Medium Abstract Prints

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

Abstract Composition, 1959 Lithograph This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Moshe Tamir and Michael Gross. Joseph (Yossef) Zaritsky (Hebrew: יוסף זריצקי‎; September 1, 1891 – November 30, 1985) was one of Israel's greatest artists and one of the early promoters of modern art in the Land of Israel both during the period of the Yishuv (Palestine, the body of Jewish residents in the Land of Israel before the establishment of the State of Israel) and after the establishment of the State. In 1948 Zaritsky was one of the founders of the "Ofakim Hadashim" group. In his works he created a uniquely Israeli style of abstract art, which he sought to promote by means of the group. For this work he was awarded the Israel Prize for painting in 1959. Joseph Zaritsky...

Alan Sonfist, American (1946 - ) - Tree Trunk Series - Pink I, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 20.5 x 20.5 inches, Size: ...

This original exhibition poster features L'Ange du Foyer, one of the most iconic and recognized images by the surrealist master Max Ernst. Created for the Max Ernst exhibition at the...

Namiko Prado Arai (Mexico, 1963) 'Untitled 5 (Buril)', 1998 engraving on paper Guarro Biblos 250g. 20.9 x 24.5 in. (53 x 62 cm.) ID: PRA-307 Hand-signed by author Unframed

A beautiful image by Sonia Delaunay, Horizontale, 1970 was created by the artist as an original color lithograph on Arches paper measuring 19 ¾ x 25 3/4 in. (50 x 65 cm), unframed. T...

This original artwork by Antoni Tàpies is one of the 10 coloured lithographs of the “Berlin Suite”. Tàpies realized this portfolio in 1974, each lithograph is on Arches wove paper. ...

Beautiful Lithograph unframed si2gned and numbered 3/18 circa 1980' s in the style of Victor Vasarely very nice condition. Signed by Chester Solomon , title Cubist Extensions #2.

Kathan Brown Evening Moon, 1962 Color etching on wove paper Hand signed, titled, dated and numbered 30/100 by Kathan Brown on the front 18 3/4 × 27 3/4 inches De-accessioned from the...

Abstract composition is a colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left.  Edition of...

Prizma IV Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Eduardo Chillida (Spain, 1924-2002) '5 Livres Gravés', 1974 Original poster from show lithograph on paper 25.2 x 17 in. (64 x 43 cm.) Unframed Ref: CHI100-202 Eduardo Chillida He be...

An inverted car, gleaming in chrome, speeds through sumptuous layers of pink, translucent yellow, and a veil of lacy, flower-like shapes. Across the top, the artist’s name is splashe...

One Two Three (Red and Blue) by Robert Goodnough, 1968 Additional information: Medium: screenprint 56 x 76 cm 22 1/8 x 29 7/8 in signed, dated and numbered in pencil Robert Goodnou...

Maite Diaz Gonzalez (Cuba, 1963) Untitled from Cuban Portfolio, ca.2010 silkscreen on canvas 25.6 x 19.7 in. (65 x 50 cm.) Edition of 100 Unframed ID: DIA1205-001-100_3 Hand-signed ...

Johnny Gotthard Friedlaender (German, 1912-1992) 'Cadran Solair' (Sun Dial) Titled verso Aquatint etching in colors on wove paper Pencil signed lower right, edition EA (épreuve d'ar...

This artwork titled "Sans Titre" 1968, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numbered 30/...

Georg Karl Pfahler, German (1926 - 2002) - Ost-West Transit IV, Portfolio: Ost-West Transit, Year: 1971, Medium: Screenprint, signed and numbered in pencil on verso, Edition: 52/...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the fro...

Untitled is an artwork realized by Franco Giuli, in 1970s.  Screen print, 70 x 50 cm. Edition, 36/99. Hand signed lower right margin. Good conditions

Artist: Salvador Dali (1904-1989) Title: Prophétie de Dalínean (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Dalínean Prophecy, Imaginations and Objects ...

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

Fabian Marcaccio 560 Conjectures for a New Paint Management 1989-99 Ink jet print mounted on polystyrene with laminate Dimensions composition 30 1/4 x 23 3/16" (76.9 x 58.9 cm) sheet 30 1/4 x 23 3/16" (76 x 58.9 cm) Publisher Muse X Editions, Los Angeles Ink jet print mounted on polystyrene with laminate Fabian Marcaccio (Born 1963 Rosario, Argentina) is an Argentine-Italian born artist living and working in the United States whose trans-genre works including "Paintants" and '"Draftants" have been exhibited worldwide. Marcaccio was born to a native Argentine mother and Italian father in Rosario de Santa Fe where he later attended the University of Philosophy. In 1985, at age 22, he moved to New York City, where he continues to live and work. He has exhibited widely throughout theUnited States, Europe and South America. In 2004, Kunstmuseum Liechtenstein organized a retrospective of his work, the same year that a solo exhibition was mounted at the Miami Art Museum. He regularly exhibits with galleries in New York, Los Angeles, Berlin, Paris, Cologne and Barcelona. He has participated in numerous group exhibitions, including; the 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, DC in 1995, Summer Projects at PS1 Contemporary Art Center, New York in 2002, and Documenta 11, Kassel, Germany in 2002. His multidisciplinary collaborations include projects with the architect Greg Lynn that resulted in an exhibition at the Wexner Center for the Arts, Columbus, Ohio in 2001 and projects with composer Claudio Baroni creating animated operas and a 2005 scored, paintball performance at Weston Hall in Toronto, Canada. Marcaccio’s work investigates whether the traditional medium of painting can survive in the digital age. He has used printmaking transfer techniques to make paintings and became well known in the 1990s for his manipulations of the conventions of painting. More recently, he has relied upon digital and industrial techniques to infuse his painting process with spatial and temporal concerns. The results are environmental paintings, animations, and “Paintants” that combine digitally manipulated imagery, sculptural form, and three dimensionally painted surfaces. On September 10, 2011 Marcaccio received the "Bernhard Heiliger Award for Sculpture 2011" from the Mayor of Berlin, Klaus Wowereit. Bernhard Heiliger Award for Sculpture. Radical Shift: Political and Social Upheaval in Argentinean Art since the 1960s “Fabian Marcaccio” Interview by Shirley Kaneda BOMB 41/Fall 1992 2011 Pinta London, Featured Artist, Galerie Thomas Schulte, London, England “Corpse: Variant Paintants” Galerie Schmidt MacZollek, Cologne, Germany Bernhard Heiliger Award for Sculpture Exhibition, George Kolbe...

Abstract composition is a colored lithograph and screen print realized by the contemporary artist Giulio Turcato (Mantova, 1912 - Roma, 1995) in 1973. Hand-signed on the lower. Ed...

Joan MIRO The Surrealist Dream, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE ...

Peter Halley Peter Halley, Sonnabend Gallery, New York (Hand Signed by Peter Halley), 1989 Offset lithograph poster (hand signed by Peter Halley) 28 × 26 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 1989 exhibition at the legendary Sonnabend Gallery in New York which the artist hand signed in black marker. Scroll down for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali...

Sol LeWitt (American, 1928-2007) Isometric Figures (Plate I), 2002 Medium: Linocut in colors on Somerset Satin Dimensions: 50 × 75 cm (19½ × 29½ in) Edition of 55: Hand-signed and nu...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Unique variant from an edition of 606 70 cm (27.5 in) (diameter) Signed on the front Mint. Sold in th...

City Dweller is a mixed-media print created by Bik Chuen Ha in 1994. Using geometric and abstract forms, Ha portrays a modern figure wearing a hat, composed of triangles, circles, an...

Artist: Stanley Hayter, British (1901 - 1988) Title: II from the Aquarius Suite Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XXX Paper Size: 27 x ...

Kenny Scharf Looky, 2021 15-colour screen print on Mohawk Superfine UltraWhite, 160 lb cover paper. Signed by the artist, numbered and stamped by the publishers, JRP Editions. 61 cm...

Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1967 Deluxe fold-out from the journal XXe Siecle Unsigned, as issued Dimensions: 32 x 70 cm Publisher...

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction"...

Michael Challenger C2 - 1979 Screen Print Paper Size 18'' x 25'' Edition: Signed in pencil, titled, dated and marked 299/300 Michael Challenger's work is a powerful interplay of o...

Centered Rings Screen print, 1971 Signed and numbered in pencil From: Twelve Progressions Commissioned by Martha Jackson Graphics Printer: Domberger, Stuttgart, Germany Their drystam...

Jean-Paul Riopelle (1923-2002) is arguably the most successful post-war abstract painter from Canada. While Americans have traditionally favored Jackson Pollock as the most influen...

Etching, 1958 Handsigned by the artist in pencil and numbered 24/75 Publisher : Maeght (Paris) Printer : Crommelynck et Dutrou (Paris) Catalog : [Vallier n°121 p. 179] 63.50 cm. x 57...

Artist: John Chamberlain (1927-2011) Title: Flashback III Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 119/175, plus proofs Size: 28 x 20 inches Inscription: Signed...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of XIII/XXX.

Silkscreen, 1964 Edition : 52/150 Publisher : Hochschule St. Gallen (St. Gallen) Printer : Wifredo Arcay (Paris) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 41.50 cm. x 37.5...

Vision Antique Color lithograph, 1899 Signed in the stone upper left (see photo) Titled in the stone lower right (see photo) Edition: unsigned edition about 200 (per Arwas) Published...

Joan Miró Miro, L'oeuvre Graphique, 1974 Offset lithograph poster Unsigned Unnumbered 28 1/5 × 21 1/2 inches Unframed Published by the Musee d'Art Moderne de la Ville de Paris

Champ de Tournesols is an original hand drawn lithograph by the French artist Georges Lambert printed in Paris France during the 1970's using traditional hand lithography techniques ...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Artist: Keith Haring (1958-1990) Title: Safe Sex! (Döring & Osten 60) Year: 1987-88 Medium: Offset lithograph on archival gloss paper, archivally mounted on r...

One Two Three (Cobalt Blue) by Robert Goodnough, 1968 Additional information: Medium: screenprint 56 x 76 cm 22 1/8 x 29 7/8 in signed, dated and numbered in pencil Robert Goodnoug...

28" x 20" Unframed Limited Edition Giclée on Paper of 50 Hand Signed by Bernie Taupin

Joan Miro Ma de Proverbs (Abstract, Modern, Surrealism, Colorful, Iconic) 1970 Color lithograph on Arches paper Visible: 14.25 x 20.5 inches Framed: 22.125 x 28.75 x 1 inches Signed...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Castle No. 1 Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 13/60 Size: 30 in. x 22...

Geometric limited edition etching, hand painted abstract of an orange and blue figure inside of a circle by Pierre Brisson (French, b, 1955). Signed "Brisson" lower right and "720/75...

Lithograph realized by Costantino Persiani in 1971. Limited Edition of 120. Excellent condition.

ABOUT THIS PIECE: Color is the foundation of this Canadian artist's work. Her circles start as a mood or idea that eventually evolve into a colored circle. She is curious how different colors interact when they're placed next to each other. Within a digital medium she experiments with intensity of colors and the different sensations colors evoke. Why a circle? When she explores her fascination with this shape, she discovers that the circle represents all that is familiar and comforting. It is the shape of the rising sun, of a mother's nipple, of the iris of the eye, and of a full moon. ABOUT THIS ARTIST: Ruth Adler is a Canadian artist whose mediums include paintings, works on paper, animated films and textiles. She is inspired by the city of Tel Aviv, music (she plays the harmonica) and her personal memories. Jim Kempner Fine Art...

Title: Mecklenburg Autumn Medium: Lithograph in colors Year: 1979 Edition: AP (artist's proof, aside from the edition of 175) Signature: Stamped signature Image Size: 22 1/4" x 17 1/...

Photography/ fine art print, limited 1/5, signed by the author.

Original poster: Chopstix Sequences. Printed on woven paper. Horizontal print of a hand holding a chop stix or both in various positions. Behii...

Artist: Ibram Lassaw, American (1913-2003) Title: Continuity Year: 1971 Medium: Silkscreen, signed and numbered in pencil Edition: 150 Size: 24 in. x 32 in. (60.96 cm x 8...

Arthur-Luiz Piza, Brazilian (1928 - 2017) - Etoiles, Year: 1965, Medium: Etching on Arches, signed and numbered in pencil, Edition: 12/60, Image Size: 17 x 12 inches, Size: 26 x...

NIGHT CAT is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. NIGHT CAT is a lively, ...

4 colour screenprint on Somerset Tub Sized 410gsm paper Edition of 125 Signed, numbered and dated on the back Mint. Minor imperfections may appear due to the production process Sinc...