1980s Art

One screenprint in colors on wove paper, 1984, signed in pencil, dated and numbered from the edition of 144 (total edition includes 18 artist's proofs), 42 3/4 by 35 inches (sheet), ...

Artist: Richard Karwoski, American (1938 - 1993) Title: Fall Apples Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Paper Size: 22 in. x 29.5 in. (55...

Elizabeth Osborne (b.1936). Still Life Cabbage, 1983. Watercolor on paper, sheet measures 22.5 x 30 inches; 29.5 x 37 inches in custom frame. Original Fischbach Gallery label affixed...

Signed lower right, 'Picot' for Jean-Claude Picot (French, born 1933), and painted circa 1985; additionally titled, verso, 'La Route Vers St Jean Cap Ferr'. Beginning in 1947, Picot...

Screenprint in colors on Lenox Museum Board. Hand signed, dated and numbered by Keith Haring. Image size 38.75 x 28.5 inches. Edition 21/100 (there were also 15 artist's proofs). P...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Frameless.

Vintage Photograph of one of the biggest conductor of all the times after Kleiber and Bernstein, Herbert Von Karajan. cm 17.5 x 11.5. Overleaf: "As...

Bursting with color and movement, this vibrant oil‑on‑canvas still life presents a boldly modern interpretation of the classic fruit‑bowl motif. The composition features grapes, appl...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur. Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. 2000 Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany. 2001 Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. Exhibition devoted to nudes. Gallery on Peschanaya. Moscow. 2002 Personal exhibition “Yuriy Larin. The works of different years”. Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow. 2004 Personal exhibition “YURIY LARIN. Harmony and plasticity”. Radischev Saratov State Art Museum. 2006 Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow. 2011 Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow. 2013 Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013 Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23 2015 Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11. Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13 2016 Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016 2016 Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016 Museum Collections: The State Russian Museum Saint Petersburg The State Tretyakov Gallery Moscow The State Museum of Oriental Art Moscow Radischev Art Museum in Saratov Saratov Historical-Architectural and Art Museum “New Jerusalem” Istra (Moscow Region) Branch of the State Museum of People’s Art in Armenia Dilijan The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya Ijevsk Volgograd Museum of Fine Arts Volgograd Tomsk Regional Art Museum Tomsk Eastern-Kazakhstan Art Museum Semey Moscow State Museum of Vadim Sidur Moscow Andrey Sakharov Museum Moscow State Literature Museum Moscow The collection of the magazine “Nashe Nasledie” Moscow The collection of the Heinrich Boell Foundation Berlin Chronology: May, 8, 1936 Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina; 1938–1946 years After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman 1946 After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd); Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur). 1949 Sent to the camp. 1956 At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin; 1958 Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman. 1958-60 Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations; Underwent tuberculosis 1960 With his mother A.M.Larina got permission to come back to Moscow; Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov) 1970 Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965; Starts his career of a professional artist; from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov. Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist. 1970-1974 Worked from life on landscapes (watercolor and oil). Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions) 1972 Welcomes his son Nikolay from 1972 Takes part in Moscow, Russian and All-Union exhibitions; the second half of the 1970s Works on portraits, still-lifes, nude, continuing working on landscapes 1974 Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”; Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada) 1975 First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle. 1976 The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life. Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes. 1977 Became part of Moscow Union of Artists in USSR. “Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) “Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) 1977 Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature. 1980 In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state. The end of the 1970s - the beginning of the 1980s Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin. Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century. Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor); Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1980 The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum; V.Volkov indicated in the works “a new approach to the light” Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1982 First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin. He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time. 1979-1985 Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles. Fall, 1983 Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle. 1985 In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya. December, 1985 Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand. 1987 Death of his wife Inga Ballod  First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions. 1988 N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich” 1989 Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko. Personal exhibition in Central House of Artists in Krymskiy Val. Displayed over two hundred of watercolor and oil paintings...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Fest (The Celebration), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco-Verlag Gunter Blase, Stuttgart, and printed by Lichtdruck AG, Zurich, Dielsdorf, September 1989. This authorized edition, issued under the direction of Vava Chagall, presents one of Chagall’s most joyful and expressive interpretations of Homer’s epic. In Das Fest, Chagall transforms the revelry of ancient feasts into a luminous vision of human connection, music, and harmony, rendered with his signature lyricism and dreamlike color palette. Executed on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper, this lithograph measures 14.88 x 11.69 inches. Unsigned and unnumbered, as issued. The edition exemplifies the exceptional quality and precision of Lichtdruck AG’s craftsmanship, reproducing the depth and richness of Chagall’s original lithographs with remarkable fidelity. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Das Fest (The Celebration), from Homer, Die Odyssee (The Odyssey), 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Dimensions: 14.88 x 11.69 inches Inscription: Unsigned and unnumbered, as issued Date: 1989 Publisher: Daco-Verlag Gunter Blase, Stuttgart Printer: Lichtdruck AG, Zurich, Dielsdorf Condition: Well preserved, consistent with age and medium Provenance: From the folio Homer, Die Odyssee (The Odyssey), Daco-Verlag Gunter Blase, Stuttgart, 1989 Notes: Excerpted from the folio (translated from German), Imprint—The French edition, L'Odyssée, with the original lithographs by Marc Chagall was published in 1974/75 in a CCL-example edition by Fernand Mourlot, Paris. In 1989, with the authorization of Mrs. Vava Chagall, the German-language edition of the Odyssey in two volumes was published by Daco-Verlag Gunter Blase, Stuttgart. Volume I contains the songs I - XII with XX color plates, including IV on double pages and XIX gray printed reproductions in the text. Volume II contains the songs XIII - XXIV with XXIII color plates, including II on double pages and XX gray printed reproductions in the text. For the German text, the prose translation by Wolfgang Schadewaldt was chosen with the permission of Rowohlt Taschenbuch Verlag, Reinbek near Hamburg. Set design in the Berthold Garamond Antiqua by F+M Bauer...

glazed stoneware

Elegant Ladies on the Beach Spanish Seaside Figurative Oil Painting Artist: Domenech (Spanish School, 20th century) Technique: Oil on canvas Signature: Signed lower right Dimensions...

Andy Mouse is a significant work by Keith Haring, created in 1986 as both a homage to Andy Warhol and a bold commentary on consumer culture. Blending Warhol’s iconic image with Micke...

Artist: Arne Besser Title: Circus Triad Year: 1981 Print: Silkscreen printed on Somerset White Satin Size: 26 x 22 in Signed in pencil and marked A.P. 22/30 Unframed Arne Besser ...

Offset lithograph card Provenance: Collection of Dan Pope, CBS News photographer who amassed an impressive collection of signed artist cards during the 1980s-1990s, acquired directly...

ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...

Michael Heizer III-8 (two pages), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray acrylic p...

THE COUPLE by the woman artist Robin Morris, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. THE COUPLE is a modern Art Deco styled portrait of a sophisticated, elegantly dressed urban couple formally poses for their portrait, an attractive woman with her short blonde bob hairstyle is seated wearing a fashionable purple and magenta ensemble and 1920's style flapper hat...

Artist: Adolf Sehring (Russian/German-American, 1930-2015) Title: "Fun Time" Series: Children *Signed by Sehring lower left Circa: 1980 Medium: Original Oil Painting on Canvas Framing: Within its original frame. Framed in a gold traditional frame with linen liner and gold filet Framed size: 31.13" x 37.13" Canvas size: 24" x 30" Reference: No. 1103 Condition: In excellent condition Notes: Provenance: private collection - Hagerstown, MD; acquired from Benjamin Art Gallery...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

Vintage Latin American School Blue & Black Abstract Monotype by Ricardo de Silva Abstract Monotype by Ricardo (Richard) de Silva ( Rick De Silva) (Brazil/American, 20th C), 198...

Signed lower right, 'W. Zimmer' for Warren William Zimmer (American, 1914-1998) and dated 1982. Additionally signed verso, dated and titled, 'Saskatchewan'. Born in Beloit, WI in 19...

Artist: Michael Knigin, American (1942 - 2011) Title: Art Deco 1925 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 33.5 x 21 in. (85.09 x 53.34 cm)

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled A Skull Superimposed, Amsterdam, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. P...

John Scott’s contemporary graphic paintings are reminiscent of street art. Art critics admired the provocative, bold artwork of John Scott, whose imagery is informed by his working-...

This vibrant “LOVE” poster by Yves Saint Laurent belongs to a joyful and highly recognizable series created by the couturier from the 1980s through the 1990s. Conceived not as a fash...

Princess Caroline Of Monaco by Slim Aarons Princess Caroline of Monaco in the winter-garden room of her house on the palace grounds, Monte Carlo, Monaco, August 1981. (Photo by Slim...

Vintage offset lithograph postcard published by te Neues Publishing Company, New York, and printed in Germany in early 1984 during Keith Haring’s lifetime. Professionally framed in w...

Colour etching on paper, edited 1982. Limited edition, numbered as 12/125 in lower left corner. Hand-signed in pencil by artist in lower right corner. Paper size: 79 x 53 cm Good co...

Ellsworth Kelly Drawing of Cyclamen III, and collage for Conques (Untitled), exhibited at the Johnson Museum of Art, Cornell University, 1987 Graphite drawing, and mixed media collag...

Screen print on paper, hand signed and numbered in pencil. Edition of 150. A vibrant and imaginative colour screenprint by contemporary German artist Karin Wiesmann, depicting a yo...

Albert WATSON (*1942, Scotland) Mike Tyson, Catskills, N.Y., 1986 (back of head) Archival pigment print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 5 ...

Fran Bull is a first generation Photorealist whose compositions are based on photographs including natural reflections of glass, water and other surfaces. Monarch Butterfly...

Paris, rue des Solitaires, oil painting by Pierre Coquet Reference number F489 The painting is framed with a natural oak floated frame. 65 x 50 cm (70 x 55 cm frame included) This work is painted with oil on a paper that is laid on a board and placed in a made to measure wood strectcher. It is signed in the low right Paris is one of Pierre most important subjects. Pierre's Paris is always depicted in a grey atmosphere. Buildings are stylized but the city is recognizable with its typical grey galvanised steel and orange terracota chimneys. The composition here is a little atypical, as there is a certain symmetry between the top and bottom of the painting. You could almost turn it upside down, there's a kind of mirror effect. The support for the painting is a cardboard box salvaged from the art school where he taught (Corvisart-Paris). The students used it to protect their tables. Pierre kept them and painted on them, and we can see little drawings or annotations made by students who had fun scribbling on them. Provenance : Workshop of the artist (stamped and numbered on the back) About Pierre : Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Keith Haring Rain Dance 1985: RARE original 1980s Keith Haring illustrated poster announcement for a Keith Haring UNICEF benefit party at Larry Levan’s legendary Paradise Garage...

Wonderful landscape of lady slipper flowers in Swedish landscape by actress/artist Gunnel Lindbolm (Swedish, b. 1931), circa 1980. Titled and signed on verso and lower left corner. P...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Andy Warhol Record Art 1982: Querelle vinyl album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Marechal: Andy Warhol, The Complete Commissioned Record Covers...

Poster Sz: 11 3/8"H x 16" 1/4"W Frame Sz: 12 1/4"H x 17 1/8"W Horseracing Poster For The Inaugural U.K. v U.S.A. 'Chivas Regal Trophy' at Sandown Park, 22nd October 1980 With Facsi...

"New York Walk" by Fernando Natalici Manhattan 1984. The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the beauty & chaos of everyday city life... Archival Inkjet Print on 310gsm paper. 13 x 19 inches. Hand signed from an edition of 10 (+ 5 A/P’s) Obtained directly from artist. Excellent overall condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories Henri-Cartier Bresson. Saul Leiter...

Rocky Point - Vintage Big Sur Landscape, Original California Painting Beautiful California seascape of Rocky Point in Big Sur, California by an un...

George Dannatt (1915-2009) Ticket Collage - "Entree 12H" 1982 Mixed media: Collage crayon Image: 10.3 x 9.20 cm Frame: 25.4 x 21.5 cm George Dannatt (1915-2009) was an outsta...

Gelatin silver print Signed, verso This artwork is offered by ClampArt, located in New York City.

Clams - Signed limited edition archival pigment print, 1984 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pr...

THE LAMP is a hand drawn limited edition color lithograph by the renowned American master artist Romare Bearden, proofed and printed using hand lithography in 19 colors plus silver f...

Keith Haring Tony Shafrazi 1982: set of 6 printed works: A set of six, individual, double-sided lithographic inserts from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi ca...

Edgar Reascos (1944-2023) Mensaje Lunar (Lunar Message), 1988. Acrylic on canvas, 60 x 60 inches framed. Signed and dated lower left. Original studio label affixed on veso.

"Mountains" is a watercolor artwork created in 1989 on paper. The dimensions of the artwork are 11x21 cm. The painting focuses on depicting a scene of majestic mountains. Watercolo...

Artist: Keith Haring (American, 1958-1990) Title: "National Coming Out Day" *Signed and dated by Haring in the plate (printed signature) lower right Year: 1988 Medium: Original Offse...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

'Cubist Still Life with Bottles' — Florentine School, oil on canvas mounted on board, (circa 1980s–90s). A table scene of bottles, glassware, fruit, and folded forms is fractured int...

Surreal lithograph with light lavender and blue colors, 1982. Titled and numbered on lower left and signed lower right in pencil. Displayed on a white mat with a gold border and fi...

numbered 64/180. Published by Atlantis Art Verlag Freiburg

Artist: Bernard Buffet Medium: Lithograph on Arches, 1988 Dimensions: 29.75 x 22.75 in, 75.6 x 57.8 cm

Issued in 1982 and titled New York, New York, this Budweiser advertising poster presents a surreal, vertical composition in which an oversized Budweiser bottle rises dramatically, re...

CITY LIGHTS by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid fre...

Raymond Pettibon, 'Black Flag Live ‘85 Loose Nut': Folding double-sided merchandise flyer illustrated by Raymond Pettibon for SST Records advertising...

David Sanders (1933-2013) Austin Artist Image Size: 21 x 17 Frame Size: 29 x 25 Medium: Pastel 1984 "Rest Stop" Longhorn & Windmill David Sanders (1933-2013) Known for his oil pastel...

Modernist dog portrait. Finely painted. Measuring 24 by 30 inches.