Medium Abstract Prints

NIGHT ANIMAL is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking paper, 100% ac...

From the estate of Jerry Opper and Ruth Opper Abstract Line Print c.1950's Stone Lithograph on Paper 25" x 19.5" Unframed Estate stamp lower left Came from ...

Screeh print with holes on BFK Rives. Realized in occasion of the exhibition at Galleria Il Quadro Biella. Published by Silvio Zamorani Editore.

Untitled XV Piero Dorazio, Italian (1927–2005) Date: 1973 Screenprint, signed and numbered in pencil Edition of 71/100 Size: 31 x 22 in. (78.74 x 55.88 cm)

Alan Sonfist, American (1946 - ) - Tree Trunk Series - Pink I, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 20.5 x 20.5 inches, Size: ...

This artwork "untitled #1" 1978 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed,...

Beautiful Lithograph unframed si2gned and numbered 3/18 circa 1980' s in the style of Victor Vasarely very nice condition. Signed by Chester Solomon , title Cubist Extensions #2.

ARTIST: Salvador Dali TITLE: Time American Clock MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine, New York EDITION NUMBER: EA ME...

Artist: Lamar Briggs, American (1935 - ) Title: Spirit Coasas VIII Year: 1976 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 200 Paper Size: 29 x 21 inches

Artist: Roy Ahlgren, American (1927 - 2011) Title: Portals Year: 1976 Medium: Screenprint, signed, numbered, dated, and titled in pencil Edition: 80 Image Size: 24 x 18 inches Size:...

This original exhibition poster features L'Ange du Foyer, one of the most iconic and recognized images by the surrealist master Max Ernst. Created for the Max Ernst exhibition at the...

Six color screen print hand stained and stenciled with spray paint. Hand signed by Mr. Brainwash on front, with his thumb print and dated on verso. Hand numbered 24/40 lower front....

This artwork, titled "Ceremonial Landscape" c.1980 is an etching with embossing on Arches paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. It is numbered “21/30 e.v.”. The meaning of e.v. is “edition varied.” It indicates the artist varied the ink or paper or some other aspect of the printing process to create more than one image. The image is 18 x 15 inches, sheet size is 30 x 22.25 inches. It is in excellent condition, and has never been framed. About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold. Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University. EDUCATION 1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship. 1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award 1977 B.F.A. Honours, with Distinction, Concordia University SOLO EXHIBITIONS 2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017 2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July 2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015. 2013 DaDa Delirium, MacIntosh Gallery, University of Western ON. 2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012. 2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May 2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON. 2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON. 2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...

Two Warped Corners Herbert Bayer, Austrian (1900–1985) Date: 1973 Screenprint, signed and numbered in pencil Edition of 5/50 Image Size: 29.75 x 29.75 inches Size: 32 in. x 32 in. (8...

One Two Three (Red and Blue) by Robert Goodnough, 1968 Additional information: Medium: screenprint 56 x 76 cm 22 1/8 x 29 7/8 in signed, dated and numbered in pencil Robert Goodnou...

Kathan Brown Evening Moon, 1962 Color etching on wove paper Hand signed, titled, dated and numbered 30/100 by Kathan Brown on the front 18 3/4 × 27 3/4 inches De-accessioned from the...

This original lithograph poster was produced for the retrospective exhibition of Joan Miró's graphic work, held at the Pasadena Art Museum in California, U.S.A., in 1969. Published b...

Carnivalesque Composition is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered, edition of 11/1...

Abstract composition is a colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left.  Edition of...

Artist: Paul Klee, After, Swiss (1879 - 1940) Title: Bauchredner und Rufer im Moor (Ventiloque criant dans le marais) Year: 1964 after 1920 Drawing Medium: Pochoir on Rice Paper, Sig...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 73/125 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 49.00 cm. x 40.00 cm. 19.29 in. x 15.75 in. (i...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Condition: In v...

Eduardo Chillida (Spain, 1924-2002) '5 Livres Gravés', 1974 Original poster from show lithograph on paper 25.2 x 17 in. (64 x 43 cm.) Unframed Ref: CHI100-202 Eduardo Chillida He be...

Artist: Cris Cristofaro, American Title: Navy and Blue Rectangles Year: 1978 Medium: Silkscreen on Arches Paper, signed and numbered in pencil Edition: 50 Size: 30 x 22 in. (76.2 x 5...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Joan MIRO The Surrealist Dream, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE ...

Georg Karl Pfahler, German (1926 - 2002) - Ost-West Transit IV, Portfolio: Ost-West Transit, Year: 1971, Medium: Screenprint, signed and numbered in pencil on verso, Edition: 52/...

Marius Sznajderman was a painter, printmaker and scenic designer living and working in the United States. Born in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe. He helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz...

Contemporary School, Blurred Fruit, Chromogenic Print in Colors on Acrylic panel, sky blue ground with pale central image of fruit, apparently unsigned, unframed. 40" H x 29.75" W. P...

Prizma IV Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Namiko Prado Arai (Mexico, 1963) 'Untitled 5 (Buril)', 1998 engraving on paper Guarro Biblos 250g. 20.9 x 24.5 in. (53 x 62 cm.) ID: PRA-307 Hand-signed by author Unframed

Artist: Kyohei Inukai, American (1913 - 1985) Title: Flamboyant Year: 1979 Medium: Serigraph, Signed and numbered in pencil Edition: 200, AP 30 Size: 22.5 x 30 inches

Silkscreen, 1964 Edition : 52/150 Publisher : Hochschule St. Gallen (St. Gallen) Printer : Wifredo Arcay (Paris) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 41.50 cm. x 37.5...

A very good impression of this early lithograph on Arches. Initialed, dated and numbered 5/100 in pen and black ink. Printed and published by Original Press, San Francisco, with the ...

Abstract 2 is an original hand drawn lithograph by the German artist Jan Voss, printed using hand lithography techniques on archival Arches paper 100% acid free. Abstract 2 presents ...

An inverted car, gleaming in chrome, speeds through sumptuous layers of pink, translucent yellow, and a veil of lacy, flower-like shapes. Across the top, the artist’s name is splashe...

Etching, 1958 Handsigned by the artist in pencil and numbered 24/75 Publisher : Maeght (Paris) Printer : Crommelynck et Dutrou (Paris) Catalog : [Vallier n°121 p. 179] 63.50 cm. x 57...

Fabian Marcaccio 560 Conjectures for a New Paint Management 1989-99 Ink jet print mounted on polystyrene with laminate Dimensions composition 30 1/4 x 23 3/16" (76.9 x 58.9 cm) sheet 30 1/4 x 23 3/16" (76 x 58.9 cm) Publisher Muse X Editions, Los Angeles Ink jet print mounted on polystyrene with laminate Fabian Marcaccio (Born 1963 Rosario, Argentina) is an Argentine-Italian born artist living and working in the United States whose trans-genre works including "Paintants" and '"Draftants" have been exhibited worldwide. Marcaccio was born to a native Argentine mother and Italian father in Rosario de Santa Fe where he later attended the University of Philosophy. In 1985, at age 22, he moved to New York City, where he continues to live and work. He has exhibited widely throughout theUnited States, Europe and South America. In 2004, Kunstmuseum Liechtenstein organized a retrospective of his work, the same year that a solo exhibition was mounted at the Miami Art Museum. He regularly exhibits with galleries in New York, Los Angeles, Berlin, Paris, Cologne and Barcelona. He has participated in numerous group exhibitions, including; the 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, DC in 1995, Summer Projects at PS1 Contemporary Art Center, New York in 2002, and Documenta 11, Kassel, Germany in 2002. His multidisciplinary collaborations include projects with the architect Greg Lynn that resulted in an exhibition at the Wexner Center for the Arts, Columbus, Ohio in 2001 and projects with composer Claudio Baroni creating animated operas and a 2005 scored, paintball performance at Weston Hall in Toronto, Canada. Marcaccio’s work investigates whether the traditional medium of painting can survive in the digital age. He has used printmaking transfer techniques to make paintings and became well known in the 1990s for his manipulations of the conventions of painting. More recently, he has relied upon digital and industrial techniques to infuse his painting process with spatial and temporal concerns. The results are environmental paintings, animations, and “Paintants” that combine digitally manipulated imagery, sculptural form, and three dimensionally painted surfaces. On September 10, 2011 Marcaccio received the "Bernhard Heiliger Award for Sculpture 2011" from the Mayor of Berlin, Klaus Wowereit. Bernhard Heiliger Award for Sculpture. Radical Shift: Political and Social Upheaval in Argentinean Art since the 1960s “Fabian Marcaccio” Interview by Shirley Kaneda BOMB 41/Fall 1992 2011 Pinta London, Featured Artist, Galerie Thomas Schulte, London, England “Corpse: Variant Paintants” Galerie Schmidt MacZollek, Cologne, Germany Bernhard Heiliger Award for Sculpture Exhibition, George Kolbe...

Conrad Marca Relli - Composition V Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...

Artist: Salvador Dali (1904-1989) Title: Prophétie de Dalínean (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Dalínean Prophecy, Imaginations and Objects ...

Abstract composition is a color etching and aquatint on paper, realized in 1990 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil ...

Maite Diaz Gonzalez (Cuba, 1963) Untitled from Cuban Portfolio, ca.2010 silkscreen on canvas 25.6 x 19.7 in. (65 x 50 cm.) Edition of 100 Unframed ID: DIA1205-001-100_3 Hand-signed ...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the fro...

This original poster, designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York (September 19–November 16, 1969), is a screen print on white glo...

This artwork titled "Sans Titre" 1968, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numbered 30/...

Screenprint on Rives paper, Edited in 1969 Limited Edition of 250 copies Signed and dated in pencil by artist in lower rith corner , numbered as 88/250 in lower left corner Paper siz...

Michael Challenger C2 - 1979 Screen Print Paper Size 18'' x 25'' Edition: Signed in pencil, titled, dated and marked 299/300 Michael Challenger's work is a powerful interplay of o...

Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1967 Deluxe fold-out from the journal XXe Siecle Unsigned, as issued Dimensions: 32 x 70 cm Publisher...

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

Image dimensions: 46 x 34 cm. Lithograph representing a abstract composition. Dated, numbered and hand-signed with pencil on lower margin by the Italian artist, Vasco Bendini. Editi...

Artist: Stanley Hayter, British (1901 - 1988) Title: II from the Aquarius Suite Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XXX Paper Size: 27 x ...

Untitled is an artwork realized by Franco Giuli, in 1970s.  Screen print, 70 x 50 cm. Edition, 36/99. Hand signed lower right margin. Good conditions

One Two Three (Cobalt Blue) by Robert Goodnough, 1968 Additional information: Medium: screenprint 56 x 76 cm 22 1/8 x 29 7/8 in signed, dated and numbered in pencil Robert Goodnoug...

This original lithograph in colours is hand signed in pencil by the artist “Calder” at the lower right image. It is also hand numbered in pencil from the edition 39 of 100, at the l...

Joan Miró Miro, L'oeuvre Graphique, 1974 Offset lithograph poster Unsigned Unnumbered 28 1/5 × 21 1/2 inches Unframed Published by the Musee d'Art Moderne de la Ville de Paris

Lithograph, 1969 Edition : 8/200 71.00 cm. x 50.00 cm. 27.95 in. x 19.69 in. (paper) 59.00 cm. x 36.00 cm. 23.23 in. x 14.17 in. (image) Handsigned by the artist in pencil Ref : LC...

Abstract black and white hand painted print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary space...

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction"...

Peter Halley Peter Halley, Sonnabend Gallery, New York (Hand Signed by Peter Halley), 1989 Offset lithograph poster (hand signed by Peter Halley) 28 × 26 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 1989 exhibition at the legendary Sonnabend Gallery in New York which the artist hand signed in black marker. Scroll down for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali...

Abstract Composition, 1959 Lithograph This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Moshe Tamir and Michael Gross. Joseph (Yossef) Zaritsky (Hebrew: יוסף זריצקי‎; September 1, 1891 – November 30, 1985) was one of Israel's greatest artists and one of the early promoters of modern art in the Land of Israel both during the period of the Yishuv (Palestine, the body of Jewish residents in the Land of Israel before the establishment of the State of Israel) and after the establishment of the State. In 1948 Zaritsky was one of the founders of the "Ofakim Hadashim" group. In his works he created a uniquely Israeli style of abstract art, which he sought to promote by means of the group. For this work he was awarded the Israel Prize for painting in 1959. Joseph Zaritsky...