenance: private collection, Paris Condition: very good condition Description: This vibrant oil painting by Régine...

Signed landscape oil on canvas circa 1910 by French post impressionist painter Leon Detroy. This work is painted in a divisionist style and depicts a view of gondolas on the canal in...

This painting depicts a whimsical portrait of a young girl with short brown hair against a light green background and she wears a blue dress. An emotion is felt with in her face. The...

Paul Deltombe (French, 1878 – 1978) Allegorie des recoltes Oil on canvas Signed ‘Deltombe’ (lower right) 68 x 38.3/8in. (172.8 x 97.5cm.) This monumental canvas by Paul Deltombe pre...

Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 24 x 28 inches Provenance: all the paintings we have by this artist have come from the artists estate in...

In this impressionistic oil painting, I've embraced the quiet solitude of winter. Through textured brushstrokes, I capture the stillness of snow-l...

Charming Stable Scene by Jean Dreyfus-stern (1890-1969) signed verso oil on board, unframed Board : 7.5 x 9.5 inches Provenance: private collection, Paris Condition: very good condit...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Still Life Oil and graphite on paper Signed lower left 12.25 x 1...

Les Baigneuses by Paulémile Pissarro (1884-1972) Oil on canvas 54 x 73 cm (21 ¹/₄ x 28 ³/₄ inches) Signed lower left, Paulémile. Pissarro. Titled and dated on the reverse Executed in...

EDOUARD LÉON CORTÈS French, 1882 - 1969 NOTRE-DAME VIEW FROM THE QUAYS signed "EDOUARD CORTÈS." (lower right); inscribed "6728" au crayon bleu et cachet "...

Title: French Mid-Century Ink and Wash Drawing of Parisian Boulevard and Rooftops by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed pap...

Rafael Duran Benet (1931-2015) - Campos de Jaén - Oil on canvas cardboard Oil measurements 33x41 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan pa...

Technical Sheet - Title: Still Life - Artist: Romualdo Fernández Barrera (1933-2022) - Medium: Oil on canvas - Dimensions: 27.5 x 39.4 inches - Style: Post-Impressionism - ...

Betsy Podlach (American, born 1964) "Young Man in Repose" 2009 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. "Young Man in Repose" is a captivating p...

Blossoming Trees by Regine David (female French artist, 1910-2018) oil painting on board, unframed board: 13 x 16 inches inscribed verso condition: This painting is in excellent cond...

Paris by Jozef Popczyk, Polish 1890 - 1971 signed oil on board, framed framed: 7 x 8.25 inches board: 5.5 x 7 inches Provenance: private collection, Paris Condition: very good condi...

"Blue Sky" captures the vibrant colors of summer wetlands in post-impressionist style. The dynamic blue and pink tones evoke warmth and natural beauty, making it a striking addition ...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The old Provencal village lane, with red roofs and pale gr...

Title: Mid-Century French Pastel Beach Scene With Seated Woman Knitting and Parasols by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 14.5 inche...

Signed lower right, "Valeur" for Mogens Valeur (Danish, 1927-1999) and dated 1963. A vibrant, Post-Impressionist seascape showing green breakers rolling in towards a sandy shore ben...

Orlando Greenwood (1892-1989). The Conclave, ca. 1940. Oil on canvas, 26 x 30 inches; 34 x 38 inches framed. Estate sale stamp on verso. Last photo in listing is an example of Chri...

Signed post impressionist figures in landscape oil on panel circa 1910 by French painter Eugene Henri Alexandre Chigot. The work depicts a mother and child outside a thatched cottage beside a pond. In the centre of the painting is an apple tree in blossom - beautifully painted in pinks, blues and greens. Signature: Signed lower right Dimensions: Framed: 19"x22.5" Unframed: 12.5"x16" Provenance: Private French collection A pupil of his father Alphonse Chigot, Eugène Chigot...

This artwork presents a striking blend of figure and pattern. A nude figure, posed gracefully in repose, is central to the scene, rendered with soft yet assertive brushstrokes that c...

Bird Sketches by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 20 inches good condition provenance: from the...

Leading them Home Belgian School. mid 20th century indistinctly signed oil on board, framed framed: 20 x 25 inches board : 16 x 20 inches Provenance: private collection, England Cond...

A little girl I know was playing along, grabbed the bear and said, “This is my teddy bear!” At the same time, there was so much cunning and mischief in her eyes that her words really...

Early 20th Century oil on board interior bar scene by Simon Joseph Simon-Auguste. The painting is signed bottom right and presented in a fine gilt carved wood Montparnasse frame. The...

Title: Mid-20th Century Pastel of the River at Brantôme in France by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 14.75 inches (height) x 21.25...