Early 2000s Art

Artist: Ralph Steadman Title: Bill Murray Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes: Custom Fra...

Artist: Peter Max (1937) Title: Cosmic Umbrella Man Year: 2003 Edition: 496/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscr...

"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen Oil painting of a coastal landscape by Max Flandorfer (American, b. 1962). Large trees along a path are at the edge of a cliff overlooking the water. The cliff is covered in green grass. Below, there is a dark blue ocean...

Live Transmission Morgan O'Hara's conceptually based performative drawing researches the vital movement of living beings, the human experience of time and space. It is culturally co...

Italian Landscape - Luigi De Santis Italia 2006 - Oil on canvas cm. 40x60. The painting by L. De Santis is an oil on canvas depicting a neoclassical landscape inspired by Claude Lorrain, a French painter active mainly in Rome who was the most famous landscape painter of the Seicento, considered the master of the genre of the ideal landscape.

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Artist: Peter Max (1937) Title: Two Sages Year: 2000 Edition: 307/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.25 x 8.25 inches Condition: Excellent Inscription...

Denied Warhol Flowers, (White) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Authentication Board. 5 x 5" inches 2008 ...

Red Grooms (American, b. 1937). Keystone Kops to the Rescue III. 2006. Triptych color monotype created by the artist with lithographic ink on plexiglass plates, and then hand-color...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

George Dannatt (1915-2009) Small Linear Composition on Graphite 1997 Image: 19.0 x 14.0 cm Mount: 27.6 x 20.5cm Reference number: 1345 George Dannatt’s long career as a painter and...

Banksy Authorised Graffiti Area, 2004 Authorized VIP sticker on Fasson backing 5 9/10 × 4 13/100 inches Unframed, not signed This early (2004) Banksy sticker is a rare and highly col...

Title: Eilean Donan Castle, Scotland (with further image verso) By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inches (Hei...

Tan Tan Bo, 2003 by Takashi Murakami Offset lithograph in colors on Wove paper 25 7/10 × 39 3/10 in 65.8x99.8cm Edition 98/300 Tan Tan Bo is a "reincarnati...

This poster from the Dallas Museum of Art features Olafur Eliasson’s mesmerizing Jökla Series, a body of work that seamlessly blends natural elements with immersive visual expression...

Ludo is a bronze sculpture by French contemporary artist Yann Guillon, dimensions are 25 × 20 × 15 cm (9.8 × 7.9 × 5.9 in). This sculpture is signed and numbered, it is part of a l...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Monoprint, with a companion piece (Six From Nine From Two #2). Theise is an artist, teacher and experimental film maker from San Francisco. These two prints are from a series the a...

Brian Blood (American, b. 1962) Monterey Bay, 2000 Oil on canvas board Signed lower right: BB signed, dated, and titled verso: Brian Blood, 2000 Monterey Bay 9in H x 12in L In a silvered gilt frame with linen mat and moulding: 17 1/4in H x 20in L Brian Blood is a resident of Pebble Beach, California. He began his professional life as a graphic artist and art director in Boston, Massachusetts. He then came to California to attend the Academy of Art College in San Francisco for both undergraduate and graduate studies. In 2003, Blood and his artist wife, Laurie Kersey...

Little Darlings (Till Death do us Part) - 2005 38x37cm, Edition of 10, plus 2 artist proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

This vibrant abstract painting is immediately recognizable as the work of Hawaii-based artist Elan Vital. Vital’s art is unique not only in appearance, but ...

Guillaume ROCHE The artist translates movement and energy through the dynamism of assemblages and seeks the balance of composition. His sculptures offer aerial movements, round sh...

NEGRO ES BELLO II is an original limited edition lithograph created by the African-American woman printmaker and sculptor, Elizabeth Catlett using hand printmaking techniques on arch...

Carrie Mae Weems In the Halls of Justice Edition 3/25 Limited edition Signature Signed, verso Steeped in African American history, Carrie Mae Weems makes alternately searing and te...

This print is priced fairly, offered at the same wholesale discount extended to our partner galleries and private dealers. We strongly encourage prospective buyers to compare our lis...

Vintage American modernist still life oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 17 by 16 inches overall. Handsomely framed ...

Untitled (Stage of Consciousness) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6328 Not mounted. ...

Color lithograph on Rives BFK, 2001. Proof, aside from the numbered edition of 200 . With the artist's estate ink stamp, verso. Published by Editions T.A.T. Arts, Paris. The sheet ...

The image "Still Life with Crystal Bowl, 1973" by legendary Pop artist Roy Lichtenstein was used for this exhibition poster, designed for a presentation of the Whitney Museum collect...

Cadiz - Signed limited edition archival pigment print, Edition of 10 ( 5 available) People walking on the beach of Cadiz, Spain This image was captured on film. The negative was ...

Water and Drops, 39 x 78 Antonio Ugarte paints water as a reflection of the spirit, a form of meditation. He sees water as “a primordial element” in life and the physical environmen...

This piece is an abstract composition done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with color and expressive brush strokes. ...

Still life - Giovanni Perna Italia 2008 - Oil on canvas cm.50x70 In this beautiful oil on canvas Giovanni Perna was inspired by the paintings of the Spanish painter of Dutch origin Juan van der Hamen, famous for his production of still lifes In particular, this painting depicts an elegant terracotta fruit...

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

Original acrylic on light archival cardstock of a contemporary still life by the Spanish artist, Antonio Castro. Signed bottom middle “A Castor” and dated 2000. Excellent condition and nicely gallery framed with a marblized mat and a 1.75 inch wide matte black frame. Under glass. Overall framed measurements are 18.75 by 22.75 inches. Provenance: A Sarasota, Florida estate. Originating from the city of Cuenca, Antonio Castor...

Bert stern Marilyn in Vogue The last sitting (1962) superb and large photo of Marilyn Monroe in Christian Dior's mythical black dress for Vogue magazine photographic paper format 9...

Artist: Peter Max (1937) Title: Winged Flyer In Space Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 4.875 x 4.5 inches Condition: Excellent Insc...

Tomas Gondi (Mexico, 1948) 'Sospecha', 2006 aquatint on paper Guarro Super Alpha 250g. 6.5 x 7.5 in. (16.5 x 19 cm.) Hand-signed by author Unframed ID: GON-102

This captivating poster, titled New York City Ballet: American Music Festival, 1988, commemorates the prestigious event held by the New York City Ballet. Originally created to celebr...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not ...

The Line Up Photo by Markus Klinko Limited Estate Edition Nude model with nude mannequins C Print Produced from the original transparency Certificate of authenticity supplied P...

Artist: Peter Max (1937) Title: Sailboat IV Year: 2000 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 2.75 x 3.125 inches Condition: Excellent Inscript...

Aldo Valdez is a San Francisco California based artist. He worked as Head Preparator at Paul Thiebaud Gallery and before that at Gagosian Gallery. These are earlier, one of a kind, m...

Howard Behrens, renowned for his mastery of palette knife painting, captures the charm and vibrancy of the Italian Riviera in Portofino Villa. This captivating image depicts a sun-dr...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. An original work, rich in texture. This handmade oil painting reflects the raw beauty...

Flowers - Oil on canvas cm. 100x80, Carlo De Tommasi, Italy, 2009. The painting is inspired by one of the canvases of the Belgian painter Ambrosius Bosschaert...

This limited edition color lithograph beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. Each print is meticulously numbe...

Enchanted (Dream Scene on Salt Lake), triptych - from the 29 Palms, CA Project - 2009 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardco...

Artist: Itzchak Tarkay (1935-2012) Title: Gossip Year: Circa 2000 Medium: Silkscreen on wove paper Size: 13.5 x 11.5 inches Edition: 493/750, plus 100 Remarques Condition: Excellent ...

Feathers (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory ...

Star Island (2003), Edition 69/100. Silkscreen on paper. Signed, dated, and numbered on verso. Image: 30 x 30 cm. Sheet: 30 x 30 cm. BSS No. : E-2003-006. Catalogue Raisonne' No. : Y...

Oranges on Table is an original oil painting realized in 1999 by Zhang Wei Guang (Mirror). Includes frame Mixed colored oil painting Hand-signed and dated on the lower margin Goo...

Artist: Peter Max (1937) Title: Liberty Head X Year: 2004 Edition: 679/700, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7 x 6.87 inches Condition: Excellent Inscripti...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Kehinde Wiley Andries Stilte oversized beach towel, 2008 Silkscreen on 100% Cotton Large Beach Towel or hanging tapestry 70 × 60 inches Edition of 2000 In original packaging with ta...

This contemporary abstract painting by David Sorensen explores a bright yellow palette. David Sorensen was drawn to the rich and vibrant colours of Mexico. Celebrated as an importa...

Let it be (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #...