1870s Art

François Alfred DELOBBE Paris 1835 - 1920 Study of a Reclining Man Black chalk on blue-gray paper Stamp from the studio sale in the lower left corner 30 x 45 cm sheet 45 x 6...

La Fête Nationale du Boulevard Clichy Etching, drypoint, and aquatint, 1878 Signed lower left in the plate (see photo) Printed chine collee, mounted on white wove paper Upper plate m...

"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...

L’Angelus (The Bell Tower) etching & drypoint, c. 1876 Signed in the plate with the artist's initials (see photo) Condition: Excellent Image/Plate size: 5 7/8 x 4 1/4 inches Sheet s...

Batterie de New-York is an artwork realized by Anatole De Bonsonge in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of...

À Bordeaux is an artwork realized by Maxime Lalanne in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher ...

Draham Harbour is an artwork realized by William Ridley in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publish...

Louis Aimé Japy (1840-1916) Oil on canvas Cows in river with village in background Signed lower right, Japy. Canvas 26” x 32” Overall in a period gilt frame 38” x 44”. Conditi...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Environs de Rix is an artwork realized by A.Appian in the 1870s. Etching. Image size:9x17 and 9x17 Good conditions. Realized for the "Société des Aquafortistes. Born on the ini...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Oil on canvas by Eugene Verboeckhoven (1796-1881) & Alexander Daiwaille (1818-1888) Landscape with cattle & sheep on a farm track. Signed by both artists. Canvas size: 22" x 31" Fr...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Marton Gouache, pen, and ink 52 x 44 cm Prior to phot...

Signed figures in a landscape oil on canvas circa 1870 by French impressionist painter Victor Alfred Paul Vignon. The work depicts a woman carrying a basket with a young child beside her walking along a snowy path in a Fontainebleau Forest. This early work by Vignon was painted whilst he was under the tutelage of Camille Corot in the period between 1869 and 1870 . The work shows a mother and child in the forest at Fontainebleau in winter. Many painters in Vignon's circle such as Monet, Renoir, Sisley and Bazille visited this area to paint in the late 1860's and the early 1870's. Signature: Signed lower left Dimensions: Framed: 23"x25.5" Unframed: 13.5"x16" Provenance: Galerie Commeter - Hamburg c. 1920 French exhibition customs stamps verso His mother has been incorrectly identified as the writer Claude Vignon...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Maitland Gouache, pen, and ink 52 x 44 cm Prior to ph...

"Oil On Canvas Family Portrait After Sir Anthony Van Dyck" After Sir Anthony van Dyck (Flemish painter, 1599-1641), Group of three young girls with a bust of Mercury Oil on canvas (doubled), probably end 19th century, with French wax seal...

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the ra...

Born in Valencia, Spain in 1845, 19th century impressionist Vicente García de Paredes studied at the School of Fine Arts in Valencia, in Madr...

SIR HUBERT VON HERKOMER, RA, RWS (1849-1914) The Pipe’s of Pan Signed with initials and dated 26/2/74 Watercolour and bodycolour on paper 17 by 22 cm., 6 ¾ by 8 ¾ in. (frame size ...

Paul Gauguin (French 1848 - 1903) Recto and Verso sketches Self-Portrait Recto with Portrait of a Woman on Verso. (One sheet). Self portrait shows Gauguin’s profile with eyes gazing...

Horseman is an original etching artwork on paper realized in 1875 by Alphonse Edouard Enguérand Aufray de Roc'Bhian (French, Paris 1833– 1887). Signed on the plate on the lower of t...

After the Cercle of Narcisse Díaz ilisible signature Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a French painter. From 1837, he...

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...

La Grande Edition du musée des tailleurs is an original artwork realized by Morin et Charpentier, in Juin 1877s. Beautiful black and white lithograph on paper. Good conditions. Signed, dated and titled on the lower margin. The artwork represents two men in tuxedos.

Medium: etching (after the painting). Etched by French artist Henri Lefort after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Est...

Onorevole Romano detto il Tribuno is an original artwork realized by Antonio Manganaro, in 1872. Original lithograph, watercolored by hand. Good conditions, except for a slightly yellowed paper due to the passing of time and some light foxings. This satirical print is plate n. XX (as written on the higher part of the artwork) from "The album of the 500" (Album dei 500), Tipografia De Angelis, Naples, and represents a satirical scene of an italian politician (l'Onorevole Romano) of the end of the XIX century. On the back, his biography. Signed on plate on the lower right A. Manganaro. Antonio Manganaro (Manfredonia, 1842 - Naples, 1920) was a painter, caricaturist, and drawing professor. Early designer, at the age of 14, he was sent to Naples at the Royal Institute of Art. The expenses were borne by two local patrons, Baron Cessa and Diego Badarò, who awarded him six ducats a month. He soon passed to painting classes, winning prizes and receiving the praises of his masters, including Maldarelli and Postiglione. Arrested for political conspiracy (his family belonged to the Young Italy), he was ordered to leave Naples. In 1859, he was part of the secret or action committee and, in 1860, he participated in the revolutionary movements that favored the entry of Garibaldi into Naples. Following the General, he participated in numerous feats of arms and was also wounded, obtaining a medal. Taking leave of the Mobile National Guards, he directed a newspaper, The Last Judgment...

Print Sz: 17"H x 22"W Frame Sz: 21 1/2"H x 26 1/2"W Ex- Adirondack 'Great Camp' estate

Friedrich Wilhelm Pose Berlin 1793 – 1878 Mannheim Garden Café Oil on canvas Monogrammed lower right Dimensions: 23.5 x 29.5 cm Frame: 37 x 31 cm Good condition, minor damage to th...

Czech 19th Century Dalmatian Costume Young Man Orientalist Oil Portrait Kovács Czech, c. 1870 Canvas: Height 46cm, width 34cm Frame: Height 79cm, width 68cm, depth 10cm This oil por...

Edmond Petitjean Provence Signed lower right Oil on canvas 18 x 24 inches Provenance Vincent Mann Gallery, New Orleans Edmond Petitjean was born in 1844 in Neufchâteau, in the Vos...

Exhibited: Salon, Société des Artistes Français, Paris, 1879 (no. 647)

Provenance Collection of Mrs. Victor R. Bieber, Gwynedd, Pennsylvania Born in Ohio, Worthington Thomas Whittredge began his career as a sign and portrait painter in Cincinnati, wher...

James McNeill Whistler (1830-1903), Lagoon: Noon, etching and drypoint, 1879-1880, signed with the butterfly and inscribed “imp” on the tab [also signed with the butterfly in the plate lower left]. Reference: Glasgow 209, third state (of 3), Kennedy 216, third state (of 3); Lochnan 231, 4 7/8 x 7 7/8 inches. A fine impression with very little plate tone, and printed with extraordinary attention to the etching and drypoint details. The printed butterfly, usually only barely visible, is clearly defined in this impression (see detail below). Kennedy mades special note that an impression like this, with the clearly visible butterfly, was in the collection of John H. Wrenn. On a commission from the Fine Arts Society, Whistler created the plates of his Venice series...

Antique Dutch oil painting of an ice skating scene by Culverhouse Dutch, 1870 Canvas: Height 93cm, width 127cm Frame: Height 118cm, width 1...

JOINVILLE Antoine Victor Edmond Madeleine (1801-1849) From Ludwig Knaus (1829-1910) The Walk in Luxembourg Garden" in Paris, also called "The Privileged" Preserved at The Louvres M...

Louis Aime Japy (1840 - 1916) Oil on canvas Circa 1875 Signed lower right “Japy 91” Measures: Canvas. 19 x 12.5 Inches Framed: 29 x 23 inches The scene is of a landscape with fig...

The Fifer Etching, c. 1875 Unsigned Provenance: Estate of the Artist Bt descent in the artist's family Edition: One of four known impressions With annotation on...

Pair of 19' century Italian Marble imitation painted Terracotta . Bust of Emperor Caracalla and Cicero . Measurements : cm 71 H x 60 Available also a pair marble imitation colum...

William Edward Norton (1843 - 1916) Ship Portrait, 1876 Oil on canvas 10 x 16 inches Signed and dated lower left Born in Boston, William Norton became a noted marine painter, stirred by his youth when he sailed on family-owned ships. He studied at the Lowell Institute in Boston, and with George Inness, and then established a studio in Boston. In the early 1870s, he went to Paris and became a student with Chevreuse and A. Vollon, and then he settled in London where he exhibited throughout the last quarter of the 19th century. His reputation there was based on his scenes of the Thames River, and ocean and coastal views. In 1901, he and his wife returned to the United States and settled in New York City. He also painted at Monhegan Island, Maine, where a treacherous ledge on the southern side of the island is named "Norton's Ledge" for him. He was a member of the Boston Art Club with whom he exhibited from 1873 to 1909. He also exhibited with the Pennsylvania Academy, the Royal Academy in London, the Paris Salon, the 1893 Chicago Exposition...

This painting, signed and dated “Venezia Maj 79”, belongs to the early and formative phase of Axel Axelson’s career and constitutes a rare and significant example of his work from Ve...

A wonderful work by Provençal master Joseph Collas, a native of Aix en Provence in the South of France. Born in 1841, Collas studied with Emile Loubon - who was also known for his pa...

Medium: original etching. This impression on laid paper was printed in 1872 by A. Salmon and published in Paris by Gazette des Beaux-Arts. Plate size: 8 1/4 x 5 inches (210 x 125 mm)...

Antique American genre scene school classroom oil painting . Oil on board. Framed. Measuring: 34 by 30 inches overall, and 24.5 by 20 painting alone. Excellent condition, ready to ...

Tangier, 1870 Oil on canvas, 11 3/4 x 14 1/2 inches Framed dimensions: 16 3/4 x 19 3/4 inches Inscribed and dated lower right: Tangier / Africa. Sep. 23rd / 1870 Estate stamp lower left: R Swain Gifford...

An unsigned, English school landscape painted circa 1860 painted by a skilled but unidentified hand, perhaps a follower of George Augustus Williams (English, 1814-1901). A particula...

Inkwell with Arabesques by Antoine-Louis BARYE (1796-1875) Rare bronze inkwell with dark brown patina signed on the side "Barye" old cast France around 1875-80 height 5 cm length...

Signed and dated '1873' lower left

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) David Barclay Chapman Gouache, pen, and ink 52 x 44 cm...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Lady Fletcher Gouache, pen, and ink 52 x 44 cm Prior...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Silhouette (circa 1870) Mrs Gillon Gouache, pen, and ink 52 x 44 cm Prior to ...

"Caress of Love" by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group sculpture with a nuanced dark brown patina Signed on the back "A. Carrier-Belleuse" Reposing on its orig...

JEAN-BAPSITSE AUGUSTE CLÉSINGER (FRENCH, 1814-1883) Femme piquée par un serpent Inscribed J. CLESINGER and F. BARBEDIENNE. FONDEUR Bronze, dark brown patina 8 in. (20.3 cm.) high, 22...

Medium: original etching. This impression on japon paper was printed in 1875 (before letters were added) and published in Paris for a deluxe edition of L'Art. Image size: 5 1/8 x 9 i...

Medium: etching (etched by Edmond Hedouin after the Jean-Francois Millet painting). Catalogue reference: Beraldi 39. Published in 1875 in Paris by L'Art and printed on watermarked la...

Signed and titled lower left

Original Etching. "Portrait du Peintre A. Guillaumin au Pendu" by Paul Cézanne (French, Aix-en-Provence 1839-1906). Etching on archival paper, 1873. A good impression of the rare Fir...

The Lily by Auguste CLESINGER (1814-1883) Outstanding bust sculpted in white Carrara marble Signed on the ribbon " J. Clésinger, 1871 " Presented on a rounded white marble base France 1871 height 76,5 cm width 48 cm depth 35 cm Noted in "Clésinger – Sa vie, ses œuvres - Le catalogue de ses œuvres", A. Estignard, Librairie H. Floury, Paris, 1900, p.169. Biography : Jean-Baptiste Auguste Clésinger, known as Auguste Clésinger (1814-1883), was a French romantic sculptor. His father, Georges-Philippe Clésinger, himself a sculptor, trained him at the School of Fine Arts in Besançon where he was a teacher. Auguste also studied sculpture under the direction of Bertel Thorwaldsen...

William Hughes British, 19th Century Still Life of Apples, Grapes and Insects on a Garden Ledge, circa 1870 Oil on panel Monogrammed lower right A richly coloured and finely observ...

JEAN-LÉON GRÉGOIRE French, (1840-1890) Perseus Freeing Andromeda Patinated bronze; Signed 'L. GREGOIRE’ 25 1/2 x 13 x 11 inches Notes: Jean-Léon Grégoire started to exhibit at...

Antique British oil painting of the Alhambra by Thompson British, 1876 Canvas: Height 45cm, width 35.5cm Frame: Height 69cm, width 61cm, depth 6cm This serene Orientalist oil painti...