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1950s Art

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Period: 1950s
1950's French Modernist/ Cubist Painting - Blue & Green Abstract
1950's French Modernist/ Cubist Painting - Blue & Green Abstract

1950's French Modernist/ Cubist Painting - Blue & Green Abstract

Located in Cirencester, Gloucestershire

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on artist paper, unframed size: 10 x 8 inches condition: very good and ready to be ...

Category

1950s Art

Materials

Acrylic

original lithograph

original lithograph

By Jean Cocteau

Located in Henderson, NV

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 8 3/4 x 6 inches (225 x 150 mm). Jean Cocteau executed this original lithograph to depict a...

Category

1950s Art

Materials

Lithograph

Sailors in the Port of Nice
Sailors in the Port of Nice

Sailors in the Port of Nice

By Alfred Salvignol

Located in London, GB

'Sailors in the Port of Nice', mixed media - gouache, pastel and oil on paper, by Alfred Salvignol (circa 1950s). The Port of Nice is one of the key hubs of Nice and, in fact, of the entire French Riviera, standing out as one of the main harbours for the boats which sail across the Mediterranean Sea. It accommodates both the ships operated by ferry companies and the private yachts of visitors who come to Nice by sea. The artist here depicts a group of crusty sailors watching...

Category

Expressionist 1950s Art

Materials

Paper, Pastel, Oil, Gouache

'Partners' — Mid-Century Modernist Regionalism
'Partners' — Mid-Century Modernist Regionalism

'Partners' — Mid-Century Modernist Regionalism

By Dale Nichols

Located in Myrtle Beach, SC

Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...

Category

American Modern 1950s Art

Materials

Lithograph

Visage (A.R. 288)
Visage (A.R. 288)

Visage (A.R. 288)

By Pablo Picasso

Located in Östermalm, Stockholms län

Visage (A.R. 288), 1955 White earthenware ceramic pitcher with colored engobe and glaze Edition of 500 Stamped “Picasso” and “Madoura Plein Feu” (underneath) The piece is in excelle...

Category

Modern 1950s Art

Materials

Ceramic

(after) Julio Gonzalez - "Personnage virulent" lithograph

(after) Julio Gonzalez - "Personnage virulent" lithograph

Located in Henderson, NV

Medium: lithograph (after the watercolor). Printed in Paris in 1957 by Mourlot and published by the Galerie Berggruen for a rare catalogue. Size: 7 1/4 x 4 1/2 inches (183 x 113 mm)....

Category

Surrealist 1950s Art

Materials

Lithograph

Lucio Fontana, Concetto Spaziale, from XXe siecle, 1959
Lucio Fontana, Concetto Spaziale, from XXe siecle, 1959

Lucio Fontana, Concetto Spaziale, from XXe siecle, 1959

By Lucio Fontana

Located in Southampton, NY

This exquisite lithograph and pochoir by Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Jui...

Category

Modern 1950s Art

Materials

Lithograph

Reclined Female Nude
Reclined Female Nude

Reclined Female Nude

By Esther Meyer

Located in Houston, TX

Striking female nude in reclined back seated position on red blanket in ink and watercolor by English artist Esther Meyer, circa 1950. Original artwork on paper displayed on a whit...

Category

1950s Art

Materials

Ink, Watercolor

Sicilian Farmhouse
Sicilian Farmhouse

Sicilian Farmhouse

By Yves Brayer

Located in London, GB

'Sicilian Farmhouse', oil on canvas, by Yves Brayer (circa 1950s). A dedicated lover of Mediterranean countries and their varied landscapes, this charming and diminutive work by the ...

Category

Modern 1950s Art

Materials

Canvas, Oil

Joan Miro, The Three Blues, from Derriere le miroir, 1951
Joan Miro, The Three Blues, from Derriere le miroir, 1951

Joan Miro, The Three Blues, from Derriere le miroir, 1951

By Joan Miró

Located in Southampton, NY

This exquisite lithograph by Joan Miro (1893–1983), titled Les Trois Bleus (The Three Blues), from the folio Derriere le miroir, Sur Quatre Murs (Behind the Mirror, On Four Walls), N...

Category

Surrealist 1950s Art

Materials

Lithograph

Composition 1959
Composition 1959

Composition 1959

By Natalia Dumitresco

Located in Boca Raton, FL

Natalia Dumitresco (born Natalia Dumitrescu; 20 December 1915 in Bucharest, Romania – 3 July 1997 in Chars, France) was a French-Romanian abstract painter associated with the Réalit...

Category

Abstract 1950s Art

Materials

Oil

Interesting Abstract Painting Original Frame ca' 1950's
Interesting Abstract Painting Original Frame ca' 1950's

Interesting Abstract Painting Original Frame ca' 1950's

Located in Saint Petersburg, FL

A really interesting Abstract Expressionist painting ca' 1950's. Beautiful colors, the frame is shaped, original.

Category

Abstract Expressionist 1950s Art

Materials

Oil

Alexander Calder, Orange Sun, from Derriere le miroir, 1954
Alexander Calder, Orange Sun, from Derriere le miroir, 1954

Alexander Calder, Orange Sun, from Derriere le miroir, 1954

By Alexander Calder

Located in Southampton, NY

This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...

Category

Modern 1950s Art

Materials

Lithograph

Lovers Over Paris, Modern Giclee after Marc Chagall

Lovers Over Paris, Modern Giclee after Marc Chagall

By Marc Chagall

Located in Long Island City, NY

Marc Chagall, After, Russian (1887 - 1985) - Lovers Over Paris, Medium: Giclee, fascimille signed and numbered in pencil, Edition: 375, Image Size: 13 x 17 inches, Size: 16 x 24 ...

Category

Modern 1950s Art

Materials

Giclée

Modern Abstract Painting
Modern Abstract Painting

Modern Abstract Painting

Located in Houston, TX

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

Category

1950s Art

Materials

Acrylic

'Reclining Nude', Paris, Louvre, Salon d'Automne, Acad. Chaumière, LACMA, SFAA
'Reclining Nude', Paris, Louvre, Salon d'Automne, Acad. Chaumière, LACMA, SFAA

'Reclining Nude', Paris, Louvre, Salon d'Automne, Acad. Chaumière, LACMA, SFAA

By Victor Di Gesu

Located in Santa Cruz, CA

'Reclining Nude', Paris, Louvre, Salon d'Automne, Acad. Chaumière, LACMA, SFAA ------ Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Ges...

Category

Post-Impressionist 1950s Art

Materials

Paper, Oil

'The Port of Honfleur' by Julien Varlet (1958)
'The Port of Honfleur' by Julien Varlet (1958)

'The Port of Honfleur' by Julien Varlet (1958)

Located in London, GB

'The Port of Honfleur, France', oil on canvas, by Julien Varlet (1958). A vibrant and evocative harbour scene from the historic port city of Honfleur in Normandy, France. Colourful, ...

Category

Expressionist 1950s Art

Materials

Canvas, Oil