1880s Art

This exceptional 1886 calendar, created by the celebrated Art Nouveau master Eugène Grasset for the renowned Parisian department store Au Bon Marché, is a sublime blend of commercial...

French 19th century Fall River landscape, with later afternoon sunlight, Autumn trees and River bank flowers. William Baptiste Baird was born in Chicago, moving to Paris in the 1870s where he spent most of his working life. He exhibited both in Paris, at the Salon des Beaux-Arts and at the Royal Academy in London from 1877 to 1899. In 1877 he gave his address as 47, Bloomsbury Square, London; in 1879 as 20 Cheyne Row...

A splendid painting from the second half of the 19th century. Oil on board artwork, signed C. Huber on the lower left, attributed to the Austrian painter and graphic artist Carl Rudo...

Medium: original etching. This bucolic landscape is located in what is now the borough of Queens in New York City. Printed on laid paper in 1880 and published by The American Art Rev...

Cassatt, Mary. BEFORE THE FIREPLACE. NO. 1. Breeskin 64. Soft-grpund etching and aquatint, c. 1882. State 2 (of 3) with the light tone added, and the profile still indistinct. Si...

Charming late 19th century landscape of English country Tudor style houses and chickens in style of Edward Wilkens Waite (English, 1854-1924) and...

Ohio-born painter William J. Forsyth (1854-1935) spent most of his life in Indianapolis and initially trained at the Indiana School of Art. But by 1882 Forsyth wanted to hone his drawing and rendering skills abroad. He enrolled at the Royal Academy in Munich, Germany. Fellow Hoosier students in Munich included artists T. C. Steele and J. Ottis Adams, which helped the new arrival’s transition. Forsyth painted figures like this one while in Munich. One intriguing indication that this piece may have been done during the artist’s Academy period is that a very similar portrait of a remarkably similar sitter was described at auction as "German School, 1891" with the inscription "G. Büttner/Munich '91." However, while there Forsyth shifted his interest to landscapes under the influence of American artist J. Frank Currier...

Gheishas During a Feast is an hand-inked Albumin print with aniline applied on hardcover. Very good conditions, there is a tear on the upper left margin with old restoration that do...

A splendid Italian painting from the second half of the 19th century. Oil on canvas, a painting depicting a lively pastoral scene, of remarkable artistic quality. Signed lower left (...

Medium: original etching. This impression on laid paper was printed in 1882 for the "A Group of Etchers" portfolio and published in New York. Plate size: 6 3/4 x 8 3/4 inches (170 x ...

William Scott London, 1848 – Cannes, 1918 View of the Squero di San Trovaso in Venice Oil on canvas 26 x 43 cm (33 x 51 cm framed) Signed lower left "William Scott" Located and dated...

Woodland Scene, 1885 Oil on canvas, 38 x 50 inches (96.5 x 127 cm) Framed dimensions: 49 3/8 x 61 3/8 inches Signed and dated lower left: W Bliss Baker 1885 Provenance Albert E Clue...

Au marché by Camille Pissarro (1884-1903) Black crayon on paper 19 x 16 cm (7 ¹/₂ x 6 ¹/₄ inches) Stamped lower left, C.P. (Lugt 613) This work is accompanied by a letter confirming...

Amazing and gorgeous pair of business welcome panels, made of carved and lacquered wood in a bull's-eye tone, with embossed gold characters. They are reversible; one side has two ch...

This albumen silver print is signed and numbered in the negative. Printed c. 1880s.

Victor Alfred Paul Vignon (French, 1847–1909), Early Spring, oil on canvas, signed lower right, painted circa 1880 — a French Impressionist landscape by a pupil of Corot who exhibite...

Among the treasured classic arts we offer for sale is this stunning painting by the artist Anton Genberg. Born in 1862 to Pehr Jonsson and Anna Genberg, he left an indelible mark on the art world through his magnificent creations. Genberg's life was colored with a passion for exploration, study, and artistic expression. His artistic journey began with studies at the Tekniska skolan in Stockholm from 1882 to 1884, during which he also honed his skills at Oscar Törnås' private painting school. He furthered his education under the tutelage of Per Daniel Holm at the prestigious Konstakademien from 1884 to 1889. During these years, Genberg's exceptional talent was recognized with numerous scholarships and medals. Our painting, dated 1889, transports us to a captivating scene just some minutes after sunset. The canvas is imbued with a beautiful golden glow as the sun's last rays kiss the sky. Amidst a serene lake, the heavenly light reflects, painting the water's surface with mesmerizing shades of purple. In the distance, the landscape is dominated by a mountainous forest, while in the foreground, a stretch of land adorned with bushes creates a sense of depth. The impressionist style comes alive through Genberg's swift brushstrokes, reminiscent of the masterful techniques employed by Rembrandt, with branches delicately etched using the opposite end of the brush. Genberg's fame as a landscape artist was solidified through his enchanting depictions of snow-laden landscapes from Norrland, particularly the majestic "fjällen" (mountains). His art also captured the allure of Stockholm, Dalarna, and his birthplace in Jämtland. Notably, his masterpiece "Vinterafton" earned him a place of honor at the esteemed Nationalmuseum. Beyond his creative pursuits, Anton Genberg was actively involved in the art community. He served as the vice-chairman of the Svenska konstnärernas förening from 1913 to 1918 and held a position on the board of Sveriges allmänna konstförening from 1906 to 1939. His exceptional contributions were recognized when he was elected as a member of the Konstakademien in 1922. Throughout his life, Genberg resided in various places, leaving behind a trail of artistic inspiration. From 1916 to 1924, he lived in the enchanting Villa Wallbeck-Hansen, a masterpiece of national romanticism...

Medium: etching (etched by Leopold Flameng after the Sir John Gilbert painting). This impression on laid paper was printed in 1882 for the "A Group of ...

Medium: original etching. This impression on laid paper was printed in 1882 for the "A Group of Etchers" portfolio and published in New York. Image size: 5 3/4 x 8 1/2 inches (147 x ...

Medium: original etching. This impression was published in Boston in 1887 by Estes and Lauriat for the "Nature and Art" portfolio and is printed on cream laid paper. Size: 4 5/8 x 6 ...

Medium: original etching. Catalogue reference: Rinder 28. Executed in 1889; this is a fine, dark impression on wove paper from "The Portfolio" edition, published in London by Seeley,...

Alfred Émile Léopold Stevens (Belgian, 1823–1906), Boats at Sunset, oil on panel, signed lower left — a late nineteenth-century marine from a private French collection. The panel is...

Assassinat is an original etching on the Japanese paper, realized by James Ensor in 1888, signed on the plate and dated, with the second signature on the reverse. In good conditions...

"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple. Mat size: 16"H x 20"W Paper size: 14.75"H x 9.88"W Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...

Lowell Nesbitt Untitled Rose, 1983 Graphite on Lanaquarelle Watercolor Paper Signed and dated on the front Framed Unique, poignant, exquisitely rendered graphite drawing on watercolor paper with deckled edges. This work is framed and ready to hang; frame bears Alan Brown Gallery (Hartsdale) label verso. It was acquired from the Estate of Noel Frackman, renowned art historian, scholar, writer, and professor with a lifelong passion for 20th Century Art - and a close personal friend of Lowell Nesbitt. She earned a M.A. from Sarah Lawrence College in English Literature and a M.A. and Ph.D. in Art History from the Institute of Fine Arts of New York University. She was an art critic for the Patent Trader Newspaper and the Scarsdale Inquirer, contributing editor for Arts Magazine, author of numerous catalogs including ''John Storrs'', for the Whitney Museum of American Art. For 19 years she was a faculty member at Purchase College, State University of New York. Measurements: Framed: 13 inches by 13 inches x .5 Artwork: approx. 10.5 inches by 10.5 inches Lowell Nesbitt Biography: Lowell Blair Nesbitt, painter, printmaker, draughtsman, and sculptor, was born in Baltimore, Maryland on 4 October 1933. He studied at Tyler School of Art at Temple University in Philadelphia and at the Royal Academy of Arts in London. Nesbitt worked in abstraction until Robert Indiana suggested in the early 1960s that he explore realism in his paintings. As subjects for his work he favored studio interiors, articles of clothing, piles of shoes, his Rottweiler, the Neo-Classical facades of 19th century cast iron buildings, and Manhattan's bridges. He was also famous for his enormous paintings and prints of roses, lilies, irises, and other flowers. In 1980, the United States Post Office issued...

Self-Portrait is an etching realized by Edouard Dufeu (1840-1900). Proof artist. Signed and dated on the upper left corner. Edouard Jacques Dufeu , bo...

A dramatic and highly unusual late 19th-century oil study, far removed from conventional portraiture of the period. A young man turns his head downwards, his features caught in an e...

Art Sz: 7 1/2"H x 14"W Frame Sz: 13 5/8"H x 19 7/8"W The 1899 Stewards' Cup at Goodwood was won by the five-year-old bay horse Northern Farmer, owned by Horatio Bottomley, trained ...

Medium: original etching. Published in 1880 by the American Art Review. Plate size: 8 1/2 x 5 3/4 inches. Not signed. Condition: there is minor foxing.

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 7 1/2 x 5 3/4 inches (188 x 1...

Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...

Medium: photogravure (after the watercolor). Samuel Palmer had always admired the work of John Milton, and executed a suite of watercolors which were made into photo-engravings for "...

Asa Coolidge Warren (1819 - 1904) Oil on Canvas Sight Size: 18x20 Overall frame size: 26x28 Signed and Dated left: 1884 Housed in original gold gilded frame Overall very good conditi...

'Temple Official', pencil and watercolour on paper by Robert Taylor Pritchett (1882). This is the artist's portrait of a financial official in a Cantonese temple in Guangzhou, China in the latter half of the 19th century. His garment is typical of that of a senior civil servant of the Chinese government. Clothes were designed to indicate rank and status, becoming so distinct that the wearer’s position could be ascertained at a glance. During his second career as an artist, Pritchett traveled widely in the Pacific region in the 1880s. This artwork has been professionally restored and cleaned to preserve it for decades to come and therefore in good overall condition. It has also been newly framed and glazed. The artist has written 'The Treasurer & Temple' and '5 Geni Temple, Canton Jan. 22 1882' on the lower left and right hands of the artwork. Upon request a video of the work may be provided. About the Artist: Robert Taylor Pritchett (1823 - 1907), a gun maker and artist, was the son of Richard Ellis...

Medium: original etching. Published in 1880 by the American Art Review. Plate size: 8 1/2 x 5 3/4 inches. Not signed. Condition: there is minor foxing.

Owning a 19th century Victorian Highland landscape with pony and gun dogs with a gillie circa 1880, offers a unique opportunity to own a piece of art that encapsulates the pastoral beauty and tranquil charm of the Victorian era. Duvall's work is celebrated for its meticulous attention to detail, evoking a sense of serenity and timelessness. This painting not only serves as a stunning decorative piece but also represents a valuable object, given the historical significance and enduring appeal of Victorian art. Owning such a painting allows you to connect with the rich cultural heritage of the period, while enhancing your collection with a work that exudes both artistic merit and nostalgic elegance. John Duvall...

Etching on cream paper, copper plate, 4th final state of four. Titled on lower left, hand signed in pencil and dated on lower right by the artist. A signature on plate, hard to read,...

"Venetian Scene with Gondoliers" is an evocative portrayal of Venice, capturing the essence of the city’s romantic allure and bustling waterways. Created during Allan Österlind’s stu...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte John Howe Osborne, also known as John Osborne Jr. (c. 1833 - 1922) was a multiple British classic winning jockey...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte Daniel Aloysius Maher (October 29, 1881 – November 9, 1916) was an American Hall of Fame jockey who also became ...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte Born at York on September 20, 1863, James began life as a doctor’s errand boy but, wanting to become a jockey, h...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte John Watts (1861–1902) was a British flat-race jockey. In a career that lasted from 1880 until 1900 he rode the ...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte Colin George Barrett (29 May 1863 – 25 February 1898), was a leading jockey in the United Kingdom in the 1880s a...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte George Alexander Baird (30 September 1861 – 18 March 1893) was a wealthy British race horse owner, breeder and t...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte Arthur Spurr Templeman (1886 - 1938), a grandson of jockey Simeon, was apprenticed to William Grey & John Ha...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte Arthur Spurr Templeman (1886 - 1938), a grandson of jockey Simeon, was apprenticed to William Grey & John Ha...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte George Fordham (1837–1887) was a British flat racing jockey. He was Champion Jockey every year between 1855 and ...

Art Sz: 10"H x 6"W Frame Sz: 15 3/4"H x 11" w/ celadon green matte Frederick John Barrett (1867 – 21 January 1895) was an English horse racing jockey. His greatest success came in...

Robert M. Decker Rockaway Signed lower left Oil on canvas 9 x 18 inches Robert M. Decker (1847–1928) was an American landscape painter best known for his realistic depictions of th...

This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...

They spin finely (Hilan delgado) is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-188...

The Decauville company, created in 1875, is a former French manufacturer of railway and handling equipment, cycles and automobiles. The Decauville company was founded by Paul Decauv...

This historical poster by Spanish artist Marcelino de Unceta depicts a grand and theatrical moment from the 17th century: the Count of Villamediana performing a rejoneo—bullfighting ...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in June 1998 by a private collector, San Carlos, Palo Alto, and Oceans...

"Rhinoceros" is an original color chromolithograph by Louis Prang. It depicts two rhinos in a lush jungle forest. 7 1/2" x 5" art 12 1/2" x 9 1/4" paper 18 3/8" x 15 1/2" frame Lo...

Temple on the Nilo is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Eg...

Tan bárbara la seguridad como el delito (The custody is as barbarous as the crime) is a black and White Etching after Francisco Goya, published in 1881-1886 . Good Conditions. Edit...

Antique American folk art landscape oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 16 by 19 inches overall. Handsomely framed in...

William Rickarby Miller Rapelyea House, New York, 1884 Signed and dated lower left Oil on canvas 20 x 30 inches Provenance: Kennedy Galleries, New York Born in Staindrop, County Durham, England, he was a portrait and landscape painter, especially appreciated for watercolor painting, which he sold through the American Art Union...

Etching and drypoint after Vermeer's The Soldier and the Laughing Girl (c. 1657). Published in 1881 on "L'Art". Very Good condition. Ref. L’Art, 1881, p. 301 I.F.F. 23 H.Bré, 268