Early 2000s Art

Screenprint realized by Enrico Benaglia in the early 2000s. Artist proof, aside of an edition of 150. Hand signed and titled.

characters- Originall Neo-expressionist Acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spain) Th...

Wonderful Impressionist view of St. Marks Square, Venice. Pam Masco was an American from Massachusetts, and a graduate of the School of the Boston Museum of Fine Arts (1976). She was married to the English artist John Heseltine. Her work is in well-known private and corporate collections and has been shown at the Royal Society of British Artists, the Royal Watercolour Society and other London Galleries as well as in the Provinces. She travelled throughout the U.S.A. and Europe and painted American and European subjects, portraits, landscape and figure compositions, still life and interiors. From 1978 she was involved in drawing, painting, technical painting courses, watercolour and graphic design. She illustrated for major British and American publishers until 1988. Authors include Bruce Chatwin...

Sunrise by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed double sided paper dimensions: 11 x 15 inch...

Title: British Impressionist Watercolor of a Rural Cottage, Farmyard, and Chickens By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dim...

This striking black-and-white linocut by Bernardo Modesto presents a winged female figure seated within an oval frame, evoking both spiritual iconography and indigenous symbolism. Th...

In 2007, Kate Shepherd, an American artist celebrated for her precise line work and bold color fields, was commissioned to design the official poster for the Roland Garros French Ope...

Paper Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Image Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Offset lithograph poster created by Cecily Brown...

Naples - Ettore Ferrante Italia 2005 - Oil on canvas cm. 30 x 80. In this wonderful canvas E. Ferrante depicts the beach of Posillipo. Ferrante was inspired by the masters of the Posillipo School, including Antonio Pitloo and Giacinto Gigante...

Joy of a Rose, by Lu Haskew Oil 21x14" image size Still Life Painting in Pinks and Reds This painting is unframed, canvas on gator board, the price reflects that it is unframed. Sh...

M.080601 is a glass sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 130 × 20 × 10 cm (51.2 × 7.9 × 3.9 in). The sculpture is signed and numbered, it is part ...

Title: British Impressionist Watercolor of Riverside Cottages and Boats on the Bankside By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Artist: Dale Chihuly (1941) Title: Steel Blue, Ikebana Series Year: 2007 Medium: Acrylic on Arches Aquarelle Rag paper Size: 42 x 30 inches Inscription: Signed by the artist Notes: H...

Venice - Mario De Angeli - Italia 2009 - Oil on canvas cm. 80x120. Gold leaf gilded wooden frame ext. mis. cm.100x140 Mario De Angeli's canvas is an extraordinary work of Italian l...

Silk painting, batik, love, decorative, horizontal "Two on the Shore" is a painting made on a silk canvas in the cold batik style. The finished painting is stretched on white linen ...

Francks Deceus's Harlem 125 is a 18 x 24 inches mixed media work . The medium is acrylic and silkscreen on paper. It depicts an African American couple ...

6104 Modernist Abstract flowers in a vase table Setting

So Chic is a dramatic large-format double-sided billboard poster conceived by renowned French image-maker Jean-Paul Goude for Galeries Lafayette, featuring the iconic French model an...

RECITALS is mixed media limited edition print by the renowned African American artist Sam Gilliam, created using Archival Inkjet, Relief, and Stencil techniques. This vertical, rainb...

Provenance Acquired by the gallery directly from the artist Exhibitions Exhibited at the Los Angeles Art Show 2014, January 15-19, 2014

This is an Douglas Brett sculpture “butterball” signed and numbered . In good condition. Measures 15x11x11 150 made

'God Speed Good Year', captured in the iconic home of speed, Bonneville Salt Flats. The bold graphic 'God Speed Good Year' contrasts in size against the vast...

Archival pigment ink print, produced in a limited edition of 8 // Gallery ID: 21026 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Color lithograph after the watercolor illustrations by Antoine de Saint-Exupéry from his beloved masterpiece "The Little Prince". This lithograph was printed and published in 2009 ...

Artist: Salvador Dali (1904-1989) Title: Femme à tete de Roses Year: 2004 Medium: Lithograph on wove paper Size: 30.25 x 22 inches Condition: Excellent Inscription: Unsigned and unnu...

"The Dingoes that Park Their Brain with Their Gum" is an offset lithograph, part of an open edition by Jean-Michel Basquiat, created for a retrospective of his work at a museum in It...

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

This piece is a giclée after an original painting created by Jonathan Winters in 1970. Jonathan Winters was an American comedian, actor, author, and artist whose iconic career spanne...

The illustration of the King in The Little Prince depicts a monarch who believes he rules over everything, including the stars, yet has no real subjects. This character represents th...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

70 x 40 x 1.5 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of r...

This exquisite silkscreen by Faith Ringgold (1930–2024), titled Montgomery Bus Boycott, from the folio Letter from Birmingham City Jail, originates from the 2007 edition published by...

Dorothy Gillespie (1920 – 2012) Ribboned Image X 2001 Metal Ribbon Sculpture, Enamel on Aluminum with colorful striped green ribbons. Dimensions...

John Beerman, American (1958 - ) - Joe's View Deep Yellow Sky, Year: 2002, Medium: Lithograph, signed and numbered in pencil, Edition: 4/36, Image Size: 18 x 25 inches, Size: 26...

"Untitled" portrays a young female nude in an intimate setting within the artist's studio. This painting is done in the classical vein of full portraiture. The model, however, is not posed quietly, but is engaged with a person or object off the frame, or, perhaps in an interior monologue with herself. Regardless of which, the viewer's attention is not only attracted to the beauty of the model's figure, but the intention of her actions. Charles Pompilius...

Carlos Quintana (Cuban, 1966) 'Sin título I', 2001 silkscreen on canvas 39.4 x 28.8 in. (100 x 73 cm.) Edition of 75 ID: QUI1316-001-075 Unframed

YOUNG DOUGLASS is a hand pulled, original limited edition relief print created using linoleum cut printmaking techniques on white archival Somerset White paper, 100% acid free. Hand signed in pencil by Elizabeth Catlett on the lower margin, embossed with printer's chop mark on lower left, print documentation provided. YOUNG DOUGLASS is an impactful graphic statement by the renowned African-American and Mexican woman sculptor and printmaker, Elizabeth Catlett, created as a tribute to Frederick Douglass, the most distinguished black American human rights leader of the 19th century. Strong impression printed in rich black ink on white wove paper, a powerful portrait of Douglass as a young man, with his distinct facial features, thick black hair, well-dressed in a formal high collar shirt...

"Pacific Grove Glory" - Rocky Seascape Signed and dated "Coraly '06" in the lower right corner. Titled, dated, and signed "Pacific Grove Glory 2006 Coraly Hanson...

Artist: Ralph Steadman Title: Brain of Hunter S. Thompson Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 11 x15 Inches Edition: of 800 Year: 2010 No...

Michel Rauscher's "Friends at Dusk" is an offset lithograph created in 2004, measuring 27.25 x 27.25 inches. The artwork portrays two women standing under the moonlight, holding hand...

Geometric passages in painterly red-orange frame a central green field in this bold abstract painting by David Sorensen. Through his painterly modern compositions, celebrated Canadian painter David Sorensen (1937-2011) sought to “give voice to the inner reality.” In the paintings from his last years, Sorensen offers solutions to the nature of abstraction – wresting nature and the horizon from pure form and brilliant colour. Born in Vancouver, Sorensen studied at UBC and the Vancouver School of Art under Arthur...

Contemporary mixed media on board painting by Polish artist Anna Mikke. Birds are next to people favourite artistic subject of Mikke. This piece is in neutral colors, the background ...

Title: British Impressionist Watercolor of Sailboats at Low Tide by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.5 inches (Hei...

Brice Marden Distant Muses 2000 Screenprint 23 1/2 x 19 1/8 inches; 60 x 49 cm Edition of 300 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...

You cannot pass this doleful young man without engaging. If you have traveled, you have met him in the streets of Latin America, of India, of Africa and even some parts of the U.S. H...

This exquisite silkscreen by Faith Ringgold (1930–2024), titled The Right to Vote, from the folio Letter from Birmingham City Jail, originates from the 2007 edition published by The ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21129 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Mira Tager Lehr (American, 1936-2023), Acrylic on canvas painting Interrupted Cell Formation series Circa 2008-2009. Mixed media technique incorporating organic forms, floral motifs...

Provenance Acquired by a Private Collector, Encino, California from American Legacy Fine Arts in 2005 American Legacy Fine Arts acquired the work directly from the artist in 2004 Si...

Taking Turns (Till Death Do Us Part) - 2006 40x48cm,. Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist ...

Kehinde Wiley Andries Stilte oversized beach towel, 2008 Silkscreen on 100% Cotton Large Beach Towel or hanging tapestry 70 × 60 inches Edition of 2000 In original packaging with ta...

Louis Icart, After, French (1888 - 1950) - Lillies, Year: 2000, Medium: Giclee on paper, numbered in pencil verso with printers stamp, Edition: 8/375, Size: 45 x 31 in. (114.3 x ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21134 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Framed 34.25 x 38.50 in Color lithograph after the 1951 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300.

Stones and water, are two elements that have existed for a long time, and although water may seem soft, it grinds off the hardest stones. Provenance: 2007-2016 Private collection Pub...

Hand printed photograph. Printed 2007 Edition 2/40 Excellent condition

John Baker’s “Sanctuary Morning” is an acrylic painting on canvas with collage 63 x 51 x 1.5 inches pervaded by the many different greens of a New England Forest in early spring. Sha...

Artist: Jean-Michel Basquiat (after) Title: Untitled (Rinso) Portfolio: 1983/2001 Portfolio I Medium: 9 Color screenprint on paper Year: 2001 Edition: 43/85 Sheet Size: 40" x 40" Sig...

This is a reproduction of the lithograph in colors/PT8 #120 Waterleaf paper originally created in 1999. The very large piece is printed on a heavy woven paper, the colors carefully h...

Very nice early Hunt Slonem of Doves with vintage frame selected by the artist