1870s Art

Shieldrake is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Na...

Esquimaux Curlew is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by Lo...

Tree Sparrow is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. ...

Great Spotted Wodpecker is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, publishe...

Red-Breasted Merganser is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Son...

Tree Pipit is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Na...

Redshank is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name...

Little Ringed Dotterel is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & So...

Pied Wagtail is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by London...

Bee-Eater is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by London, B...

Kittiwake is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by London, B...

Heron is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by London, Bell ...

Sand Martin is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. ...

Pintail is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print on ivory-colored paper. Hand-colored, published by London, B...

Sabine's Snipe is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print on ivory-colored paper. Hand-colored, published by L...

Fieldfare is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. ...

Virginian Partridge is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by...

Marsh Harrier is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 18...

Barbary Patridge is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 187...

Siskin is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name o...

Linnet is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name o...

Blackbird is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Na...

Scaup is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name of...

Wood Lark is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Nam...

Rough-Legged Buzzard is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons,...

Red-Throated Pipit is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1...

Garden Warbler is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870....

Goldcrest is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Nam...

Tawny Pipit is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. ...

Snipe is a modern artwork realized in 1870. Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name of the bird printed in plate. This work is part of a print su...

Spine-Tailed Swallow is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons,...

Jules Moigniez (1835–1894) French, Napoleon III Period Medium: bronze and gilded bronze Interior : lined in petrol blue velvet ( new restored but same color as the original one ) Si...

James E. Buttersworth's most sought-after artworks emerge from his depictions of American racing yachts going head to head in the major regattas...

Georges HYON (Paris 1840 – Saint Germain en Laye 1913) Cavalry review of the 2nd Lancers regiment Oil on canvas H. 115 cm; W. 146.5 cm Signed lower left A student of Portalis, Georg...

The scholar is an original etching on paper, realized by the french artist Jules-Edmond Cuisinier (1857–1917). Hand-signed in pencil on the lower. In good conditions with foxing.

Le Duc d'Urbin is a black and white etching on Chine paper attached, by Félix Bracquemond, after Tiziano. This modern artwork representing the noblem...

Old Ruins In Rome is an original lithograph realized by Anonymous artist in 1849. The print is taken from the daguerreotype of that period and shows the ruins caused by the disaster of the war in Rome. The artwork shows some of the most important buildings and monument of that period, such as Palazzo del Vascello and Palazzo dei Quattro Venti...

GEORGE PRICE BOYCE, RWS (1826-1897) A Little Wooded Valley in Surrey Signed and dated l.l.: G P Boyce 1873.4 Watercolour on paper Framed in oak reeded f...

Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS") Oil on canvas, c. 1875-1925 Unsigned Provenance: Found in Ohio A charming American naive nocturn of a hunter and his two ...

L’Angelus (The Bell Tower) etching & drypoint, c. 1876 Signed in the plate with the artist's initials (see photo) Condition: Excellent Image/Plate size: 5 7/8 x 4 1/4 inches Sheet s...

"Oil On Canvas "young Oriental With Spindle" By Charles Landelle" Charles Zacharie Landelle (1821 in Laval - 1908 in Chennevières-sur-Marne) is a French genre and portrait painter. ...

Bernard H Cobbe English 1860’s Kittens and caterpillar oil in canvas 19x13 inches image size 27x21 inches with frame good condition Signed lower right Here we have a beautiful 1860...

Tangier, 1870 Oil on canvas, 11 3/4 x 14 1/2 inches Framed dimensions: 16 3/4 x 19 3/4 inches Inscribed and dated lower right: Tangier / Africa. Sep. 23rd / 1870 Estate stamp lower left: R Swain Gifford...

Maitre E.S., After by Amand Durand, German (1420 - 1468) - La Patene, Year: circa 1878, Medium: Heliogravure, Size: 8 x 7.5 in. (20.32 x 19.05 cm), Printer: Amand Durand, Descripti...

Cassatt, Mary. WOMAN WITH OPERA GLASSES (STUDY FOR "IN THE LOGE"). Drawing, Pencil, circa 1878. 5 x 8 1/2 inches (sheet). With the estate stamp "Mary Cassatt - Collection Mathilde....

Rare pair of "Tiger and Lion walking" by Antoine-Louis BARYE (1796-1875) A very fine pair of bronze sculptures with a nuanced brown patina each signed "Barye" on the base cast by "F...

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

Reading Lithograph, 1879 and 1887 Signed in the stone with the Butterfly (see photo) A proof laid paper printed before the edition of 100 impressions printed for Art Notes Watermark:...

"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Force II, Year: 1875, Medium: Heliogravure, Size: 6 x 3.25 in. (15.24 x 8.26 cm), Printer: Amand Durand, De...

Giovanni Boccaccio, After by Amand Durand, Italian (1313 - 1375) - Le Roi et l'Homme Mort, Year: Printed 1878, Medium: Heliogravure, Size: 9 x 7 in. (22.86 x 17.78 cm), Printer: Am...

William Louis Sonntag Sr. was an American Landscape painter and a member of the Hudson River School movement. He was an Academician of the National Academy of Design. His work is in ...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chapu (1833-1891) and Marius Jean Antonin Mercié (1845-1916). Dalou was hugely influential and was a founding member of the Société des Artistes Français and later a founder of the Société Nationale des Beaux-Arts. He was officially rewarded with the highest rank of the Légion d'Honneur two years before his death, with the inauguration of the Triumph of the Republic, in 1899. He started his artistic training in 1852 at the Petite Ecole after being encouraged to do so by Jean-Baptiste Carpeaux, where he studied drawing and modelling. Carpeaux continued to support Dalou throughout his career and influenced his sculpture greatly. Dalou began employment in the field of decorative sculpture working for two companies in Paris, Lefèvre and Favière goldsmiths. During this time he contributed towards the architectural features of Hôtel de la Païva, the then home of the infamous French courtesan Esther Lachmann known as La Païva. Dalou's unique approach lay in his broad range of subject, painterly and sculptural source material, though which he absorbed an impressive spectrum of inspiration. The work of an eighteenth-century sculptor, Louis-François Roubiliac, played a significant role in Dalou's artistic development, whose sculptures he studied whilst in London. Dalou's work includes friezes, maquettes, reliefs, and individual bronze figures. He is known for Baroque-inspired allegorical group compositions, as much as for his depictions of the French rural labouring classes. Dalou encouraged students of art to free themselves from the constraints of established traditions, with his style and teachings thought to have awakened a new generation of young British sculptors whose work was later aligned to the New Sculpture movement. Dalou’s first public commission in England was to create a large public fountain which still sits behind the Royal Exchange in London entitled Charity, featuring a mother and two children. This maquette is an early sketch, modelled in 1877. During his time in Britain, Dalou’s artistic focus shifted to increasingly domestic scenes that celebrated mothers and children of all social backgrounds. During a time when the Industrial Revolution was making life increasingly frenzied, more pastoral, idealised visions of a simpler life became an increasingly popular escape. It is thought that the shrinking of Dalou’s social circle during his exile to encompass his family and close friends prompted him to focus more on intimate family scenes such as this one. In Charity the mother and her children are fused together in their embrace. Dalou creates a sense of intimacy by focusing the mother’s gaze away from the viewer - the trio are entirely in their own world. Charity’s intended position at one of the city’s key financial centres would have acted as a provocative reminder of what Dalou considered the responsibilities owed to the poor of London by the ruling elite, as aligned with his socialist leanings. Provenance: Alfred Drury...

Bust of a Young woman wearing a comb by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bust sculpted in white Carrara marble signed on the shoulder "A. Carrier Belleuse" reposing on an ...

Adolphe-Felix CALS Paris, 1810 – Honfleur, 1880 Oil on canvas 45 x 38 cm (69 x 63 cm with frame) Signed and dated on the right "Cals / 1879" Label on the back mentioning the model "Jenny Godin" Beautiful 19th century oval frame in carved, decorated and gilded wood Very good condition This is the portrait of Jenny...

JOINVILLE Antoine Victor Edmond Madeleine (1801-1849) From Ludwig Knaus (1829-1910) The Walk in Luxembourg Garden" in Paris, also called "The Privileged" Preserved at The Louvres M...

19th century British oil, Ship in a rough sea. The style of the painting is very similar to the work of Bernard Benedict Hemy a well known Briti...

Alfred Frank de Prades 1825 - 1885 Titled 'Blair Athol' Picture Size: 21 x 17" (54 x 44cm) Framed Size: 27 x 23" (69 x 59cm) Signed and titled. Oil on board This painting sho...

François Alfred DELOBBE Paris 1835 - 1920 Study of a Reclining Man Black chalk on blue-gray paper Stamp from the studio sale in the lower left corner 30 x 45 cm sheet 45 x 6...

When you gaze upon "Yacht Wanderer (Slave Ship)" by William Gay Yorke, you're not just looking at a maritime painting; you're peering into a fragment of history with profound and com...