Realist Photography

This late 1980s landscape photograph, captured by society photographer Slim Aarons, features Santa and Serena Antonelli and a guest dining al fresco on the terrace of their home abov...

Leonard Dalsemer and his family at their villa in Lyford Cay, New Providence Island, April 1974. This image features a classic Slim Aarons contrast: between the manmade and the beauty of nature. It's an expertly composed scene of midcentury glamour that still feels casual and light. The azure blue of the sky contrasts with the deeper blues and aquas of the sea, and the sparkling turquoise of the pool. While human figures anchor the scene, the expertly captured contrast of natural grandeur and architectural geometry make this scene truly magnificent. Image Description: In the background, leafy green palm trees and other trees blow in the breeze before a bright azure sky and slightly deeper blue ocean surf. In the foreground, two couples walk the pool deck in pastel pink and green clothing. Three children play in the turquoise pool. A verdant green hedge lines the front of the image, anchored by seven white florals in white pots. In the background is a pool cabana...

Roy Dean (1925-20020. Male Nude Study, ca. 1975-80. Original period print with artist studio stamp on verso. Print measures 5.25 x 9 inches; 13 x 17 inches fr...

Circa 1890 Hand-tinted albumen print, 10 1/2 x 8 inches (266 x 203 mm), small handwritten number '285' in negative, lower left. Unmounted; housed in an archival mat with clear mounting corners. [Nagasaki University Library, Catalog Number : 1889] A woman wearing a towel over her head Anesama kaburi style picks up shells. The background is the sea. There are boats with sails on the beach. It is probably a dramatized photo. Ogawa Katsumasa (1860 – 1936) was a pivotal figure in early Japanese photography. He adapted cutting-edge Western technology in photo-printing processes to produce numerous half-tone and collotype publications which transformed the market which had previously concentrated on the more expensive souvenir albums. Ogawa's publications were also instrumental in introducing Japanese art and culture to a mass international audience. He built one of the most successful photographic businesses in late-Meiji Japan. He opened his first portrait studio in Tomioka, Gumma Prefecture, in 1877. [Bennett, Terry. Old Japanese Photographs...

This is an exclusive handprinted limited edition cyanotype diptych of foamy gorgeous clouds. Details: + Title: Floating Clouds Diptych + Year: 2023 + Edition Size: 20 + Stamped and ...

Hand-tinted albumen print, 10 1/4 inches x 7 3/4 (260 x 198 mm), numbered B 1221 and captioned in negative at lower right. Unmounted; housed in an archival mat with clear mounting co...

Oil on canvas Signed in red, u.l. $6500.00 + $300.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Hand-tinted albumen print, 7 7/8 x 10 1/4 inches (200 x 260 mm), numbered B 1085 and captioned in negative at lower right. Tiny in-negative defects creating white spots. Unmounted;...

This 1970s portrait photograph, captured by society photographer Slim Aarons, features a waiter by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was...

Hand-tinted albumen print, 7 3/4 x 10 inches (195 x 252 mm), pasted onto a gold-edged board with caption hand-written in black ink.

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 9 x 12 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Swit...

In this midcentury snowscape photograph, captured by society photographer Slim Aarons, holidaymakers dining at the Eagle Club, Gstaad, Switzerland, March 1969. Slim Aarons Estate E...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Riders from the Pebble Beach Equestrian Center wend their way through the Californian sand dunes and pampas grass, November 1976. Slim Aarons Pebble Beach, Slim Aarons Estate Editio...

Catherine Wilke joins the topless sunbathers on the island of Capri, 1980. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Sl...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features film stars (left to right) Clark Gable (1901 - 1960), Van Heflin (1910 - 1971), Gary Cooper...

Film star Joan Collins relaxes with her pink poodle on her pink bed. Estate stamped and hand numbered edition of 150 with certificate of authenticity fro...

Three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a tray, the second man carrying a wine in an ice bucket and the third carrying a menu, circa 19...

1972—Charley Weaver at the Las Brisas resort in Acapulco, Mexico. Social Call 30 x 40 inches Estate Edition Slim Aarons Estate Edition Numbered and stamped by the Slim Aarons Estate...

Unframed. 2023. Signed on the back. Narrower than "The Journey's End." This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...

Kseniia Kokovashina - "Nude I&II" set of two. Beautiful limited edition art photography. Printable in colour or black/white. Editions: 20. Tec...

Potsdam conference meeting depicting Josef Stalin, Winston Churchill and Harry Truman (not visible) at the conference table, gelatin silver print, date of printing unknown, 16-1/2" x 22-3/4" sheet, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy...

Vermont Winter, Vermont, Estate Edition, Winter Landscape Photograph This 1960s winter landscape photograph, captured by society photographer Slim Aarons, features students from Sto...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Switzerland in 1964. In classic snowscape of midcentury glamour, winter travelers dressed in 1960s ski fashion relax on colorful red, yellow, and green sun loungers, viewing the blue and white Swiss Alps mountain peaks in the background. This is an estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Verbier Vacation Slim Aarons Estate Edition Chromogenic Lambda print Modern printing from original transparency Captured 1964 (printed later) Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition We are pleased to offer the entire archive of the Slim Aarons Estate. This is a genuine Slim Aarons Estate photograph, estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Complimentary dealer shipping to your framer, worldwide. We are pleased to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Visual Description: In one of Slim Aarons most popular and iconic series, bright, colorful notes of red, yellow, blue and green punctuate the clean white snow, with majestic peaks in the background. In the foreground, holiday-goers, lounge in a perfect vintage moment of casual winter glamour. Snowy mountaintops rise in the background. Verbier is a stunning mountain and winter ski destination in the Swiss Alps, known for its notoriously challenging slopes as well as its famous apres-ski scene. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Internal: Vintage Verbier, Vintage Ski Photography...

A woman sunbathing in a motorboat as it tows a waterskiier, in the sea off the Hotel du Cap Eden-Roc in Antibes on the French Riviera, August 1969. Leisure in Antibes Hotel du Cap Eden-Roc, French Riviera Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Collector will get the next number in the edition 72 x 48 inches $4900 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Seascape Photography, Vintage Hotel du Cap Eden Roc, Vintage Pools, Vintage French Riviera, ocean, France, 70's French Riviera, seascape, red, Vintage beach...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features Skiers relax in deckchairs on the slopes at Verbier in Switzerland. 1964. This is an est...

A poolside party at Phil Richards' home in Fort Lauderdale, Florida, May 1970. Slim Aarons Phil Richards' Pool 1970 Slim Aarons Estate Edition C-type print Certificate of Authentic...

The Klosters, Switzerland, Estate Edition, Landscape Photograph This early 1960s landscape photograph, captured by society photographer Slim Aarons, features skiers pass by the Hote...

An original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco in the Agricultural School-Chapingo, Mexico by artist Diego Rivera. Photo is stamped “Photographs-Tina Modotti Mexico, D.F.” on reverse. Photograph size: 6 7/8" x 9 5/8". Archivally matted to 16” x 20” Tina Modotti was born in Udine, Italy in 1896 and by the age of 14 she was supporting her entire family by working in a local silk factory. Modotti’s father emigrated to San Francisco, sending for his family in 1913. Modotti was hired in the sewing room at the I. Magnin department store, but her great beauty attracted the attention of her superiors who then employed her to model the store’s fashions. In 1915, Modotti attended San Francisco’s Pan-Pacific Exposition, where she got her first look at Modern art and photography. She also met her first husband at the Exposition, painter and poet Roubaix de l’Abrie Richey. At this time Modotti began acting in local Italian theatre and was discovered by a talent scout for the new silent film industry in Hollywood. She arrived in Los Angeles in 1918 and was cast in “The Tiger’s Coat” and “I Can Explain”. Through her Hollywood connections, Modotti met the married photographer Edward Weston, with whom she began an affair. Modotti was a favorite subject of Weston’s photographs, but moreover he taught her the art of photography. She actually ran Weston’s studio in exchange for photography lessons. Due to the on-going affair between Modotti and Weston, Modotti’s husband moved to Mexico where he died of smallpox. This tragedy and the death of her father made Modotti dissatisfied with Hollywood. Modotti and Weston arrived in Mexico in 1923 at a time when the country was in the midst of a social, political and cultural revolution. She photographed the Mexican...

This is an exclusive limited edition black and white Giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This beautiful black and white high contrast photograph is titled " Zen Forest Waterfall" and displays a stimulating waterfall in a beautiful japanese forest...

This early 1660s winter landscape photograph, captured by society photographer Slim Aarons, features skiers pass by a snow covered tree in Vail, Colorado, USA, 1964. This is an esta...

Beautiful color photograph of Milford Sound by Andy Currie (England, B-1965). Andy was born in Edinburgh in 1965. After entering into the graphics industry at 16 as an apprentice cam...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. The print measures 36 x 24 inches total, with an image size of 32 x 20 in. and a 2 inch...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sunbatheing, wearing a novelty straw sun hat with built-in sunglasses, Venice. Th...

Giacomo and Stefania Mantegazza welcome guests arriving by boat at their villa, La Casinella, on Lake Como. Brilliant green trees contrast with the vivid orange, reds and turquoise of the architecture. Four boats can are afloat on the deep blue of the lake. Slim Aarons Giacomo Montegazza, Villa La Casinella, Lake Como Slim Aarons Estate Edition Stamped and hand numbered by the Slim Aarons Estate. Chromogenic Lambda print from the original transparency Printed Later Certificate of Authenticity included Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Now in his 70s, Giacomo Mantegazza...

A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer Raymond Loewy (1893 - 1986, centre, standing), Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, and Helen Dzo Dzo (second from right) Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Palm Springs Party...

Early black and white still life photograph of a fireplace. The piece also documents the various items used to decorate the hearth including woven basketed and earthen pots...

Frank Sinatra, 1965 - Bob Willoughby (Portrait Photography) Archival pigment print Printed on 20 x 24 inch paper From an edition of 25 Also available in alternative sizes Bob Wi...

Lake Wakatipu in the South Island of New Zealand by Andy Currie (England, B-1965). Andy was Born Edinburgh 1965. After entering into the graphics industry at 16 as an apprentice came...

An original C-Print from Sean Scully's Pueblo Dzibalchen series (A Suite of 20) created in 2001. This work comes in a fantastic natural wood archival frame presentation. This series was shot by Scully in Campeche, Mexico. Photograph size: 20 x 24 in. Framed Size: 27.5 x 33.5 Painter, photographer, watercolorist, and printmaker Sean Scully roams the world with his camera, capturing its surfaces in places as far-flung as Mexico and the Aran Islands...

This midcentury landscape photograph, captured by society photographer Slim Aarons, features a midcentury chalet with a view at the Sugarbush Mountain ski resort in Warren, Vermont i...

This mid-1950s event photograph, captured by society photographer Slim Aarons, features an aerial view of diners at the St. Regis, New York. This is an estate stamped and hand numbe...

Ghislain Dussart ( 1924 - 1996 ) BB " Sa Marguerite ". Don de BRIGITTE BARDOT photo originale : 31 x 21 cm encadrement : 49 x 39 cm . Ghislain Dussart a travaillé comme photog...

American film star Kirk Douglas water-skiing in the sunshine at the Eden Roc annex to the Hotel du Cap d'Antibes on the French Riviera, August 1969. Aa...

Ingrid Morath sunbathes by a swimming pool next to the sea in Acapulco, 1961. Ingrid was born in Rio de Janeiro and lives in Mexico City. Portofino Villa Slim Aarons Estate Edition ...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features Skiers relax in deckchairs on the slopes at Verbier in Switzerland. 1964. This is an est...

Skiers on the slopes at Courchevel, France, 1963. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Modern estate edit...

This is the mini studio proof of the larger hand-printed photograph of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from S...

This 1660 winter landscape photograph, captured by society photographer Slim Aarons, features an individual skiing at Sugarbush, a mountain resort in Vermont, April 1960. This is an...

Slim Aarons' Saint-Tropez Beach, an Estate Edition photograph, is a vintage scene of sunbathers on the French Riviera, August 1971. Colorful coral red and mint green umbrellas shelte...

Slim Aarons’s Penthouse Pool captures a sunlit moment of casual glamour at the Canellopoulos penthouse pool in Athens, Greece. Taken in July 1961, the photograph shows a group of you...

Lawrence Schiller "Marilyn Monroe - Roll 2 Frame 2" 1962; Photograph 20 x 24 inches Edition of 75 Black and White Framed

circa 1960: Mrs A Watson Armour III (Jean Schweppe) with friends and family enjoying the pool on their estate at Lake Forest, Illinois. A Wonderful Time - Slim Aarons Slim Aarons Fa...

Flo Smith (left) and Lily Pulitzer share a secret at a pool party, Palm Beach, Florida, April 1961. Description and alt text: In this classic image of midcentury poolside glamour, two suntanned white women share a moment by the sparkling blue and green reflective swimming pool. Flo Smith wears a breezy straw hat and sailor striped top with white shorts, and Lily Pulitzer wears a mod Grecian vase print and coral pants, and a vibrant pink kerchief. The figures in the foreground are in crisp detail, and the lush background of palm trees and cool blue sky is in soft focus. There is a beautiful contrast between the soft-focus background foliage and its graphic, bright reflection in the pool in the middle ground. Flo holds a white bag and her nails are painted red, echoing the trim of her hat. Pulitzer wears a jade bracelet, echoing the jade of the pool and her top, and her nails are natural. A blue cabana can be seen in the background. Flo holds an arm around Lily's waist, and Lily lightly tips the corner of Flo's hat. This is a perfect image for a collector of classic photography, midcentury glamour, or iconic friendship. Color chips for complementary decorative shades of soft red, deep pink, delft blue (sky), and jade greens (pool, palms and poolside foliage) can be seen in slideshow. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Modern printing from original transparency C-type print on Fuji Crystal Archive Paper, Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of photography, negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal tags are vintage glamour, vintage Palm Beach, midcentury glamour featuring Lily Pulitzer, Slim Aarons, classic midcentury photography, perfect reflection, iconic friendship, historic glamour, red, pink, blue and green, turquoise and jade...

Treasure Cay resort on Great Abaco Island in the Bahamas, March 1986. 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 10 x 12 inches $1350 Complimentary dealer sh...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sunbatheing, wearing a novelty straw sun hat with built-in sunglasses, Venice. Th...

Roy Blakey (1930-2024). Portrait of Black Dancer, ca. 1972. Original photographic print on paper, image measures 11 x 14 inches. Framed measurement 12 x 15 inches. Studio stamp o...

To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "...