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1950s Art

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Period: 1950s
Vintage American Impressionist Landscape Signed Lake Scene Framed Oil Painting
Vintage American Impressionist Landscape Signed Lake Scene Framed Oil Painting

Vintage American Impressionist Landscape Signed Lake Scene Framed Oil Painting

Located in Buffalo, NY

Vintage American impressionist landscape oil painting. Oil on board. Framed. Signed. Measuring: 17 by 20 inches overall, and 12 by 16 painting alone. Handsomely framed in wide moder...

Category

Impressionist 1950s Art

Materials

Oil, Board

Le Dimanche (On Sundays)
Le Dimanche (On Sundays)

Le Dimanche (On Sundays)

By Marc Chagall

Located in Palo Alto, CA

"Bright and cheerful, Marc Chagall Le Dimanche depicts two intertwined lovers floating in the sky." Except in this case, it is just the large and shining faces of the pair which app...

Category

1950s Art

Materials

Lithograph

Still-Life with Fruits - Original Lithograph
Still-Life with Fruits - Original Lithograph

Still-Life with Fruits - Original Lithograph

By Raoul Dufy

Located in Paris, IDF

Raoul DUFY Still-Life with Fruits, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 37.5 cm (c. 11 x 14.8 inch) Excellent ...

Category

Modern 1950s Art

Materials

Lithograph

Orientalist Market Scene Framed Impressionist Original Street Scene Oil Painting
Orientalist Market Scene Framed Impressionist Original Street Scene Oil Painting

Orientalist Market Scene Framed Impressionist Original Street Scene Oil Painting

Located in Buffalo, NY

Vintage Orientalist market scene oil painting. Oil on canvas. Framed. Measuring: 16 by 18 inches overall, and 10 by 12 painting alone. Excellent condition, ready to hang and enjoy.

Category

Impressionist 1950s Art

Materials

Oil, Canvas

Pablo Picasso, "Tauromachy Scene", ceramic plate
Pablo Picasso, "Tauromachy Scene", ceramic plate

Pablo Picasso, "Tauromachy Scene", ceramic plate

By Pablo Picasso

Located in Chatsworth, CA

This piece is an A.R. turned round plate by Pablo Picasso made in 1957. It is made with red earthenware clay, engobe decoration, and knife engraved in black. It is numbered 279/ 500 ...

Category

Modern 1950s Art

Materials

Ceramic

Summer : Harvest Time - Original Lithograph
Summer : Harvest Time - Original Lithograph

Summer : Harvest Time - Original Lithograph

By Raoul Dufy

Located in Paris, IDF

Raoul DUFY Summer : Harvest Time, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 38 cm (c. 11 x 15 inch) Very good condi...

Category

Modern 1950s Art

Materials

Lithograph

Broadway
Broadway

Broadway

By Jean Dominique van Caulaert

Located in Los Angeles, CA

Broadway (?), 1952, oil on Masonite, signed and dated lower left, 15 x 18 inches, inscription verso may say "Broadway", presented in its original frame Jean Dominique van Caulaert w...

Category

Impressionist 1950s Art

Materials

Canvas, Oil

Autograph Letter by Carlo Levi, Modern, Signed, 1950, Paper and Ink

Autograph Letter by Carlo Levi, Modern, Signed, 1950, Paper and Ink

By Carlo Levi

Located in Roma, IT

This is an Autograph Letter Signed by Carlo Levi to the Countess A.L. Pecci Blunt. Rome, December 9th 1950. In Italian. One page, single-sided. Excellent condition, perfecly readable. Including original envelope. Carlo Levi (Tourin,1902 – Rome, 1975), the Italian painter, writer, activist, anti-fascist, best-known for his "Cristo si è fermato a Eboli" (Christ Stopped at Eboli),writes this letter to the Countess and patron of arts, A.L. Pecci Blunt to introduce the Italian playwright and director Alessandro Fersen (Łódź, 1911 - Rome, 2001). Artistic Intentions and common initiatives could arise. The background: In the same year of this letter, in 1950, Alessandro Fersen together with Walter Cantatore and Emanuele Luzzati...

Category

Modern 1950s Art

Materials

Paper, Ink

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. Printed in 1956 for the rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 3/4 x 8 3/4 inches (320 x 222 mm). Signed in the plat...

Category

1950s Art

Materials

Lithograph

Fernand Leger, Untitled, from Circus, 1950
Fernand Leger, Untitled, from Circus, 1950

Fernand Leger, Untitled, from Circus, 1950

By Fernand Léger

Located in Fairfield, CT

Artist: Fernand Leger (1881–1955) Title: Untitled (Sans titre) Year: October 5, 1950 Medium: Lithograph on velin d'Arches paper Paper Size: 16.63 x 12.69 inches (42.24 x 32.23 cm) Co...

Category

Cubist 1950s Art

Materials

Lithograph

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Category

1950s Art

Materials

Lithograph

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. Printed in 1955 for the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 8 3/4 x 5 1/4 inches (223 x 135 mm). This work was ...

Category

1950s Art

Materials

Lithograph

Cyclist - Original Etching by Giuseppe Viviani - 1955

Cyclist - Original Etching by Giuseppe Viviani - 1955

By Giuseppe Viviani

Located in Roma, IT

Original title: Il Ciclista Cyclist is an original etching realized by Giuseppe Viviani in 1955. Hand signed and dated in pencil on lower right margin "G. Viviani 955", edition of 200 prints. It represents a cyclist who is riding along a tree-lined road. Very good conditions except for foxings and faded paper. - Published on “Giuseppe Viviani Catalogo Generale” cured by Silvio Guarasci Pisa, Editore Saletta d’Arte Viviani s.a.s. Pisa, p.216. Giuseppe Viviani (1898-1965) is a popular Italian artist and engraver. His figures are characterized by stylized silhouettes, big and sad eyes...

Category

Modern 1950s Art

Materials

Etching

Self Portrait on Holiday in Athens, Greece
Self Portrait on Holiday in Athens, Greece

Self Portrait on Holiday in Athens, Greece

By Slim Aarons

Located in Los Angeles, CA

Legendary photographer Slim Aarons relaxes in a self portrait shot in Athens, near the Acropolis. Slim Aarons said, "I love a solo holiday. It tends to refresh the part of oneself that is most depleted by modern life — patience. "Let me dispel a few myths. You will be lonely. No: you won’t. My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependency on someone to distract your attention. "I’ve had solo pints of Guinness in the pubs of County Kerry and County Cork. I’ve walked across the sage- and juniper-scented maquis of Corsica on a spring day, where you can still find the world of Napoleon’s childhood. More than once I went to the Isle of Iona in the Scottish Hebrides...

Category

Realist 1950s Art

Materials

Lambda

lithograph

lithograph

By Georges Braque

Located in Henderson, NV

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braq...

Category

1950s Art

Materials

Lithograph

'Audrey Funny Face' 1957 (Silver Gelatin Print)
'Audrey Funny Face' 1957 (Silver Gelatin Print)

'Audrey Funny Face' 1957 (Silver Gelatin Print)

Located in London, GB

'Audrey Funny Face' Audrey Hepburn, dressed in a Givenchy evening gown, 1957. (Photo: The Everett Collection) Beautiful mint condition Open Edition Silver Gelatin Resin Print me...

Category

Modern 1950s Art

Materials

Silver Gelatin

Georges Braque, Bird at Sunset, from Le Solitaire, XXe siecle, 1959 (after)
Georges Braque, Bird at Sunset, from Le Solitaire, XXe siecle, 1959 (after)

Georges Braque, Bird at Sunset, from Le Solitaire, XXe siecle, 1959 (after)

By Georges Braque

Located in Fairfield, CT

Artist: Georges Braque (1882–1963) (after) Title: Bird at Sunset (Oiseau au couchant) Year: 1959 Medium: Lithograph and pochoir on velin d’Arches paper Paper Size: 7.25 x 9.375 inches (18.42 x 23.81 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered as issued Publisher: XXe siecle, Paris, in collaboration with Fernand Hazan, Paris Printer: Daniel Jacomet et Cie, Paris Notes: Excerpted from the album (translated from French): XXX examples of this work were printed on Arches paper, containing an original engraving by Georges Braque, numbered from I to XXX. CM examples, constituting the original edition, including CCC for F. Hazan, publisher in Paris, CCC for A. Zwemmer, publisher in London, and CCC for the New York Graphic Society, LX examples, marked H.C., are reserved for the Author and the Publisher. Additional notes: This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Oiseau au couchant (Bird at Sunset), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 edition published by XXe siecle, Paris, in collaboration with Fernand Hazan, Paris; rendered by Daniel Jacomet, Paris; and printed by Daniel Jacomet et Cie, Paris, 1959. Oiseau au couchant (Bird at Sunset) reflects Braque’s meditative engagement with the motif of the bird—an enduring symbol of transcendence, freedom, and poetic solitude in his mature work. Through simplified form and muted harmony, the composition evokes the quiet passage of twilight, translating nature’s fleeting beauty into a timeless visual poem. Braque’s masterful integration of geometric abstraction with lyrical rhythm captures the balance between motion and stillness, light and silence. Georges Braque, Le Solitaire (The Solitary) was published in Paris in 1959 by XXe siecle in collaboration with Fernand Hazan and printed by the Atelier Daniel Jacomet et Cie. Conceived as both a visual and literary homage to one of the founding figures of Cubism, the volume represents one of the most refined art book productions of the postwar era. The publication was issued in conjunction with the journal XXe siecle, under the direction of G. di San Lazzaro, a central figure in promoting modern art through his collaborations with artists such as Picasso, Miro, Chagall, and Calder. Le Solitaire brought together Braque’s mature reflections on nature, still life, and metaphysical quietude, accompanied by critical essays and reproductions of his work. The pochoir and lithographic plates—executed by Daniel Jacomet, whose atelier was renowned for its exceptional color pochoirs—capture the texture and tonal depth of Braque’s original paintings with rare precision. GEORGES BRAQUE (1882–1963) was a French painter, sculptor, and printmaker whose pioneering vision transformed the course of twentieth century art. A central figure in modernism and the co-founder of Cubism alongside Pablo Picasso, Braque redefined visual perception by breaking objects into geometric forms and reassembling them from multiple perspectives, creating a new visual language that bridged the gap between abstraction and reality. His early work was influenced by the vibrant colors and expressive energy of the Fauvist painters Henri Matisse and Andre Derain, before evolving toward the more analytical and structured compositions inspired by Paul Cezannes theories of form and perspective. Braques collaboration with Picasso between 1908 and 1914 marked one of the most fertile and revolutionary periods in art history, resulting in works that challenged traditional notions of space, depth, and illusion. Throughout his career, Braque maintained a deep interest in harmony, rhythm, and balance, infusing his still lifes, landscapes, and later reliefs with poetic subtlety and intellectual rigor. He moved among a brilliant circle of contemporaries including Pablo Picasso, Henri Matisse, Marc Chagall, Juan Gris, Fernand Leger, and Amedeo Modigliani—artists united in their pursuit of new modes of artistic expression. Braques influence extended well beyond his own era, shaping the creative approaches of later modernists such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom drew inspiration from his structural innovations and aesthetic integrity. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to embody the essence of modern artistic thought and visual poetry. The highest price ever paid for a Georges Braque artwork is approximately 15 million USD, achieved in 2013 at Christies New York for Paysage a la Ciotat (Landscape at La Ciotat) (1907). Georges Braque Oiseau...

Category

Cubist 1950s Art

Materials

Lithograph, Stencil

Abstract Expressionist Biomorphic Welded Metal Sculpture
Abstract Expressionist Biomorphic Welded Metal Sculpture

Abstract Expressionist Biomorphic Welded Metal Sculpture

By Seymour Lipton

Located in Surfside, FL

Welded, brazed sculpture on wooden base This is not signed or dated This work is unsigned. We were told it was the work of Seymour Lipton but as there is further documentation we are selling it as attributed and cannot guarantee it as such. Seymour Lipton (1903 – 1986) was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. He initially trained as a dentist, like fellow sculptor Herbert Ferber, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. His early choices of medium changed from wood to lead and then to bronze, and he is best known for his work in metal. Like his contemporary, Abstract Expressionist Jackson Pollock, and Arshile Gorky Lipton was influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture. The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. He made several technical innovations, including brazing nickel silver rods onto sheets of Monel to create rust resistant forms. Seymour Lipton is best known for his textured torch welded metal sculptures...

Category

Abstract Expressionist 1950s Art

Materials

Metal

Fernand Leger, Untitled, from Circus, 1950
Fernand Leger, Untitled, from Circus, 1950

Fernand Leger, Untitled, from Circus, 1950

By Fernand Léger

Located in Fairfield, CT

Artist: Fernand Leger (1881–1955) Title: Untitled (Sans titre) Year: October 5, 1950 Medium: Lithograph on velin d'Arches paper Paper Size: 16.63 x 12.69 inches (42.24 x 32.23 cm) Co...

Category

Cubist 1950s Art

Materials

Lithograph

Edouard Cortes - Le Quai aux Fleurs, Paris Flower Market Oil on Canvas c1955
Edouard Cortes - Le Quai aux Fleurs, Paris Flower Market Oil on Canvas c1955

Edouard Cortes - Le Quai aux Fleurs, Paris Flower Market Oil on Canvas c1955

By Édouard Leon Cortès

Located in Marlow, Buckinghamshire

Édouard Léon Cortès (French, 1882–1969), Le Quai aux Fleurs – Paris, oil on canvas, signed lower left, painted circa 1955 — a Paris flower market by le peintre de Paris. Recorded in ...

Category

Post-Impressionist 1950s Art

Materials

Oil