Post-Impressionist Paintings

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed and dated on back 1971 gouache painting on artist paper, framed size: 13 x 19.5 inches Fabulous 1970s abstract goauche pai...

Oil on canvas painting by Zaklad Stolarski. Signed lower right and dated 1990. Artist label verso. Condition is excellent. Overall in gold leaf frame with linen liner 19 by 15.25 ...

The painting (oil on canvas, 44.5 x 35 cm; with wood frame 64 x 54,5 cm) represents a moment on deception. It's signed Maccari on the bottom left, and it's dated 1956 and titled "ins...

Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1967. A substantial, Post-Impressionist oil landscape showing a view of the Mediterranean with an orange tree and blossoming apple trees in the foreground, framing a view across cultivated fields towards the azure ocean beneath a clouded lilac and ivory sky. A charming and robust work that exemplifies the artist's characteristically lyrical and painterly brushwork, elegantly expressing it here in a gentle palette of moss, teal, lavender and soft pastels. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Free Exhibition at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they formed the foundation of the avante-garde group of Modernists, The Corner, that first introduced the principles of Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and most importantly to France, where his studies of the Impressionists and the Post-Impressionists had a great stylistic impact on his later work. His palette grew brighter, and his earlier defined contours were subsumed into the nuances of light. We are pleased to offer a dazzling work from the artist's late period, that exemplifies these later qualities of his mature work, harmoniously capturing the warmth and color of a southern summer landscape. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

"Lush Red and Golden Roses" is an beautiful oil painted from life in the studio in Provence by Maria Bertran. This Contemporary Impressionist painting captures the soft pinks and wh...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 10 x 13 inches Fabulous 1970s abstract goauche painting. The colours used i...

Arbre de Vie is a colorful painting made by Evelyne Ballestra, a French contemporary artist. The artist uses bright colors in this expressionist painting ...

Stamped, verso, with the estate stamp for Victor Di Gesu (American, 1914-1988) and painted circa 1958. A substantial, Post-Impressionist style figural oil showing a young woman seat...

'Abstract Figure' Suzanne Vattier, French 1901-1996 dated 1973 gouache painting on artist paper, framed size: 20 x 25.5 inches Fabulous 1970s abstract goauche painting. The colours ...

Signed lower left, 'Ejnar Kragh' (Danish, 1903-1981) and dated 1950. A substantial, mid-century Impressionist oil showing a view of Paris with a figure strolling beside the Seine. ...

Edward Francis Rook American, 1870-1960 Brittany Oil on Canvas 30 by 30 in. W/frame 38 by 38 in. Signed lower left Circa, 1898-1900 Rook, born in New York City on September 21, 1870, became one of the most original impressionists at Old Lyme. First he was a student of Benjamin Constant and Jean-Paul Laurens at the Académie Julian.  Life started out to be rather promising for Rook, around the turn of the century.  He exhibited at the Cincinnati Art Museum and at the Pennsylvania Academy of the Fine Arts, both in 1898, when his harbor scene, entitled Pearl Clouds — Moonlight was reproduced in International Studio, in April.  In addition, the PAFA presented him with the Temple Gold Medal for Deserted Street, Moonlight, which the Academy purchased.  Three years later, Rook was awarded a bronze medal at the Pan-American Exposition in Buffalo, where he exhibited three landscapes.  Caffin (1902, p. xxxvi) praised the artist's "translucent quality of color," which suggests a study of color theory.  Also in 1901, Rook married Edith Sone.  For most of 1902, the Rooks were in Mexico. Rook came to Old Lyme in October of 1903.  The date is significant because Childe Hassam was also there that month.  Hassam would more or less re-orient the artists' colony from Tonalism to impressionism.  Rook would move there permanently two years later.  He took two medals at the St. Louis Universal Exposition (1904) where his landscapes from the Mexican trip were displayed.  More awards followed: a silver medal at the International Fine Arts Exposition in Buenos Aires, 1910, a gold medal at San Francisco's Panama-Pacific International Exposition in 1915,  a Corcoran Bronze Medal, and a William A. Clark Award in 1919 for Peonies.   By 1924, the artist was made a National Academician.  Despite all these awards and recognition, Rook did little in the way of selling his art and reportedly, his prices were too high.  His paintings were handled by Macbeth and Grand Central Art Galleries. Rook was active in Old Lyme's art community.  As stated above, he would have met Hassam that October in 1903 but Willard Metcalf had departed at the end of the summer.  As several writers have explained (Connecticut and American Impressionism, 1980, p. 123), Hassam "was the catalyst around whom [impressionism] coalesced."   Rook's niece, Virginia Rook Garver, who happened to be the grand-niece of Hassam, confirmed that Rook and Hassam knew each other in Europe — before they went to Old Lyme (Fischer, 1987, p. 19).  Rook was one of the relatively young painters to come to Old Lyme, along with Gifford Beal, William Chadwick, and Robert Nisbet, on the wave of impressionism, initiated there by Hassam and Metcalf.  Old Lyme became a center of American impressionism, and as Donelson F. Hoopes remarked, "under Hassam, the shoreline of Connecticut became a kind of Giverny of America."  Among Ranger's group, palettes started to become lighter, except those of the most determined tonalists.  Ranger himself, perhaps admitting defeat, moved to Noank in 1904.  Rook is best known for his views of Bradbury's Mill, which was soon called Rook's Mill, owing to the painter's many versions of the scene.  One, called Swirling Waters, dated ca. 1917, is in the Lyme Historical Society.  Even more famous is Rook's Laurel, dated between 1905 and 1910 (Florence Griswold Museum), in which a profuse laurel bush (the state flower), is set off by a spectacular Constable-like background.  But Swirling Waters could never be confused with Constable, with its violent brushwork, impasto-layered water, and bright, almost chalky, plein-air palette.  Gerdts (1984, p. 226) compares the paintings of Walter...

Post Impressionist Landscape, Under the Bridge Gorgeous post-impressionistic landscape in the style of Vincent Van Gogh, circa 1990. The ...

Paysage par l'artiste Theodore Schempp (1904-1988) qui était marchand d'art a New York de Nicolas de Staël, Georges Braque et Giacometti. Il résidait dans le sud de la France. Dimens...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 13 x 10 inches Fabulous 1970s abstract goauche painting. The colours used i...

This painting, like most of Ren Hui’s exquisite artworks, celebrates his subjects using a style that he calls “uncomplicated and honest.” The beautiful pattern of gold on a bright red field, featured here, is called "Tiananmen Lion." The artist uses a pure and deliberate approach by highlighting a polarizing place and moment in Chinese history...

This painting depicts a landscape scene of a Parisian Scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so i...

Charming vintage 1970's California landscape of a an old white barn in a golden hued field in the Santa Cruz Mountains by Salinas artist Faye Russo (America...

View From The Balcony Signed lower right. Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, ...

This painting depicts a whimsical portrait of a young lady washing her laundry in front of a house. This piece was most likely executed in the 1930's, as the colors are darker than Z...

MAGDALENA SPASOWICZ (1927) Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1...

Artist: Charles Cobelle, French (1902 - 1994) Title: View of Paris 19 Year: circa 1958 Medium: Acrylic on Canvas, signed Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 27.5 x ...

'Abstract Figure' Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 9.75 x 12.5 inches Fabulous 1970s abstract goauche painting. The colours used in t...

'Abstract Figure' Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 20 x 13 inches Fabulous 1970s abstract goauche painting. The colours used in this ...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 10 x 13 inches Fabulous 1970s abstract goauche painting. The colours used i...

Very finely painted in muted pastel colors is an original oil on canvas board painting by the American artist, Norwood Hodge MacGilvery. Signed lower right. Titled verso along with ...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 46' From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed meas...

This artwork titled "The Despatch" c.1985 in an oil painting on canvas by British artist Reginald John Mitchell, 1923-2018. It is signed at the ...

'Abstract Figure' Suzanne Vattier, French 1901-1996 dated 1973 gouache painting on artist paper, framed size: 15 x 22 inches Fabulous 1970s abstract goauche painting. The colours u...

Provencal Landscape by Louis Bellon (French 1908-1998) signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 10 x...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 19.75 x 25.75 inches Fabulous 1970s abstract goauche painting. The colours...

Artist: Charles Cobelle, French (1902 - 1994) Title: Town Year: circa 1966 Medium: Acrylic on Canvas, signed l.r. Size: 20 x 24 in. (50.8 x 60.96 cm) Frame: 28 x 31 inches

Very charming Large oil on canvas, French post impressionnist still life of the 30s signed G. Lemesle on bottom right. the picture is a nice representation of a typical atmosphere i...

This rare subject of playing cards, books and objects spread out on a table was obviously a challenge and fun subject for the artist to tackle. He uses highly impastic paint thickly...

Provencal Landscape by Louis Bellon (French 1908-1998) signed and dated 46' From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed meas...

Yoshio Aoyama (Japanese, 1894-1996) "Nature Morte". Oil on canvas. 1981. Signed 'Aoyama' (upper left). Signed and titled 'Nature Morte' verso. 15" x 18" ...

This painting is a tremendously vivid and alive street scene of the Place du Parvis in Paris from the 20th Century by Emile Thysebaert. We can see the figures and cars fill the stree...

signed lower right. size includes frame. The French artist Claude Hemeret was born on May 23, 1929. After classical studies at the lycée du Parc Imperial in Nice, he started at the l...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 24.5 x 19inches Beautifully decorative, mid 20th century French origi...

Provencal Landscape by Louis Bellon (French 1908-1998) From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 10 x 13.5 i...

Merio Ameglio Italian, 1897-1970 Notre Dame, Autonne Oil on Canvas 18 by 21 ½ in. W/frame 26 by 29 ½ in. Signed lower left & titled on reverse Merio noted impressionist painter p...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

Kevin Weckbach's (US based) "Quiet Woods" is an original, hand made oil painting that depicts a grassy hill of overgrown foliage, where white Aspens spread...

"Door In Chisarette" is an exceptional large oil painted on location in the French Alps by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene in the So...

Unframed Ramón Moscardó studied at the Sant Jordi School of Fine Arts and La Lonja School, both in Barcelona. In 1971 he received the Santiago Barceló prize in the young painters c...

Stunning signed landscape oil on canvas circa 1910 by sought after French post impressionist painter Victor Charreton. A wonderful and colourful depiction of a green church garden la...

Nice Market by Robert Savary (French 1920-2000) signed lower right oil painting on canvas, unframed canvas: 19.75 x 19.75 inches Superb Post-Impressionist oil painting by the very well listed and highly sought after French painter, Robert Savary (1920-2000). The painting shows the famous Cours Saleya in Nice....which is the location for the famous flea market that happens there every week, as well as the fish and flower market too. Just yards from the blue sea of the Mediterranean, I can heartily recommend it! Incidentally, we bought this painting from a private home in Nice. Figurative artist, Robert Savary is part of the New School of Paris . He was a student of Maurice Brianchon at the National School of Fine Arts in Paris, and won the prize of Casa de Velázquez in 1948. Savary won the Prix ​​de Rome in 1950. He taught in 1957 at the Regional School of Fine Arts Rouen (which he became the honorary director) while living in Paris and spending summers in Collioure, in the South of France. He was appointed Painter of the Navy in 1987. For more than forty years, he is part of the group of exhibitors invited by Maurice Boitel...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 24.5 x 18.5 inches Beautifully decorative, mid 20th century French or...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 24.5 x 18.75 inches Beautifully decorative, mid 20th century French o...

Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los...

Energetic, colorful, one of kind original art for your heart and soul! This painting is done on heavy duty gallery wrap canvas using artist grade metallic acrylic paints. It is si...

Intriguing set of choices. Artist's interpretation of a still life.

Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

Mid century oil on canvas portrait of a young girl in period dress, in fine gilt frame. Signed in full, dated 1944 and with artist's monogram. Emile Patoux (Belgian 1893-1985) studi...