Realist Photography

In this evocative still life minimalist photograph "Just an orange", French artist and photographer Natalya Mougenot captures a moment of serene simplicity: a single, radiant orange ...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Roy Dean (1925-20020. Male Nude Study, ca. 1975-80. Origina; period print with artist studio stamp on verso. Print measures 2.25 x 4 3/8 inches; 9 x 12 inches...

Slim Aarons' Saint-Tropez Beach, an Estate Edition photograph, is a vintage scene of sunbathers on the French Riviera, August 1971. Colorful coral red and mint green umbrellas shelte...

This 1980 portrait photograph, captured by society photographer Slim Aarons, features Catherine Wilke joining the topless sunbathers - along with Elisabetta Catalano, Charlotte Ticke...

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1, Printed Later. His passenger is Margaret McAulay. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is pleased to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Slide show includes a close-up of the Slim Aarons estate's stamp. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Vintage Sport, Vintage Car photography, Sports Car Photography

Still Creek in the Forest - Silver Gelatin Print This photo depicts a shallow creek running through the woods by san Francisco photographer Florencio E. Monteverde (Italian/American...

This 1970 portrait photograph, captured by society photographer Slim Aarons, features a group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda. ...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features American socialite Wendy Vanderbilt at home in Palm Beach, Florida, USA. This is an estate ...

Carmen Alvarez enjoying a game of backgammon with Frank 'Brandy' Brandstetter in a swimming pool at Acapulco, 1978. Slim Aarons Keep Your Cool (Backgammon in Acapulco) Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Collector will get the next number in the edition 72 x 48 inches $4900 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Poolside Glamour Photography, Vintage Backgammon, Vintage Sport, Acapulco, Vintage Pools, Vintage Games...

Stillfried, Raimund von Japan, Girl Winter Costume Yokohama, Japan: c 1880. Hand-tinted albumen print, 10 1/4 x 7 3/4 inches (260x 200 mm), numbered B 1080 and titled in the lower r...

Yokohama, Japan: c 1890. Hand-tinted albumen print, 10 1/8 x 7 3/4 inches (258 x 198 mm), numbered B 1161 and captioned in negative at lower right; very light cockling, brightly col...

This rich, vibrant Slim Aarons Estate Edition photograph depicts a swimming pool at the glamorous Villa Igiea, in the Sicilian cultural, economic and tourism capital of Palermo, on t...

Jack Mitchell, American Photographer (1925-2013). Joe Dallesandro, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. Period print from artist's studio. The image was intended for ...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features a woman surrounded by red hibiscus flowers in a swimming pool...

circa 1890. Hand-tinted albumen print, 7 7/8 x 10 1/4 inches (200 x 260 mm), numbered B 289 and captioned in negative at lower right. Unmounted; housed in an archival mat with clear...

This early 1970s photograph, captured by society photographer Slim Aarons, features Bandleader Teddy Stauffer (1909 - 1991) at La Barranca, Warren Avis' villa in Acapulco, January. ...

This early 1970s portrait photograph, captured by society photographer Slim Aarons, features a poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in ...

This early 1970s lifestyle photograph, captured by society photographer Slim Aarons, features Lita Baron talking with a guest at a poolside party at Nelda Linsk's desert house in Pal...

Unframed. New from 2023. This is an original, hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints were made. Four have sold. Only six...

This late 1950s photograph, captured by society photographer Slim Aarons, features a party at Romanoff's in Beverly Hills, Los Angeles. This is an estate stamped and hand numbered ...

Original Photograph / Photographer unattributed Yokohama, Japan: c 1890. Hand-tinted albumen print, 8 x 10 1/2 (204 x 266 mm), uncaptioned, some cockling at top corners; pencil ins...

This mid-1980s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing on the terrace at the villa of Umberto and Pucci Nordio, Portofino This i...

Oil on canvas Signed in red, u.l. $6500.00 + $300.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...

Hand printed silver gelatin photograph by the artist. From film photography. Available in other sizes.

This late 1970s photograph, captured by society photographer Slim Aarons, features the Ice Bar at the Hotel Krone in the Austrian ski resort of Lech, February 1979. This is an estat...

Giacomo and Stefania Mantegazza welcome guests arriving by boat at their villa, La Casinella, on Lake Como. Slim Aarons Giacomo Mantegazza, Villa La Casinella, Lake Como Slim Aarons...

Victor Arimondi (1942-2001). Portrait of Grace Jones, 1975. Period print measures 8.5 x 11.25 inches; 10 x 13 inches framed. Artist studio stamp on ver...

This mid-1950s event photograph, captured by society photographer Slim Aarons, features an aerial view of diners at the St. Regis, New York. This is an estate stamped and hand numbe...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features a family enjoying a picnic on the bank of the Whiting River near Campbell Falls, Massachu...

This 1980 portrait photograph, captured by society photographer Slim Aarons, features Catherine Wilke joining the topless sunbathers - along with Elisabetta Catalano, Charlotte Ticke...

This early 1970s lifestyle photograph, captured by society photographer Slim Aarons, features Lita Baron talking with a guest at a poolside party at Nelda Linsk's desert house in Pal...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Lilian Hanson sunbathing by a pool at the Bürgenstock Resort Lake Lucerne in Canton Nidwald...

Elegant hand signed black & white photo highlighting the sharp contrast between the Yosemite mountain range of Mt. Lyell and the beautiful clouds above by Charles Cramer (American, b...

Timothée Chalamet bought this same landscape at The Other Art Fair in Los Angeles in 2023. This edition is FRAMED in a 30 x 24 inch slim white metal gallery frame with a 3 inch mat...

Catherine Wilke joins the topless sunbathers on the island of Capri, 1980. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Sl...

Gorgeous archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of a Nash's first born son Jackson, age five, looking into an aquarium in his San Francisco house...

Portrait, ca. 1975. Period print measuring 8.75 x 11.25 inches. Unframed. Studio stamp on verso. Mounting and framing services available. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Lynn Saville. Ferris Wheel from the Tuileries, 1999. Photographic print. Edition 5/25. Image measures 12.5 x 18 inches. Sheet is larger. Measures 21.5 x 27 framed. Signed, titled and...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features a couple walking on Caleta Beach holding hands, Acapulco, Mexico, 1968. This is an esta...

"Impressions of the High Sierras", a Lithobrome Photograph by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Impressions of the High Sierras" and signed "Sigismund Blumann" on verso. Unframed. Image size, 10.25"H x 13.25"W. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Frank Sinatra, 1965 - Bob Willoughby (Portrait Photography) Archival pigment print Printed on 20 x 24 inch paper From an edition of 25 Also available in alternative sizes Bob Wi...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

This mid-1955s portrait photograph, captured by society photographer Slim Aarons, features Rita Aarons, wife of photographer Slim Aarons, during the filming of 'Mister Roberts' in Ha...

Slim Aarons' Saint-Tropez Beach, an Estate Edition photograph, is a vintage scene of sunbathers on the French Riviera, August 1971. Colorful coral red an...

This is the mini studio proof of the larger hand-printed photograph of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from S...

Rare Photographic series of five photographs by Betty Hahn titled, "Arrival or Departure (After Hitchcock), 1987, a series of five gelatin silver photographs" 17" by 24 each". A copy...

This is an exclusive limited edition black and white Giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This beautiful black and white high contrast photograph...

This mid-1960s landscape photograph, captured by society photographer Slim Aarons, features Swedish model Olimpia Hruska, wearing a bikini, poses against a rock on the Costa Smeralda...

This contemporary minimalist seaside photo, "Evening Light, Endless Sea," was captured by French artist and photographer Natalya Mougenot during her travels in Italy. With this work,...

Roy Blakey (1930-2024). Portrait of Black Dancer, ca. 1972. Original photographic print on paper, image measures 11 x 14 inches. Framed measurement 12 x 15 inches. Studio stamp o...

Victor Arimondi (1942-2001). Portrait of Tom Petchlsig, ca. 1975. Period print measures 8 x 10 inches; 16 x 20 inches frames. Artist studio stamp on ve...

This mid-1970s photograph, captured by society photographer Slim Aarons, features guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, This is an estate st...

This early 1970s photograph, captured by society photographer Slim Aarons, features a ski resort in Courchevel in the French Alps, circa 1970. This is an estate stamped and hand num...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the raw power and beauty of the ocean and other bodies of water. The images showcase a range of seascapes, from calm and serene to tumultuous and chaotic. Waves are a prominent feature in many of the photographs, with their sharp edges and frothy white caps creating a sense of energy and movement. Other photographs in the series explore the more subtle aspects of the sea, such as the gentle ripples that form on the surface of the water, or the abstract reflections of sunlight and moonlight over the moving surface of the sea. The print measures 24 x 36 inches total, with an image size of 20 x 32 in. and a 2 inch surrounding white border. Details: + Title: Misty Sailboat...

A villa in Las Brisas, Acapulco, February 1972. Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is proud to offer this vibrant photograph, printed by...

Unframed. 2023. Signed on the back. Narrower than "The Journey's End." This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...

This late 1970s landscape photograph, captured by society photographer Slim Aarons, features spectators dining in the open air as the horses go by at Baden Baden racecourse, Germany....

Ghislain Dussart ( 1924 - 1996 ) BB " Sa Marguerite ". Don de BRIGITTE BARDOT photo originale : 31 x 21 cm encadrement : 49 x 39 cm . Ghislain Dussart a travaillé comme photog...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features visitors at the The Prado Museum (Museo Nacional del Prado) viewing Diego Velázquez's maste...