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1890s Art

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Period: 1890s
Femme au Plateu-Le Petit Déjeuner -Lithograph after H. de Toulouse-Lautrec-1900s
Femme au Plateu-Le Petit Déjeuner -Lithograph after H. de Toulouse-Lautrec-1900s

Femme au Plateu-Le Petit Déjeuner -Lithograph after H. de Toulouse-Lautrec-1900s

By Henri de Toulouse-Lautrec

Located in Roma, IT

Femme au Plateu - Le Petit Déjeuner (Madame Baron et Mademoiselle Popo) is a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 45,5 x 58, matted. Monogrammed in ...

Category

Post-Impressionist 1890s Art

Materials

Paper, Lithograph

Young Woman The Vegetable Seller Roma Francesco Ferraresi Original watercolor
Young Woman The Vegetable Seller Roma Francesco Ferraresi Original watercolor

Young Woman The Vegetable Seller Roma Francesco Ferraresi Original watercolor

By Francesco Ferraresi

Located in Soquel, CA

Young Woman The Vegetable Seller Roma Francesco Ferraresi Original watercolor A courtyard painting of a vegetable seller by Francesco Ferraresi (1858 - 1942). the is pensive and awai...

Category

Italian School 1890s Art

Materials

Watercolor, Laid Paper

J J A Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil painting
J J A Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil painting

J J A Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil painting

Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil study oil on canvas 34 x 19.5 cm In good condition, a few small inpaintings visible under UV lights Stamp of the Estate sale in Toulouse on the stretcher In a modern frame : 40 x 25 cm Provenance : Estate of the artist and family of the artist by descent Estate sale in Toulouse 22 June 1999 This very interesting oil study was part of a set kept by the artist. He had studied fragments of anatomy both to use them as models in large compositions but probably also because he represented so many fragments. It is clear that this fragment of anatomy has a power of suggestion and serves as a relay to the imagination of the viewer, who is led to imagine the rest of the body taken as a model. We can speak of metonymy in painting and it is clear that the artist had this in mind when he kept such studies with him. Jean-Jules-Antoine Lecomte du Nouÿ was born on 10 June 1842 in Paris. Originally of a Piedmontese origin, his family had been settled in France since the fourteenth century and by the time of his birth had reached the status of nobility He was an Orientalist French painter and sculptor. He was strongly influenced by the works and teachings of Charles Gleyre and Jean-Léon Gérôme. Lecomte du Nouÿ found inspiration for his art through extensive travels to Greece, Turkey, Egypt, Romania and Italy. The thematic content of Lecomte du Nouÿ's work was mainly figural, but also spanned over a vast range of imagery throughout his career, including classical, historical and religious. Lecomte du Nouÿ is known for remaining faithful to his detailed, realistic style throughout the extent of his career, despite the onset of the Impressionist, Fauvist and Constructivist artistic movements during his lifetime. His work is said to have contributed significantly to the establishment of an iconic repertoire representing the Orient in the nineteenth century.A Parisian street was named after him in 1932.  Lecomte du Nouÿ showed a strong attachment to visual art from a young age and was reported to have painted portraits of his father and uncle by the age of 6. In 1861, at 19 years of age, the artistic talents of young Jean-Jules-Antoine Lecomte du Nouÿ prompted him to become a pupil at the atelier of Swiss artist, Charles Gleyre. Under Gleyre's guidance Jean-Jules-Antoine learned the significance of individualistic style and gained the foundations of creative visual presentation. Later, Lecomte du Nouy further perfected his knowledge of the artistic form under the mentorship of Jean-Léon Gérôme, who was a renowned painter of the Academicism movement. It was at this time that Jean-Jules-Antoine learned the precision required to depict "la belle nature" —a style of illustration that aims to create the most beautiful representations of the natural form. This later became one of the main techniques employed in Lecomte du Nouÿ's signature artwork. In 1865, Du Nouÿ accompanied fellow artist, Félix Auguste Clément...

Category

Romantic 1890s Art

Materials

Oil

Timber Raft on the Rhine
Timber Raft on the Rhine

Timber Raft on the Rhine

By Sir Frank Short

Located in Plano, TX

Timber Raft on the Rhine (after the watercolor by J.M.W. Turner in the National Gallery). 1898. Mezzotint. Hardie 66. 8 1/4 x 11 11/16 (sheet 10 5/16 x 13 1/2). Edition 100. A rich, ...

Category

Romantic 1890s Art

Materials

Mezzotint

Femme à la Glace-La Glace à Main - Lithograph after H. de Toulouse-Lautrec
Femme à la Glace-La Glace à Main - Lithograph after H. de Toulouse-Lautrec

Femme à la Glace-La Glace à Main - Lithograph after H. de Toulouse-Lautrec

By Henri de Toulouse-Lautrec

Located in Roma, IT

Femme à la Glace - La Glace à Main is a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 58,5 x 45,5; matted. Monogrammed in the plate.  Good conditions. This...

Category

Post-Impressionist 1890s Art

Materials

Paper, Lithograph

Headquarters Ninth Army Corps 1897 Watercolor by W.N. Hedges
Headquarters Ninth Army Corps 1897 Watercolor by W.N. Hedges

Headquarters Ninth Army Corps 1897 Watercolor by W.N. Hedges

Located in Bristol, CT

Watercolor depicting 24 military flags signed & dated 1897 Art Sz: 13"H x 20"W Frame Sz: 19"H x 26"W Corps Commanders: A.E. Burnside/ J.L. Reno/ J.D. Cox/ O.B. Willcox/ W.F. Smit...

Category

Other Art Style 1890s Art

Materials

Watercolor

Mississippi  - Original Woodcut - 1890
Mississippi  - Original Woodcut - 1890

Mississippi - Original Woodcut - 1890

Located in Roma, IT

Image dimensions: 9.5 x 12.5 cm. Mississippi is a black and white xylograph on paper, realized in 1890 by anonymous artist. Of little dimensions but high fineness, this original print portrays a historical view on the New Orleans port...

Category

Modern 1890s Art

Materials

Woodcut

Un marché en Zélande -  original lithograph (1897/98)
Un marché en Zélande -  original lithograph (1897/98)

Un marché en Zélande - original lithograph (1897/98)

By Fernand Piet

Located in Paris, IDF

Fernand Piet Un marché en Zéland Original lithograph Plate signed 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12in) INFORMATION : Published by 'Estampe Moderne, Paris,...

Category

Art Nouveau 1890s Art

Materials

Lithograph

Gilded Art Nouveau Panel of the Virgin Mary, Signed I. Solà Serra
Gilded Art Nouveau Panel of the Virgin Mary, Signed I. Solà Serra

Gilded Art Nouveau Panel of the Virgin Mary, Signed I. Solà Serra

Located in Sant Celoni, ES

Gran plafón de madera modernista pintado y dorado al oro fino representando a la Virgen María. Decoración floral estucada y dorada al oro fino, en la parte superior y la inferior re...

Category

1890s Art

Materials

Oil

Gerlach's Allegorien Plate #89: "Bookplate Spring" Lithograph
Gerlach's Allegorien Plate #89: "Bookplate Spring" Lithograph

Gerlach's Allegorien Plate #89: "Bookplate Spring" Lithograph

By Koloman Moser

Located in Palm Beach, FL

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...

Category

Vienna Secession 1890s Art

Materials

Lithograph

Original Poster of Corrida by E.A.D. from 1890 Gran plaza de toros Bayonne
Original Poster of Corrida by E.A.D. from 1890 Gran plaza de toros Bayonne

Original Poster of Corrida by E.A.D. from 1890 Gran plaza de toros Bayonne

Located in PARIS, FR

Beautiful poster of Corrida monogrammed E.A.D. dating from 1890. Gran plaza de toros de Bayonne. A great Spanish race will take place in the Bayonne bullring on September 2nd. Corri...

Category

1890s Art

Materials

Linen, Paper, Lithograph

ШУТ (Jester) by Sergey Solomko, Russian Art Nouveau folklore lithograph
ШУТ (Jester) by Sergey Solomko, Russian Art Nouveau folklore lithograph

ШУТ (Jester) by Sergey Solomko, Russian Art Nouveau folklore lithograph

Located in Chicago, IL

“Each country that approached the ideology of the Art Nouveau clearly had their own unique contribution to the movement; these artworks are rare and perfect examples of how Russian artists incorporated the aesthetics of their homeland... The periodical Jester was published in St. Petersburg from 1897 to 1914 and commented on the arts, theater, and public life with humorous prose and illustration. Sergey...

Category

Art Nouveau 1890s Art

Materials

Lithograph

La Parisienne - Impressionist Portrait Oil Painting by Jean Beraud
La Parisienne - Impressionist Portrait Oil Painting by Jean Beraud

La Parisienne - Impressionist Portrait Oil Painting by Jean Beraud

By Jean Beraud 1

Located in Marlow, Buckinghamshire

Signed full length portrait circa 1890 by French impressionist painter Jean Beraud. The work depicts a Parisian lady in a green tuile skirt, a blue jacket with fur and black lace up ...

Category

Impressionist 1890s Art

Materials

Oil, Panel