Mid-19th Century Art

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

Alfred Crowdy Lovett C.B.E (British, 1862-1919) Palm Tree & Coconut of Palm (in pencil on verso), single palm signed top right. Descriptions in pencil verso Watercolours on paper,...

Portrait of Margaret Cross, (portrait of a lady artist, seated in Regency style, holding an artists sketchbook). Irish School, early 19th century (circa 1820–1835) Oil on panel, o...

Windsor Great Park with Windsor Castle (St. Georges Chapel) in the distance Attributed to James Middleton (English 1805-1874, British) inscribed to label verso, unsigned oil paintin...

Attributed to John Vine, English Folk Art Portrait of a White Park Bull, circa 1840–1850, oil on canvas Not signed A compelling mid-19th century English folk art study depicting a...

Artist: Salvador Dali Title: Without Hope, from The Marquis de Sade Medium: Lithograph in colors on Japon paper Date: 1969 Edition: 6/J Frame Size: 31 5/8" x 25 1/8" Sheet Size: 25 5...

Watercolor on watercolor paper, 9 3/4 x 12 1/4 inches (248 x 311 mm), the full sheet. Scattered light toning, especially at the sheet edges. Minor, light area of clustered brown spot...

The Village Stream English School, mid 19th century signed lower front corner, W Stanley (19th century) oil on panel, framed framed: 10.25 x 13.5 inches panel: 7.25 x 10 inches Prove...

Abundant Still Life of Flowers in a Classical Setting French School, early/ mid 19th century, unsigned Follower of Jean-Baptiste Monnoyer (Franco-Flemish, 1636-1699) oil on canvas, f...

A charming mid 19th century rural scene depicting a red-cloaked figure walking along a country path. The figure passes beneath a mature tree, its foliage turning a rich autumnal brow...

Original 1861 Late Romantic Naturalist Landscape Painting This piece features a small countryside cottage and two figures, with the dramatic backdrop of layered mountains and low cl...

Watercolor and gouache on heavy gauge watercolor paper, 9 1/2 x 15 1/8 inches (242 x 385 mm), the full sheet. Titled in pencil on the verso. Scattered edge wear, and small losses at ...

Three Terrier Dogs in Landscape English artist, mid 19th century circle of George Armfield (English dog painter, 1808-1893) oil on canvas, framed framed: 17 x 21 inches canvas: 8 x 1...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Egron Lundgren (1815–1875) Monk in a Monastic Cell signed and dated Egron Lundgren Rom 1848 oil on relined canvas unframed 62 x 50 cm (24 ½ x 19 ¾ in.) framed 79 x 68 cm (31 x 26 ¾...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

In this neoclassical oil on canvas signed and dated “Otto Bache 1864”, the artist depicts Psyche standing with her back turned to the viewer beside a red draped table. Her hair is arranged in a tight knot, secured with a hairpin adorned with two large pearls. She holds a light drapery that covers her legs, while the rest of her body remains nude. With her head turned toward the right, she gazes downward toward the table, where a blue gown or drapery lies, the garment she is about to put on. Her softly illuminated profile emerges as she turns in the light falling from the upper left, creating a striking backlight that heightens the contrast along the contours of her body. On the richly red draped table before her rest her jewellery and, to her left, a large amphora-shaped jug and a tazza bowl. The light descending from above to the left defines the composition with sharp contrasts between brightness and shadow, revealing the delicate modelling of Psyche’s form and lending the scene a quiet sense of introspection and grace. Exhibited: Winkel & Magnussen October 1915 no. 5, ill. p. 5. Otto Bache was born in 1839 in Roskilde, Denmark, and died in 1927 in Copenhagen. At the age of only eleven he was admitted to the Royal Danish Academy of Fine Arts in Copenhagen where he studied drawing and painting under the supervision of artists such as Wilhelm Marstrand. His early training gave him a basis in the Danish “Golden Age” tradition of realism and naturalism, but he went on to travel and extend his horizons. In 1866 he received an Academy travel-scholarship and went to Paris, then Italy (1867–68). The influence of Paris is often noted: his palette became richer, his handling freer, his light stronger, and his subjects broader. Later in his career, from around 1887, he held the post as professor and on various occasions director of the Royal Danish Academy. Bache’s early work reflects his rigorous academic training: careful drawing, subdued palette and interest in genre scenes and rural life. After his travel in Paris and Italy he adopted a somewhat more robust handling of color and light, but still remained essentially realist and narrative in approach. He painted portraits, animal and hunting subjects, genre scenes, and large history-paintings depicting key moments from Danish history. In particular, during the 1880s and 1890s when he was commissioned to execute large history canvases for the Museum of National History at Frederiksborg Castle and similar institutions, depicting events such as the exploits of Danish soldiers...

Signed and dated indistinctly, lower left, and painted circa 1850. Framed dimensions: 39 W x 4 D x 34.5 W inches Displayed in a fine and substantial, late 19th Century, carved giltwo...

Watercolor with white heightening through abrasion with the brush stick on watercolor paper, 7 x 9 7/8 inches (177 x 248 mm), the full sheet. In good condition with scattered light f...

Portrait of Princess Olga Gorchakov by female 19th century artist Elise Hügel. An oval portrait of Princess Olga Gortschakoff (1838–1926), here pictured soon after her marriage to Baron Friedrich Adeldagus Felix von Meyendorff, becoming Baroness von Meyendorff, signed Elise Hügel and dated 1858. Executed in oil on canvas, the work shows a young Olga in her early 20´s...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Portrait of a Gentleman reading the 'London Journal', English school (mid 19th century) oil painting on canvas, unframed canvas: 36 x 28 inches condition: some minor surface abrasion...

Watercolor on heavy gauge watercolor, 4 1/8 x 11 3/4 (105 x 299 mm), the full sheet. In good condition with scattered minor surface soiling, and light scattered foxing. Colors slight...

JAMES McNEILL WHISTLER (American 1834–1903 London) THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37) Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...

This seascape oil painting was created in Paris in 1857 by the renowned Swedish master Simeon Marcus Larson (1825-1864). It dates from the artist's most accomplished period and offer...

A majestic miniature painting by Victor Mongodin. Painted with extraordinary detail, it depicts a pretty young lady writing a letter in her boudoir. Mongodin clearly delights in painting fabrics... the silk of her skirt, the cotton of her camisole, as well as the luxurious velvets of the curtains and drapery. And then there is the mystery: who is she writing to? Born in Vire in Normandy in 1819, Victor Mongodin had studied with de Rudder. Working in the French Capital...

➡️ Beautiful study Landscape⬅️ Title: Sur les bords du Loing (Seine et Marne France) Jean Baptiste Camille Corot Medium: Oil on canvas Period: Likely mid-19th century Framing: A wid...

"Stone of Unction, Church of the Holy Sepulchre" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...

Tranquil Pastures English, mid 19th century circle of Thomas Sidney Cooper (1803-1902) oil on canvas, framed framed: 14 x 18 inches canvas: 10 x 14 inches provenance: private collect...

This sweet little boy sits quietly like a well brought up child, but you can see in his eyes how much he likes to run and play. In this sensitive portrait painted in circa 1860 by Fé...

19th Century English Folk Art School Portrait of a Cavalier King Charles Spaniel Oil on canvas, 13 x 15 inches Provenance: Iona Antiques As normal these folk art paintings are unsign...

This is an original 19th century duotone lithograph entitled "The Holy Tree of Metereah" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in L...

Original frame Dimension with frame :28 x 37 x 4 cm Consalvo Carelli (1818-1900) – View of Vesuvius from the Gulf of Naples Oil on canvas, signed lower right A magnificent compositio...

The children of Robert Williams with their go-cart in the grounds of Bridehead, Dorset *see historical notes below. ATTRIBUTED TO RAMSAY RICHARD REINAGLE (1775-1862, unsigned). oi...

Dramatic and beautiful, light shines on the bucolic flock of sheep as the village, skies and hills remain in darkness, John Linnell (1792-1882) gives us a metaphor of coming through ...

Circle of Thomas Sidney Cooper (British 1803-1902) Milkmaids and livestock in a rural landscape oil painting on panel, framed framed: 14 x 18 inches board: 12 x 16 inches provenance:...

Antique Victorian English 19th Century, King Charles Cavalier spaniel and Westie terrier in an interior. This exquisite English 19th-century painting by...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter years to become a full time painter. ...

19th Century German School Br: Venus aus Chemnitz 50 Jahre alt 58 24/5 39, 1839 Oil on canvas Signed lower left 25.5 x 20 inches 30.5 x 24.75 inches, framed The gentleman is Johann ...

Etching on laid paper Sheet size: approx. 65 × 50 cm Signed in plate lower left: F. Bracquemond Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blinds...

This evocative 19th-century marine scene by English painter Nicholas Matthew Condy captures the dynamic tension and atmospheric drama that typify his maritime works. Known for his ke...

Pair of Hunting Dogs at Rest; Artist unknown, French, 19th century (monogrammed "JS" Circa 1850 10 x 7 (14 3/8 x 17 1/8 frame) inches This is finely realized portrait of pair of h...

Studio of Rosa Bonheur (Bordeaux 1822 – Thomery 1899) Ploughing in the Nivernais Oil on canvas H. 62 cm; W. 120 cm (97 x 154 cm including frame) Unsigned Ploughing in the Nivernais ...

Set of 12 woodblock prints in colors on handmade, laid mulberry paper, 6 3/4 x 10 1/4 inches (170 x 258 mm), printed in Ka-ei 4 (1851). Each print with minor handling wear, otherwise in excellent condition with bright and fresh color, and with details printed in silver ink. The images themselves contain several illusive characters indicating the publisher which are obfuscated by figures, as intended. Presented loose, as issued. A fine set. The astrological commentary print has a large and meandering blind stamp with a bird and palm frond motif. This print lists various phrases concerning the Twelve Zodiac Animals as historically counted in Japan, and appears to include erotic commentary on the traits of people born under each of the twelve signs. These Shunga images were issued in books that paralleled (in an erotic fashion...

A finely executed mid-19th-century oil painting on panel depicting "The Milkmaid" after Jean-Baptiste Greuze (1725–1805). This captivating portrait, painted in a charming manner with...

Portrait of Two Dogs English artist, mid 19th century oil on canvas, unframed Canvas: 18 x 14 inches Provenance: Private collection, England Condition: The painting is in good condit...

François-Marius GRANET (Circle of) Aix-en-Provence, 1775 – Aix-en-Provence, 1849 Convent interior with nuns Oil on canvas 35 x 27.5 cm (39.5 x 31 cm with frame) Beautiful black and g...

Idyllic Watermill Scene English School, circa 1840's period (there is an old frame plaque with the frame but we do not think this work is by that artist named on it, unsigned) oil on...

A Compelling, 1951 Mid-Century Modern Portrait of a Young Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork size: 12 x 9 1/2 inches. Artwork is unframed, matted/...

19th century English school Portrait of a young gentleman (a scholar?) in dress suit oil on canvas, framed framed: 21 x 19.5 inches canvas: 14 x 1...

George Armfield (British, 1808–1893) Terriers in a Barn Interior Oil on canvas, circa 1850 Signed lower right This spirited and characterful work by George Armfield captures two al...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...

Jules SANSON Active in the 1830s and 1840s The arrival of the young girl at the monastery on the shores of Lake Como Oil on canvas 27 x 35.5 cm (31.5 x 39.5 cm with the frame) Signed...

Up for sale is an amazing original antique oil painting on canvas by Famous American Artist Henry Peters Gray (1819-1877), depicting a portrait of a W.P. Wright Esq. Some of his paintings are exhibited in the Metropolitan Museum of Art, in New York. The painting has a commemorative inscription on the verso: "For W.P. Wright Esq. Portrait from Henry Peter Gray. Painted at Pittsfield MA August 1860. Please read some interesting information about this Artist from Wikipedia. Henry Peters Gray was born in New York City he was a pupil of Daniel Huntington...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background. This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page. John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy. As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...

A good antique marine oil painting by James Webb (1825-1895), circa 1860, ex-Sothebys. The painting depicts a stormy or squally sea, most likely the English channel, the rocky cliff...

Work on canvas Black wooden frame 37 x 45 x 3 cm