Mid-19th Century Art

This mid-19th century portrait (circa. 1850) depicts a respectable middle-class woman from Northern Europe, possibly of Dutch or Flemish origin. She wears a dark wool dress with a wh...

➡️ Beautiful study Landscape⬅️ Title: Sur les bords du Loing (Seine et Marne France) Jean Baptiste Camille Corot Medium: Oil on canvas Period: Likely mid-19th century Framing: A wid...

Oil on Board realized by Jules Victor Génisson (1805-1860) in the mid-19th Century. Hand signed lower left. Good condition.

Esta obra es un icono religioso de estilo bizantino, característico por su fondo dorado y la representación solemne de figuras sagradas. La escena central muestra a la Virgen María, ...

Victorian Mid Nineteenth Century Marine Signed Oil Painting on Canvas, mounted on stretchers and framed in a period style frame. Shipping in a Choppy Sea with boats in the backgroun...

A fine & large antique maritime oil painting of the war ship HMS Britannia, by Robert Strickland Thomas (1787-1853), the painting circa 1835. The painting depicts HMS Britannia broadside with several other war ships of the British fleet, most likely returning from the Mediterranean. In the foreground are several small boats with sailors variously occupied attending to them. A yacht with a crowded deck is visible on the left. In the center foreground there is a barrel or possibly a buoy in the water, a device commonly employed in some of Thomas's paintings. To the verso is an old auction label from the 1920s and another partial label, there are also some annotations on the stretcher with details of photographic images of the painting. There is also an old label of ownership "Mrs. Strange 6 Elvaston Place", this address was a large Georgian house in the prestigious London borough of South Kensington. The painting is in very good condition, this investment quality antique maritime painting...

Peach Flower English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The drawing ...

J. F. BUFFORD PUBLISHER and PRINTER LAST MOMENTS OF PRESIDENT LINCOLN, April 15, 1865 Lithograph, very good impression. The 2 lower publishing lines ...

Artist: (after) John James Audubon (American, 1785-1851) Title: "Belted Kingfisher" (Plate 255, no 5-3) Portfolio: The Birds of America (Bien Edition) Year: 1860 Medium: Original Chr...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a paint...

Victorian Unsigned Watercolour a Naive Ship Portrait of a Chiliean Packet in traditional Maple Frame. Watercolour painted on paper laid on board, mounte...

Genji in the Twelve Months / The Tenth Month (Moto) is a tryptich woodcut print realized by Utagawa Toyokuni III in 1858. Very good condition except for some minor signs of wear.

This is from a series of Andreae's sketches of European tourist destinations from the 1860s, to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Oscar Andreae (fl.1860-1880) Isola Pescatori, Italy 1862 Pencil drawing Sheet 12 x 16.5cm Andreae spent much of the 1860s exploring Europe - the invention of the railways having made undertaking a Grand Tour rather easier than it had been half a century earlier - and recorded the places he visited. Here, visiting the Lago Maggiore...

A finely rendered 19th century Hudson River School landscape depicting cattle grazing within an expansive open field, set beneath a softly illuminated sky. The composition is anchore...

This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "Least Bittern, 1. Male, 2. Female, 3. Young", No. 74, Plate 366, from Audubon...

Wood Anemone English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The drawing ...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

This wonderfully evocative work aligns with one of the most significant movements in 19th-century European landscape painting, reflecting a major shift toward Naturalism and the dire...

These original 1830s Scottish hummingbird prints are hand-colored engravings from Sir William Jardine’s celebrated The Naturalist’s Library, published in Edinburgh by W. H. Lizars. T...

Signed pastel on grey paper circa 1860 by French impressionist artist Eugene Boudin. The piece is a study of clouds in a blue sky. Signature: Signed with the cachet of the artist's ...

Two Daffodil Stems English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The dr...

Egron Sellif Lundgren (1815–1875) Sweden Interior of a Kitchen, c. 1840 oil on paper laid on cardboard, inscribed “Lundgren Nr. 15” on the reverse. unframed 27.5 x 20.5 cm (10 ¾ x ...

Oil Painting by Henry Thring Shayer and Charles Waller Shayer "The Ploughmans Lunch" The younger sons of William Shayer senior, Henry (1825 - 1894) painted the landscape and Charles ...

Ittenbach Franz Königswinter 1813–1879 Düsseldorf German religious painter 'Jesus of Nazareth' Signature: signed lower right 'F Ittenbach' Medium: oil on canvas Dimensions: image s...

Bijinga is an original artwork realized in 1833-1835 by Utagawa Kunisada (1786-1865). Chuban. From the series "Tokaido gojusan tsugi no uchi" (The 53 Tokaido Stations). Courtesan i...

Pastoral Landscape with Figure and Cattle English School, mid 19th century signed lower front corner oil on canvas, framed Framed: 18 x 24.5 inches Canvas: 14 x 21 inches Provenance:...

A wonderful view of a river landscape with a rustic cottage and pollarded trees by Henri Sieurac. It isa rare, early and very fresh landscape by this Parisian artist which may well have been painted in the countryside around Barbizon, near the river Loing. Henry Sieurac had studied with his father, François Joseph Sieurac , and of Paul Delaroche...

JOHN J. AUDUBON (1785 – 1851) FORK-TAIL PETREL - PLATE CCLX Audubon, John James. FORK-TAIL PETREL - PLATE CCLX OF "THE BIRDS OF AMERICA by John James Audubon. From the "Double Eleph...

A fine impressionist landscape by the 19th century French painter Loouis Boulanger (1806-1867). Oil on canvas 15"x21,3/4" 38cmx 55cm The original giltwood frame: 22"x28" , 56cmx 72cm. A fine plein air study of a stoney outcrop on the edge of a French village circa 1860. Boulanger was famous during his lifetime for his portraits of the intelligentsia of Paris society during the 19th century including Victor Hugo. He was also a great follower of the early impressionist landscape painters this being a fine example of his work. A well balanced composition and an intense study of afternoon light in a French landscape. Signed lower right. Provenance : Estate collection, Paris Good condition. Higher resolution images available on request. Viewing welcome . Worldwide shipping available. Louis Boulanger (11 March 1806, Vercelli, Piedmont - 5 March 1867, Dijon) was a French Romantic painter, lithographer and illustrator. Life He enrolled in 1821 at the École des beaux-arts where he attended the workshop of Guillaume Guillon Lethière and received a solid classical training. Next he made a présentation for the prix de Rome, in 1824, in which he finished logiste. He became the companion of Eugène Devéria...

This unsigned painting, attributed to the circle of Martin Theodore Ward around 1840, is an exemplary piece showcasing the talent of this 19th-cen...

Hiroshige (1797-1858) - One Hundred Famous Views of EDO 名所江戸百景 Artist: 広重 Hiroshige (1797-1858) Series: One Hundred Famous Views of EDO (名所江戸百景) Title: The Ferry at Sakasai (逆井のわたし...

Three Terrier Dogs in Landscape English artist, mid 19th century circle of George Armfield (English dog painter, 1808-1893) oil on canvas, framed framed: 17 x 21 inches canvas: 8 x 1...

Toyokuni III A Modern Shuihuzhuan / Kinsei Suiko Den 近世水滸伝 夏目子僧新助 Tattoo Size: Oban 36 x 25 cm 文久2年（1862） 　

Pausing for Lunch English School (mid 19th century) oil on panel, framed in antique maple wood frame. framed: 12 x 10.5 inches painting : 9 x 7 inches Provenance: private collection...

This superb Victorian portrait oil painting is attributed to circle of Thomas Lawrence. Painted circa 1836 the sitter is William Henry Cooper, of Pains Hill, Cobham, Surrey and Hig...

"Elena di Troia", grande scultura in bronzo a patina bruna firmata alla base J.Clesinger-Rome 1864 - F. Barbedienne fonditore e recante il sigillo di riduzione meccanica Collas. Ecc...

Victorian Hunting Shooting Landscape Scene, Large Oil Painting depicting a Rifleman and his Hunting Dogs, gun cocked to shoot. This is a large Oil Painting on Canvas, it came from ...

Italian painter (19th century) - Still life with fruit. 50 x 65 cm (without frame) - 64 x 76 cm (with frame). Oil on canvas, in carved and gilded wooden frame (not signed). This s...

Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right. - a little bit stained, with a light water stain at lower right About the artwork Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits. The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up. While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level. About the artist Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him. In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting. From 1861-64 Deiker had his own studio in Karlsruhe, then moved to Düsseldorf, where his brother Johannes followed four years later. Deiker married a daughter of the landscape painter Karl Hilger and remained in Düsseldorf until his death. In 1868 he finally achieved international fame with his painting 'Pursued Noble Deer' and was regarded as a virtuoso new founder of animal painting. "Deiker brought for the first time a truly great artistic quality to animal painting [...]". - Hans Vollmer From 1870 he participated in the academic art exhibitions in Berlin, Dresden, Munich and Hanover. He was also very busy as an illustrator. He drew for the Gartenlaube, the Salon, the Universum, and produced many of the finely illustrated hunting and animal books of the period. He also worked as a printmaker, while his oil paintings circulated as reprints by Franz Dinger. From 1865 to 1892 Deiker was a member of the artists' association Malkasten. Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892. His son Carl Deiker, born in 1879, also became a painter. Selection of art museums that own works by Carl Friedrich Deiker: Hamburger Kunsthalle / Kunsthalle Karlsruhe / Kunstmuseum Düsseldorf / Wallraff Richartz Cologne. Selected Bibliography H. Schmidt: Johannes and...

This exceptional antique oil painting on canvas by renowned American artist Henry Peters Gray (1819–1877) depicts W. P. Wright, Esq. in a dignified three-quarter-length portrait painted in 1860. The sitter wears a dark formal coat over a crisp white shirt and brown waistcoat, while his right arm rests against a rich red upholstered surface. His full beard, composed expression, and direct yet contemplative gaze reflect the confidence and refinement associated with mid-19th-century American portraiture. Gray carefully models the sitter’s face through subtle transitions of light and shadow, contrasting the warm flesh tones and reddish-brown beard against the restrained dark background. Finely observed details—including the folded handkerchief, waistcoat chain, and ring—add individuality without distracting from the portrait’s formal presence. An important handwritten inscription on the reverse identifies both the sitter and artist and records the circumstances of the painting: “For W. P. Wright Esq. Portrait from Henry Peters Gray. Painted at Pittsfield, Mass., August 1860.” This period inscription provides valuable direct provenance and securely connects the portrait with Gray’s documented career. The painting is presented in a traditional period gilt frame with a beaded inner border and is ready to hang. 🖼️ Measurements: Painting: 25" W × 30" H Framed: 30" W × 35" H ✍️ Signature: The portrait is identified by a handwritten inscription on the reverse naming Henry Peters Gray, the sitter W. P. Wright, Esq., the location Pittsfield, Massachusetts, and the date August 1860. ✅ Condition: Good antique condition with minor age-appropriate surface wear. The period gilt frame shows light wear consistent with age. Please review all photographs carefully for a complete assessment. 📦 Shipping: Professionally packed and shipped the same business day from Florida. About the Artist Henry Peters Gray (1819–1877) was an important American portrait, genre, and history painter born in New York City. He studied under Daniel Huntington...

Academic Study of Two Feet from Antique Plaster Models, c. 1850 Pencil on paper, 50 × 32 cm Mid-19th-century academic exercise representing two studies of feet taken from plaster ca...

Y se le quema la casa is plate n. 18 (of 80) of the series Los Caprichos by Goya. This etching is an excellent proof of the first edition of 1799, before the bevels. Plate 17,9x12,...

Still life with vase of flowers Italian School of the nineteenth century Oil on canvas cm. 74 x 92,5 frame 97 x 112 Beautiful painting representing a rich still life, of great deco...

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

Lords and Ladies Flower English School, 19th century Medium: watercolour drawing on paper, glass covering, framed Size: 12 x 8 inches Provenance: private collection, England. Condi...

A magnificent Italian painting from the mid-19th century. Oil on canvas, first canvas, painting depicting a mythological scene of great charm and refinement. It is the iconographic p...

Paris: Cadart, 1873. Etching with engraving on white wove paper, 9 1/4 x 12 1/2 inches (235 x 318 mm); sheet 10 3/4 x 14 3/4 inches (274 x 375 mm), full margins. In very good condi...

US buyers pay no import tariffs on this item. This charming mid-19th-century oil painting by Dutch artist Johannes Philippus Galjaard (1812-1867) depicts several figures on a rural ...

Celebratory Parade is an original Woodcut print realized in mid 19th century after Utagawa Kunisada. Good condition and Beautiful colored woodblock print. This wonderful modern a...

This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...

Robert Farrier (1796–1879) was an English artist best known for his paintings. He was born in Chelsea, London, in 1796 and remained in that area for most of his life. Initially appre...

Mary Jane Peale Portrait of Fanny Adam, 1857 A scanned photograph of the back of the canvas taken prior to relining shows the inscription "Fanny Adam / painted by / Mary J. Peale / P...

Etchings with drypoint on laid Japon paper, 5 x 6 3/4 inches (128 x 172 mm); sheet 9 x 11 3/8 inches (230 x 290 mm), full margins. In very good condition with some minor uniform toni...

This rare original John James Audubon hand-colored royal octavo lithograph is entitled "The Jaguar", No. 21, Plate CI, 101 from Audubon's "Quadrupeds of North America". It was drawn ...

Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 3 1/2 x 6 7/8 inches (88 x 175 mm...

'Portrait of a Gentleman Reading' by George Richmond, RA. Regency Dandy, William Blake, Royal Academy, Framed Oil ----- Signed lower right, 'Richmond' for George Richmond, RA (Brit...

Riverside Chateau Signed by artist, French circa 1855 Oil painting on canvas, unframed Canvas: 10.5 x 16 inches Condition: The painting is in very good condition, with well-preserve...

After Louis-Stanislas MARIN-LAVIGNE (Paris, 1797 – Paris, 1860) Portrait of Colonel Charles-Louis-Prosper Marquis de Chérisey (1786-1837) in the uniform of commander of the 38th lin...

Antique Dog Painting of a Hunting Dog Jules Chardigny (1849-1892) Circa 1870 Oil on paper. 8 x 6 (18 1/2 x 15 1/4 frame) inches In Jules Chardigny's signature style, a beloved compa...

Antique Bronze Dog Portrait “La Levrette au Papillon” or “Whippet (Greyhound) with a Butterfly”   Arthur Waagen (Germany, France 1833-1898) Circa 1860’s 11 x 8 x 4  inches (1 of 2. ...