1870s Art

The Robin's Note Wood engraving, 1870, later heightened with grey wash by a skillful artist The grey was was added at a later date by a skillful artist Cover Illustration, Published...

Medium: etching (etched by Theophile Narcisse Chauvel after the Hippolyte Boulanger painting). Published in Paris by L'Art in 1875 and printed by Francois Lienard on laid paper. The ...

Medium: etching (after the painting). Etched by Charles Courtry after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Grave...

Edouard MANET (after) The Harbour, Sailboats, 1873 Original Etching Engraved by Gaucherel under the supervision of MANET Printed signature in the plate On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

Le Printemps (Spring) Etching with drypoint, 1878 Signed in the plate upper right corner (see photo) Signed with the artist's "Red" stamp upper right corner near signature in the pla...

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Millet painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the r...

Beautiful original pastel on archival card stock from Paris of the craggy seaside cliffs of California by the well known Hudson River artist, George Douglas Bremerton. Signed lower left. Circa 1880. Condition is excellent. Under glass. The artwork is housed in its original ornate scroll designed frame. Overall framed measurements are 33 by 19 inches. Provenance: A East Coast Florida estate. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...

Michael Angelo Rooker (1746–1801) St John's College, Oxford Watercolour 25 x 40 cm Depicting a lovely view over the gardens of St John's College, Oxford, this watercolour may have ...

'The Bird Cage' after Nicolas Lancret. Louis XV, Fêtes Galantes, Mme. de Pompadour, Rococo, Allegory ---------- 'Les Amours du Bocage' (The Bird Cage). Painted after the original w...

Jean Baptiste Camille COROT (after) After the Bath, 1873 Original Etching Engraved by Boilevin under the supervision of COROT Printed sig...

American Wigeon is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by Lo...

Scene on the Nihonbashi Bridge is an artwork realized in 1875 by Utagawa Yoshitora. Woodcut print triptych. Signed: Mosai ga. Publisher: Sawamuraya...

"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...

Cerbère is a Woodcut Print realized by Carlègle (Charles Emile Egli, 30 March 1877 – 11 January 1937). Belongs to the Suite "Les Travaux D'Hercule". Good condition on a yellowed cardboard. Titled, Stamp Signed on the lower margin Charles Émile Egli (known as Carlègle; 30 March 1877 – 11 January 1937) was a Swiss-born illustrator and painter who spent most of his life in Paris. Charles Émile Egli was born in Aigle, Switzerland on 30 March 1877. He was educated in Aigle and then at the college of Vevey. When he was eighteen he attended engraving classes of Alfred Martin...

Disparate claro - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 15 fr...

Una Reina del Circo is a modern artwork realized by Francisco Goya. Etching and Aquatint, from the Series "Los Proverbios", realized in 1815. Thi...

Le Peseur d'Or (The Money Exchanger) is a wonderful black and white etching on wire rod cream-colored paper, realized by Léopold Flameng, an after by the Flemish artist Gabriel Metsu...

Here They Come Derby Day is a print artwork realized in 1878 by French artist Adolphe Lalauze created in 1878 after a work by C. Green. Etching on paper Signed and title on the pla...

Le Petit Troupeau is a black and white etching realized by Jean-Ferdinand Chaigneau (1830-1906) in 1870s. Titled in the lower. Image size: 23.5x18cm. Very Good condition. Realize...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Short-Eared Owl is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870...

La Terrasse de la Villa Brancas, Sevres (The Terrace of the Villa Brancas) etching & drypoint, 1876 Signed in the plate bottom right corner (see photo) in plate, at lower left: xbre ...

Home of Colonel William H. Terrill Roanoke Virginia Original Photograph Home of the Colonel William Terrill (CSA) Roanoke Virginia, original period s...

Thrush is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, publishe...

This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...

Los Ensacados - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 8 from ...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Raid On A Sand-Swallow Colony " How Many Eggs?" is an original wood engraving from Harper’s Weekly June 13, 1874 in very good condition. One of Am...

Vivid early 19th century French watercolor painting of mill house water wheel , 1876. Signed and dated lower left. Original artwork on paper displayed o...

Medium: original etching. This impression on japon paper was printed in 1875 (before letters were added) and published in Paris for a deluxe edition of L'Art. Image size: 5 1/8 x 9 i...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Sepia nineteenth century French ink wash, circa 1870. Signed lower left. Original artwork on paper displayed on a white mat with a gold border. Mat fits a ...

Hundred guilder leaf. Christ heals the sick is a black and white etching on laid paper realized by Léopold Flameng (1831-1911) around 1870. The print has the watermark "Crowned coat...

Here Lundgren concentrates on individual studies of goats, especially their heads and expressions. In one sketch, a goat faces forward, its distinctive long ears and gentle features ...

An elegant and evocative example of 19th-century figurative painting, combining narrative charm with timeless decorative sophistication. Monogrammed lower right and dated 1878. A charming and finely executed 19th-century European genre painting, oil on canvas, monogrammed L.A. and dated 1878. The composition depicts a tender rural scene: a young peasant woman pouring a drink for a seated farm worker resting beside a rocky outcrop, his scythe laid across his lap. In the background, a pastoral landscape unfolds with grazing livestock, distant figures, and tall trees, evoking the quiet rhythms of agrarian life. Rendered with academic precision and warm naturalistic color, the painting captures both the dignity of rural labor and the intimacy of everyday moments. The artist demonstrates particular skill in the modeling of the figures, the textures of clothing, and the atmospheric depth of the landscape. Soft light bathes the scene, enhancing the harmonious palette of earth tones, greens, and warm reds. Works of this type were highly prized in late 19th-century Europe, reflecting the period’s fascination with pastoral virtue and traditional country life. The painting offers both historical character and strong decorative appeal, making it suitable for collectors of antique European art as well as refined interior settings. 19th century genre painting, antique oil painting 1878, European peasant painting, rural genre scene painting, antique figurative oil painting, pastoral scene antique, farm worker painting, peasant couple painting, academic oil painting 19th century, Continental school painting...

Les Bulles de Savon is an artwork realized by Charles Chaplin in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the ...

I Cinque Onorevoli Di Roma is an original artwork realized in the 1870s by Antonio Manganaro. Original colored lithograph. Good conditions except for a light yellowing of paper due...

Triptych of Highland Mountains and River comprises three oil paintings by famed plein air artist Alfred de Breanski Sr., presenting a studies of the same mountain and river from diff...

Etching on laid paper, realized in 1877 and published by Cadart & Luquet, Paris. This elegant 19th-century etching by Spanish artist Ricardo de los Ríos depicts a refined young ...

Albert Roosenboom was a Belgian genre painter celebrated for his elegant depictions of everyday life in the mid to late 19th century. A pupil of the renowned Constantin Meunier, Roos...

La Ravaudeuse de Cesson is a wonderful black and white etching on paper realized at the end of the XIX century by the French artist Paul Edmé Le Rat (1849-1892). Published by A. Cada...

Wonderful Antique Victorian Welch landscape, Ruined Castle by the shore side with moored fishing boats Joseph Horlor was born in Bath in 1809 and was a landscape painter of Welsh sc...

Vue Prise du Pont St Michel is an artwork realized by Maxime Lalanne in the 1870s. Etching. Image size:22x29 Good conditions. Realized for the "Société des Aquafortistes. Born ...

Dans la Rue is an artwork realized by Alfred Cadart in the 1870s. Etching. Image size:16x12 and 16x12 Good conditions. Realized for the "Société des Aquafortistes. Born on the ...

Cliché-verre. Magnificent proof of ancient edition, numbered in red pencil on verso, and whose subject wasn’t included in the later reprints by Bouasse-Lebel and Le Garrec. Signed on...

"Caress of Love" by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group sculpture with a nuanced dark brown patina Signed on the back "A. Carrier-Belleuse" Reposing on its orig...

George Henry Smillie (1840 - 1921) Stone Wall, Autumn, 1879 Oil on canvas 9 1/2 x 15 inches Signed and dated lower right Provenance: Skinner, Boston, September 19, 2014, Lot 389 The career of George Smillie (1840-1921) followed the arc of nineteenth-century U.S. landscape painting. Trained in the Hudson River School tradition, Smillie successfully adapted to changing U.S. tastes and growing interest in European trends. In the late 1800s, he moved to tonalist paintings full of brushwork and influenced by French Barbizon painting. By the end of his career, he had lightened his palette to produce works similar to those of the U.S. impressionists. Yet in all styles, he was never less than competent, and his tonalist work is among the best produced in the United States. Like many nineteenth-century painters, George Smillie’s artistic training began with the study of printing. His father, James Smillie...

This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...

L'Elevèment is an artwork realized by D. Félix in 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Ca...

Etching on paper, laid down on mount Signed in the plate (lower right): Félicien Rops Printer’s inscription in the plate (lower margin): Nys. imp. de la Société A satirical etching b...

Signed on bottom left by Eugène Lacoste, the design of the Opera of Giuseppe Verdi. Good conditions except some foxings. This artwork is shipped from ...

Le Chemin de la Mort is an artwork realized by Charles Thompson in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the ...

Prisonnier is an artwork realized by A.Gautier in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfre...

This framed 19th century map of the Louisiana territory was published in "Gray's Atlas of the United States with General Maps of the World, accompanied by Descriptions Geographical, Historical, Scientific and Statistica" published in 1873 in Philadelphia by O.W. Gray and Son and Stedman, Brown and Lyon. It is a highly detailed map of Louisiana...

Petit Canot de St Valery is a black and white etching realized by Adolphe Hervier (1818 -1879) in 1870s. Titled in the lower. Image size: 16.5x23.5cm. Very Good condition. Realiz...

View of Mount Fuji is a modern artwork realized after Katsushika Hokusai (31 October 1760 – 10 May 1849). Woodcut print from the series "Fugaku hyakkei" (100 views of Mount Fuji). ...

Buonaparte's Gull is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 18...

Signed lower right dated 1875.

Important and rare etching by G. De Nittis. Good condition with fine tonal contrasts. Slight foxing all over the sheet . 1st state - before the ink veiling. Edition unknown. "This d...

Original watercolor on archival paper laid down to heavy card stock by the American artist, Edward Loyal Field. The watercolor is of a European scene, perhaps Holland when the artist...