Mid-19th Century Art

19th Century Signed French Landscape Painting Credited Charles François Daubigny This beautiful and significant painting is a fine example of a river landscape from the Barbizon Scho...

Signed lower left 'C. Werner' for Carl Frederich Heinrich Werner (German, 1808-1894) and dated 1855. Watercolorist Carl Werner studied first with Veit Hanns Schnorr von Carolsfeld ...

Portrait of a Young Woman, ca. 1850. Oil on antique English millboard, panel measures 20 x 24 inches. Excellent condition with surface stress cracking and paint shrinkage consisten...

Antique American sunset landscape oil painting. Oil on board. Framed. Unsigned. Measuring: 12 by 14 inches overall, and 8 by 9 painting alone. Excellent condition, ready to hang an...

Mezzotint engraving realizd by  William Greatbach after the celebrated painting by John Martin. A dramatic nineteenth-century mezzotint depicting the biblical scene of Belshazzar’s ...

Autumn Mountain Landscape with Waterfall British Oil Painting by William Mellor (British, 1851–1931) Signed oil on panel, framed Framed: 15 x 12 inches Panel: 12 x 9 inches Private c...

Signed and dated "C. Leroy 1840" in the lower right corner. A finely executed floral still life depicting an elegant arrangement of camellias and daisies in a transparent glass vase, set upon a wooden surface. The composition is carefully balanced, with lush pink camellia blossoms contrasted against the delicate white petals of daisies, creating both visual richness and botanical variety. The artist demonstrates a high level of technical skill in the rendering of textures: the velvety softness of the camellia petals, the crisp structure of the daisies, and the subtle reflections and refractions within the glass vessel. The dark, neutral background enhances the luminosity of the flowers, a compositional device rooted in traditional European still life painting. The palette is harmonious and refined, combining warm pinks and greens with deep, earthy browns. Fine craquelure across the surface attests to the painting’s age and authenticity, while contributing to its visual character. This work reflects the enduring tradition of 19th century naturalist and academic still life painting, appealing to collectors of classical floral compositions and decorative fine art. floral still life painting, camellia painting oil, daisies still life, 19th century flower painting...

Antique American sunset landscape oil painting. Oil on board. Framed. Unsigned. Measuring: 12 by 14 inches overall, and 8 by 9 painting alone. Excellent condition, ready to hang an...

A Grand Tour image of the Alps. English School, 19th century C1840. Graphite and ink and wash in sepia and brown ink on two sheets of heavyweight wove paper, 8 1/8 x 11 inches (207 x...

Two Terrier Dogs in Woodland Landscape by George Armfield (English, 1808–1893) signed oil on canvas, framed framed: 23 x 27 inches canvas: 20 x 24 inches private collection, United ...

Three Terrier Dogs with Caged Rat Interior Scene English Sporting Oil Painting by George Armfield (English, 1808–1893) signed oil on canvas, framed signed and dated framed: 24 x 30....

Chestnut Horse Standing in a Stable Wilkinson John Gilbert (act.1830-1870) signed and indistinctly dated oil on canvas, framed framed: 23 x 28 inches canvas: 20 x 25 inches Provenan...

About this work: “Portrait of Benjamin Franklin (after David Martin), c. 1840” attributed to David Rent Etter (American, 1807-1880). A wonderful 19th-century portrait of Benjamin Fr...

French school, circa 1840, Portrait of a Gentleman, monogrammed D.L. on the lower right oil on wood panel 28.8 x 24,8 In a beautiful antique frame : 48 x 43.5 cm This gentleman’s...

‘After Trafalgar: HMS Neptune and HMS Prince with the sinking Santisima Trinidad, 1805’ by John Lashbrook Tudgay (1798-1874). The painting – one the artist's finest large-scale works...

‘The River Thames at Leigh by Moonlight’ by Henry Pether (1800-1880). The painting is signed by the artist and dated 1851 and is presented in a bespoke gold metal leaf frame. We o...

‘Westminster from the Thames by Moonlight’ by Henry Pether (1800-1880). The painting - one of the artist’s finest views of London in the 1860s - depicts the Houses of Parliament, t...

Red Tulip English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 15 x 13 inches Provenance: private collection, England. Condition: The drawing is...

Figures Outside Thatched Country Inn English Rural Genre Scene by English School (British, mid-19th century) oil on canvas, framed in an ornate gilt moulded frame Framed: 22 x 18.25...

Watercolor on heavy gauge watercolor, 4 1/8 x 11 3/4 (105 x 299 mm), the full sheet. In good condition with scattered minor surface soiling, and light scattered foxing. Colors slight...

“Quebec City, 1853” by Edmund C. Coates (American, 1816-1871). A luminous 19th-century view of Quebec City by the American painter Edmund C. Coates, known for his detailed Hudson Ri...

A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

A beautiful and huge mid 19th century oil on canvas depicting a landscape in the Dolomites, by Karl Moser. Excellent quality work on exhibition scale by this important Austrian arti...

This authentic 19th-century oil portrait depicts a young European woman in traditional attire, painted with refined academic realism and quiet emotional restraint. The sitter is shown in three-quarter view, wearing a straw hat with a blue ribbon, a lace-trimmed blouse, and a dark bodice, delicately holding a small basket of flowers. The soft transitions of light across the face, gentle blush tones, and composed expression reflect mid-19th-century European portrait traditions, closely aligned with Biedermeier and early Realist aesthetics. The background is intentionally subdued, allowing full focus on the sitter’s character and presence. Brushwork is controlled and confident, with careful modeling of facial features and textiles. The composition suggests a formal studio portrait rather than a genre scene, typical of European academic painting of the period. 📏 Measurements: Painting approx. 19.5" × 24"; Framed approx. 30" × 26" 🎨 Medium: Oil on canvas 🖋️ Artist: Signed and dated 1868 in the lower right (signature partially legible) 🖼️ Frame: Original period gilt wood frame; minor wear, losses, and age-related surface imperfections ✔️ Condition: Stable age-related craquelure throughout. Frame shows minor historical damage consistent with age. This is a genuine antique European oil painting...

Two Terrier Puppies in the Kitchen w/Carrots Vincent De Vos (Belgium 1829-1875) Oil on wood panel Signed and date "10 12 62" lower right 13 x 17 1/2 (18 1/2 x 23 1/2 inches A charming study of a Dutch...

Military Portrait of British Officer in Red Coat Victorian Army Portrait by English School (British, mid-19th century) oil on canvas, unframed Canvas: 24 x 20 inches Provenance: pri...

W. S. Forest English, circa 1850 Study of Two Horses and Goats Before Farmland Oil on canvas Signed lower right Presented in its original richly carved and gilded frame A finely o...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Portrait of a Gentleman reading the 'London Journal', English school (mid 19th century) oil painting on canvas, unframed canvas: 36 x 28 inches condition: some minor surface abrasion...

This wonderfully evocative work aligns with one of the most significant movements in 19th-century European landscape painting, reflecting a major shift toward Naturalism and the dire...

This fine mid-19th-century portrait, circa 1840, depicts a solemn-faced lady with dark hair parted at the centre. She wears a sombre mourning dress with a white lace collar and a sma...

For restoration. A delightful Constable-esque scene, depicting a rustic watermill beside a river. A mounted horseman pauses to allow his steed to drink, whilst another man bathes his...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Preparing the Ships Coastal Marine Scene with Figures and Sailing Vessels English, mid 19th century oil on board, framed in a gilt moulded frame Framed: 10.75 x 14.5 inches Board: ...

An eye-catching nineteenth-century oil painting of a goat by Belgian animal painter Edouard Woutermaertens (1819-1897). Woutermaertens captures the animal's thick, wiry coat with exp...

Attributed to John Arsenius (1818–1903) Sweden Oriental Figure monogrammed lower left JA oil on panel unframed 26.5 × 15.5 cm (10.4 × 6.1 in) framed 34 × 23 cm (13.4 × 9.1 in) Pro...

Woodland Landscape French School, signed and dated 1855 indistinctly signed by artist Oil painting on canvas, unframed Canvas: 10.5 x 16 inches Condition: The painting is in very go...

‘The Oaks of Cranbourne Chase, Windsor Great Park’ by Andrew MacCallum (1821-1902). The exceptional detail and draftsmanship in the painting is nothing less than extraordinary and ...

"Round Portrait of a Black and White Terrier," French, 19th Century, circa 1850s Oil on wood panel Unsigned. 9 x 9 inches frame One of a pair of charming portraits of Black White Te...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...

Wonderful Hudson River School painting, oil on canvas. Obviously painted by a talented artist, unsigned and a mystery for you to solve. Canvas stamped Edward Dechaux NY. An amazing...

Dog Portrait of a Grand Vendéen Hunting Dog Jules Chardigny (1849-1892) Signed lower right Circa 1870 Oil on wood panel Housed within its beautiful and original ornate original gil...

A charming mid 19th century rural scene depicting a red-cloaked figure walking along a country path. The figure passes beneath a mature tree, its foliage turning a rich autumnal brow...

Antique French interior portrait oil painting by Charles August Corbineau (1835 - 1901). Oil on canvas. Signed. Framed. Measuring: 38 by 44 inches overall, and 29 by 36.5 painting al...

Dog-tooth violet Flower English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: T...

19th Century English School oil painting on copper, framed framed: 18 x 14 inches board: 13 x 8 inches provenance: from a collection in Derbyshir...

Two Spaniels on Red Cloth by Hilton Lark Pratt (1838-1873) Scottish artist, is in clear rich red, black and white colors with a softer-toned landscape on the side. The Spaniels are r...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Dou...

This an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Young Mahaskah, An Ioway Chief, No. 80", published by Rice, Rutter & Co. in 1865...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". In addition to bei...

Three Terrier Dogs in Landscape English artist, mid 19th century circle of George Armfield (English dog painter, 1808-1893) oil on canvas, framed framed: 17 x 21 inches canvas: 8 x 1...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was larg...

A huge mid 19th century oil on canvas depicting sheep in an extensive landscape, by Edwin L. Meadows. Excellent quality work on a grand scale by this important British landscape pa...

Edouard MANET The Absinthe Drinker, 1860 Original etching Printed signature in the plate On Japan paper 45 x 40 cm (c. 18 x 16 inch) REFERENCES : Catalog raisonnes Guerin n°9 and F...

Romantic painter (second half of the 19th century) - Portrait of a Lady. 45.5 x 31 cm (unframed) — 74 x 60 cm (framed). Oil on canvas, in a carved wooden frame (not signed). Full-...

This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included. A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...

Paris: 1846. Delâtre. Etching on delicate cream laid Japon paper with a deckle edge, 7 x 4 3/4 inches (178 x 122 mm); sheet 11 1/4 x 9 inches (280 x 230 mm), full margins. An impres...