Early 2000s Art

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

TN509-T is a unique triptych painting by Japanese contemporary artist Hachiro Kanno. The painting is made with Ink and acrylic on canvas. It is composed by 3 panels, total dimensions...

This is an intense bronze sculpture created by the Italian artist Ugo Riva, in 2006. Lost wax bronze. The title of this artwork is "Con gli occhi nell...

Artist: Alvar Suñol Title: Figurative Composition Date: c.2000 Medium: Oil on canvas Dimensions (canvas): 81 x 100 cm (31.9 x 39.3 in) Framed: Yes Condition: Excellent Alvar Suñol –...

This is a reproduction of the lithograph in colors/PT8 #120 Waterleaf paper originally created in 1999. The very large piece is printed on a heavy woven paper, the colors carefully h...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 24 Frame Size: 38.75 x 32.75 Medium: Oil on Canvas Applied by Palette Knife Dated 2001 "Flowers" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Digital C-print Stamped and numbered, verso 24 x 20 inches (Edition of 10) 40 x 30 inches (Edition of 5) 60 x 50 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

Christopher Wool The Show is Over, 2000 Offset Lithograph poster 36 × 24 inches Limited Edition of approx 100 (unnumbered) Unframed This collectible offset lithograph poster was pu...

The painting was painted in acrylic on canvas in 2009 when artist Anna Shesterikova traveled to beautiful Prague. The spring streets of the Old Town inspired her to create a whole se...

Painting of Abstract Turquoise & Red Flowers on a Pink Background by British Landscape Artist, Angela Wakefield. This original is from th...

The print is Diasec® framed. This mean the print is mounted between acrylic glass (UV-resistant) and a dibond (aluminum) backside, with an attached frame for easy hanging. Depth of t...

Artist: Peter Max Title: Grammy Size: 48 x 36 Inches (Framed: 51 x 39 Inches) Medium: Acrylic on Canvas Edition: Original Year: 2002 Notes: Hand Signed by the Artist. Hand S...

Belles of Shoreditch, Richard Heeps photograph taken backstage at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he...

Presenting a large gold, orange, and yellow contemporary abstract painting by Danish artist Kenneth Strandby (1960 - ). With its color and its large size the painting has a warm and ...

Sergei Malishevsky (1956–2020) was a Belarusian painter renowned for his distinctive surrealist style and vivid artistic voice. He was in Moscow to Algirdas Malishevsky, the eminent ...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Аutumn landscape by the river. 2000, oil on board, 80x99 cm Janis Kalnmalis (1939) Received professional education in the LVM of Riga department of decoration and graduated in 1960...

Artist: George Rodrigue (1944-2013) Title: Purity of Soul (Blue Dog Series) Year: 2005 Edition: 142/190, plus proofs Medium: Silkscreen on archival pap...

Artist: Peter Max (1937) Title: United We Stand Year: 2002 Edition: 107/300, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.5 x 9 inches Condition: Excellent Inscript...

Monoprint, with a companion piece (Six From Nine From Two #2). Theise is an artist, teacher and experimental film maker from San Francisco. These two prints are from a series the a...

This 28" x 20" oil on canvas by Masri represents an abstract landscape that plays with texture and color to evoke the essence of a natural scene. The painting features a deep, earthy...

Artist: TARKAY, ITZCHAK Title: LAKE CAFE Year: 2000-2010 Size: 36 X 48 INCHES Medium: ORIGINAL ACRYLIC ON CANVAS Edition: ORIGINAL 1/1 Description: Hand signed by the artist. The art...

Basquiat Record Art 1983/2001: 2001 2nd pressing released in limited quantity. Beat-Bop, is a 10-minute track synthesizing various instruments and rhy...

Tracey Emin Beirut, 2006 Offset Lithograph printed in black 16 × 23 inches Edition 99/100 Pencil signed, dated and numbered on the front. Accompanied by a special card from Tracey Em...

Large Spanish Pyrenees Village Scene, Vielha Aran Valley Oil Painting by Salvador Pérez Bassols Artist: Salvador Pérez Bassols Title: Casas Aranesas Medium: Oil on canvas Dimensions...

Artist:  Al Hirschfeld Title: Sammy Davis Jr. Size:  26"h x 20"w (66 sx 50.8 cm) Medium: Lithograph on Fine Art Paper  Edition:  250/300 Year:  2000 Notes: Hand Signed and Numbered i...

This minimalist abstract landscape painting of a lake is by Pat Service. In the Canadian art world, the name Pat Service has long resonated as one of the country’s finest landscape...

Screen print on paper realized by Carla Accardi in 2000. Hand signed and numbered. Edition of 71/99. Includes a metal grey frame. Very good condition.

This limited edition color lithograph, titled The Conceited Man, beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. This ...

Land Battle - Antonio Savisio Italia 2006 - Oil on canvas cm. 40x80 Maestro Antonio Savisio drew inspiration from the masterpieces of the great Neapolitan Maestro Salvator Rosa who...

Untitled (Brown Horse) from the series Animals is a black and white Silver Gelatin print by Giacomo Brunelli, in this size of 10" x 8" in a limited edition of 10. This is a limited ...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Pierre Alechinsky (1927) - Rossaert Lithograph from 2003. The edition N/N. Dimensions of work: 94 x 56 cm. Hand signed. The work is in Excellent condition.

5-3530 Oil on canvas Set in a rapped canvas no frame required

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Figurative painting, girl with flowers, light, semi-abstract, square In "Lightness," Anna Shesterikova masterfully combines figurativeness with abstract expression. The central imag...

A Fine depiction of an Gaff Yachts in the open ocean. For this wonderful depiction of 19th Century sailing ships, Nemethy uses a Fine technique which depicts the figures on the boat ...

Paper Size: 35.25 x 27.5 inches ( 89.535 x 69.85 cm ) Image Size: 21.25 x 21.25 inches ( 53.975 x 53.975 cm ) Framed: No Condition: A: Mint This reproduction of Seascape by Gerh...

Mark Kostabi Plate for Rigatoni Alla Catanese - Da Ciro - New York, NY, 2001 Silkscreen on ceramic plate; Microwave and Dishwasher Safe 10 1/5 in diameter Artist signature fired into the plate on the underside and numbered from an edition of 510. Edition 36/510 Makes a wonderful gift! This beautiful, whimsical limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare, was designed by American artist Mark Kostabi. In 2000, Buon Ricordo America, Inc. commissioned famous American artists to design plates for their flagship US restaurants. In 2000-1, Kostabi designed the present work for the NY Italian restaurant...

Artist/ School: French abstract School, late 20th century/ early 21st century, inscribed initials MD Title: Brown, yellow, beige abstract composition painted on a very large scale. ...

"Duet" by Mark Leichliter Abstract Sculpture 30 x 20 x 10" Powdercoated Steel on Stone Base signed and numbered 2/20 Shipping price includes the custom packing necessary for safe tr...

William Gould (American, 1930-2017) Taos, New Mexico, 2001 Oil on canvas Signed and dated lower right 20 x 30 inches 25.25 x 35.5 inches, framed Cleveland Arts Prize Article: If...

In keeping with my passion of nature, this collection focusses on the movement and structure of nature. I am fascinated in finding things in our environment that often go unnoticed....

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

Artist: Peter Max (1937) Title: Two Cosmic Sages Ver. II Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 9 x 11 inches Condition: Excellent Inscri...

This piece is a giclee after an original painting created by Jonathan Winters in 1970. Jonathan Winters was an American comedian, actor, author, and artist whose iconic career spanned from 1949-2013. This piece is hand signed, titled, dated and numbered 14/275 from the edition of 275. The sheet size measures 21.75 x 26.5 inches and the image measures 17.5 x 23.5 inches. It was published by Andrew Weiss...

Muchacha presents a stylized female figure rendered with earthy tones and a composition that interweaves natural motifs such as fish and a bird. The fish might suggest themes of fert...

Original, limited edition color etching by Francesco Clemente: this is a previously unreleased artwork by this important artist and exclusive to this listing on 1stDibs. Our view is ...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

"Transfigure" by Mark Leichliter Abstract Sculpture 36x7x7" Stainless Steel 4/10 (blue in stock) ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in nearby Fort ...

Konstantin Selikhanov is one of the most important and distinctive contemporary Belarusian sculptors, whose work transcends traditional forms of plasticity. Born in 1967 in Minsk int...

Ed Ruscha - ED IN BURGH - AMERICA'S COOLEST LIVING ARTIST, 2004 Scarce long sold out offset lithograph poster, published on the occasion of the Ed Ruscha exhibition at the Scottish ...

Mixed media on paper by New York artist Peter Opheim, titled "Untitled 3," created in 2008. This signed original work measures 30 x 23 inches and represents an important period in Op...

Angel View (Memories of Green) - 2003 Edition 4/5 , 58x56cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid. Artist in...

Terry Winters Monoprint with engraving and embossment on Twinrocker handmade paper Signed, dated and inscribed to lower edge ‘TW 2004 8’ Provenance: Matthew Marks Gallery with label...

Artist: Hirst, Damien Title: Psalm: Domine, Dominus noster Series: Psalm Date: 2009 Medium: Silkscreen with glazes and diamond dust, on wove paper Unframed Dimensions: 29" x 28...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Cast aluminium realized in 2007, and author's signature and bearing foundry mark. A striking and characterful aluminium sculpture of a bulldog by contemporary artist Christian Maas,...

Richard Serra (American, B. 1938) Stop B S (G. 2024), 2004. From the portfolio 'Artists Coming Together' Lithograph on wove paper Signed in pencil and numbered 127/250 (there were al...

Signed and inscribed (AP), verso This artwork is offered by CLAMP, New York.