1870s Art

HERBERT WILSON FOSTER (1846-1929) Spring Inscribed with title beneath the mount Chalk on paper, circular Framed Diameter 42 cm., 16 ½ in. (frame size 61 by 58 cm., 24 by 22 ¾ in.) Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum. In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...

After the Cercle of Narcisse Díaz ilisible signature Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a French painter. From 1837, he...

Artist: Daniel Giraud Elliot (American, 1835-1915) Title: "Felis Rubiginosa (Rusty-Spotted Cat)" (Plate: XXIX - 29) Portfolio: A Monograph of the Felidae or...

Oil on artist panel, signed and dated lower left. It measures 19.75" x 22.75" including the frame, which is likely the original. Benjamin Williams Leader RA (12 March 1831 – 22 March 1923) was an English landscape painter. The inspiration for these early works was the countryside around Worcester itself, "the cottages, farmhouses, lanes, hedgerows and churches, so exceedingly picturesque and beautiful". However, Leader did not finish his course of studies at the R. A, nor did he need to – his paintings proved to be in great demand by wealthy buyers and he achieved an enviable degree of commercial success within only a few years of his first sale. In 1857 he changed his name to Benjamin Williams Leader to distinguish himself from the many other painters with the surname Williams. In autumn of that year he travelled to Scotland, and painted A Quiet pool in Glen Falloch...

Little Owl is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colo...

Edmond YON (Montmartre 1841 – Paris 1897) Riverbank with birds Oil on canvas H. 79.5 cm; L. 130 cm Signed lower right and dated 1876 Original frame Exhibition: 1876, Salon des Artis...

Louis-Alexandre DUBOURG (1821 - 1891) Voilier en rade d'Honfleur Oil on canvas Painting dimensions: 33 x 55 cm Framed dimensions: 47.5 x 70 cm Signed lower right Provenance: - Galer...

When you gaze upon "Yacht Wanderer (Slave Ship)" by William Gay Yorke, you're not just looking at a maritime painting; you're peering into a fragment of history with profound and com...

James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches. A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn. On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...

Paul Gauguin (French 1848 - 1903) Recto and Verso sketches Self-Portrait Recto with Portrait of a Woman on Verso. (One sheet). Self portrait shows Gauguin’s profile with eyes gazing...

Amazing painting perfect condition. Venetian Lagoon made by Natale Gavagnin 1886 original frame signed and dated 1886

After the Cercle of Narcisse Díaz ilisible signature Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a F...

JEAN-LÉON GRÉGOIRE French, (1840-1890) Perseus Freeing Andromeda Patinated bronze; Signed 'L. GREGOIRE’ 25 1/2 x 13 x 11 inches Notes: Jean-Léon Grégoire started to exhibit at...

Signed figures in a landscape oil on canvas circa 1870 by French impressionist painter Victor Alfred Paul Vignon. The work depicts a woman carrying a basket with a young child beside her walking along a snowy path in a Fontainebleau Forest. This early work by Vignon was painted whilst he was under the tutelage of Camille Corot in the period between 1869 and 1870 . The work shows a mother and child in the forest at Fontainebleau in winter. Many painters in Vignon's circle such as Monet, Renoir, Sisley and Bazille visited this area to paint in the late 1860's and the early 1870's. Signature: Signed lower left Dimensions: Framed: 23"x25.5" Unframed: 13.5"x16" Provenance: Galerie Commeter - Hamburg c. 1920 French exhibition customs stamps verso His mother has been incorrectly identified as the writer Claude Vignon...

Andalusian Quail is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by Lo...

Gadwall is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name...

Onorevole Romano detto il Tribuno is an original artwork realized by Antonio Manganaro, in 1872. Original lithograph, watercolored by hand. Good conditions, except for a slightly yellowed paper due to the passing of time and some light foxings. This satirical print is plate n. XX (as written on the higher part of the artwork) from "The album of the 500" (Album dei 500), Tipografia De Angelis, Naples, and represents a satirical scene of an italian politician (l'Onorevole Romano) of the end of the XIX century. On the back, his biography. Signed on plate on the lower right A. Manganaro. Antonio Manganaro (Manfredonia, 1842 - Naples, 1920) was a painter, caricaturist, and drawing professor. Early designer, at the age of 14, he was sent to Naples at the Royal Institute of Art. The expenses were borne by two local patrons, Baron Cessa and Diego Badarò, who awarded him six ducats a month. He soon passed to painting classes, winning prizes and receiving the praises of his masters, including Maldarelli and Postiglione. Arrested for political conspiracy (his family belonged to the Young Italy), he was ordered to leave Naples. In 1859, he was part of the secret or action committee and, in 1860, he participated in the revolutionary movements that favored the entry of Garibaldi into Naples. Following the General, he participated in numerous feats of arms and was also wounded, obtaining a medal. Taking leave of the Mobile National Guards, he directed a newspaper, The Last Judgment...

Abstract landscape, Woodstock, New York. Signed lower right, Pinajian. The year 1970. Archive number 2324 Pinajian Estate certificate is included. Complimentary custom framing will b...

Medium: original etching. Printed in 1875 on laid paper at the Alfred Salmon Imprimerie and published in Paris by L'Art. Plate size: 8 1/2 x 11 inches (215 x 278 mm). Signed in the p...

Antique British oil painting of the Alhambra by Thompson British, 1876 Canvas: Height 45cm, width 35.5cm Frame: Height 69cm, width 61cm, depth 6cm This serene Orientalist oil painti...

Inkwell with Arabesques by Antoine-Louis BARYE (1796-1875) Rare bronze inkwell with dark brown patina signed on the side "Barye" old cast France around 1875-80 height 5 cm length...

Près de Fontainebleau is a black and white etching realized by Paul Huet (1803 –1869) in 1870s. Titled in the lower. Image size: 28cmx19.5cm. Very Good condition. Signed on the u...

Paul Cézanne Young girl, 1873 Original etching and roulette Signed in plate "P. Cézanne" and dated 1873 in lower right corner On vellum 32 x 25 cm (c. 13 x 10") REFERENCES : - Cat...

Leon RIchet Bejeweled woman within a Barbizon Landscape 1872 Oil on panel 24 x 18 inches (61 x 45.7 cm) Framed: 36 x 30 inches (91.4 x 76.2 cm) Signed: Léon Richet 72 Leon RIchet wa...

Very little in life is worse than the death of a beloved child. And yet, until recently, it happened very often. Here on offer is a mid-19th-century portrait of a young boy. As per t...

Medium: etching (after the painting). Etched by French artist Henri Lefort after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Est...

Oil on canvas by Eugene Verboeckhoven (1796-1881) & Alexander Daiwaille (1818-1888) Landscape with cattle & sheep on a farm track. Signed by both artists. Canvas size: 22" x 31" Fr...

Czech 19th Century Dalmatian Costume Young Man Orientalist Oil Portrait Kovács Czech, c. 1870 Canvas: Height 46cm, width 34cm Frame: Height 79cm, width 68cm, depth 10cm This oil por...

"Le café de la Nouvelle Athènes" French Impressionist Etching Etching of the bustling Café de la Nouvelle Athènes by Jean-Louis Forain (French b. 1852 d. 1931.) A row of men in top...

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

"Caress of Love" by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group sculpture with a nuanced dark brown patina Signed on the back "A. Carrier-Belleuse" Reposing on its orig...

View of Mount Fuji is a modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849). Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). ...

Medium: etching. Etched by Paul Edme Le Rat after Mino da Fiesole. This impression on thin japon paper was printed in 1875 at the Alfred Salmon imprimerie (before letters were added)...

Pair of 19' century Italian Marble imitation painted Terracotta . Bust of Emperor Caracalla and Cicero . Measurements : cm 71 H x 60 Available also a pair marble imitation colum...

Zebu and Python by Henri-Alfred JACQUEMART (1824-1896) Bronze group with nuanced brown patina signed on the base " A. Jacquemart " old cast France circa 1870 height 35,5 cm length...

Bust of an Oriental Woman by Emile GUILLEMIN (1841-1907) Orientalist bronze sculpture with dual nuanced patina. old period cast Raised on its original red marble base. Signed on th...

"Fast Trotting in the West (Milwaukee Race)" is an original hand-colored lithograph published by Currier & Ives. It depicts two horses pulling racing carts. The text below the picture reads "Fast Trotting in the West...Lucy and Goldsmith Maid...trotting their closely contested race over the cold spring course Milwaukee, Wis. Sept. 6th 1871...Where Goldsmith Maid won the 2nd heat in 2:17!! The fastest Mile heat in harness on record. Purse $4000 $2500 to 1st $1500 to 2nd horse____ 8 in. in harness. TIME 2:20 1/2 2:17 2:20" 16 3/4" x 26" image 22" x 27 3/4" paper 35 3/4" x 41 7/8" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders...

JEAN-BAPSITSE AUGUSTE CLÉSINGER (FRENCH, 1814-1883) Femme piquée par un serpent Inscribed J. CLESINGER and F. BARBEDIENNE. FONDEUR Bronze, dark brown patina 8 in. (20.3 cm.) high, 22...

An unsigned, English school landscape painted circa 1860 painted by a skilled but unidentified hand, perhaps a follower of George Augustus Williams (English, 1814-1901). A particula...

Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). This impression on laid paper was printed by Francois Lienard in 1875 and published in Paris for L'...

Vasili Grachev, 1831-1905. A patinated chocolate brown bronze grouping of horses pulling a troika with figures. A Classic Russian bronze grouping of three horses tearing through the ...

A fabulous and rare large 19th century Bombay Pottery Charger from the J J School of Art, depicting scenes of Buddha from the Ajanta caves. Bombay Scho...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). This impression on japon paper was printed by Francois Lienard in 1875 (before letters were added) ...

Suite of Ten etchings and dry-points: • L’Auberge des Trois-Corbeaux. Wentworth 29 (i/iii) • Quarrelling. Wentworth 18 • The Rubens’ Hat. Wentworth 8 • The Thames, Wentworth 20 • Bas...

A beautiful mid 19th century oil on canvas depicting Stirling Castle, by the important Danish architectural painter Heinrich Hansen. The work is signed with initials lower left and i...

'The Bird Cage' after Nicolas Lancret. Louis XV, Fêtes Galantes, Mme. de Pompadour, Rococo, Allegory ---------- 'Les Amours du Bocage' (The Bird Cage). Painted after the original w...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the ra...

Giovanni (Nino) Costa (Rome 1826 – Marina di Pisa 1903), The ‘Alba’ study for The awakening of nature Oil on canvas cm 25 x 53 signed lower left. Provenance: Reverend Stopford Br...

This is an engaging work with masterful detail that will unfold for an intent viewer, particularly in the area of the figure's well-worn hands, and her traditional clothing. The image depicts a Bavarian woman deep in thought while winding a skein of wool. She is seated outside of her home, where she has brought her yarn swift...

Les Demoiselles de Village is an artwork realized by Gustave Courbet in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative o...

This exquisite watercolor by Fritz von Dardel captures a vivid winter scene, rich in narrative and detail. The composition depicts a rustic moment: a horse-drawn sleigh carrying a co...

Diana after the Hunt is a black and white etching realized by Charles Chaplin (1825 – 1891) in 1870s. Titled in the lower. Image size: 19cmx24cm. Very Good condition. Signed in t...

William Thornley was a painter of coastal scenes whose work is very similar to Hubert and Charles Thornley, who may have been members of the same family. He painted scenes of genre, architecture, and landscapes as well. A number of the landscapes were of Belgium, Holland, Italy, and Norway. However, it is for his seascapes that he is best remembered. Thornley’s works are beautifully detailed and show a masterful understanding of the moods of both weather and sea. They are often small in size and put together with fine detail and great artistic merit. Thornley’s fishing scenes are spirited and similar in style to those of “Jock” Wilson, and are often painted in pairs. Thornley’s works have always been popular when they appear on the art market. He was believed to have first exhibited marines at the Royal Academy in 1859 from an address in Paddington, London and also at the British Institution from 1861 until it closed in 1867. He continued to exhibit at the Royal Academy until 1898. Thornley also exhibited at the Paris Salon and the Salon of French Artists, receiving an honorable mention in 1881 and a third-place medal in 1888. William Thornley also went by the names Georges William and William...

George Bernard ONeil 1828-1917 Oil on canvas, signed & dated (18)76 lower right Image size: 22 ½ x 17 inches Original frame The painting depicts the arrival of the new teacher, a curious pupil peeps around a door to see her, while her friends look through the open door to the classroom to catch a glimpse. The artist has gone to great lengths with the painting, such as the highly detailed Dutch tiles on the bottom right of the picture or the window above the door in the background. O'Neil often painted works with several doorways leading off and giving a sense of depth to the work. The use of light and shadow is also cleverly depicted across the work, one light source arrives from where the viewer stands filling the room and the new teacher with light, while the other window above the door in the background also gives a warm glow. George Bernard O'Neill was born on 17th July 1828 in Dublin the ninth of fifteen children of Bernard and Sarah O...

Important and rare etching by G. De Nittis. Good condition with fine tonal contrasts. Slight foxing all over the sheet . 1st state - before the ink veiling. Edition unknown. "This d...

A fabulous and rare 19th century Indian Bombay Pottery School of Art turquoise pot with the iconic floral motif, still in use in Indian design to...

Etching on paper, laid down on mount Signed in the plate (lower right): Félicien Rops Printer’s inscription in the plate (lower margin): Nys. imp. de la Société A satirical etching b...

This framed 19th century map of the Louisiana territory was published in "Gray's Atlas of the United States with General Maps of the World, accompanied by Descriptions Geographical, Historical, Scientific and Statistica" published in 1873 in Philadelphia by O.W. Gray and Son and Stedman, Brown and Lyon. It is a highly detailed map of Louisiana...