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1950s Art

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Period: 1950s
Five mid 20th century Italian oil landscapes with figures, castles, Churchs
Five mid 20th century Italian oil landscapes with figures, castles, Churchs

Five mid 20th century Italian oil landscapes with figures, castles, Churchs

Located in Woodbury, CT

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Category

Old Masters 1950s Art

Materials

Copper

Miles Davis artist at home by Don Hunstein

Miles Davis artist at home by Don Hunstein

By Don Hunstein

Located in Austin, TX

Previously unpublished shot of Miles Davis working on an art piece at his New York home in 1969, by Don Hunstein. Available for the first time as a fine art print. Estate stamped li...

Category

1950s Art

Materials

Archival Pigment

Jean Dubuffet, Untitled, from XXe Siecle, 1956
Jean Dubuffet, Untitled, from XXe Siecle, 1956

Jean Dubuffet, Untitled, from XXe Siecle, 1956

By Jean Dubuffet

Located in Southampton, NY

This exquisite lithograph and pochoir by Jean Dubuffet (1901–1985), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 6 (double), Janvier 1956, originates ...

Category

Modern 1950s Art

Materials

Lithograph

original woodcut

original woodcut

By Pietro Consagra

Located in Henderson, NV

Medium: original woodcut. This is a richly inked impression printed on laid paper, executed for the hard to find XXe Siecle Christmas issue (No. 13), published in Paris in 1959 by Sa...

Category

1950s Art

Materials

Woodcut

Lions Club, Modern Art Lithograph by Jean Cocteau
Lions Club, Modern Art Lithograph by Jean Cocteau

Lions Club, Modern Art Lithograph by Jean Cocteau

By Jean Cocteau

Located in Long Island City, NY

A colorful signed lithograph by French Modern artist Jean Cocteau. This print features a stylized dancing lion with the title “Lions Club” in the upper left corner and a signature an...

Category

Modern 1950s Art

Materials

Lithograph

(after) Julio Gonzalez - "Personnage virulent" lithograph

(after) Julio Gonzalez - "Personnage virulent" lithograph

Located in Henderson, NV

Medium: lithograph (after the watercolor). Printed in Paris in 1957 by Mourlot and published by the Galerie Berggruen for a rare catalogue. Size: 7 1/4 x 4 1/2 inches (183 x 113 mm)....

Category

Surrealist 1950s Art

Materials

Lithograph

Dogmania - Linocut by Mino Maccari - 1951

Dogmania - Linocut by Mino Maccari - 1951

By Mino Maccari

Located in Roma, IT

Dogmania is an Original Linocut Print realized by Mino Maccari in 1951. Very good condition, not signed. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journ...

Category

Modern 1950s Art

Materials

Linocut

Pierre Soulages, Untitled, from XXe Siecle, 1956
Pierre Soulages, Untitled, from XXe Siecle, 1956

Pierre Soulages, Untitled, from XXe Siecle, 1956

By Pierre Soulages

Located in Southampton, NY

This exquisite lithograph and pochoir by Pierre Soulages (1919–2022), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates f...

Category

Modern 1950s Art

Materials

Lithograph

Etching XIII
Etching XIII

Etching XIII

By Pierre Soulages

Located in Paris, FR

Etching, 1957 Edition : 14/100 Catalog : [Encrevé 14] 75.50 cm. x 56.00 cm. 29.72 in. x 22.05 in. (paper) 59.00 cm. x 45.00 cm. 23.23 in. x 17.72 in. (image) Handsigned by the arti...

Category

Abstract 1950s Art

Materials

Etching

Lovers - Original Watercolor - 1950 ca.

Lovers - Original Watercolor - 1950 ca.

Located in Roma, IT

Lovers is an original drawing in mixed media on ivory paper realized in 1950 ca. by an Anonymous artist of the XX century. In very good conditions, except for some folding along the...

Category

1950s Art

Materials

Watercolor

Pablo Picasso, "Face Turned Pitcher, " ceramic
Pablo Picasso, "Face Turned Pitcher, " ceramic

Pablo Picasso, "Face Turned Pitcher, " ceramic

By Pablo Picasso

Located in Chatsworth, CA

This piece is an A.R. turned pitcher created by Pablo Picasso in 1955. It is made with white earthenware clay, decoration in engobes in red and black with glaze inside. It bears the ...

Category

Surrealist 1950s Art

Materials

Clay

Ancient Olive Grove Oil Painting, Impressionist, Signed
Ancient Olive Grove Oil Painting, Impressionist, Signed

Ancient Olive Grove Oil Painting, Impressionist, Signed

Located in Soquel, CA

Mid Century Impressionist Style Oil Painting of Ancient Olive Grove This expressive olive grove landscape is reminiscent of Claude Monet's Olive Tree Wood in Moreno Garden. Circa 19...

Category

Impressionist 1950s Art

Materials

Canvas, Oil, Illustration Board

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Category

1950s Art

Materials

Lithograph

Solomon's Prayer
Solomon's Prayer

Marc ChagallSolomon's Prayer, 1958

$5,218Sale Price|20% Off

Solomon's Prayer

By Marc Chagall

Located in OPOLE, PL

Marc Chagall (1887-1985) - Solomon's Prayer Etching from 1958. Edition 7 of 100 Enhanced with watercolour by the artist. Dimensions of work: 52 x 37 cm. Hand signed. Publisher:...

Category

Modern 1950s Art

Materials

Etching

The Prophet / - The Burden of the Prophet -
The Prophet / - The Burden of the Prophet -

The Prophet / - The Burden of the Prophet -

Located in Berlin, DE

Wilhelm Gross (1883 Schlawe - 1974 Oranienburg-Eden), The Prophet, c. 1955. Woodcut on thin laid paper, 43 cm x 23 cm (depiction), 61 cm x 43 cm (sheet size), signed “Dr. Wilh.[elm] Gross” in pencil lower right, inscribed “Orig.[inal] Holzschnitt (Handabdruck)” lower left and inscribed “Aus der ”Ecce homo“ Folge” in the center. - The wide margin with traces of pressing due to the impression, the sitter's left foot with a small purple stain, otherwise in vibrant condition. - The Burden of the Prophet - The large-format woodcut shows a prophet figure that takes up almost the entire height of the sheet. However, instead of seeing something in the distance that is still hidden from our eyes - as is usual in depictions of prophets - the figure has raised his hands in a defensive gesture, as if the prophet is trying to ward off what he has seen. At the same time, however, the position of the arms is an acceptance of the inevitable, which only those who recognize what is to come will have to bear for the time being, which is why the figure in the painting - despite its size - appears almost solitary, alone and exposed to the burden of suffering. In a manner reminiscent of the folds of medieval wooden sculptures...

Category

Realist 1950s Art

Materials

Paper

“The Wizard”
“The Wizard”

“The Wizard”

By Nahum Tschacbasov

Located in Southampton, NY

Here for your consideration is a mid century modern oil painting on masonite by the well known Russian/American artist, Nahum Tschacbasov. The painting depicts an old man with a long wispy beard holding a group of birds. Signed lower right and dated 1954. Presently unframed. Condition is very good. Provenance: The estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...

Category

Modern 1950s Art

Materials

Masonite, Oil

"Audrey Hepburn" by Bert Hardy

"Audrey Hepburn" by Bert Hardy

By Bert Hardy

Located in London, GB

"Audrey Hepburn" by Bert Hardy 1st May 1950: Belgian born actress Audrey Hepburn (1929 - 1993) leaning on an ornate urn in Kew Gardens. Original Publicatio...

Category

Modern 1950s Art

Materials

Black and White

1950's Modernist Watercolor Painting Israeli Bezalel School Bauhaus Style
1950's Modernist Watercolor Painting Israeli Bezalel School Bauhaus Style

1950's Modernist Watercolor Painting Israeli Bezalel School Bauhaus Style

Located in Surfside, FL

Louise (McClure) Schatz (1916 – 1997) Born in Vancouver, Canada, Louise Schatz moved with her family at age three to Minnesota. Her father, a stage director, was part of the local Bohemian culture and traveled the theater circuit around the U.S. She earned a Master’s Degree in Fine Arts at the University of California, where she became a skilled water colorist. “My Japanese instructor showed me how to preserve several colors together on paper,” she noted. “Water colors can bleed into the paper, and the paper plays with the colors – some of which can even disappear. I have a great love of texture and what materials do to color. I was very excited to discover what happens to colors and how to achieve what I wanted.” Her interest in astronomy also led Louise to study science at the university. Louise joined the “California Seven” artists in 1945 and for the next three years created prints and textile patterns. During WWII, she earned her living as a sketch artist for ship builders in San Francisco Bay, and it was there she met her future husband, Bezalel. “Then, it was very avant-garde to hire women in ship-building,” she once recounted. “We used to take dimensions from engineers and make sketches. It was very trailblazing and exciting, and the ships were constructed very quickly and launched very quickly. Besides the fact that we contributed to the war effort, it was really beautiful art.” The Bohemian society developing in San Francisco at the time included the novelist Henry Miller, who was then married to Louise’s sister, Eve. “There was a group of artists in Big Sur, all of them poor,” according to Bezalel Schatz’s sister, Zohara. “They were a group of Beatniks before the hippy era of the 1960s. There were novelists, poets, and painters there who lived communally under primitive conditions and were close to nature.” Bezalel and Louise were married in 1948 and moved to Israel. There, together with Zohara, they founded the arts and crafts workshop, “Yad,” with the goal of creating and selling alternative art objects that differed in style from those of the Bezalel School of Art. The couple divided its time between the family home in Jerusalem and a residence in Ein Hod designed for them by the architect David Resnik. Despite her connection to the Schatz family and her active involvement in the Israeli art world at the time, Louise guarded her privacy and rarely granted interviews. As Henry Miller wrote, “Her paintings reflect and reveal the extent of her sensitivity, shyness, and gentleness…” Scenes of Israel were a source of inspiration for Louise, and, in addition to her abstract Bauhaus geometric works, she also painted landscapes, flowers, and other elements of the environment in which she worked. Louise worked mainly in water colors but also created collages, book illustrations, and applied art. Among her outstanding works are murals for Zim’s “Shalom” and “Theodore Herzl” ships (together with Bezalel), El Al’s London office, and Jerusalem’s tenth anniversary exhibition, as well as ceramic walls for Jerusalem’s Midreshet Amalia and Beit Ha’am Library. She was awarded the Silver Medal in 1954 at the tenth Triennale in Milan for her copper designs, and in 1952 she received the “Above Competition” prize for her textile designs at the Bezalel National Museum. She was also awarded the Shen Beit Haomanim Prize in 1970 and the Jerusalem Prize for painting in 1973. Louise took part in many art exhibitions in Israel and abroad. Her works are held by the Israel, Tel Aviv, and Haifa Museums, and in private collections in Israel, the U.S., England, Switzerland, France, and Italy. Following her husband’s death in 1978, Louise continued to live with her sister-in-law, Zohara, at the family home in Jerusalem on Schatz Street. Louise died in Jerusalem in 1997. She has been called in the pages of the Jerusalem Post " the greatest Schatz of all" and "Israel's finest watercolorist" Parts of her work summon up affinities with Paul Klee and Julius Bissier and occasionally even Joan Miro. But she never copied any of them. Her work also bears affinities for Lyonel Feininger and Wassily Kandinsky Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray recorded his observations about the two, noting that “I have never encountered such smooth cooperation…” Bezalel produced silkscreen prints for Miller’s novel, Into the Night Life, an innovation for both the art and publishing worlds. In Florence, New Mexico, New York, San Francisco, and other locations, Bezalel exhibited his own work and participated in group shows with some of the greatest artists of his era – Picasso...

Category

Modern 1950s Art

Materials

Watercolor

Pablo Picasso, L'Atelier du vieux peintre
Pablo Picasso, L'Atelier du vieux peintre

Pablo Picasso, L'Atelier du vieux peintre

By Pablo Picasso

Located in Chatsworth, CA

This piece is an original lithograph in five colors by Pablo Picasso, created in 1954. Each of the 5 colors of this lithograph was executed with litho crayon on transparent transfer...

Category

Post-Impressionist 1950s Art

Materials

Lithograph

Interior con figura - Óleo sobre tela - Año 1959
Interior con figura - Óleo sobre tela - Año 1959

Interior con figura - Óleo sobre tela - Año 1959

Located in Sant Celoni, ES

La obra va firmada por el artista en la parte inferior En la parte trasera, va nuevamente firmado y titulado, aparte hay una etiqueta con el registro de la obra El estado de la obr...

Category

1950s Art

Materials

Oil

Chrysanthemums. 1954. Oil on canvas. 72x57 cm
Chrysanthemums. 1954. Oil on canvas. 72x57 cm

Chrysanthemums. 1954. Oil on canvas. 72x57 cm

Located in Riga, LV

Valnere Rita 1929 - 2015 Rita Valnere was born on September 21, 1929, was a Latvian painter and art teacher. In 1949, she graduated from the Janis Rozentals Riga Art Secondary Scho...

Category

Realist 1950s Art

Materials

Canvas, Oil

Houses and Church on the French Countryside (quaint village scene)
Houses and Church on the French Countryside (quaint village scene)

Houses and Church on the French Countryside (quaint village scene)

Located in New Orleans, LA

A rare color lithograph by late French artist, Éliane Thiollier. Edition of 275, certificate of authentication is provided. Minor acid staining from the old mat. Éliane Thiollier s...

Category

Contemporary 1950s Art

Materials

Lithograph

Joan Miro, Untitled, from Miro Recent Paintings, 1953
Joan Miro, Untitled, from Miro Recent Paintings, 1953

Joan Miro, Untitled, from Miro Recent Paintings, 1953

By Joan Miró

Located in Southampton, NY

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1953 album Miro Recent Paintings. Published by the Pierre Matisse Gallery, New Y...

Category

Surrealist 1950s Art

Materials

Lithograph