Framed Photography

Rockface 27 by Andrew Buck archival pigment print, edition of 5 44 x 44 inches framed Print is dry mounted without glazing (no glass). Black metal frame is approx 1/2 inch face widt...

'Telephone II' from Richard Heeps 'Dream in Colour' Series, this cool interiors picture combines bold colours of yellow, black and white, and has a dreamy nostalgic aesthetic. This...

Behold nature's stunning beauty in this black & white hand signed landscape photograph of beautiful Ayers Rock in Australia, showcasing the elegant curv...

Gondoliere Study 1, Venice - no. 18177 Gerald Berghammer - Limited Edition 1/9. Archival Pigment Ink Print, Printed 2020. Signed, numbered, dated by ...

Minimalist landscape photograph of black and white lily pads on water "End of Summer", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

Hand Signed by Ken Heyman Limited Edition of ? ...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

"Mademoiselle Chanel in the Atelier, 1962" Ed. 9/24 signed by Douglas Kirkland Hand signed by Douglas Kirkland Printed later Medium: archival pigment print on Hahnemühle watercolor ...

Bastiaan Woudt Dutch, born 1987 “I like to look at lines, abstractions, structure, and texture. In a portrait, I can be extremely disturbed by color. It distracts me from the essen...

Esperanza, the hope of youth for a better future. Holguín, Cuba 2002. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm...

Rancho San Carlos Cattle Ranch, 1950's Photograph 1950's photograph of the San Carlos Cattle Ranch located south of Carmel Valley, California by James Ziegler (American). The ranch ...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyanotype, photogram or sun print. ...

Ali Invents the Double-Clutch Shuffle, LIFE magazine studio, December 1966: Muhammad Ali, poised for battle on the eve of his title defense against Ernie Terrell, demonstrates the do...

A man of gentlemany demeanour, content with his cigar. A sentinel watching the world pass amidst the endless sugar cane country of central Cuba. The Spirit of the Revolution serie...

A Rendille girl in Kenya A return to Kenya. On this trip John took a different approach to lighting. Building makeshift studios from locally acquired white sheets held up by four ...

Edward Burtynsky (b. 1955) is one of Canada's most successful photographers. A noted filmmaker, entrepreneur, and environmental advocate, Burtynsky is known internationally for his i...

Christmas day on Santa Maria beach on the outskirts of Havana, Cuba. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm ...

Artist: Man Ray (American born, 1890 - 1976) Title: SURREAL DISTORTED HOUSE REFLECTION Date Of Negative: 1920 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Da...

Since the late 1970s Cindy Sherman has donned an array of personas, disguises and costumes to explore how woman are perceived, presented and judged in Western culture. As a young c...

Corazon y Alma - Heart and soul – lost in each others arms on a tango floor in Buenos Aires, Argentina. This evocative black-and-white photograph captures an intimate moment between...

The photo was taken by me in an abandoned house. I like the colors and the impression from the picture. Will be signed, framed in a simple black frame, which can be hanged on the wal...

Series: ORGANIC LANDSCAPE AERIAL All available sizes and editions: 40" x 30" editions of 10 60" x 45" editions of 5 80" x 60" editions of 3 Archival Pigment Print on Fine Art Baryt...

Free shipping for the continental U.S. and a 14-day return policy. Jim Krantz Epic Western No. 35 40 x 68 inch chromogenic print Edition 2 of 5 Signed on adhesive signature label Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

Contemporary still life photograph of bright orange and blue poppy flowers and fingerling potatoes on a crisp white tabletop background archival pigment print, edition 6 of 10 17 x 2...

Jimmy Page backstage at the Fillmore East, NYC 1969, eating a hamburger. About The Print: Archival pigment print on 100% cotton paper with a satin baryta finish. It is from a limite...

A woman of vigour and spirit and humour, full of stories, sat on her rocking chair, smoking a cigar, commenting on the world with a word or stream of invective. The Spirit of the Re...

Te veo… I see you. Matanzas 2005. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength ...

Framed x-ray photograph Nick Veasey We live in a world obsessed with image. What we look like, what our clothes look like, houses, cars… I like to counter this obsession with super...

Malibu Shore - 21st Century Contemporary Color Photograph by Pia Clodi Malibu Shore depicts a stunning seascape captured by photographer Pia Clodi on her ma...

"Butterfly 13" (FRAMED) Photography 40" x 40" in Edition 1/8 by Giuliano Bekor Title: Butterfly B13 Year: 2018 Print size: 40" x 40" Inch Framed size: 42" x 42" Inch Edition: 1/8 A...

Assile was photographed at a weekly market in Key Afar in the Omo valley. Key Afar is on a hillside near the mountains, and attracts hundreds of Hamer, Banna and Tsemai in an immensely colourful gathering of people. The market is divided between livestock with men trading goats and cattle and a separate section with women selling grain, nuts, containers, head stools...

A photograph of Mario locked in a harmonious embrace with his trumpet… a moment of magic in a jazz club in New Orleans. James Sparshatt’s photographs of music and dance capture the ...

El Orgullo - the pride - Holguín, Cuba during Las Romerias de Mayo festival. Women full of pride dancing during Las Romerias de Mayo festival A troupe of female dancers full of all...

This early 1990s photograph, captured by society photographer Slim Aarons, features Patricia and Margaret O'Neil at the Cap Juluca Hotel in Cap Juluca, Anguilla. This is an estate s...

Rare old black and white photograph on sepia paper, depicts three children watching Santa Claus from the window.

Jung LEE (*1972, South Korea) Day and Night #10, 2012 Archival Pigment Print 176 × 220 cm (69 1/4 × 86 5/8 in.) Edition of 5, plus 2 AP Signed by the artist – Biography Jung Lee...

Jung LEE (*1972, South Korea) Day and Night #9, 2012 Archival Pigment Print 176 × 220 cm (69 1/4 × 86 5/8 in.) Edition of 5, plus 2 AP Signed by the artist – Biography Jung Lee ...

Sepia-toned architectural photograph of San Zavier Mission, a historic Spanish Catholic mission located near Tucson, Arizona, on the Tohono O'odham Nation San Xavier Indian Reservati...

Wonderful color photograph of the roller coaster at the Santa Cruz Boardwalk by California artist Deborah Eddy (American, b. 1943). Titled "Blue R...

"Natalia Makarova " is an gelatin print , silver bromide, numbered and signed photograph offered to " serge Lifar " by Max Waldman . Artist proof . Ser...

Carlos Betancourt About the Ephemeral and Memory 20, 2013 Pigmented inkjet on paper 64 x 44 inches Edition of 10 For more than three decades, Carlos Betancourt has built a body of w...

"Marilyn Monroe, 1962" Photography 24 x 16 in Edition 3/35 by Lawrence Schiller Silver Gelatin print Edition 3/35 Signed and numbered on recto by the artist Printed later On Wednesday, May 23, 1962, Marilyn Monroe stepped onto the set of Something’s Got to Give to film what would become one of the most iconic and talked-about moments of her career: the now-legendary nude swimming pool scene. This extraordinary day—captured in a series of rare photographs by renowned photographer Lawrence Schiller—has since become a cornerstone of Hollywood history. Key moments that make this session truly historic: A Bold Cinematic First: Monroe spent nearly four hours in the pool on the 20th Century Fox lot, filming a sequence in which her character, Ellen Arden, appears to swim nude...

Hand printed by artist. Dry mounted on board. 8ply over mat Museum framing. Excellent Condition.

Daniel Mansur In Paradisum #2, 2018 40 x 60 inches 100 x 150cm 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigment Print Sig...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Algiers Motel Apartments, photograph from Richard Heeps' Dream in Color series. This visually arresting artwork captures the essence of a sunbathed, mid-century modern apartment str...

Elektronik Blue, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pas...

sepia toned gelatin silver print framed dimensions are 21.5 x 17.5 inches Paul Kozal has been photographing for over 25 years. His award-winning photographs have been exhibited in n...

Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...

Daniel Mansur IN PARADISUM series 60 x 88.5 inches 150 x 225 cm Edition of 6 Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies ov...

Series: ORGANIC LANDSCAPE AERIAL All available sizes and editions: 40" x 30" editions of 10 60" x 45" editions of 5 80" x 60" editions of 3 Archival Pigment Print on Fine Art Baryt...

Machina Mundi Paris, Aerial View Archival Pigment Print, mounted and framed Edition of 5 Available sizes: 45 × 60 inches (120 × 150 cm) 64 × 80 inches (160 × 200 cm) Claudio Eding...

Walker Evans Class A Steam Locomotive: The Second Set of Drivers, 1958 Inscribed "For Calvert from Walker" lower right Gelatin silver print 10 x 10 1/2 inches Provenance The artist ...

"Yosemite Falls Close Up" is an original black and white archival pigment print. Using the original photograph taken in 1958. This is signed by the artist Thomas Ferderbar in the lower right and titled on the lower left using silver sharpie. A view from down stream of Yosemite Fall, so that the viewer feels as if they are there comparing human size to the large waterfall. Boulders and trees frame the view making it all the more impressive. Paper Size: 50" x 40" Frame Size: 54" x 44" Artist Statement: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7 Certificate of Authenticity, Signed by the Artis...

"Syd Barrett Laying on His Car" Photography 20" x 24" inch 14/50 by Mick Rock Edition: 14/50 Signed and numbered by Mick Rock Medium: Silver gelatin limited edition photographic pri...

This is a unique photographic work taken by Andy Warhol. Grace Jones is a musician and former model. A former star of the Studio 54 disco scene, she is known for her androgynous appearance, bold features, and subversive antics, making her one of the biggest pop stars of the 1980s. Andre Leon Talley...

Harry's Corner, on the Wildwood Boardwalk, New Jersey. Taken in April 2013, it was first executed in Richards's darkroom in October 2020. Capturing the joy of the American seaside fa...

David Bowie, Iggy Pop & Lou Reed, London's Dorchester Hotel, 1972 by Mick Rock Edition: 29/50 Signed and numbered by Mick Rock. Medium: Silver gelatin limited edition photographic print on paper Size framed: 27" x 33" inch "It was a press conference at the Dorchester Hotel in London. RCA Records had flown a bunch of American journalists to London in July 1972 to promote David’s upcoming US tour and the release of his Ziggy Stardust album. Iggy and Lou were both working on their new albums, Raw Power and Transformer and were hanging out at the conference. Even though Iggy and Lou were still basically “underground” artists, and David’s ascent was still in its early days, it was a photo that I really wanted to take. Only later did it become one of the classic rock images. So I hustled them together. The only thing I remember was Lou saying: “This will be a pretty picture!” When Mick Rock first met David Bowie, he had previously met and photographed both Iggy Pop and Lou Reed, so there was an immediate bond formed...