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1950s Art

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Period: 1950s
Composition Inspirée par le Credo de la Messe {...} by Serge Charchoune
Composition Inspirée par le Credo de la Messe {...} by Serge Charchoune

Composition Inspirée par le Credo de la Messe {...} by Serge Charchoune

By Serge Charchoune

Located in London, GB

Composition Inspirée par le Credo de la Messe en C Mineur de Bach by Serge Charchoune (1888-1975) Oil on canvas 116 x 73 cm (45 5/8 x 28 3/4 inches) Signed and dated lower right, Charchoune 1959 This work is accompanied by a certificate from Pierre Guénégan. Literature: Pierre Guenegan, Charchoune Catalogue Raisonné, vol. 4, 1951-1960, Lanwell & Leeds Ltd., 2011, no.1958/012, p. 208 (illustrated) Artist biography: Russian-French artist and poet Serge Charchoune was born at Bougourouslan in Russia and studied painting at Moscow Academy of Art. In 1912 after deserting the army he arrived in Paris and immediately enrolled as a student of the Cubist painter Henri Le Fauconnier. Upon the outbreak of the First World War Charchoune took refuge in Barcelona in Spain where he befriended exiled Parisian Cubists Marie Laurencin, Albert Gleizes and Francis Picabia. Seizing the cultural moment, during the 1920s Charchoune briefly formed his own Parisian Dada group called Palata Poetov (the House of Poets), created a Russian-language Dada magazine...

Category

Abstract 1950s Art

Materials

Canvas, Oil

Mai 5
Mai 5

Mai 5

By John Harrison Levee

Located in Boca Raton, FL

This vibrant abstract composition exemplifies the energetic spirit of mid-century European abstraction through its sweeping gestures, layered brushwork, and luminous palette of green...

Category

Abstract 1950s Art

Materials

Canvas, Oil

Set of Six Marc Chagall, Biblical Series, 1956, Framed Heliogravures
Set of Six Marc Chagall, Biblical Series, 1956, Framed Heliogravures

Set of Six Marc Chagall, Biblical Series, 1956, Framed Heliogravures

By Marc Chagall

Located in Barcelona, ES

Discover a stunning set of six black and white heliogravure prints by the renowned Marc Chagall, capturing his unique interpretation of a biblical theme with his signature dreamlike ...

Category

Abstract Expressionist 1950s Art

Materials

Paper

Still Life With Flowers Bouquet
Still Life With Flowers Bouquet

Still Life With Flowers Bouquet

By Edith Faucon

Located in Lake Worth Beach, FL

French Still Life With Flowers Bouquet Oil on masonite, signed, original vintage frame. Edith Faucon was born on May 24 in 1919 in Carentan France. She owes her artistic training f...

Category

Post-Impressionist 1950s Art

Materials

Masonite, Oil

"ATARDECER" ACAPULCO MEXICO OIL ON CANVAS DATED 1954 FRAMED 37 X 47
"ATARDECER" ACAPULCO MEXICO OIL ON CANVAS DATED 1954 FRAMED 37 X 47

"ATARDECER" ACAPULCO MEXICO OIL ON CANVAS DATED 1954 FRAMED 37 X 47

By Jose Vives-Atsara

Located in San Antonio, TX

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 40 Frame Size: 37 x 47 Medium: Oil on Canvas Dated 1954 "Atardecer" Acapulco, Mexico Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Category

Impressionist 1950s Art

Materials

Oil

Sigulda. Oil on canvas, 39.5х54.3 сm
Sigulda. Oil on canvas, 39.5х54.3 сm

Sigulda. Oil on canvas, 39.5х54.3 сm

By Olgerts Saldavs

Located in Riga, LV

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

Category

Impressionist 1950s Art

Materials

Canvas, Oil

Charles Levier Oil Painting, Signed Midcentury Floral Still Life, Framed c. 1955
Charles Levier Oil Painting, Signed Midcentury Floral Still Life, Framed c. 1955

Charles Levier Oil Painting, Signed Midcentury Floral Still Life, Framed c. 1955

By Charles Levier

Located in Miami, FL

CHARLES LEVIER – UNTITLED [BOUQUET SUR TABLE ROUGE] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame ⚜ Provenance Label on Verso A VIBRANT MIDCENTURY FLORAL STILL LIFE...

Category

Modern 1950s Art

Materials

Canvas, Oil, Other Medium

Tavern - Etching by Marcel Gromaire - 1952
Tavern - Etching by Marcel Gromaire - 1952

Tavern - Etching by Marcel Gromaire - 1952

By Marcel Gromaire

Located in Roma, IT

Tavern is a black and white etching on paper, realized in 1952 by Marcel Gromaire (1892-1971). Monogrammed on plate on the lower left corner. Good conditions except for some foxing...

Category

Post-Impressionist 1950s Art

Materials

Etching

Reclining Figure Mid Century Modern Cubist Painting C.1950s
Reclining Figure Mid Century Modern Cubist Painting C.1950s

Reclining Figure Mid Century Modern Cubist Painting C.1950s

Located in San Francisco, CA

Fantastic 1950's Cubist Oil Painting by Mystery Artist. Though undated, this is a classic 1950's painting. A reclining figure under the sun. Original cubist oil painting on masonit...

Category

Cubist 1950s Art

Materials

Oil

Evening - New York - Impressionist Landscape Oil Painting by Johann Berthelsen
Evening - New York - Impressionist Landscape Oil Painting by Johann Berthelsen

Evening - New York - Impressionist Landscape Oil Painting by Johann Berthelsen

By Johann Berthelsen, 1883-1972

Located in Marlow, Buckinghamshire

Stunning oil on canvas circa 1955 by American impressionist painter Johann Henrik Carl Berthelsen. The piece depicts a view of the illuminated waterfront buildings from the East Rive...

Category

American Impressionist 1950s Art

Materials

Canvas, Oil

Abstract Composition
Abstract Composition

Abstract Composition

Located in Boca Raton, FL

Alexandre Istrati was a Franco-Romanian painter. He won numerous prizes, including the Prix Kandinsky in 1953. He and his wife, painter Natalia Dumitresco, were both associated with ...

Category

Abstract 1950s Art

Materials

Oil, Canvas

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Category

1950s Art

Materials

Lithograph

Picador debout avec son cheval et une femme (Picador, Woman, and Horse), 1959
Picador debout avec son cheval et une femme (Picador, Woman, and Horse), 1959

Picador debout avec son cheval et une femme (Picador, Woman, and Horse), 1959

By Pablo Picasso

Located in Palo Alto, CA

Considered to be one of Picasso’s monumental linoleum prints, Pablo Picasso Picador debout avec son cheval et une femme (Picador, Woman, and Horse), 1959 is a large-scale artwork that captures the essence of this artist’s innovation and minimalist creativity. His simple lines curve and undulated together to form the characters of the piece: the woman – feminine and robust, the horse – whimsical and characteristic, and the picador – strong and masculine. All three subjects create a triad composition making way for a harmonious and balanced piece. The entire work exudes an air of femininity and mystery, all set against a backdrop of a misty grey helping to create Picasso’s sensual environment of intrigue. Created in 1959, Pablo Picasso Picador debout avec son cheval et une femme (Picador, Woman, and Horse) is a color linocut on Arches paper hand-signed by Pablo Picasso (Malaga, 1881 – Mougins, 1973) in pencil in the lower right margin. Numbered 21/50 in pencil in the lower left margin, this work was printed by Arnéra, Vallauris and published by Galerie Louise Leiris, Paris. Catalogue Raisonné: Pablo Picasso Picador, Woman, and Horse (Picador debout avec son cheval et une femme), 1959 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work): 1. Baer, Bridgette. Picasso Peintre-Graveur, Tome V – Catalogue Raisonné de l’œuvre grave et des monotypes, Berne: Editions Kornfeld, 1989. Listed and illustrated as catalogue raisonné no. 1238. 2. Bloch, Georges. Picasso Catalogue de l'ouvre gravé et lithographié, Volume I. Kornfeld et Cie: Switzerland, 1968. Listed and illustrated as catalogue raisonné no. 913. 3. Boeck, W., intr. Pablo Picasso Linoleum...

Category

Modern 1950s Art

Materials

Linocut

Lovers - Original Watercolor - 1950 ca.

Lovers - Original Watercolor - 1950 ca.

Located in Roma, IT

Lovers is an original drawing in mixed media on ivory paper realized in 1940 ca. by an Anonymous artist of the XX century. In very good conditions, except for some folding and very ...

Category

1950s Art

Materials

Watercolor

Untitled

Untitled

Located in Buffalo, NY

An unsigned mid century modern American abstract painting

Category

American Modern 1950s Art

Materials

Board, Illustration Board, Oil

Vintage American Impressionist Dog Portrait Framed Original Oil Painting
Vintage American Impressionist Dog Portrait Framed Original Oil Painting

Vintage American Impressionist Dog Portrait Framed Original Oil Painting

Located in Buffalo, NY

Vintage American impressionist dog portrait oil painting. Oil on board. Framed. Measuring: 9 by 9 inches. Handsomely framed in giltwood molding. Excellent condition, ready to hang ...

Category

Impressionist 1950s Art

Materials

Oil, Board

Sailor
Sailor

Sailor

By Andy Warhol

Located in Toronto, Ontario

Andy Warhol (1928-1987) is the most influential and valuable American artist of the 20th century. Caviar20 has been championig his inimitable works on paper from the 1950s. We believ...

Category

Pop Art 1950s Art

Materials

Paper, Ink, Graphite

Frosted Window, Revere, MA, 1957

Frosted Window, Revere, MA, 1957

By Paul Caponigro

Located in Santa Monica, CA

Paul Caponigro 1932-2024 Frosted Window, Revere, MA, 1957, printed 2019 Signed, titled and dated in pencil on mount recto Gelatin Silver print 16 x 20"

Category

1950s Art

Materials

Silver Gelatin

Composition
Composition

Composition

By Natalia Dumitresco

Located in PARIS, FR

Important work by the artist, were exhibited at Kunsthalle Recklinghausen, Radical Innovations, 2024-25. Signed lower right. Natalia Dumitresco (or Dumitrescu) was born in Buchare...

Category

Abstract 1950s Art

Materials

Canvas, Oil

Vintage American Impressionist Dog Portrait Framed Original Oil Painting
Vintage American Impressionist Dog Portrait Framed Original Oil Painting

Vintage American Impressionist Dog Portrait Framed Original Oil Painting

Located in Buffalo, NY

Vintage American impressionist dog portrait oil painting. Oil on board. Framed. Measuring: 9 by 9 inches. Handsomely framed in giltwood molding. Excellent condition, ready to hang ...

Category

Impressionist 1950s Art

Materials

Oil, Board

Marilyn Monroe, 1959

Marilyn Monroe, 1959

By Philippe Halsman

Located in Santa Monica, CA

estate stamped, numbered, and signed by the Estate Representative Oliver Halsman Rosenberg Archival Pigment Print 20x16 Edition of 50

Category

1950s Art

Materials

Archival Pigment

La mariée, église Saint Roch, Paris

La mariée, église Saint Roch, Paris

By Edouard Boubat

Located in Santa Monica, CA

La mariée, église Saint Roch, Paris, 1952/Printed later Signed in ink on recto. Signed, titled and dated in pencil on verso. Gelatin silver print 12 x 16 inches

Category

1950s Art

Materials

Silver Gelatin

Marilyn Monroe at the Actor's Studio

Marilyn Monroe at the Actor's Studio

By Roy Schatt

Located in Santa Monica, CA

Signed in ink on recto; Stamped with photographer's copyright on verso Gelatin Silver Print Image: 19" x 15", Paper: 20" x 16", Mat: 24" x 20"

Category

1950s Art

Materials

Silver Gelatin

Nature morte au bulbe d'ail
Nature morte au bulbe d'ail

Nature morte au bulbe d'ail

By Mario Avati

Located in Fairlawn, OH

Nature morte au bulbe d'ail Mezzotint, 1957 Signed, titled & numberred in pencil (see photos) Edition: 50 (40/50) Condition: Excellent Image: 10 7/8 x 11 5/8 inches Sheet: 14 7/8 x 1...

Category

85 New Wave 1950s Art

Materials

Mezzotint

Vintage Italian Modernist Venice Canal Street Scene Framed & Signed Painting
Vintage Italian Modernist Venice Canal Street Scene Framed & Signed Painting

Vintage Italian Modernist Venice Canal Street Scene Framed & Signed Painting

Located in Buffalo, NY

Vintage Italian Venice view painting. Mixed media on board. Signed. Measuring: 19 by 23 inches overall, and 15 by 28 painting alone. Nicely framed and ready to hang.

Category

Impressionist 1950s Art

Materials

Oil, Watercolor

"Untitled" Albert Heckman, 1950s Modernist Abstracted Still Life Painting
"Untitled" Albert Heckman, 1950s Modernist Abstracted Still Life Painting

"Untitled" Albert Heckman, 1950s Modernist Abstracted Still Life Painting

By Albert Heckman

Located in New York, NY

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Category

American Modern 1950s Art

Materials

Canvas, Oil

Spring Break
Spring Break

Spring Break

By Slim Aarons

Located in Los Angeles, CA

High schoolers picnic on the beach at Bonita Springs, Florida, 1955. Slim Aarons Spring Break Black and White Photography Slim Aarons Estate Edition Nu...

Category

American Realist 1950s Art

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

(Untitled)
(Untitled)

(Untitled)

Located in Fort Washington, PA

Medium: Oil on Canvas Signature: Signed Lower Right

Category

1950s Art

Materials

Canvas, Oil

Jean Cocteau - Poets - Original Lithograph
Jean Cocteau - Poets - Original Lithograph

Jean Cocteau - Poets - Original Lithograph

By Jean Cocteau

Located in Collonge Bellerive, Geneve, CH

Original Lithograph by Jean Cocteau Title: Poets Signed in the plate Dimensions: 50 x 35 cm Jean Cocteau Writer, artist and film director Jean Cocteau was one of the most influenti...

Category

Surrealist 1950s Art

Materials

Lithograph