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1950s Art

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Period: 1950s
La Comédie Humaine
La Comédie Humaine

La Comédie Humaine

By Pablo Picasso

Located in OPOLE, PL

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Category

Modern 1950s Art

Materials

Lithograph

"Bluebonnet Creek"  Texas Hill Country 1957 39 x 49 Framed!!!
"Bluebonnet Creek"  Texas Hill Country 1957 39 x 49 Framed!!!

"Bluebonnet Creek" Texas Hill Country 1957 39 x 49 Framed!!!

By Porfirio Salinas

Located in San Antonio, TX

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Oil on Canvas Dated 1957 "Bluebonnet Creek" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Category

Impressionist 1950s Art

Materials

Oil

Untitled

Untitled

By Sandu Darie

Located in London, GB

Sandu Darie Untitled , 1955-1962 Signed upper left and bottom right, on front of sheet - Comes with Certificate of Authenticity from Perdro De Oraa, 2013. Ink, collage, and graphite ...

Category

Abstract 1950s Art

Materials

Mixed Media

Solomon's Prayer
Solomon's Prayer

Marc ChagallSolomon's Prayer, 1958

$5,288Sale Price|20% Off

Solomon's Prayer

By Marc Chagall

Located in OPOLE, PL

Marc Chagall (1887-1985) - Solomon's Prayer Etching from 1958. Edition 7 of 100 Enhanced with watercolour by the artist. Dimensions of work: 52 x 37 cm. Hand signed. Publisher:...

Category

Modern 1950s Art

Materials

Etching

Lions Club, Modern Art Lithograph by Jean Cocteau
Lions Club, Modern Art Lithograph by Jean Cocteau

Lions Club, Modern Art Lithograph by Jean Cocteau

By Jean Cocteau

Located in Long Island City, NY

A colorful signed lithograph by French Modern artist Jean Cocteau. This print features a stylized dancing lion with the title “Lions Club” in the upper left corner and a signature an...

Category

Modern 1950s Art

Materials

Lithograph

Marc Chagall, The Flying Fish, from Color of Love, 1958 (after)
Marc Chagall, The Flying Fish, from Color of Love, 1958 (after)

Marc Chagall, The Flying Fish, from Color of Love, 1958 (after)

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Le Poisson Volant (The Flying Fish), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color ...

Category

Modern 1950s Art

Materials

Stencil, Lithograph

Mid Century Modernist Geometric Sailboat Abstract Oil Painting
Mid Century Modernist Geometric Sailboat Abstract Oil Painting

Mid Century Modernist Geometric Sailboat Abstract Oil Painting

Located in Soquel, CA

Mid Century Modernist Sailboat Geometric Abstract Oil Painting This dynamic mid-century piece features bold geometry and a strong sense of movement. White triangular shapes parade a...

Category

Modern 1950s Art

Materials

Linen, Masonite, Oil

Boats Watercolor
Boats Watercolor

Boats Watercolor

By Stephane Magnard

Located in Houston, TX

Mid-century painting of boats with bridge in background in muted tones done by French artist Stephane Magnard, circa 1950 Original artwork on paper displayed on a white mat with a g...

Category

1950s Art

Materials

Watercolor

Vintage American Modernist Framed Abstract Expressionist Beach Scene Painting
Vintage American Modernist Framed Abstract Expressionist Beach Scene Painting

Vintage American Modernist Framed Abstract Expressionist Beach Scene Painting

Located in Buffalo, NY

Vintage abstract beach scene oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to han...

Category

Abstract 1950s Art

Materials

Oil, Board

Sketch for L'Âne bleu, unique work, signed
Sketch for L'Âne bleu, unique work, signed

Sketch for L'Âne bleu, unique work, signed

By Marc Chagall

Located in OPOLE, PL

Marc Chagall (1887-1985) - Sketch for L'Âne bleu stamped with the signature 'Marc Chagall' (lower right) pastel and charcoal on paper 18 7⁄8 x 24 in. (48 x 61 cm.) Executed in 1954 ...

Category

Symbolist 1950s Art

Materials

Charcoal, Pastel

(after) Julio Gonzalez - "Le Guerrier" pochoir

(after) Julio Gonzalez - "Le Guerrier" pochoir

Located in Henderson, NV

Medium: pochoir (after the watercolor). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 6 1/4 x 3 3/4 inches (160 x 98 mm...

Category

Surrealist 1950s Art

Materials

Lithograph, Stencil

Pablo Picasso, Untitled, from In living memory, 1950
Pablo Picasso, Untitled, from In living memory, 1950

Pablo Picasso, Untitled, from In living memory, 1950

By Pablo Picasso

Located in Southampton, NY

This exquisite lithograph by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio De memoire d'homme (In living memory), originates from the 1950 edition published...

Category

Cubist 1950s Art

Materials

Lithograph

L'Aube menacée
L'Aube menacée

L'Aube menacée

By Yasse Tabuchi

Located in PARIS, FR

powerful abstract composition defined by a restrained, almost monochromatic palette of blacks, greys, and subtle earthy tones. The surface is richly worked, with sweeping gestures an...

Category

Abstract 1950s Art

Materials

Canvas, Oil

Vintage American Modernist Abstract Giltwood Framed Mid Century Oil Painting
Vintage American Modernist Abstract Giltwood Framed Mid Century Oil Painting

Vintage American Modernist Abstract Giltwood Framed Mid Century Oil Painting

Located in Buffalo, NY

Vintage American modernist abstract oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, re...

Category

Abstract 1950s Art

Materials

Oil, Board

Chagall, Composition, Le Dur Désir de Durer (after)
Chagall, Composition, Le Dur Désir de Durer (after)

Chagall, Composition, Le Dur Désir de Durer (after)

By Marc Chagall

Located in Southampton, NY

Lithograph on vélin bouffant d'Alfa paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Dur Désir de Durer, illustré par Marc Chagall, ...

Category

Expressionist 1950s Art

Materials

Lithograph

original lithograph

original lithograph

By Luigi Veronesi

Located in Henderson, NV

Medium: original lithograph. Printed in 1956 for the second volume (1956-57) of the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inche...

Category

1950s Art

Materials

Lithograph

Hibou
Hibou

Hibou

By Pablo Picasso

Located in PARIS, FR

• Signed and certified work This unique ceramic was executed in Vallauris in 1957 and is accompanied by a certificate of authenticity issued by Paloma Ruiz Picasso and Diana Widmaier...

Category

Modern 1950s Art

Materials

Ceramic

Chouette Visage de Femme (A.R.144)
Chouette Visage de Femme (A.R.144)

Chouette Visage de Femme (A.R.144)

By Pablo Picasso

Located in PARIS, FR

• Picasso began working with ceramics in 1946 at the Madoura workshop in Vallauris, marking the beginning of an important and highly productive chapter in his career. What initially ...

Category

Modern 1950s Art

Materials

Ceramic

Mid Century Still-Life with Green Drape
Mid Century Still-Life with Green Drape

Mid Century Still-Life with Green Drape

Located in Soquel, CA

Classic mid century still-life of a green drape with vase, by W. Gray (American, 20th Century). Dated and signed by the artist lower right, "57 W. Gray." ...

Category

American Impressionist 1950s Art

Materials

Masonite, Oil

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Category

1950s Art

Materials

Lithograph

20th Century Forest Clearings Oil Painting, Signed, 46x55 cm
20th Century Forest Clearings Oil Painting, Signed, 46x55 cm

20th Century Forest Clearings Oil Painting, Signed, 46x55 cm

Located in Sitges, Barcelona

Title: Forest Clearings Artist: Ferran Ponsjoan Delós (1916–1993) Medium: Oil on canvas Dimensions: 46 × 55 cm (18.1 × 21.6 in) Support: Canvas on wooden stretcher Signature: Si...

Category

Impressionist 1950s Art

Materials

Canvas, Oil

The Rooster, Charcoal Drawing by Etienne Poirier
The Rooster, Charcoal Drawing by Etienne Poirier

The Rooster, Charcoal Drawing by Etienne Poirier

Located in Atlanta, GA

A stunning charcoal drawing by French artist Etienne Poirier (1919 - 2002). This rare artwork is a charcoal-on-paper composition depicting an interpretation of the proud rooster. Thi...

Category

Abstract 1950s Art

Materials

Charcoal