1980s Art

Sheep by an Idyllic Tree Lined River Landscape in Ireland by Modern 20th Century Irish Artist, Frank Fitzsimons Art measures 18 x 14 inches Frame measure 21.5 x 17.5 inches Frank Fitzsimons was born in Antrim but grew up in Bangor, Co Down in the 1930’s. Fitzsimons joined the Belfast Art Club where he painted with Maurice Canning Wilks...

Hand signed and numbered by the artist. From the edition of 5/60 (there were also 10 artist's proofs). Unique screenprint on Lenox Museum Board. Printed by Rupert Jasen Smith, New ...

Woman in the chair, heavy oil impasto on canvas framed. Elisabeth Sabala Abelló (Barcelona, 1956). She studied industrial design at the School of Arts and Crafts in Barcelona ​​and has a degree in Fine Arts, a specialty in painting, from the Central University of the same city. Sabala is a convinced figurative who has given all the prominence of her work to the representation of the human being in its most trivial aspects. At a time when the artistic landscape extols abstract and conceptual art focused on the great universal themes, Sabala continues to focus on the small defects that bring us closer to the collective and the human. The artistic progression of Sabala takes place, at first, from a bleak period to another vitalist and, later, from the representation of isolated characters (In the super, Reading the stories of the paintings) to the recreation of great concentrations of its peculiar individuals characterized in an endless number of situations (The Great Dance, The Girls of the Choir). Sabala's work is vital and touching, as well as scathing and satirical: it confronts its characters in the most varied situations, capturing, at the same time, the viewer's attention with an unusual juxtaposition of colors that do not seek chromatic harmony, but expression and movement through matter. In 1980 he won the first prize of a painting of the City of Castelldefels, and the following year he debuted individually in the Caixa Catalunya room, in Barcelona. In 1984, she was selected for the XXIII Joan Miró Drawing Prize, taking part in a traveling exhibition in Japan. Sabala won the first prize in the International Painting Competition of Pollença (Mallorca) in 1985, and the following year she took part in a collective held at the Martano gallery in Turin. That same year of 1986 she obtained the Scholarship of Plastic Arts of the Generalitat de Catalunya. He continues to hold personal shows in Barcelona, ​​Mallorca, Madrid, and Italy, and in 1989 he debuted in New York with an individual exhibition held at the Scott Alan Gallery. Since then she will reiterate his presence both in that city and in Paris, Berlin, Monaco, Amsterdam, Los Angeles, Mexico City, Hong Kong, etc. His works have been present at Interactive, ARCO, Art Forum, Art Jonction and New Art, as well as in various Spanish museums. • Studies: Fine Arts, University of Barcelona • Industrial Design, School of Arts and Crafts, Barcelona Main exhibitions Spain: • Barcelona: ◦ Arcs & Cracks, 1990, 1992, Anna Benach 1993, Helena Ramos 1993 ◦ Maria Jose Castellvi 1996, 1997, 1999, 2001 “a wedding is a wedding” + Performance “Ella” ◦ 2004, 2006 “Fashion satisfaction” + Performance ◦ 2008 “Women's weapons” • Girona: ◦ Helena Ramos 1990, 1991, 1993, 1995 ◦ Cyprus Art...

A vibrant and emotionally charged mixed-media collage by Rodolfo Morales (1925–2001), one of the central figures of the Oaxacan school alongside Rufino Tamayo and Francisco Toledo. Morales is celebrated for his dreamlike vision of village life, the female presence, and the thin, poetic line between the real and the magical. This unusual double portrait features two frontal figures—rendered in Morales’ signature palette of saturated reds, golds, and earth tones—set against a radiant background of foils, hearts, and patterned papers. The faces, both direct and expressive, seem to mirror each other while remaining psychologically distinct. Morales constructs them from layered paper, painted elements, and bits of lace and metallic foil, each detail contributing to an atmosphere that is both intimate and theatrical. The composition is framed by its original hand-punched tin (hojalata) frame, a hallmark of Morales’ mixed-media works. These frames were often designed in collaboration with local Oaxacan art...

Alan Cote Sunrise - an Expression, 1981 Acrylic Polymer (Aquatec) on Canvas (hand signed twice with original Washburn Gallery label) Hand-signed by artist, Signed, titled and dated t...

Artist: Nina Usacheva-Green, Russian XXth Title: Mask of the Sun Year: 1986 Medium: Oil on Canvas, signed Size: 50 in. x 42 in. (127 cm x 106.68 cm)

Signed oil on canvas riverscape circa 1980 by French artist Hugues Claude Pissarro. The piece depicts a view of boats sailing towards a viaduct on the River Seine. Painted in a divis...

Offset lithograph poster Signed exhibiton poster for the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Hand signed, dated '88 and inscribed 'To Osc...

American school, Signed indistinctly lower right and dated 1988. A bravura, psychologically-penetrating oil study of a man, shown wearing a turban and contrasted against a scumbled ...

This watercolour still life Monoprint of a bowl with eggs is by Pat Service. Pat Service is considered one of Canada’s finest contemporary artists. During her decades-long career, ...

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

Offset lithograph promotional card Hand signed in black marker on the front Provenance: Estate of artist Joseph O'Sickey This elegantly scaled promotional card, which is, exceptional...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Sharon Sutton A Symphony for Pink Candy 1981 Print - Screen print on Somerset Paper paper size 28.5'' x 20.5'' inches Edition: Signed, titled and numbered in pencil 61/150 Sharon E...

Brighton Pier - Platinum Palladium print over silver on vellum paper Edition 1 of 8 , plus 2 AP ( Small size ) Shooting for an advertisement for Chevignon jackets, group of fr...

Vintage David Hockney poster for the XIV 1984 Olympic Games in Sarajevo published as part of the official 1984 Olympic Fine Art Posters Series. The Olympic Committee commissioned 15 ...

"This is one of my earliest sculptures. I depicted a naked girl at the waterfall. She bathes under jets of water. The fabric of clothing hugs her body and lies down to her feet. The ...

Sharon Merkur, Canadian (1932 - 2002) - Escarpment IV, Year: circa 1980, Medium: Woodcut on thin wove paper, signed, numbered and titled in pencil, Edition: 6/8 A, Image Size: 22...

Medium: original lithograph. Printed in 1982 for Derriere le Miroir (issue No. 250), and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 558 mm). There is a cen...

This exquisite lithograph after Marc Chagall (1887–1985), titled Sisyphos (Sisyphus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published ...

Garry Dorsainvil (Haitian) Cap-Haïtien, c. 1980s Acrylic on canvas Framed: 24 1/4 x 35 1/4 x 1 1/2 in. Signed and titled lower right This painting shows the port city of Cap-Haïtien...

Max Epstein, Canadian (1932 - 2002) - Fishing Hole, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x 35 i...

Aquatint and etching on Japon paper from Historia de Don Quixote de la Mancha. Hand signed lower right by Salvador Dali. Hand numbered 4/150 lower left. Sheet size: 29.875 x 22.12...

Original The Beauty of Desktop Engineering on the Apple Macintosh, 1989 pop-art style poster. Archival linen backed in very good condition, ready to ...

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

This is a painting by Puzant Godjamanian (1909-1993), a deeply meaningful composition depicting a mother singing her baby to sleep. The piece convey...

Scarce 1982 offset lithograph poster Signed and dated 1991 in ink by Sam Gilliam This is a hand signed exhibition poster for Sam Gilliam's landmark 1982 mid-career retrospective at t...

11 x 14" vintage silver gelatin photograph of Martha Graham dancer Terese Capucilli in "Rite of Spring", 1985. Signed by Jack Mitchell on the print verso. Comes directly from the Jac...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 1...

Fernando Botero ''Mujer fumando" 1985 lithograph, signed in lower right corner Numbered in Roman numerals in lower left corner num. XLVI/L, 40 x 33 cm.

Lithograph, 1987 Handsigned by the artist in pencil and numbered 123/200 Publisher : Erker Presse (St. Gallen) LCD4727

A very good impression of this lithograph with embossing on Arches. One of 4 numbered printer's proofs, aside from the edition of 30. Signed and dated in pencil, lower right, and ins...

Lush Green English Countryside with Cottage & River by British Landscape Artist, Lesley Hammett (Born 1955) Art measures 16 x 12 inches Frame measures 19 x 15 inches This paintin...

Signed lower right, 'Carol Lucas' (American, 20th century), dated 1987 and titled, verso on stretcher bar, 'Mt. Tam' with dedication and artist signature. A view of the snow covere...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

This vintage exhibition poster features a David Hockney photographic collage. Hockney’s keen eye and uncanny ability to capture his subjects’ individuality is evident in this casual...

Abstract Expressionist French Woods - Abstract with Pink, Black, & Blue Bay area abstract expressionist landscape of Paris, France woods by Eric Hoffman (American, B-1954). Signed and dated "Hoffman '84" lower right and "Hoffman 1984 France" on verso. Paper size: 19.5"H x 25.75"W. Oil on paper. Master of Fine Arts, 1978, San Jose State University, CA: Master of Arts, 1977, San Jose State University, CA.; Bachelor of Arts, 1975, San Jose State University, CA.;Education, University of California, Santa Cruz, 1993; Computer Graphics, Foothill College, Los Altos, CA. 1996,1997; Filmmaking/ Animation / Computer Graphics, De Anza College, Cupertino, CA. 1996-1998; Video Editing & Motion Graphics, Bay Area Video Coalition, San Francisco, CA. 1999; Printmaking, Kala Institute, Berkeley, CA. 2001; Spanish Colonial Wood Carving...

Louise Nevelson (1899-1988) is one of the most revered and unique artists of the 20th century. There has been a renewed interest and appreciation for her extensive body of work. In 2...

Artist: Dana Loomis Title: Attributes of Art Year: 1984 Medium: Oil on Canvas, signed and titled in marker Size: 40 in. x 46 in. (101.6 cm x 116.84 cm) Frame Size: 41 x 47 inches

Artist: Keith Haring Title: Silence = Death Size: 39 x 39 in. (99.1 x 99.1 cm) Medium: Color Screenprint on Wove Paper Edition: HC 15 of 25 Year: 1989 Notes: Image Size: 33 x 33 in...

11 x 14" vintage silver gelatin photograph of NYCB dancer Valentina Koslova in "Swan Lake", 1986. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitchell Ar...

Untitled, Sarayevo Winter Olympic Games 1984, is an etching with aquatint and lithograph in colors realized by Cy Twombly on the occasion of the Winter Olympics Games 1984 in Sarajev...

Beautiful still life painting by California artist, John McCormick III. Romantic Autumn Collection, ca. 1985. Oil on wood panel, 4 x 7 inches; 6.5 x 9.5 inches in wood frame. Signed lower right. Minor scratches in varnish. EDUCATION 1980 San Francisco State University, CA, Teaching Credential 1978 University of the Pacific, CA, B.F.A. SELECTED SOLO EXHIBITIONS 2020 Harris Harvey Gallery, Wild Life and Other Topics, Seattle, WA 2016 Harris Harvey Gallery, Clues and Fragments, Seattle, WA 2014 Lisa Harris Gallery, Visitation, Seattle, WA Elins Eagle-Smith Gallery, San Francisco, CA 2011 Julie Nester Gallery, The Land, Park City, Utah 2010 Lisa Harris Gallery, Recent Landscapes, Seattle, WA SF City College Art Gallery, New Landscapes and Portraits, San Francisco, CA 2009 Lisa Harris Gallery, Water Journey, Seattle, WA 2008 Anne Reed Gallery, Water Journey, Ketchum, ID 2007 Gallerie de Bellefeuille, Solo Exhibition, Montréal, Quebéc 2006 Elins Eagles-Smith Gallery, Solo Exhibition, San Francisco, CA 2005 Anne Reed Gallery, Solo Exhibition, Ketchum, ID Lisa Harris Gallery, Solo Exhibition, Seattle, WA 2004 Elins Eagles-Smith Gallery, Solo Exhibition, San Francisco, CA The Bolinas Museum, Solo Exhibition, Bolinas, CA 2003 Anne Reed Gallery, Solo Exhibition, Ketchum, ID Lisa Harris Gallery, Solo Exhibition, Seattle, WA 2002 Scott White Contemporary Art, Solo Exhibition, La Jolla, CA 2001 Lisa Harris Gallery, Solo Exhibition, Seattle, WA The Triton Museum, New Works by California Artists, Santa Clara, CA The Munson Gallery, Solo Exhibition, Santa Fe, NM DNFA Gallery, Landscape and Memory, Pasadena, CA 2000 Diane Nelson Fine Art, New Landscapes, Laguna Beach, CA 1999 Tercera Gallery, Solo Exhibition, Los Gatos, CA 1998 San Jose Institute of Contemporary Art, Solo Exhibition, San Jose, CA 1997 Robert Allen Fine Art, Solo Exhibition, San Francisco, CA 1996 Robert Green Fine Art, Solo Exhibition, Mill Valley, CA 1995 Harleen & Allen Fine Art, Solo Exhibition, San Francisco, CA 1993 Harleen & Allen Fine Art, Solo Exhibition, San Francisco, CA 1984 Triangle Gallery, Two-Person Show, San Francisco, CA 1982 Triangle Gallery, New Work, San Francisco, CA SELECTED GROUP EXHIBITIONS 2020 Harris Harvey Gallery, Fall Perspectives, Seattle, WA 2020 Harris Harvey Gallery, Provenance, Seattle, WA 2019 Harris Harvey Gallery, Summer Reflections, Seattle, WA 2018 Harris Harvey Gallery, Fall Focus, Seattle, WA 2017 Elins Eagles Smith, San Francisco International Art Fair, San Francisco, CA 2016 Harris Harvey Gallery, Winter’s Offering, Seattle, WA Lisa Harris Gallery, 31 for 32: Summer Salon, Seattle, WA Elins Eagles Smith, San Francisco International Art Fair, San Francisco, CA 2012 Lisa Harris Gallery, Plein Air Invitational, Seattle, WA 2010 Bolinas Museum, 22nd Annual Mini Show, Bolinas, CA 2009 Lisa Harris Gallery, 25th Anniversary Show, Seattle, WA 2008 Lisa Harris Gallery, Water Falling, Seattle, WA 2007 Triton Museum, Survey of Bay Area Landscape Painters, Santa Clara, CA, Elins Eagles-Smith Gallery, Los Angeles Art Fair, Los Angeles, CA Galerie De Bellefeuille, Miami Art Fair, Miami, FL Julie Nester Gallery, Group Show, Park City, UT 2006 Elins Eagles-Smith Gallery, Art Chicago, Chicago, IL Galerie De Bellefeuille, Toronto Art Fair, San Francisco, CA Renee George Gallery, Small Scale II, Charlotte, NC 2005 Elins Eagles-Smith Gallery, SF International Art Fair, San Francisco, CA Scott White Contemporary Art, Palm Beach Art Fair, Palm Beach, FL 2004 Elins Eagles-Smith Gallery, Art Chicago, Chicago, IL Elins Eagles-Smith Gallery, SF International Art Fair, San Francisco, CA 2003 Anne Reed Gallery, Group Landscape Show, Ketchum, ID Elins Eagles-Smith Gallery, Art Chicago, Chicago, IL Arcadia Fine Art, Art Chicago, Chicago, IL 2002 Elins Eagles-Smith Gallery, SF International Art Fair, San Francisco, CA Scott White Contemporary Art, Terrain, Telluride, CO Arcadia Fine Art, Summer International Invitation, New York, NY DNFA Gallery, Landscape Show, Pasadena, CA Diane Nelson Fine Art, Landscape Show, Laguna Beach, CA 2001 Eleanor Ettinger Gallery, Summer Salon, New York, NY Susan Street Fine Art, Solana Beach, CA Anne Reed Gallery, Reflecting on Surfaces, Ketchum, Idaho 2000 Lisa Harris Gallery, Millennium: Three Introductions Seattle, WA 1999 Campbell-Thiebaud Gallery, Large Paintings, San Francisco, CA The Munson Gallery, New Gallery Artists, Sante Fe, New Mexico Diane Nelson Fine Art, Elements of Landscape, Laguna Beach, CA 1998 Robert Green Fine Art, Selected Gallery Artists, Mill Valley, CA Royal Birmingham Society of Artists Gallery, Birmingham, England University of the Pacific, Alumni Exhibition, Stockton, CA 1997 Robert Allen Fine Art, San Francisco, CA 1996 Robert Green Fine Art, Mill Valley, CA 1995 Harleen & Allen Fine Art, San Francisco, CA 1990 United States Embassy, Selected Western Artists, Moscow, Soviet Union 1989 University of the Pacific, Alumni Show, Stockton, CA 1096 Southern Exposure Gallery, San Francisco, CA 1985 Richmond Art Center, Richmond, CA AWARDS & DISTINCTIONS 2008 Djerassi Foundation, Alumni Winter Residency 2004 Morris Graves Foundation, Artist Residency 2002 Morris Graves Foundation, Artist Residency 2000 Karie Thomson Honorary Fellowship, Djerassi Foundation Djerassi Foundation, Artist Residency Year 2000, Woodside, CA Marin Arts Council, Individual Artist Grant 1998 Royal Birmingham Society of Artists, Award of Artistic Merit Marin Arts Council, Community Art Grant 1992 University of the Pacific, Alumni Fellowship 1986 University of the Pacific, Alumni Fellowship BIBLIOGRAPHY “Mitchell Albala and John McCormick,” Visual Art Source, review by Matthew Kangas, March, 2014 “Coast to Coast, Best of the West”, Southwest Art , May 2005 “Start your collection”, Southwest Art, June 2004 "The Studio Book" by Kathleen Riquelme & Melba Levick, Rizzoli Publishing, Nov. 03 “Artists offer two views of the landscape” Seattle Times, February 14, 2003 “Preview-John McCormick” Artweek, February, 2003 “Challenging Landscapes Expand Horizons” The Telluride Watch, May 31, 2002 “Following Their Bliss; John McCormick & Jan Gauthier” SFSU Magazine, spring, 2002 “John McCormick, Landscapes”, essays by Ron Glowen & Susan Hillhouse, Horsehill Press, 2001 “Bay Area Artist”, Southwest Art Magazine November, 2001 “John McCormick at Diane Nelson” Orange County Register, November, 2000 “Marin Artists Open their Studios” San Francisco Chronicle, May 2000 “MarinScapes Returns for 11th Year” Marin IJ, July 1999 “Designs by Joseph Escherick” Architectural Digest, August 1996 “San Francisco Best Bets”, SF Examiner, June 4, 1995 “Marin Open Studios” Marin IJ, May, 1995 “In The Galleries”, Marin IJ, February, 1995 “John McCormick at Harleen & Allen”, Northern CA...

Andy Warhol (1928-1987) Flowers (black and white), 1986 Original silkscreen (Printer Alexander Heinrichi, New York) Signed in pencil with the monogram lower right Countersigned in p...

Seton Smith (American, b. 1955) Auditorium and Corse, 1989 Black and white photograph, cibachrome print with steel frame 39 3/4 x 56 1/2 x 1 in. Tom Cugliani Gallery Label Verso Seton Smith (b. Newark, New Jersey, 1955) has been working as an artist for over 30 years. After studying photography and art history at the Museum School and the Massachusetts College of Art in Boston, she has split her time between Paris and New York. She has made public projects, and installations, but focused primarily on photography, exploring the psychological and social aspects of objects and architecture. She then turned her attention to the vernacular architecture of America, particularly houses. Most recently she photographed earth mounds at the Hopewell site in southern Ohio, and the Elizabeth Cady Stanton...

Ralph Arnold, 'Cascade', mixed media: acrylic, pencil, conté crayon, marker, oil; 1986-88. Signed 'Arnold' and dated '86-88' in pencil, lower right. A fin...

"Untitled" bronze sculpture of a female nude by artist Felipe Castañeda. Inscribed F. Castañeda 1984 P/A on base.

George Dannatt (1915-2009) Fanfare, 1983 Screenprint Image measures: 27.5 x 23.0 cm Paper size: 62.0 x 49.5 cm Editions available Mint condition: 22/120, 27/120, 94/120, 95/120, 10...

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers in 1982 an...

Peter Plagens (b. 1941) received his B.F.A. from the University of Southern California and his M.F.A. from Syracuse University. He is well known for his abstract, formalist paintings...

Artist: Richard Corman Year: 1983 Title: Madonna Chair #1 Edition Details: 12-color archival pigment print on 100% cotton fine art paper, signed and numbered in the margins by the...

This colorful foil-embossed poster was created by the effervescent Austrian-born New Zealand artist Friedensreich Hundertwasser. Hundertwasser (1928-2000) stood out as a truly indivi...

Franco Fontana (Italian, born 1933) Title: Los Angeles, California 1979 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 29.25. Sight 13 x 19.5 Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

A fine black and white silkscreen geometric print from the Kinderstern Portfolio by American artist Sol LeWitt (1928-2007). LeWitt was was born in Hartford, Connecticut, and attended...

Kandinsky's Exhibition Poster is a a vintage offset print realized in the late 20th Century. An offset poster depicting one of the masterpiece of the artist. Includes frame Very g...

Seated in an armchair, the woman in this Pablo Picasso print appears fragmented and disjointed due to the artist’s integration of multiple perspectives. A lithograph from the Marina ...

This Palomino Ain’t No Pal of Mine 1982 Giant Size, Special Limited Edition Archival Pigment Print Original Pencil Signature, Signed Lower Right Made in collaboration with Ed Mell ...

Catherine Wilke - Slim Aarons Estate Stamped Catherine Wilke joins the topless sunbathers on the island of Capri. (Photo by Slim Aarons) 20 x 16" inches / 61 x 51 cm paper size E...

Original, oil paint and acrylic paint on canvas by the well known American artist, Syd Solomon. Signed bottom middle by the artist. Titled and dated verso 1983. Condition is excellent. Original gallery floating frame. Overall framed measurements are 38 by 42 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...