1890s Art

Signed, verso, on attached fragment, 'L. Verite' for Lucien Henri Alphonse Verite (French, 1866-1926) and painted circa 1890. Verite studied at the École des Beaux-Arts in Paris bef...

Medium: etching. Etched by E. Bolvin after Jean-Francois Millet and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measur...

Medium: etching (after the painting). This beautiful piece was etched by Auguste Lauzet after Stanislas Lepine, and published in Paris in 1892 by Chamerot et Renouard, for the very r...

Medium: Gouache and Ink on Paper Signature: Signed, Dated and Inscriber Lower Right

Evgeny Alexandrovich Lanceray (Russian, 1848-1886) 19th Century, Possibly post humus Cossack on Horseback Gilt bronze signed in Cyrillic Measures: Height 8 3/4 x width 8 3/4 inches....

Classic colour equestrian sporting print c1890 by Harrington Bird (1846-1936) (LL) Print Sz: 15 1/2"H x 19 1/2"W Frame Sz: 21"H x 25"W Color Litho ...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Medium: original lithograph. Printed in 1897 and published in London for The Studio. Sheet size: 11 x 7 3/4 inches (282 x 199 mm). This impression on cream wove paper is embossed wit...

Paul Gauguin Te Arii Vahine - Opoi La femme aux mangos - Fatigué 1898 Woodcut, Edition of 30 Paper size 18.5 x 28.2 cms (7 1/4 x 11 ins) Image size 16 x 28.2 cms (6 1/4 x 11 ins) Co...

A very good antique Neo-Classical bronze of a Bacchante or Maenad, by Spanish sculptor Gustave Obiols Delgado (1858-1902). The sculpture circa 1890. This large & very attractive, fin...

Medium: original etching. Catalogue reference: Klipstein 10. A very rich impression on cream wove paper of this Kollwitz etching, with plate tone. Plate size: 118 x 88mm (4 5/8 x 3 1...

Théophile Alexandre STEINLEN The Pretty Parisan and the Geese Original Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") Authenticated wit...

“Humankind rests safely in the hand of an androgynous God, dreamlike and powerful; Mucha’s Byzantine tresses are replaced here with hair personifying the wind of the vast cosmos, unf...

Retour Color lithograph, 1897 Signed in the stone lower left edge of the image (see photo) As published in "L'Estampe Moderne" L'Estampe Moderne appeared each month as a portfolio of...

This is an George Blackie Sticks Large 1897 Original oil Painting on canvas. Unbelievable painting even better in person. Measures 52x39x4 . Condition frame is very old and beautiful it has some chips...

Siebe Johannes ten Cate (1858-1908) Bruges, windmill canal, 1894, Signed, located and dated 94 lower right Pastel on paper 27 x 41 cm in good condition, very fresh, Framed under g...

SPANISH SCHOOL, 19th CENTURY ARTIST UNKNOWN oil on canvas 10-1/2 x 7-5/8 inches (26.5 x 19.3 cm.) framed: 15-1/2 x 12-1/2 inches (39 x 31.5 cm.) PROVENANCE Spanish Collector, Madrid...

Henri PRIVAT-LIVEMONT (1861-1936) Art Nouveau Muse, 1900 Original lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 212 of ...

An antique American folk art painting in its original period frame. Featuring a man walking his dogs in the woods with a stunning s...

Date; 1890 Medium: Oil on Board Dimensions: 14.00" x 20.00" Signature: Signed Lower Right Harper’s Magazine May 1890

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From L'Estampe Moderne, published by F. Champenois, Paris, 1897. EDMOND FRANÇOIS AMAN-JEAN (18...

Date: 1893 Medium: Oil on Panel Dimensions: 14.50" x 21.00" Signature: Signed and Dated Lower Right: J. Delaunay. 1893

Medium: original lithograph. Published in London in 1898 by The Studio. This delightful lithograph on wove paper measures 11 x 7 3/4 inches (sheet size). Signed by Robert Anning Bell...

China, the Port of Canton is a vintage black and white photograph. It is part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863-1914) , heir to the ...

This original lithographic poster, designed in 1898 by the legendary French artist Jules Chéret, promotes Le Pays des Fées – Jardin Enchanté, a spectacular attraction featured during...

Ernest Rancoulet (1842-1918), Allegory of Progress, around 1890. Bronze-plated metal cast with cast terrain plinth mounted on a wooden base (6 cm high). 64.5 cm (total height) x 28 c...

H.East was a painter in oils of landscapes and rural scenes, who was active at the turn of the 19th to 20th century. He did not exhibit his work in the normal exhibition galleries bu...

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life....

Lithograph realized in 1970s, after the original work by Toulouse-Lautrec of 1896. Limited edition of 1000. Excellent condition.

The 1896 original poster Cabourg à 5 heures de Paris by Privat-Livemont, part of Les Maîtres de l’Affiche series (Plate 88), is a stunning representation of the Belle Époque era's el...

The 1895 original poster for Absinthe Mugnier, designed by Lefèvre, is a stunning example of Belle Époque advertising. Included as Plate 135 in the prestigious Les Maîtres de l’Affic...

‘Amor et Pietas’ by Ursula Wood S.W.A. (1868-1956). The painting – which depicts a group of children laying to rest their pet dog – is signed and dated by the artist. Ursula Wood’s ...

Circulation: 1000 Format: In-8° Pages: 43 Publisher: L’Estampe et l’Affiche, Paris Original lithographs as cover (3 colours) and frontispiece (4 colours) realized by Pierre Bonnard. ...

Sir Alfred East painted a series of moonlit landscapes that is reminiscent of the Barbizon school of painters, Corot, and some of the impressionists. This painting has two light sources. The moonlight and window light which is depicted by the artist in a deep yellow. Highlights from the window skim off the top of the shrubs. "East was one of the most acclaimed landscape painters of his time." Tate Gallery " His particular strength was in painting the effect of different lights on the landscape. " Fine Arts Museums San Francisco. Sir Alfred Edward East RA RBA (15 December 1844 – 28 September 1913) was an English painter. He studied in Paris with Bouguereau. In 1906 he was elected President of the Royal Society of British Artists. He was awarded a Knighthood in 1910 by King Edward VII. His portrait was painted by Philip de Laszlo...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Siebe Johannes ten Cate (1858-1908) A Garden in Zurich, 1898 Signed, located and dated "Zurich 98" lower right Pastel on paper 28.5 x 41.5 cm in good condition, trace of a small t...

"Le Paysage Avec Une Eglise" by Louis Abel-Truchet is an original oil on canvas and measures 24x32 inches. The impressionistic landscape has a white church standing behind purple and...

The circa 1890 original poster titled "José Tinchant y Gonzales & Cie La Flor de Don José Anvers" is a vibrant and detailed example of late 19th-century commercial art. Created to ad...

Francis Luis Mora was considered one of America's finest "sketchers". A collection of his Sketchbooks are at the Smithsonian and this work came out of one in the early 1990's from t...

Lithograph of George de Feure’s 1896 theatrical Art Nouveau poster promoting Mistinguett’s role as Hélyett in Marjolaine. Hélyett is shown in a delicate pastel palette, enveloped b...

Beautiful oil painting on board of a sunset in Epsom, England by the British painter, Harold Sutton Palmer. Signed S. Palmer lower right. The painting is it’s original frame. Gold painted over original gilding. Overall framed measurements are 14 by 20 inches. Condition is very good. Epsom is a market town in Surrey, England, 13.7 miles (22.0 km) southwest of London, between Ashtead and Ewell. The town straddles chalk downland (Epsom Downs...

Paul Gauguin, French (1848 - 1903) - Portrait de Stephane Mallarme, Year: 1891, Medium: Etching from Cancelled Plate on Japon, with effaced cancelation marks, Image Size: 7.25 x 5.7...

The most important maritime center in the 19th century, Liverpool, had many advantages. Located on the England-facing west coast of the Irish Sea, the Mersey approach was wide, deep and actively associated with all aspects of shipping. It also faced northwest, as the distressed fleet in Witham's work has discovered on a stormy February 8, 1881. To the rescue of the 12 ships, the Pilot Schooner No.2, LEADER, signals the fleet to follow, using the pre-1900 commercial code signals "l w c". She has waited for the rising tide and keeps the line tight to the red starboard buoy, Q1, which marks the beginning of the Queen's Channel. Within a span of hours, all twelve ships were led successfully to their docks. Witham painted the scene in conjunction with the great acclaim the Pilots received in 1881, and it became so popular that he painted additional works marking the event over time. His local contemporary, Samuel Walters...

This circa 1895 original poster titled "Les Grands Boulevards", created by the renowned French illustrator SEM (Georges Goursat), captures the vibrant and atmospheric essence of Pari...

Donald Hamilton Fraser (1929 – 2009) Launch Wash, Saint Michele Venice signed limited edition, no. 112/225, lithograph, Image: 50.5cm x 37.5 cm, mounted and framed, Frame: 81.7 x ...

Poster for the Saxon Trade and Art Exhibition, Dresden 1896 Color lithograph poster mounted on heavy linen, 1896 Signed in the stone lower left corner (see photo) Proof before additi...

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life....

"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...

Medium: original etching and drypoint. Executed in 1895; catalogue reference Delteil 24. This impression on laid paper was printed in 1895 for Gustave Geffroy's "La Vie Artistique". ...

Eugène CLARY (1856-1929) Le port de la Rochelle Huile sur toile Dimensions : 45 x 81 cm Signé en bas à droite En très bon état de conservation. Cadre ancien avec traces d'usure Offer...

Designed in 1899 by the renowned American graphic artist William H. Bradley, this original lithographic poster for Victor Bicycles, produced by the Overman Wheel Co., is a classic ex...

Jeanne JACQUEMIN (1863 - 1938) Saint Georges Original litograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 COURTSHIP signed "Alonso Pérez" (lower left) oil on canvas 23 x 12-1/8 inches (58 x 30.7 cm.) framed: 28...

Henri RIVERE (1884-1951) Art Nouveau : Golden Age, Peaceful Life in the Forrest, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On paper 90 x 120 cm ...

Commissioned by The Ault & Wiborg Co., USA. Color Zincograph on wove paper, 1896. Hand-signed in black crayon. Wittrock C (of C) edition. Reference: Wittrock; P28, vol. 2 pg 810. ...

Louise Abbéma 1853–1927 Louise Abbéma (30 October 1853[1] – 10 July 1927) was a French painter, sculptor, and designer of the Belle Époque. Abbéma was born in Étampes, Essonne Born into a wealthy aristocratic Parisian family with close ties to the city’s artistic community, She began painting in her early teens, and studied under such notables of the period as Charles Joshua Chaplin, Jean-Jacques Henner and Carolus-Duran. Portraits of actors and actresses at the Comédie Française dominated her early works until she made a name for herself at the Salon of 1876 with her portrayal of the “Divine Sarah.” Abbéma ultimately executed multiple portraits and received recognition for her work at age 23 a bronze medallion of Sarah Bernhardt, with whom she was a close friend and possibly lover. Like most women artists of the time, Abbéma focused mainly on portraiture and genre scenes (images of everyday life). Her high-society portraits executed with a light touch and rapid brushstrokes reveal the academic and Impressionist influences that shaped her style. Her sitters included French diplomats and other notable members of society. Abbéma developed a variety of techniques using oil paints, pastel, and watercolor, and worked on various supports, including fans. Abbéma received commissions for panels and murals which adorned the Paris Town Hall, the Paris Opera House, numerous theatres including the Theatre Sarah Bernhardt, and the "Palace of the Colonial Governor" at Dakar, Senegal. Abbéma solidified her international reputation after exhibiting works, including two wall murals (on canvas), at the Women’s Building at the 1893 World’s Columbian Exposition in Chicago. A bust of Sarah Bernhardt sculpted by Abbéma was also exhibited at the exposition. Abbéma specialized in oil portraits and watercolors, and many of her works showed the influence from Chinese and Japanese painters, as well as contemporary masters such as Édouard Manet. She frequently depicted flowers in her works. Among her best-known works are The Seasons, April Morning, Place de la Concorde, Among the Flowers, Winter, and portraits of actress Jeanne Samary, Emperor Dom Pedro...

On the Solpes of Fujiama is a vintage black and white photograph. It is part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863-1914) , heir to the t...