Medium Abstract Prints

SCROLLS by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed using traditional hand lithography techniques on archival Somerset paper 100% acid free. SCROLLS is a dramatic abstract collage, its vertical arrangement depicting a grouping of yellow and gold beige papyrus scroll fragments against a textured background of rich vibrant red and black. Ancient alphabet symbols written on the parchment are visible resembling Aramaic letters which create a mystical quality evoking the biblical history of the Dead Sea Scrolls. Aramaic was once the main language of the Jews and appears in some of the Dead Sea Scrolls. It is closely related to Hebrew with the script being very similar. In SCROLLS, Moshe Castel creates a very aesthetically appealing and captivating contemporary arrangement of ancient Jewish symbolism. Print size - 29.75 x 21.5 in. unframed, excellent condition, vivid colors, hand signed in pencil by Moshe Castel Edition size - 150, plus proofs Year published - 1981 Printer - J K Fine Art Editions Co., NY Moshe Elazar Castel born in Jerusalem, Ottoman Palestine, in 1909, to Rabbi Yehuda Castel and his wife Rachel. The family was descended from Spanish Jews from Castile who immigrated to the Holy Land after the expulsion of the Jews from Spain in 1492. Castel attended his father’s school until the age of 13. He went on to study at the Bezalel Art School in Jerusalem, where he was encouraged by his teacher to study in Paris furthering his art education at the Academie Julian and Ecole de Louvre in Paris. He was greatly influenced by European masters Rembrandt, Velasquez, Delacroix and Courbert after spending his days copying their works hanging in the Louvre. Castel returned to Palestine at the onset of WWII. The subject of Castel’s early paintings were scenes of Sephardic Jews in the Holy Land. In 1947, Castel helped to found the "New Horizons" (Ofakim Hadashim) group together with Yosef Zaritsky, Yehezkel Streichman...

Victor Guadalajara (Mexico, 1965) 'Nave', 2005 engraving on paper Velin Arches 300 g. 22.9 x 30.8 in. (58 x 78 cm.) Edition of 99 ID: GUA-105 Unframed

Asteroid is an original lithograph, realized by Vito Apuleo in the 1970s. Hand-signed on the bottom right. Artist's proof as hand written by the artist on...

Study for two communicating signals is an contemporary artwork realized by Mario Persico in 1970s Mixed colored lithograph Title on the lower margin. Hand signed by the artist Nu...

Color etching of modernist scene made up of layered images of a keyhole and entryway in Venice, Italy by California artist Katherine Chang Liu (American, 20th century). Signed "K "Li...

Friedrich Geiler Untitled Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Linocut Year: 1979 Signed, numbered and dated by ha...

Artist: Joe Tilson, British (1928 - ) Title: Eleusis Proscinemi Year: 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP 4/20 Size: 31.5 x 22.5 in. (80.01 ...

Precise rectangular and square lines and shapes in tints of yellow, green, turquoise and mauve, are an interpretation of the brilliant summer sun in this silkscreen print on paper by...

DREAMFIELDS I is a hand drawn original lithograph by the artist Sybil Kleinrock (spouse of the renowned jewelry designer David Yurman.) DREAMFIELDS I was printed in seven colors usin...

Artist: Georg Karl Pfahler, German (1922 - 2002) Title: from Neun Sergraphien 1 Year: 1968 Medium: Screenprint, signed and numbered in pencil, verso Edition: 5/80 Paper Size: 25 x 25...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "Hat" *Signed and dated by Yamazaki in pencil lower right Year: 1984 Medium: Original Monotype on unbranded wove paper...

Medium: Color Lithograph Year: 1973 Signed by hand, dated and inscribed Size: 19.5 × 17.4 on 25.4 × 19.3 inches COA provided Bernd Berner (born September 24, 1930 in Bergedorf, July...

Alain LE YAOUANC Registering a dimension Original lithograph Handsigned in pencil On Arches vellum, 76 x 56 cm (c. 30.4 x 22,4 inch) Excellent condition

SAILBOATS is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techniques on ...

Extraterrestrial Fantasy is a colored lithograph on paper, realized in 1974 by Henry Maurice. Hand-signed on the lower. Numbered, edition of 4/100 editions. A beautiful artwork re...

Title: The beloved feeds among the lilies (Michler/Löpsinger 71-17J; M&L 477), from the portfolio, The song of songs of King Solomon Year: 1971 Medium: Etching printed in colours wit...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "Coffee Mug" *Signed and dated by Yamazaki in pencil lower right Year: 1984 Medium: Original Monotype on unbranded wov...

Vintage poster after Fritz Baumgartner is a vintage offset artwork on paper realized in 1974. Original colored offset. Good condition and aged. Titled on the bottom center. The ...

Conrad Marca-Relli Drummer and Nude 1982 Original lithograph, hand signed by the artist numbered 41/150 from the edition of 150 Unframed *Condition note: slight crease on right hand ...

Johnny Friedlaender (German/French, 1912-1992) Signed: Friedlaender (Lower, Right) Numbered: 52/95 (Lower, Left) " Montagne Aprés La Pluie ", 1965 (Mountain After The Rain) Etchi...

American Cathedral (The Woolworth Building). 1921. Etching. Fletcher 107. 17 x 6 5/8 (sheet 21 1/2 x 9 1/8). Edition 75. Provenance: estate of David...

Justin Pollmann "Be A Good Guest" 2023 Inkjet Transfer Collage, Monotype 26"x28.5" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’...

Pink Series is an artwork realized by Lucio Fontana in 1966. Etching and Aquatint on BFK Rives. cm 75,5x56, one of the biggest graphic works ever created by Fontana, and a conceptu...

A gallery quality archival pigment print (of the original watercolor and ink painting) on Sommerset Velvet paper is 24x18 inches in size. From an edition of 20, numbered 3/20 and signed by the artist. Framed (white) with a styrene face on a double mat board in beige and red colors with size 30x24 inches. Mila Akopova is New York artist. She graduated from Moscow State University with a degree in History and Theory of Art. Her Artwork got 3rd place at the 2020 American Art Awards, juried by 25 best...

ABOUT THIS PIECE: A 1 inch white border is included in the listed image size (W x H) as per the artist's request. Inspired by the warm light, open vistas, and saturated colors of he...

JEAN-PAUL RIOPELLE 1923-2002 Montréal 1923 - 2002 Saint-Antoine-de-l'Isle-aux-Grues (Canadian) Title: Composition 1, from: Marrying Flies Les mouches à marier, 1985 Technique: Ori...

Unknown Artist - Quiet Rooms, Medium: Screenprint, signed, titled and numbered in pencil, Edition: AP, Image Size: 20 x 28.5 inches, Size: 23 x 30.5 in. (58.42 x 77.47 cm), Descrip...

Abstract Composition is an original lithograph artwork realized by Antonio Sanfilippo in 1971. Hand-signed and dated in pencil on the lower right. Numbered on the lower right. Edit...

Red Abstract Composition is a contemporary artwork realized by Salvatore Provino in 1991 Mixed media on paper Hand signed and numbered on the lower margin Edition of 75/100 Good ...

"Redline" is a framed signed limited edition contemporary print by iconic Los Angeles-based visual artist and one of LA's original Graffiti artists Karlos Marquez. It features vibran...

"In the Sky" is an original 1982 poster for the exhibition of "40 international aerial artists exhibiting over Purchase, New York, Aug 8, Washington DC, Oct 9, New York City, Oct 16, 1982". Produced and orchestrated by the Rainbow Art...

Etching and aquatint, 1972 Handsigned by the artist in pencil and Annotated "HC" Edition : 70 Publisher : XXe Siècle (Paris) Printer : Morsang (Paris) Catalog : Dupin 564 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 40.00 cm. x 45.00 cm. 15.75 in. x 17.72 in. (image) Arches paper A few...

Lee Adler, American (1926 - 2003) - Steam Engine II, Year: circa 1970, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 12/50, Image Size: 17.5 x 24 inches, Siz...

Edwin Ruda, Dean Fleming, Leo Valledor, David Von Schlegell, David Novros, Tony Magar, Bernard Kirschenbaum, Robert Grosvenor, Peter Forakis, Mark di Suv...

Artist: Salvador Dali Title: Tristan and the Dragon Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4...

Sam FRANCIS Abstract composition (c. 1986) Original lithograph Unsigned as issued Justified bottom right "Lithographie originale de Sam Francis - Atelier d'Art Desjobert" On l...

Priscila Vergara (Mexico, 1974) 'Caleidoscopio de Sueños', 2011 silkscreen on paper Guarro Biblos 250g. 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 ID: VER-102 Unframed

Artist: Salvador Dali Title: Tristan's Testament Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4" x...

"Voices IV" Aquatint Etching Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/3 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Woodcut woodblock (small possibility it is a Silkscreen Serigraph) print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an a...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled (B/N vertical)', 2021 collagraph on paper Guarro Biblos 250g. 27.2 x 21.1 in. (69 x 53.5 cm.) Edition of 20 ID: NAA-112 Unframed

Modern French abstract serigraph of shapes and elements in bold strike figures, circa 1990. Signed lower right. 115/130 Original artwork on paper displayed on a white mat with a g...

Adytum S II, 1973 signed, dated, titled and numbered in pencil screenprint 31 1/2 x 22 7/8 in 80 x 58 cm

Jan De Ruth (American/ Czech, 1922-1991), " After the Bath" Edition 19/250, Figurative Lithograph on Paper signed and titled in Pencil, 30 x 21 (Image: 25 x 15.50), ca. 1970s, Late 20th Century Colors: Blue, Yellow, Red, Grey, White, Purple Jan De Ruth enjoyed special popularity as a portrait artist and has become one of the best known painters of the nude female in the world today. It's a long way from sketching in leftover coffee to painting a portrait of Ethel Kennedy for the cover of Time Magazine, twenty-five years in fact; and during that period, Jan De Ruth's personal experiences have been enough to fill two ordinary lifetimes. Through them all, art has sustained him and been his primary interest. To begin with, De Ruth, a native of Czechoslovakia and now an American citizen, spent the years of World War II being shunted through 5 different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor-"I became a perfect thief during those years," he says. Jan drew a mother and child on a scrap of paper he scrounged from the factory where he worked, filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups; as a fashion designer, illustrator, vacuum cleaner salesman, theatre manager, and actor. In '55 Jan De Ruth made his professional debut as a full-time artist and two years later his first one-man show established him as a serious painter. His work has been acclaimed for combining the technique of the old masters with a modern manner, and has been exhibited in more than 40 one-man shows in galleries and museums across the United States. He has been judged positively by juries in 28 national exhibitions and his numerous awards include the Purchase Prize of the Butler Institute of American Art, and the Gold Medal of the National Arts Club. De Ruth, author of the books "Portrait Painting" and "Painting the Nude," has devoted his entire life to painting the female face and form. He enjoys special popularity as a portraitist and has become one of the best known painters of the nude female in the world today. Often asked why he concentrates on this most demanding of all art subjects he replies: . . . "Each painting of the nude becomes a new experience . . . It (the human figure) is nature's most perfect and most imperfect creation, communicating, even in silence and immobility, the physical and spiritual power-and frailty-of humanity." Articulate, sophisticated, outspoken and well informed, De Ruth has also been a welcome guest on radio and television shows. But, it is painting that gives a purpose to Jan De Ruth's existence: "It is an unending challenge-there is no end, no final result-to be found in painting the human body. I have never seen two gestures that are alike, but so are the possibilities of expression. There will always be painters who will find one more way of saying: "See! This is what I feel about humans." . . . So until a greater challenge and a more profound symbol comes along, it is the human figure I wish to paint." AWARDS Butler Institute of American Art Purchase Prize Oguniquit Art Center Knickerbocker Artist 1964 Audubon Artist, Grumbacher Purchase Prize National Arts Club of America Gold Medal Windsor-Newton Award of the National Arts Club ONE MAN MUSEUM EXHIBITIONS B'nai B'rith Museum - Washington D.C. Florida Gulf Coast Art...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego III', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-120 Unfra...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...

This artwork "Untitled" c.1990, is an original colors woodcut monoprint on artisanal hand made paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed in pencil by the...

This abstract, black and white drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an ed...

Armando 18.09.1929 Amsterdam Seestück Giclee on heavy, hand-made cotton paper Year: 2016 Hand-signed and numbered Edition: 30 Condition: good Dimensions: 41.0 x 50.0 / 54.0 x 61.0 cm ARMANDO (Amsterdam 1929 - Potsdam 2018) Sculptor, Writer, Film and documentary maker, Violinist Education: Armando studied art history in Amsterdam for a number of years. He lived in Amstelveen and worked in Amsterdam. Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy. Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme. Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music. Exhibitions and prices: 1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van Looy...

This artwork titled "Notations Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed an...

This artwork "Untitled" c.1970, is an original woodcut monoprint on artisanal hand made paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed and numbered 1/1 in pen...

Hand signed. Edition of 90 prints. Publisher: Torino, Edizioni U. Allemandi.

Richard Paul Lohse Group of eight complementary squares with four rectangles (Gruppe von acht komplementären Quadrat Mit vier Rechtecken), 1976 Colo...

Composition is an original linograph realized by Luigi Veronesi in 1975. Hand-signed and numbered. Edition of 20 prints. Good conditions. Image Dimensions: 39 x 31 cm.

The Pond is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 60/95.

Image dimensions: 38 x 46.5 cm. Abstract Composition is an original color lithograph on paper realized around the 1970's. Signed in pencil on lower right margin. Signature not comp...

Red and brown- original litograph painting. framed Argimon (Sarriá 1929 - Barcelona 1996) is one of the great Catalan informalist artists. This painter, engraver and sculptor touche...