Early 2000s Art

Black and white fine art long landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions ...

Part of Richard Heeps 'Man's Ruin' Series, this was shot in Bakersfield, California two years after, he photographed Wendy Resting, they make a great pair. This artwork is a limited...

The Greek Coastline by Georges Bordonave (French contemporary) signed oil painting on canvas, framed titled verso framed: 23 x 26 inches canvas: 18 x 22 inches inscribed verso condit...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

This painting is in excellent condition and has only been shown in a gallery setting. Torres Aleu was born in Cadiz, Spain and has been painting from a very young age. In 1952 his talent was recognized by family members and he began his formal training in art. During his education and training, he studied under the Spanish professor, Mr. Francisco Prieto, a Gold National Medal Landscape Artist. Aleu began painting professionally when he completed his school training in 1960. Since this time he has exhibited in galleries, including Galeries Des Verges, Switzerland, in 1991 and 1992, Galerie Castegliani, Roma, Italy, in 1993, Galerie Soria, Chateauroux, France, in 1995, and Galerie Hispaluz, Concepcion, Chile in 1996 and 1997. Awards received by Aleu include Premio Provincial De Cadiz, Cadiz, in 1957, Premio Nacional De San Fernando, Cadiz, in 1972 and Premio Caga De Ahorros De Jerez, Cadiz in 1973. The Public library in San Fernando, Cadiz and the County Council Office in Cadiz display Aleu’s work. Torres Aleu’s art is included in private collections throughout Japan, Saudi Arabia, Holland, and the United States. A list of collectors includes Prince Fahd Bin Salman Bi Abhulaziz Al Saud...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Limited Edition edition of 3433 12 1/2 × 16 3.5 inches Unframed Accompanied by gallery issued Certificate of Guarantee Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Still life of Flowers and Fruit - Maximilian Ciccone Italia 2002 - Oil on canvas cm.60x90. This oil on canvas painting is an incredible example of the artist's ability to capture bre...

Vivid contemporary pop art style acrylic painting on paper of two synchronized swimmers posed in unison on a bright blue background by Marc Foster Grant (American, b. 1947), 2007. Th...

Paree #13, 2013, Edition printed 2018, Edition 1/7, 25x25cm plus 3cm white border. [From the series Goldenbogen & Zouzou] Digital archival pigment print on beautiful PHOTO RAG ® UL...

Artist: Damien Hirst (1965) Title: For the Love of God (with diamond dust) Year: 2009 Medium: Silkscreen, glazes, and diamond dust on wove paper Edition: 591/1000 Size: 12.75 x 9.5 i...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Damien Hirst Opium, 2000 Lambda C-Type print on Gloss Fuji Archive paper. Signed by the artist, lower right on recto Numbered on verso 48 x 43.7 cm 52 x 48 cm (framed) Edition 391 of...

Artist: Peter Max (1937) Title: Liberty Head VIII Year: 2003 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Ins...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

The San Remo Study 2, New York City, USA - no. 18078 Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Ge...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Black and white fine art long exposure seascape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order ...

Whisky Dance III (Sidewinder), 2005 20x24cm, Edition 1/10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory # 3207, not mounted Stefanie S...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines gorgeous pastel c...

Black and white fine art landscape photography. Palm trees on beautiful Venice beach in California, Usa. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered ...

Black and white fine art landscape photography print. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Pr...

Figurative portrait painting by Houston-based artist Buford Evans. The work features a black figure dressed in red holding a spear. Signed and dated by the artist in the front lower ...

AFRICAN AMERICAN WOMAN is an original hand drawn, limited edition lithograph by the renowned African American woman artist Elizabeth Catl...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Misty Morning at the Lake Study 1, Austria - no. 21191 Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edit...

Black and white fine art long exposure seascape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

KEISHA M. is an original hand drawn, limited edition lithograph by the renowned African-American woman sculptor, printmaker and painter Elizabeth Catlett (191...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

This poster for the Nasher Sculpture Center in Dallas, published with the approval of the Artists Rights Society, is a unique and valuable piece. Though unsigned and not numbered, it...

Black and white fine art cityscape - landscape photography. Marshall's Beach view of Golden Gate Bridge, San Francisco, USA. Archival pigment ink print, edition of 8. Signed, titled,...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

YOUNG DOUGLASS is a hand pulled, original limited edition relief print created using linoleum cut printmaking techniques on white archival Somerset White paper, 100% acid free. Pencil signed by Elizabeth Catlett on the lower margin, embossed with printer's chop mark on lower left, print documentation provided. YOUNG DOUGLASS is an impactful graphic statement by the renowned African-American and Mexican woman sculptor and printmaker, Elizabeth Catlett, created as a tribute to Frederick Douglass, the most distinguished black American human rights leader of the 19th century. Strong impression printed in rich black ink on white wove paper, a powerful portrait of Douglass as a young man, with his distinct facial features, thick coiffured hair, dressed in a formal high collar shirt...

Pool Slide, from Richard Heeps Dream in Color series. This fun original artwork really shows Richard's unique eye as a photographer, creating this kitsch pop-art picture from an Amer...

Black and white fine art long exposure waterscape - landscape photography print. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate o...

Half Moon is an original etching realized by the Italian artist Massimo Pulini. From the edition of 50 prints. Good conditions. The artwork is represented through great creative im...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and White Fine Art Large Format Photography. Palm trees, beach, morning mood, Florida, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by arti...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art long exposure waterscape - landscape photography. Trees on a small island in the flooding meadow in Scotland. Archival pigment ink print, edition of 9. Signe...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

➡️Romantique (2004)⬅️ ⏩It is signed M Lecomte, Michel Lecomte (1935-2011) ⏪ Michel Lecomte’s career was distinguished by a unique versatility. While known for his work as the offic...

Black and white fine art long landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions ...

Black and white fine art landscape photography. Huge Rock on the pink granite coast beach in Brittany, France. Archival pigment ink print as part of a limited edition of 9. All Geral...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Rafael Duran Benet (1931-2015) - Garden - Oil on canvas on board Oil measurements 46x55 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, ne...

Black and White fine art landscape photography. The Orgues of Ille Sur Tet Columns of Soft Rock Geologic Natural French Organs in South France. Archival pigment ink print, edition of...

Kehinde Wiley Andries Stilte oversized beach towel, 2008 Silkscreen on 100% Cotton Large Beach Towel or hanging tapestry 70 × 60 inches Edition of 2000 In original packaging with ta...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Artist: Peter Max (1937) Title: Two Hearts on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 13 x 17 inches Condition: Excellent Insc...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...