Coat Paintings

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

'Rat Tales' contemporary portrait oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work deals with serious...

Love in the Midst, Magazine Story Illustration Ladies Home Journal, June 1959 Tom Lovell had an extreme attention for detail and rarely completed more then a dozen major oil pa...

LORD ALTHORP'S HUNSTMAN, CHARLES KING, WITH HIS FAVOURITE HOUND, OTTOMAN, circa 1820 circle of BENJAMIN MARSHALL (BRITISH 1767-1835) Large early 19th Century Portrait of Lord Alth...

Crossroads of Time This painting captures the feeling of arriving at a moment where lives, generations, and sensibilities overlap without fully touching. Surdo stages the street like...

Artwork subject matter features 3 men, the primary suspect is a man with his back to the viewer, holding a bag, two other men in the background with one pointing a gun. Signed Lower...

The Carpenters Workshop by John Edwards (England, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, UK Condit...

A girl stands in the forest, holding a paper crane, while three more soar above the trees. No one came to sav me, no one carried me in their arms, the fairy tales forgot that I once ...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's formal dress, evening wear. Inscription reads: "Gold rayon and wool Bengaline dress suit for movie ...

Artist Comments
A receptionist speaks on the phone, her face and hand carrying the emotional weight of the scene. Her yellow polka-dot scarf strikingly contrasts with her subdu...

Edwin Arthur Ward Original Painting on Canvas “The Edwardian Gentleman”. In good condition measures 38x25. Signature lower right

Hebert James Draper Signed bottom right Oil on canvas Picture size 53 x 27" / 135 x 68.9cm Frame size 64 x 38" 163 x 96.5cm 1864-1920 Herbert James Draper was born in London. He...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper stamped Image : 25.5 x 19.75 inches Superbly decorative 1960's French portrait painting. ...

Sammy R Depetro, Portrait of Western Gentleman with Cowboy Hat 2010   Oil on canvas 10 x 20 unframed, 11.25 x 21.25 framed

Born in Philadelphia John Hamilton was known for portraits, figure paintings and illustrations. He studied at the Pennsylvania Academy of the Fine Arts with Christian Schuessel and Thomas Eakins and then traveled to Europe where he studied in Paris with Jean-Léon Gerome at the Ecole des Beaux-Arts and at the Royal Academy of Fine Arts in Antwerp. He lived abroad, mostly in London, for many years, although he maintained a Philadelphia address. He was the official painter to the English Prime Minister, William...

I grew up on a dairy farm in northern Wisconsin helping my family feed about 50 cows. I started my undergraduate degree at UW-Madison, and finished at SUNY-Potsdam, in upstate New Yo...

Moroccan Man Knelling, French Modernist Figurative Gouache by Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: gouache on artist paper, unframed. Artist paper: 2...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

Joseph Kardonne (1911-1985). Portrait of Man in Trench Coat, 1950. Ink on paper, measuring 8 x 12 inches. Signed, dated and titled lower right. Unframe...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

"Damsel" is a work of art that immediately draws the viewer's attention to the glorious charm of the woman at its center. Adewale's portrayal of her low-cut hairstyle is a powerful statement that challenges conventional norms of beauty. With her hair styled so boldly, the subject exudes a sense of self-assuredness, breaking free from societal expectations and embracing her uniqueness. The woman's choice of a vibrant yellow dress further reinforces the celebration of feminine allure. Yellow, a color often associated with happiness and positivity, complements the woman's radiance, illuminating the canvas with her inner glow. This striking hue symbolizes her inner strength and vibrant spirit, echoing the confidence and dynamism that emanate from her presence. The blue background, in contrast, serves as a calming and harmonious setting, providing a perfect backdrop for the woman's portrayal. The serene blue not only accentuates her poise and elegance but also serves as a reflection of her depth and wisdom. It suggests that beneath her external charm lies a profound reservoir of inner grace and strength, making her all the more captivating and multidimensional as a subject. "Damsel" is more than just a beautiful portrait; it is a celebration of the richness and diversity of womanhood. Adewale's brushwork masterfully captures the subtle details of her facial features, highlighting the delicate contours of her lips and the gentle curves of her cheekbones. The artist's attention to detail emphasizes the individuality and uniqueness of the subject, celebrating the fact that each woman possesses her own distinct brand of charm and beauty. This artwork is not merely a passive representation but a self-conscious portraiture that actively engages the viewer. As we gaze upon the woman in "Damsel," we become participants in this celebration of femininity. Adewale invites us to appreciate and honor the beauty that exists within all women, encouraging us to recognize and celebrate the allure that each woman carries in her own unique way. In its essence, "Damsel" is a testament to the empowering nature of art. It breaks away from conventional stereotypes and standard definitions of beauty, presenting a woman who embraces her identity unapologetically. The artwork's appeal lies not only in its visual aesthetics but also in the powerful message it conveys to society, urging us to appreciate and cherish the diverse expressions of feminine charm. In conclusion, "Damsel" by Busari Adewale...

Oil on wooden table realized by Francesco Settimj in the 1930s. Painted on both sides, recto and verso. Good condition.

This beautiful surrealist painting by Mauricio comes rolled in a tube and needs to be stretched when received. In his pieces, Mauricio combines his figurative expertise along with su...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) "Innocence" is a captivating artwork that evokes a sense of empathy and reflection. The central figure, a woman, stands as a representation of someone who has been wrongly accused and unfairly painted with guilt. Oladapo's skilled brushwork brings forth the emotions of sorrow, pain, and resilience, creating a visually striking piece. The woman's expression carries a mix of sadness and determination, reflecting the weight of the false accusations. The use of vibrant red in the painting symbolizes the intense emotions and turmoil she has experienced. The artist's attention to detail, particularly in capturing the subtle nuances of her facial expression, adds depth and authenticity to the artwork. "Innocence" highlights the profound impact that false accusations can have on an individual's life and psyche. The emphasis on being "painted red" with lies alludes to the damaging effect of baseless accusations, which can tarnish one's reputation and cause immense pain. The artwork also emphasizes the resilience and strength required to maintain one's truth in the face of adversity. The woman's unwavering gaze and the determination in her expression portray her refusal to be defined by false accusations. She stands as a symbol of the human spirit's ability to rise above injustice and assert one's innocence. Through "Innocence," Oladapo reminds us of the importance of embracing our authenticity and standing firm in our truth, even when faced with unfounded allegations. It urges viewers to question the validity of accusations and to seek justice and understanding, both for themselves and others who may have experienced similar hardships. Agboola Oladapo...

"Arthur" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a portrait of a man in a suit and bowtie on a greyscale background. Nicolas Martin is a...

This artwork elegantly blends classic and contemporary elements, depicting a young woman in a stylish black outfit holding a phone to her ear. She stands against an endless blue sky...

“Choosing the Love Nest: Lil and Sandy Find a Cozy Spot for Their Bungalow of Dreams,” original cover for Liberty magazine, published June 18, 1927 Lil and Sa...

This artwork presents a striking figure in a black hooded jacket, exuding mystery and confidence. The subject stands with hands in pockets, partially obscured face adding intrigue. S...

An intimate and beautifully observed 1945 American Modern portrait by Colorado painter Hayes Lyon (1901–1987), depicting the artist’s wife, Bessy Lyon. Executed in oil on canvas, the...

Louis Valtat 1869-1952 French Portrait of Pierre Renoir Signed "L. Valtat" (lower right) Oil on canvas This vibrant painting by Louis Valtat depicts the famed Renoir's eldest son...

On offer is a timeless expression of social realism, in the style of the late American artist Ben Shahn. You sense the couple has shared a lifetime. Still standing close together, th...

(I'm Not That Curious) Watrcolor on Yupo, 2024 Signed lower right with the artist's initials (see photo) Condition: Mint, never framed Image/Sheet size: 20 x 26 inches The image depi...

An accomplished portrait by the artist Peter Samuelson (1912-1996) rendered in soft pastel hues. Signed upper left. On canvas board. Image size: 45.5 x 61cm.

Kim Dorland is a contemporary Canadian artist known for his expressive landscape paintings that blend abstraction and realism. Born in 1974 in Wainwright, Alberta, Dorland earned his...

"VIP" is a vibrant statement at the intersection of pop art and neo-expressionism. Three figures in impeccable suits, three different masks, a single world hidden from the eyes of or...

2022 Hand painted vintage paperback book with silkscreen 27 x 20.5 cm Artist Proof - Edition of 2 Framed Excellent condition The Connor Brothers, an artistic duo, are famous for the...

No Beginning No End The figure, seen from behind and haloed by a circular form, suggests continuity, wisdom, and the mystery of existence beyond linear time. There is a quiet reveren...

Mother & Child by Irina Hale (British 1932-2022) oil painting on board, unframed size: 9 x 6.25 inches provenance: private collection, Cotswolds condition: very good Irina Hale ...

ARTIST - Eduardo Gordigiani (Italian, 1866–1961) // PERIOD - circa 1940 // ORIGIN - Italy // MEDIUM - Oil on Canvas // STYLE - Post-Impressionism / Figurative // SUBJECT - Portrait o...

Attila Szűcs (Hungarian, b. 1967) Figure with Mockup, 2010 Oil on canvas 39 3/4 x 55 x 1 in. Signed and inscribed verso: Attila Szűcs, "Figure with Mockup...

Alexander by Eduardo Arranz-Bravo, Spanish (1941) Date: 2006 Oil on Canvas, signed l.r. Size: 60 x 40 in. (152.4 x 101.6 cm) Frame: 63 x 44 in. (160.02 x 111.76 cm) This fabulous im...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...

Stunning large-scale, Bay Area Figurative School, painting of a woman sitting by a window overlooking a lakeside view, influenced by her teacher Richard Diebenkorn, by Sally Kissing...

Tania Rivilis Etcetera 100 x 80 cm Oilpaint on canvas Tania Rivilis (born in Ukraine 1986) 2022 winner of the 'William Locke Price' from the Royal Society of Portrait Painters UK...

John William Buxton Knight was born in Sevenoaks, Kent, in 1843, the son of the landscape painter, William Knight.  Buxton Knight began his art studies at an early age by working in ...

Graeme Wilcox (British born.) Dreamer Medium: Oil on canvas Unframed size: 27.5 x 23.75 inches Framed size: 34 x 30 inches Signature: Signed (on the reverse) Provenance: Direct fro...

A dynamic narrative painting titled A Surprise Dinner Guest (or An Unexpected Guest), showing the moment an outdoorsman sees the bear approaching his snowy campsite. Presented in a...

Date: 1923 Medium: Oil on Canvas Dimensions: 35.50" x 30.00" Signature: Signed Lower Left Never the Twain Shall Meet, Cosmopolitan illustration, 1923 This illustration appeared in Peter B. Kyne's story, Never the Twain Shall Meet. "'Ah!' said Tamea. 'You do not believe, then, that I am the Queen of Riva?' 'No,' retorted the health officer, 'I do not. You're the Queen of Hearts.''" It was also reproduced on page 76 of Dean Cornwell: Dean of Illustrators by Patricia Janis Broder, Collector's Press, 2000. Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota...

Absurd scenery in the middle of nowhere: head of a chicken, seemingly alive ... and an elderly man ... do they belong together, are they probably old...

Jeffrey Morgan (British, b.1942) Charlie Chaplin Poster paint and collage 23.3/4 x 14.5/8 in. (60.3 x 37.2 cm.) A 1960s pop art design for a tin print f...

Contemporary Figurative Oil Painting on Canvas, Unframed, Portrait, Academic Dominic Finocchio, an American painter raised in St. Louis, is known for his narrative figurative works ...

Norman Rockwell 1894-1978 American Tender Years: Moth Holes Signed "Norman Rockwell" (lower right) Oil on canvas From Norman Rockwell's acclaimed Four Seasons calendar series for...

In Blue, Yes, I'm in blue not because I choose to but because that's who l am and it tells my story. With a hoodie because I came from this very hood. I drank...

"Woman in Blue” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan Gallery, Cairo: Annual exhibitions from 1999 to 2018 Galerie la Sirène, Le Mans 2010 Galerie Ghislaine Eonnet-Dupuy, St Briac 2008 2009 Green art gallery Dubai 2009 Galerie La Medina, Tunis 2001 Italian Cultural Institute, Cairo 1999 Gallery Lézard d'Ailleurs 1998 Influence Gallery 1997 Bruno Delarue Gallery Etretat 1997 Jolymont workshops in Brussels 1996 Gallery Lézard d'Ailleurs St Rémy de Provence 1995 Etienne Causans Gallery 1995 Gallery Art 50 1994 Gallery Art 50 1993 Anne Vignial Gallery 1992 Galerie Escalier Rouge, Ouagadougou 2002 City of Arts, Florence Foundation 1992 Galerie Peinture Fraiche...

Martin Mull is a singular artist whose iconography directly translate the American culture.

In this evocative piece by Rudolf Kosow, we are confronted with the signature elements of surrealism that define his work. The canvas is dominated by the vastness of a feline's paw, ...