1870s Art

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Cupidon et les trois Graces, Year: 1875, Medium: Heliogravure, Size: 13.5 x 8.5 in. (34.29 x 21.59 cm), Printe...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Faune accompagne d'un enfant, Year: 1875, Medium: Heliogravure, Size: 7.75 x 5.75 in. (19.69 x 14.61 cm), Prin...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Hercule et Antee, Year: 1875, Medium: Heliogravure, Size: 13 x 9 in. (33.02 x 22.86 cm), Printer: Amand Durand...

Oil on canvas set to oval Signed and dated F. Bonvin 1876 in the center right Provenance: • France, private collection

Exhibited: Birmingham Royal Society of Artists, 1879 “Autumn Exhibition of the Birmingham Royal Society of Artists.” The London Times, 25 August 1879. T...

A charming 19th-century engraving titled “The Little Gleaner”, published in 1877 by C. Klackner in New York. The piece depicts a young girl walking through a wheat field, holding a b...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Miss Hay Newton Gouache, pen, and ink 52 x 44 cm The ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Major Chaplin, 3rd Dragoon Guards...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Andrew Gillon Gou...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Lady Headley Gouache, pen, and ink 52 x 44 cm A silho...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Captain Warburton Gouache, pen, and ink 52 x 44 cm Pr...

Il dipinto è firmato e datato in alto a destra MGordigiani 78 e le misure senza cornice sono 58 x 73 cm Raffigura una fanciulla con lo sguardo incantato, la bocca socchiusa e la test...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Mrs F Chaplin Gouache, pen, and ink 52 x 44 cm Prior ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Maitland Gouache, pen, and ink 52 x 44 cm Prior to ph...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette of a Lady II (circa 1870) Gouache, pen, and ink 52 x 44 cm Prior t...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette of a Lady I (circa 1870) Gouache, pen, and ink 52 x 44 cm Prior to...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Watt Gouache, pen, and ink 52 x 44 cm Prior to photog...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Mrs Warburton Gouache, pen, and ink 52 x 44 cm Prior ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Miss Chaplin Gouache, pen, and ink 52 x 44 cm Prior t...

"Cattle Watering in a Summer Landscape" by Eduard Spoerer is an impressionistic antique painting measuring 23x36 in. It is framed in the original ornate...

An elegant, dynamic, fully finished, 19th century terracotta sculpture of richly attired figures in the Chinoiserie style. The idealized, rural imagery features two women in flowing ...

Print Sz: 17"H x 22"W Frame Sz: 21 1/2"H x 26 1/2"W Ex- Adirondack 'Great Camp' estate

JEAN-BAPSITSE AUGUSTE CLÉSINGER (FRENCH, 1814-1883) Femme piquée par un serpent Inscribed J. CLESINGER and F. BARBEDIENNE. FONDEUR Bronze, dark brown patina 8 in. (20.3 cm.) high, 22...

SOLD UNFRAMED Paysan Centenaire, Soldat de l'Armée du Général Kosenisko by Franciszek Tepa (1829-1889) Watercolour 26.3 x 30 cm (10 ⅜ x 11 ¾ inches) Initialed and dated lower left, ...

Wareham Bridge Medium Drypoint Year of Work 1877-1877 Image Size: approx. 6 in.; Width 8.9 in. / Height 15.2 cm.; Width 22.7 cm. Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Questa ritratto di nudo maschile, matita su carta 35,5 x 25,5, è firmata e datata in basso a destra a matita rossa "Arturo Banti 21. Gennaio 1876." Rientra pienamente nella cultura a...

SOLD UNFRAMED Jeune Montagnarde des Environs de Truskaniva by Franciszek Tepa (1829-1889) Watercolour 26 x 20.5 cm (10 ¼ x 8 ⅛ inches) Signed and dated lower left, Franciszek Tepa ...

Signed and dated 1877. Mortimer Smith, a lesser-known yet skilled artist of the Hudson River School, captured the untamed beauty of the American landscape with remarkable depth. This painting presents a seacoast scene with a solitary fisherman, with his boat during the tide. The rugged cliffs frame the composition, their weathered surfaces telling the story of time and nature’s relentless forces. Sunlight filters through the mist, casting a halo glow in the sky, while waves crash against the shore in rhythmic motion. Smith’s brushwork conveys both the serenity and power of the natural world, inviting the viewer to step into the scene under nature's power and beauty. Although born in Jamestown, New York, Mortimer Smith would become well-known as a Detroit architect and artist by the end of the nineteenth century. Little is known of Smith's earlier years; however, scholars speculate that he studied in Oberlin and Sandusky, Ohio before moving to Detroit in 1855. There, the artist flourished and became famous for his crisp landscapes of local scenery, including his beloved winter scenes. In addition to his artistic career, Smith founded a successful architectural firm by the name of Smith, Hynchman and Grylls; Smith's reputation in the visual arts was often overshadowed by his draftsmanship as an architect. Nevertheless, he was a vital force in Detroit's arts community exhibiting his works in venues including the Detroit Art...

Harper's Weekly colour plate from sketches by A.B. Frost depicting 'The Intercollegiate Regatta, Saratoga Lake, July 19, 1876- The Finish' Print Sz: 15"H x 21"W Frame Sz: 25"H x 31"W

John Faulkner (Irish, c. 1830-1888, active United States c. 1870-80) Farm Scene with Figures, c. 1870 Watercolor on paper, 20 x 28 inches (sight) FRAMED: 31 1/4 x 39 1/4 inches Sign...

Housed in a period gold leaf frame. Inscribed lower left, "Market Place Tanta Egypt". Signed and dated 1874. This watercolor depicts an Arab Marketplace (Souk) in Tanta, Egypt. William Paton Burton was born 1828, in Madras, India and died December 1883, in Aberdeen, Scotland. William Paton Burton was an architect, painter and watercolourist. His father was an officer in the Indian Army. Burton first studied with David Bryce...

Oil on board, signed 'W.H. Jones' bottom right Image size: 8 1/2 x 11 1/2 inches (21.5 x 29.25 cm) Framed Inscribed on reverse 'The Old Quay, which ceased to exist after the coming ...

Art Sz: 15"H x 21"W Frame Sz: 25"H x 31"W Harper's Weekly colour plate from sketches by A.B. Frost depicting 'The Intercollegiate Regatta, Saratoga Lake, July 19, 1876- The Finish'

Drawn and engraved by Edw. Weller for Dr William Smith's 'Ancient Atlas' plate No. 10 Map Sz: 22 1/2"H x 17 3/8"W Frame Sz: 27 1/8"H x 22"W

This fine portrait is of the merchant bark ST. GEORGE sailing past the South Stack Lighthouse, the last signaling station in a chain of twelve leading ships along the Welsh coast and out to sea from Liverpool Harbor. Painted with great detail throughout, the ship features multiple figures on deck, in full sail and with flags flying including that of her owners Hall and Fairweather of St. John, New Brunswick, Canada. The bright scene has particularly nice cloud work in the sky and features the stylized short, green swells with a touch of white spray typical of the Liverpool school artists. At her bow, another sailing ship heads...

Etching and acquatint in black ink, 1875. B/g 100 For Une vielle mistress before the symphonic margins were removed and the plate cut. Printed on japon paper. State iii/v. 6 . Signed Felix Buhot...

Henri Langerock (1830-1915) Belgium Watercolor of a Prowling Lion in the Jungle. Watercolor on paper on board under archival glass with new frame. Measures: Sight: 18.5" x 11.5" inc...

Giovanni (Nino) Costa (Rome 1826 – Marina di Pisa 1903), The ‘Alba’ study for The awakening of nature Oil on canvas cm 25 x 53 signed lower left. Provenance: Reverend Stopford Br...

This original watercolor on paper features traffic on the River Humber in the City of Hull. Hull or Kingston upon Hull, is a port city in East Yorkshire, England. The painting is hig...

This highly detailed harbor scene features many ships of various types, something British Royal Naval officer and artist Commander Charles Lodder would have seen in his everyday life...

George Bernard ONeil 1828-1917 Oil on canvas, signed & dated (18)76 lower right Image size: 22 ½ x 17 inches Original frame The painting depicts the arrival of the new teacher, a curious pupil peeps around a door to see her, while her friends look through the open door to the classroom to catch a glimpse. The artist has gone to great lengths with the painting, such as the highly detailed Dutch tiles on the bottom right of the picture or the window above the door in the background. O'Neil often painted works with several doorways leading off and giving a sense of depth to the work. The use of light and shadow is also cleverly depicted across the work, one light source arrives from where the viewer stands filling the room and the new teacher with light, while the other window above the door in the background also gives a warm glow. George Bernard O'Neill was born on 17th July 1828 in Dublin the ninth of fifteen children of Bernard and Sarah O...

"Birthplace of Henry Clay, Hanover County, Virginia" is an original hand-colored lithograph by Kelloggs & Thayer. The piece features a homestead and farm anima...

American 1870's Hudson River School Gilt/Wood Frame with fluted cove interior. Rabbet Size: 9 x 7 in. Sight Size: 8.25 x 6.5 in. Overall Framed Size: 17 x 15 in. (02-135) Provenance: The Historic Period Frame Collection from the Gallery of Eli Wilner...

Watercolour painting of Russian peasants feasting by Teikh Russian, 1872 Frame: Height 92cm, width 122cm, depth 6cm Sheet: Height 76cm, width 107cm This fine watercolour painting is...

A stalwart American ship clearing the Delaware headed for Honolulu with a load of coal, this broadside ship portrait by Alexander Charles Stuart is of the Ship GATHERER. In her maiden year of service, the Bath, Maine-built Downeaster went to New Orleans with hay, took a load of cotton from there to Liverpool, and crossed to collect the coal in Philadelphia before heading to Hawaii. She'd make 8 Cape Horn voyages, averaging about 129 days, a profitable and fast sailing Downeaster, and yet still record one of the bloodiest voyages in merchant maritime history. In this portrait, A.C. Stuart shows the large wooden vessel...

JEAN-LÉON GRÉGOIRE French, (1840-1890) Perseus Freeing Andromeda Patinated bronze; Signed 'L. GREGOIRE’ 25 1/2 x 13 x 11 inches Notes: Jean-Léon Grégoire started to exhibit at...

SOLD UNFRAMED Montagnard des Environs de Szczaronica by Franciszek Tepa (1829-1889) Watercolour 26.3 x 20 cm (10 ⅜ x 7 ⅞ inches) Signed and dated lower right, F. Tepa 1873 Artist ...

Pair (Two) of pencil drawings of children playing outside by Charles Serret, 19th century, circa 1870. Both are signed “C. Serret” Each comprising of three or four young different ag...

Clement Nye Swift "Breton Chores" 1870 Oil on Canvas Signed and Dated Lower Right Canvas Size: approx 27 x18 inches Framed Size: approx 34 x 35 inches Provenance: Private Midwes...

Auguste Toulmouche (1829-1890) "A Lovely Reflection" 1874 Oil on Panel Signed and Dated Lower Left Site Size: approx 17 x 14 inches Framed SIze: approx. 27.5 x 24 inches Provenan...

Pierre-Jules Mene "The Hunter and Hound" (Le Valet de Limier) 1879 Bronze approx. 19 x 8 x 14 inches Signed PIERRE JULES MENE (1810-1879) Pierre...

This is a traditional American sampler created in 1871 by Elizabeth Uncle, Aged 11 while attending the National Girls School.