Early 2000s Art

Artist: Peter Max (1937) Title: Liberty Head Year: 2005 Medium: Mixed Media on archival paper Size: 30 x 24 inches Condition: Excellent Inscription: Signed b...

George Dannatt (1915-2009) Series of Small Paintings in Graphite & Pencil 2009 Medium: Graphite, pencil & white oil on paper Image: 13.0 x 9.2 cm Mount: 27.0 x 23.3 cm Reference...

Sunrise by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed double sided paper dimensions: 11 x 15 inch...

Artist: Peter Max (1937) Title: Heart on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent Inscri...

Peter Max original embellished painting on paper No Coa but it has park west frame and stickers Measures 36x30x1 In good condition frame has minor ...

Digital C-print (Edition of 25) Signed, dated, and numbered, verso 28 x 24 inches, sheet 22 x 18 inches, image This artwork is offered by ClampArt, located in New York City. Edwar...

Contemporary realistic figurative mixed media drawing PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...

Signed, numbered and titled on recto. Signed, titled, stamped on verso. Gelatin Silver Print Edition of 25

Colourful Abstract Landscape & Sky Painting with Reds, Purples & Blues of Pendle Hill in the Northern English Countryside by leading British Urban Artist Angela Wakefield. Art measu...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Still life - Giovanni Perna Italia 2004 - Oil on canvas cm.50x70 in this beautiful oil on canvas Giovanni Perna was inspired by the paintings of the Spanish painter of Dutch origin J...

Karina - Signed limited edition archival pigment print on an textured art paper - Edition of 8 Photography : 2009 Bichromate print : 2010 Several negatives was used to create a h...

48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #9309 Not mounted. Stefanie Schneider's...

Francks Deceus's Harlem 125 is a 18 x 24 inches mixed media work . The medium is acrylic and silkscreen on paper. It depicts an African American couple ...

Title: British Impressionist Watercolor of Village Pathway with Cottage and Figures by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11...

Marion - Signed limited edition archival pigment print , France, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 ...

Images size 55 x 70 cm Limited Edition of 12 Platinum Print Framed with Wengé and Passepartout Framed Size 92 x 112 cm Evocative, sensual and voluptuous, Marc Lagrange's work celebr...

Artist: George Rodrigue (1944-2013) Title: Blue Skies Shinning on Me (Blue Dog Series) Year: 2005 Edition: 141/190, plus proofs Medium: Silkscreen on a...

Marion - Signed limited edition archival pigment print , France, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 g...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5 + 1 AP) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Torso ‘ who was captured on film in 19...

Original exhibition poster for David Hockney’s retrospective at the Louisiana Museum of Modern Art in Humlebæk, Denmark, held from October 12, 2001 to January 27, 2002. Published by ...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Original and unique artwork by Russell Young. Acrylic paint and enamel screen print on linen, unframed dimensions 62 x 48 inches, 2008, from the series "Fame + Shame". Bright and viv...

Title: British Impressionist Watercolor of Rustic Courtyard in Tossa de Mar By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimensions...

Signed and titled and numbered by the artist, (23/69). Silkscreen print on handmade paper (from Bhutan). This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Fugitives III (Till Death do us Part) - 2005, 20x24cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 9363....

Kate #2, 2002 by Leonard Freed is an 8" x 10" hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of print).. Mo...

Stunning museum quality fine art print of Chrissy Teigen by photographer Markus Klinko from a collection of contemporary nudes by the celebrated photographer, featuring amongst other...

Nelson Dominguez (Cuba, 1947) 'Personajes del circo', 2001 engraving on paper Deponte 300 g. 29.2 x 22.1 in. (74 x 56 cm.) Edition of 40 ID: DOM-103 Unframed

Artist: George Rodrigue (1944-2013) Title: Purity of Soul (Blue Dog Series) Year: 2005 Edition: 142/190, plus proofs Medium: Silkscreen on archival pap...

"Lucy" by Carole Eisner Abstract, Outdoor Sculpture in welded steel Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded in st...

Vadym Mykhalchuk "Basic Instinct."

Daisy and Austen in front of Trailer (Till Death do Us Part) - 2005 Edition 5/5, 125x123cm each. 125x520cm installed. 4 Analog C-Prints, hand-printed by the artist on Fuji Cristal ...

Title: British Impressionist Watercolor of a Flower-Lined Courtyard with Rustic Charm By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes ...

The Easy Dark poster for Julie Mehretu’s exhibition at the Louisiana Museum of Modern Art is a remarkable piece that embodies the energy and complexity of Mehretu’s work. Printed in ...

Dynamic, colorful painting of a man floating in a pool by Marc Foster Grant (American, b. 1947). Signed, titled and dated, "Monster Five," and "Grant...

Oil on canvas mounted on cardboard, realized by Paolo La Motta in the early 2000s. Includes a contemporary wooden frame cm. 48.5x38. Very good condition.

This original 1990s fine art monotype by Denver artist Wilma Fiori is a bold and dynamic example of late 20th-century American printmaking. Rendered in expressive layers of green, bl...

"The Kiss V" is one of Roy Lichtenstein's iconic paintings, showcasing his signature Pop Art style characterized by bold lines, Ben-Day dots, and a comic book aesthetic. Lichtenstei...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Limited Edition edition of 3433 12 1/2 × 16 3.5 inches Unframed Accompanied by gallery issued Certificate of Guarantee Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Happy Days (Till Death do Us part) - 2005 20x20cm, sold out Edition of 10, this is Artist Proof 2/2. Archival C-Print based on the Polaroid. Certificate and signature label. Arti...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

'You, the desert and me' (The Girl behind the White Picket Fence) 125x150cm, Edition of 5, Analog C-Print, hand-printed by the artist, based on the Polaroid, Certificate and Sign...

Gordes, Provence signed oil painting on board, framed inscribed verso and dated 2005 framed: 28 x 37 inches provenance: private collection, Provence condition: very good and sound co...

ITZCHAK TARKAY – "VISITING FRIENDS" ⚜ Serigraph in Color on Wove Paper ⚜ Hand Signed and Annotated AP 23/90 ⚜ Gilt Wood Frame VIBRANT INTERIOR PORTRAIT Printed in 2001, "Visiting Fr...

Title: British Impressionist Watercolor of a Countryside Hamlet Beneath Rolling Hills By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: ...

The Venetian Backwater French artist, signed and dated 29/4/2000 oil painting on canvas, framed framed: 48.5 x 35 inches canvas: 46 x 32 inches condition: very good provenance: priv...

Louise Bourgeois We Love You, 2000 Engraving and watercolor with unique Ink drawing on Fabriano Paper Unique Variant with original hand coloring) Signed by the artist, inscribed "X" ...

This piece is a giclée after an original painting created by Jonathan Winters in 1977. Jonathan Winters was an American comedian, actor, author, and artist whose iconic career spanne...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Artist: Peter Max (1937) Title: Cosmic Flyer in Space Year: 2003 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Ins...

Title: British Watercolor Village Street with Church and Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25 inches ...

Title: British Impressionist Watercolor of a Tranquil Riverside Landscape with Trees By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes D...

A modern contemporary color field painting by Edouard D. Louis. Titled Aqua Sunset and housed in a contemporary natural wood frame presentation Measuring 30" (h) x 24" (w) unframed.

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

Artist: Peter Max (1937) Title: Star Catcher Year: 2003 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscription:...

This is a beautiful and tranquil acrylic painting. At a first glimpse, the painting looks subtle, but multiple soft and fine nuances, forms, and textures appear when you near in. The painting evokes a feeling of Nordic minimalism. The painting is made by Danish artist Anette Holmberg...

Title: Untitled Artist: Deyan Valkov Medium: Oil on canvas Dimensions: 24 x 20 inches Year: 2002 (signed on the artwork) Frame: Unframed Style: Abstract Expressionism Description of...