Early 2000s Art

Boris Viskin (Mexico, 1960) Untitled from 'El exilio de los sentidos', 2004 engraving on paper 15 x 15 in. (38 x 38 cm.) Edition of 75 ID: VIS1662-001 Han...

Mulholland Drive 2001 Original Movie Poster featuring Naomi Watts Original Vintage Theatrical Unfolded Single-Sided One-Sheet Movie Poster One sheet measures 27″ x 40″ inches / 69 ...

Christo and Jeanne-Claude, The Gates, Project for Central Park, New York City, 2003 Original exhibition postcard featuring Christo’s 2003 drawing for The Gates, presented in two part...

Title: British Impressionist Watercolor of a Highland Cottage and Mountain Landscape By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 1...

MICHAL SIKORSKI (born in 1972) He studied at the Academy of Fine Arts in Wroclaw, at the atelier of Professor Stanislaw Kortyka at the department of painting. PhD in Fine Arts. Assis...

Chris Levine, Equanimity 67 (Framed), 2004 Silkscreen Print with deckled edges, framed in a white box frame 74 x 65 cm (29.1 x 25.6 in) Edition 3 of 5 Hand-signed and numbered by...

Title French Abstract Landscape Study in Soft Greens and Greys, Oil on Paper Key Details Artist: Yvette Dubois-Habasque (French, 1929–2016) Medium: Oil on heavyweight paper Size: 19....

An ex libris print featuring the fantasy figures and musicians in surreal M.C. Escher style building. Roman Sustov's prints often provide a fantastic blend of classic technique combined with images from the vast worlds of surrealism, eroticism, fantasy and fairy tales. Signed in pencil artists proof from the edition of 100. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

Self-portrait 2 2009, canvas, acrylic, 140x98 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially active and political art. Juris U...

Oil on cardboard realized by Paolo La Motta (1972) in the early 2000s. It includes a contemporary wooden frame cm. 43.5x43.5. Very good condition.

Michel Rauscher's "Morning Ritual" is an offset lithograph created in 2007, measuring 27.5 x 27.5 inches. The artwork portrays three figures standing before colorful houses, capturin...

Camille Billops, 'Mondo Negro III', color etching, 2000, edition 20. Signed, dated, titled, and numbered '7/20' in pencil. A superb, richly-inked impre...

Chromogenic print Signed and numbered, verso 11 x 14 inches (Edition of 5) 16 x 20 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please no...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

Untitled, 2002 Robert Mangold Digital print in colours, on wove paper Signed and numbered from the edition of 50 in pencil Published by Domberger KG, Fiderstadt Sheet: 50 × 40 cm (1...

Joël FROMENT (1938-2023) S, blue square, 2007 Acrylic on composite material Signed on the base, signed and dated on the back Height : 30 cm a very few minor stains on the base (visib...

This screen print depicts one of Celmins' signature subjects, the spider web, which she has represented in various media, including charcoal, oil paint, and multiple printmaking tech...

Motel Desert Shores, photograph from Richard Heeps Salton Sea series. This picture has the a vibe of a Southern California American road trip, the colours are so seductive, the palm ...

Abstract ink drawing by Spanish artist Jorge Miton, 2005. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and Ce...

Luis Serrano Martínez (Spain, 1900-1970) 'Grutesco de tribaldos', 2001 silkscreen on canvas 9.9 x 32.7 in. (25 x 83 cm.) Edition of 75 ID: SER130...

This golden light-filled contemporary painting is by Sasha Rogers. The Canadian artist is captivated by the effect of creating what appears to be a ‘horizon’ line in her work that di...

Original acrylic painting on canvas. Hand-signed and dated in acrylic on front by Peter Max. Canvas size 96 x 48 inches. Frame size aprox 100 x 52 inches. Peter Max studio catalog...

Edward L. Loper Jr. was a self-taught artist, while being strongly influenced by his father's later work. 34 1/2" x 45 1/2" Framed. Signed lower left.

Jean Vassileff, dit « Vassil » est né en 1949 à Drancy. Artiste autodidacte, Vassil s’est intéressé très tôt à la peinture et à la sculpture. Il pratique tout d’abord la taille direc...

Tolla Inbar, Pegasus, bronze sculpture, swing sculpture, mutual help, androgyne, spiritual sculpture, International artist, Israeli artist, Figura...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 30 x 40 Frame Size: 34.5 x 44.5 Medium: Oil Dated 2005 "Enchanted Rock" Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos...

Rhomboid, 2001 Laminated acrylic Signed and dated: Vasa / 2001 9.5" H x 4.5" W x 2.5" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an American artist b...

This reproduction showcases an early rendering of the Chrysler Building in New York City, created by draftsman Andy Hickes. The image represents the building before its construction,...

Jayashree Chakravarty - Untitled - 27 x 39 inches (unframed size) Mixed Media on Board, 2017 Free shipment in a roll form all over the world. Style : Jayashree’s distinctive art pra...

Schoeman's Drift, landscape photograph from Richard Heeps South Africa series, The New Lantern. Richard Heeps' work takes you on a journey, the road is a reoccurring theme, often the...

Gordes, Provence signed oil painting on board, framed inscribed verso and dated 2005 framed: 28 x 37 inches provenance: private collection, Provence condition: very good and sound co...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Denied Warhol Grey Self Portrait Fright Wig Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. 12 x 12" inches 20...

6115 Trilight of creation oversized abstract expressionist painting Rapped canvas no need for frame

Still life - Salvatore Marinelli Italia 2008 - Oil on canvas cm. 60x120 Salvatore Marinelli's canvas is a painting inspired by Abraham van Beyeren Dutch painter, of the Baroque age, ...

Geoff Rees (1930–2018) A Modernist Voice of the West Coast Geoff Rees was a defining figure in Western Canadian abstraction, known for paintings that balance radiant colour, medita...

Bonanza Café, iconic photograph from Richard Heeps Dream in Colour series, it was the cover artwork on his book Man's Ruin. The photo takes you back to small town Americana with the ...

Title: British Impressionist Watercolor of a Rural Village Scene with Thatched Cottage By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions...

Color woodcut/lithograph with chine collé, Edition 30. Betty Woodman’s lithograph/woodcut/chine collé, “Greek Pots Visit Edo”, places images of her pots...

Sculpture - original. bronze 6/8 Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment of Elisabeth...

In this piece, I embraced the gentle hues of dusk to capture the serene beauty of a Russian field under a fading sky. The soft brushstrokes and muted palette evoke a peaceful stillne...

Salvadoran-born Victor Cartagena has been making art in the Bay Area since the late 80s. The work that he produced in the early to mid-1990’s battled with memories of the violence in...

Marcia Wise’s “River Road Barn” is a 10 x 12 inch contemporary palette knife oil painting on archival art-board from her barn series. Highly textured blues and greens dominate with t...

Archival pigment print Signed and numbered, verso 30 x 24 inches (Edition of 6) 40 x 30 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

Louis Walden (1934-2013) was one of Andy Warhol's actors who starred in his films. He was a well-known actor prior to joining Warhol's films. He remained with good connections at the factory and was able to produce these brightly colored prints. Large screen print by American filmmaker and actor, LOUIS WALDEN, This is a 2005 print done at the factory of 'MARILYN'. Marilyn Screen print 39x40 inches Stamped 'LOUIS WALDON...

Painted resin sculpture. Size: 10 x 3.5 x 5.5 inches. Stamped signature, date and manufacturer's mark to underside ‘Kenny Scharf Cerealart Feed Your Head © Kenny Scharf 2004’. From...

'Mandul' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space & Standing Stones series. It features painterly brushstroke formations in glass called ...

Snow, dog,white,Ukraine,Winter Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studie...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Edition of 45 Signed, titled, dated, print date and numbered. Sepia toned gelatin silver print. Michael Kenna's black and white photographs are powerful and alluring. His imager...

Archival pigment print Signed and numbered, verso 40 x 52 inches 48 x 65 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note tha...

Bashfulness, by Lu Haskew Oil 21x15" image size Still Life Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price include...

Taken upon leaving Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork features a classic American neon Googie sign, with the Las Vegas cityscape lights ...

Naples - Ettore Ferrante - Italia 2006 - Oil on canvas cm.30x80. Frame available on request from our workshop. Ettore Ferrante is a refined and excellent view painter of the past. ...

Valentino Large: Hand signed and numbered Monograph (gift book) in elegant Clamshell Box Una Grande Storia Italiana Valentino Garavani (Hand Signed and Numbered Collectors Edition),...

sepia toned archival pigment print, edition 1 of 10 50 x 40 inches, 53 x 43 inches framed This modern, sepia toned landscape print was made by artist, David Halliday in 2000. The se...

NICK BRANDT (*1966, England) Elephants Walking Through Grass, Amboseli 2008 Platinum print Image 58.42 x 106.68 cm (23 x 42 in.) Sheet 76 x 111.2 cm (29 7/8 x 43 3/4 in.) Edition of ...

Work on canvas without frame. The work is signed and dated but artist is unknown from the gallery.

This exhibition poster was created for a 2005 show at Fondation Maeght by Ellsworth Kelly, titled Red, Yellow and Blue. The artwork features three superimposed squares in Kelly’s sig...