Early 2000s Art

Untitle -Oil on canvas cm.170x122 - Massimo Caiafa Italy 2009. Abstract painting on canvas inspired by Maestro Mimmo Paladino.Lacquered wooden frame.

White,Snow ,Wood, Winter,Forest,Mountain,Russia Label on the back Galleria Pirra Torino Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Pet...

Kehinde Wiley Andries Stilte oversized beach towel, 2008 Silkscreen on 100% Cotton Large Beach Towel or hanging tapestry 70 × 60 inches Edition of 2000 In original packaging with ta...

This painting is in excellent condition and has only been shown in a gallery setting. Torres Aleu was born in Cadiz, Spain and has been painting from a very young age. In 1952 his talent was recognized by family members and he began his formal training in art. During his education and training, he studied under the Spanish professor, Mr. Francisco Prieto, a Gold National Medal Landscape Artist. Aleu began painting professionally when he completed his school training in 1960. Since this time he has exhibited in galleries, including Galeries Des Verges, Switzerland, in 1991 and 1992, Galerie Castegliani, Roma, Italy, in 1993, Galerie Soria, Chateauroux, France, in 1995, and Galerie Hispaluz, Concepcion, Chile in 1996 and 1997. Awards received by Aleu include Premio Provincial De Cadiz, Cadiz, in 1957, Premio Nacional De San Fernando, Cadiz, in 1972 and Premio Caga De Ahorros De Jerez, Cadiz in 1973. The Public library in San Fernando, Cadiz and the County Council Office in Cadiz display Aleu’s work. Torres Aleu’s art is included in private collections throughout Japan, Saudi Arabia, Holland, and the United States. A list of collectors includes Prince Fahd Bin Salman Bi Abhulaziz Al Saud...

Black and white fine art landscape photography. Huge Rock on the pink granite coast beach in Brittany, France. Archival pigment ink print as part of a limited edition of 9. All Geral...

Golden Gate Study 7, CA, USA - no. 11638 // Black and white fine art long exposure cityscape photography. Pigment ink print as part of a limited edition of 9. All Prints are made to...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art long landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions ...

Black and white fine art long exposure waterscape - landscape photography. Trees on a small island in the flooding meadow in Scotland. Archival pigment ink print, edition of 9. Signe...

Snow covered Central Park Study 3, New York City, USA - no. 11838 Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition ...

Title: Untitled Artist: Deyan Valkov Medium: Oil on canvas Dimensions: 24 x 20 inches Year: 2002 (signed on the artwork) Frame: Unframed Style: Abstract Expressionism Description of...

Winter Storm, Austria 2015 - no. 11591 Wooden pier during a storm on the lake Neusiedlersee in Austria. Archival pigment ink print as part of a limited edition of 9. All Gerald Bergh...

Black and white fine art landscape photography. Horse riders on deserted sandy beach in north Ireland. Archival pigment ink print as part of a limited edition of 9. All Gerald Bergha...

The Easy Dark poster for Julie Mehretu’s exhibition at the Louisiana Museum of Modern Art is a remarkable piece that embodies the energy and complexity of Mehretu’s work. Printed in ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

Black and white fine art landscape photography. Antelope Canyon detail in heart shape, Page, Arizona, USA. Archival pigment ink print as part of a limited edition of 9. All Gerald Be...

Artist: Mel Ramos, American (1935 - ) Title: O from the Hollywood Suite Year: 2009 Medium: Oil on Canvas, signed and dated verso Size: 39.5 in. x 30 in. (100.33 cm x 76.2 cm) Frame S...

Belles of Shoreditch, Richard Heeps photograph taken backstage at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he...

Reddish Studio Naama Steinbock and Idan Friedman Candlestick United 2008 Handmade and limited edition menorah colored cast iron frame, found candlesticks Each one off (these are each unique) Limited Edition Chanukah Menorah Dimensions: 28 x 49 x 8.5 cm (11 x 19 1/4 x 3 3/8 in.); weight: 6.450 kg, Hand signed underneath base Provenance: Tiroche, Herzliya, Israel, July 7, 2012, lot 137 (it sold for 4140$) A Hanukah Menorah from the series was sold on May 2010 at Dorotheum, Vienna, for 5,381 EUR. Exhibited: Reinventing rituals, Contemporary Jewish Museum, San Francisco, CA, April- Oct, 2010 Reinventing Ritual: Contemporary Art and Design for Jewish Life, The Jewish Museum, New York, NY, 2009 Judaica Twist, Beit Hatfutsot, Tel Aviv, Israel, 2009 LITERATURE 500 Judaica: Innovative Contemporary Ritual Art, (Asheville: Lark Books, 2010), illustrated inside and on verso. A pair of Shabbat candlesticks from the series was bought for the permanent collection of the Jewish Museum in Berlin. A pair of Shabbat candlesticks from the series was given as a prize of "comprehension and tolerance" to the Chancellor of Germany Angela Markel by the Jewish Museum in Berlin. A Hanukah Menorah from the series was bought for the permanent collection of the Jewish Museum in New-York Reddish Studio, Modern Israeli design, Contemporary Judaica, Menorah, Conceptual design, Minimalist Judaica, Hanukkah lamp, Studio Reddish menorah, Collectible Judaica. There has been a resurgence of fine artists making Judaica, There was initial generation of the Bezalel School in Jerusalem and later Ludwig Wolpert, whose spare, geometric, functionalist style was influenced by the Bauhaus school in particular and modernism in general, Moshe Zabari, Maxwell Chayat, in New York, Menachem Berman...

Tom Everhart is known for his vibrant and energetic works featuring the beloved "Peanuts" characters, particularly Snoopy. He’s famous for bringing a dynamic, almost abstract style t...

Black and white fine art landscape photography print. Path lined with cypress trees, Tuscany, Italy. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by a...

AFRICAN AMERICAN WOMAN is an original hand drawn, limited edition lithograph by the renowned African American woman artist Elizabeth Catl...

Bonanza Café, iconic photograph from Richard Heeps Dream in Colour series, it was the cover artwork on his book Man's Ruin. The photo takes you back to small town Americana with the ...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptur...

Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...

Black and white fine art long exposure waterscape - landscape photography print. The Cliffs of Scotland during a storm with a small island. Archival pigment ink print, edition of 20....

Wonderful Impressionist view of St. Marks Square, Venice. Pam Masco was an American from Massachusetts, and a graduate of the School of the Boston Museum of Fine Arts (1976). She was married to the English artist John Heseltine. Her work is in well-known private and corporate collections and has been shown at the Royal Society of British Artists, the Royal Watercolour Society and other London Galleries as well as in the Provinces. She travelled throughout the U.S.A. and Europe and painted American and European subjects, portraits, landscape and figure compositions, still life and interiors. From 1978 she was involved in drawing, painting, technical painting courses, watercolour and graphic design. She illustrated for major British and American publishers until 1988. Authors include Bruce Chatwin...

Signed, numbered and titled on recto. Signed, titled, stamped on verso. Gelatin Silver Print Edition of 25

Black and white fine art long exposure waterscape - landscape photography print. Waterfall detail with stones and rocks, long exposure. Archival pigment ink print, edition of 7. Sign...

Contemporary realistic figurative mixed media drawing PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x22 cm . Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...

Kate #1, 2002 by Leonard Freed is a 10" x 8" handprinted, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of print). Model...

Masri Hayssam (Lebanese, born 1965) "By the River, Winter Day" 2004 Oil paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "By the River, Winter Day,"...

Allegorical Scene - Giovanni Faliero Italia 2009 - Oil on canvas cm. 90x110. This beautiful oil on canvas is the personal reinterpretation of the magnificent painting “Bacchant playing the Cymbals” by Jean-Simon Berthélemy, a French painter of the 18th century. Here we admire a mythological scene showing a naked bacchant playing cymbals next to a wooded stream, with a small sleeping faun...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Three colour screenprint on white Rising Stonehenge deckle edge paper Signed in pencil lower right, numbered lower left 56 x 76 cm - Sheet size Edition of 250 published by Petro III...

Fugitives (Till Death do us Part) - 2005, 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Michael Knigin, American (1942 - 2011) - AL 133, Year: 2006, Medium: Giclee print on paper signed, numbered and dated in pencil, Edition: AP, Image Size: 24 x 17 inches, Size: 2...

Colourful Abstract Landscape & Sky Painting with Reds, Purples & Blues of Pendle Hill in the Northern English Countryside by leading British Urban Artist Angela Wakefield. Art measu...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Limited Edition edition of 3433 12 1/2 × 16 3.5 inches Unframed Accompanied by gallery issued Certificate of Guarantee Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

KAWS (after) Kaws Tokyo First mini poster, 2001 Offset lithograph poster 11 3/4 × 8 1/4 inches Unframed; unsigned In 1996, Brian Donnelly, now known by his...

Kate #2, 2002 by Leonard Freed is an 8" x 10" hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of print).. Mo...

Original and unique artwork by Russell Young. Acrylic paint and enamel screen print on linen, unframed dimensions 62 x 48 inches, 2008, from the series "Fame + Shame". Bright and viv...

Intersections 8 is an original painting realized by the Italian artist Salvatore Travascio in the 2010s. This is a beautiful oil painting on paper on wooden support. Hand-signed on ...

Digital C-print (Edition of 25) Signed, dated, and numbered, verso 28 x 24 inches, sheet 22 x 18 inches, image This artwork is offered by ClampArt, located in New York City. Edwar...

Stunning museum quality fine art print of Chrissy Teigen by photographer Markus Klinko from a collection of contemporary nudes by the celebrated photographer, featuring amongst other...

Artist: Peter Max (1937) Title: Liberty Head Year: 2005 Medium: Mixed Media on archival paper Size: 30 x 24 inches Condition: Excellent Inscription: Signed b...

'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...

Damien Hirst Opium, 2000 Lambda C-Type print on Gloss Fuji Archive paper. Signed by the artist, lower right on recto Numbered on verso 48 x 43.7 cm 52 x 48 cm (framed) Edition 391 of...

ITZCHAK TARKAY – "VISITING FRIENDS" ⚜ Serigraph in Color on Wove Paper ⚜ Hand Signed and Annotated AP 23/90 ⚜ Gilt Wood Frame VIBRANT INTERIOR PORTRAIT Printed in 2001, "Visiting Fr...

Artist: Peter Max (1937) Title: Heart on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent Inscri...

KEISHA M. is an original hand drawn, limited edition lithograph by the renowned African-American woman sculptor, printmaker and painter Elizabeth Catlett (191...

Dynamic, colorful painting of a man floating in a pool by Marc Foster Grant (American, b. 1947). Signed, titled and dated, "Monster Five," and "Grant...

Daisy on Bed (Till Death do us Part) - 2005 - 125x154cm, Edition 3/3, analog C-Print, hand-printed by the artist, based on an original Polaroid. Artist ...

"Lucy" by Carole Eisner Abstract, Outdoor Sculpture in welded steel Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded in st...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Torso ‘ who was captured on film in 19...

Signed and titled and numbered by the artist, (23/69). Silkscreen print on handmade paper (from Bhutan). This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Edition of 25 3 nude and beautiful girls sitting on a chaiselongue in a historical french builing. The artist, photographer and director Iris Brosch, living between New York and P...

A sunny still life with bouquets of fresh daisies is a wonderful and inique wall decor. White and golden petals glows against a soft background. The flowers spill naturally from vase...